If you’re after a 2.5D side-scrolling stunt game, the Urban Trial Playground is going to scratch that itch for you on Switch. Sure, it’s riffing off the Trials series, but it’s a fun and lengthy alternative that’s a good fit for Nintendo’s platform.

Aragami: Nightfall adds a wealth of new missions and stories to Aragami that are worth checking out if you missed the game the first time around, and doubly worth checking out if you never picked it up at all. Some performance issues and technical faux pas still affect the game, but it’s overall a much more engaging experience than it was back in 2016 and worth giving a go if you’re at all a fan of classic stealth games.

There's a satisfying strategy experience to be had here though one that comes with quite the learning curve. Even once you have a grip on the basics, tangling with ROTK's new grid-based system and overall pacing can often put a few awkward steps between you executing your next cunning plan.

Space Invaders Forever is pretty great for anyone who's a fan of Space Invaders. It offers three games that are very different in approach, one of them with a fresh lick of paint and one focused on local multiplayer for some part cooperative, part competitive Earth defending. It's hard to argue against the variety you get with these three classics.

ELEX is the very opposite of the accessible games that have revolutionised the open world RPG in recent years. I enjoyed it as a modern looking take on the Gothic series, but newcomers will have to be prepared to fight against the systems through the beginning of the game. This has resulted in the game quickly gaining a cult following who celebrate its obscurity and lack of accessibility. I don’t agree with this take and would argue that the best aspects of the game would only be improved by a more polished and refined presentation.

If you come into this expecting a setting, cast or narrative similar to any of the anime, you might be left disappointed and confused. It’s still a fun, addictive game with the flashy combat you’d expect from a Warriors-style game, but you might have to tune out the story in order to enjoy it. In a franchise where story is so key, that’s a huge bummer.

Strategy aficionados will look on approvingly as fans of the series rejoice. It’s certainly not a game for everyone, yet those who find themselves hooked by Romance of the Three Kingdoms XIII will struggle to break free of its hold. The fact that it plays so well on console as well as on PC shows that Koei is capable of more than mindless button bashers.

The tasks may seem menial at first, but when you get in your first proper big battle with all the chaos of swords clashing, archers firing arrows, and cavalry charging the game just comes together. Mount & Blade: Warband is one of the hardest games I’ve played and that just makes it so very satisfying when you succeed.

Crash Team Rumble is an accessible and terrifically enjoyable online platforming battler, and as more seasons of content are released, it could become a pretty essential multiplayer game. In the here and now, though, it's a bit too limited and features too little content to be anything more than throwaway fun.

Martyr isn’t bad, but it feels like it’s missing that spark to be really enjoyable. When playing with hack-and-slash action you want to feel involved, but the fights in Martyr feel like someone else is playing the game. Sure there are some fun moments and maybe it will grow into a more enjoyable experience post-launch, but for the here and now, it probably isn’t worth your time.

Mini-Mech Mayhem is a great addition to the PSVR library. It's an accessible and fun strategy title that can provide hours of fun. There are some issues that do need ironing out, but if you have a PSVR headset then Futurlab's latest creation is well worth getting.

It’s great to explore the background of one of the comic’s more popular characters, but doesn’t significantly push Telltale’s games on from their previous highs.

Disneyland Adventures is a terrible remaster of what should be an enjoyable family game. Running around hugging cartoon characters, taking pictures and grabbing autographs is what everyone would want from a trip to Disneyland, it’s just a shame that this is the kind of trip where you miss your flight, the weather is terrible, and your hotel room is dirty.

At its core A-Men is a clever game. The idea behind controlling multiple characters and using so many different skill sets is a good one. In my opinion, a lot of the enjoyment the game provides is often negated by the trial and error nature of the gameplay.

Shenmue III doesn’t push the Unreal Engine 4 to its limits yet, on the whole, there’s an enchanting aura about it. Yes, some character models look comically garish, but there’s a beauty to the game’s environments – spaces that you actually live in instead of racing through on a whistle stop tour. Where Shenmue previously captured the hustle and bustle of cramped urban areas, it manages to do the same with the vibrant and somewhat mystic Bailu village.

If you are a mud enthusiast, then you’ll find a lot to love about AI Limit and will likely see it through to completion. If, like the rest of us, you’re ambivalent about mud, then AI Limit doesn’t do nearly enough with its combat, nor with its world-building, to keep you playing for long.

There's a lot to like about HyperParasite; bombastic action, smooth gunplay and literally thousands of 1980's pop culture references are all good fun. It's just a shame that its spoiled by an overly punishing roguelite structure, asking you to play thorough the same content again and again to make any noticeable progress, rendering the pacing of the game an interminable slog.

If you love No More Heroes, or any work of Suda51’s, then Travis Strikes Again is a must-play game. It’s a creative explosion of fanservice, callbacks and classic Travis Touchdown charm that will make any fan grin from ear to ear. If No More Heroes was all about the combat and gameplay for you, then this might be a harder sell. While the combat in Travis Strikes Again doesn’t surpass the gameplay from the originals, the variety of gameplay styles and genres that Travis Strikes Again explores and dips its toes in more than makes up for it. Travis Strikes Again is a love letter to gaming, and the perfect way to whet fans appetites before No More Heroes 3 gets made proper.

By scaling back the epic-scale battle sizes and weaving in nifty mini-games, NEXT is the first title in the series that doesn't feel like a chore, an element that has plagued the franchise for years now.

For any Final Fantasy fan, Dissidia NT has plenty to offer, with an array of the series’ best loved characters, and plenty of chaotic combat to pit them in. Unfortunately the lack of definition to those encounters, messy UI, convoluted single player progression, and a barebones selection of modes saps a good chunk of the fun away.

There's no denying that All Zombies Must Die! has potential. The crafting idea is a good one, and with a few people round the gameplay is certainly enjoyable. However, the repetitive nature of the quests, frustrating single player experience and lack of online co-op really does drag the game down.

Bright Memory: Infinite is a matured version of the original Bright Memory, stripping away some of that game's excesses for a more put-together experience. That said, the story is still complete insanity (that's barely acknowledged by the characters), and it’s clear that this solo production cannot match its boundless ambition.

DC Universe Online is ground-breaking; it's innovative and downright addictive.

The mixture of side scrolling stealth with the cover-based 3D shooting is quite an ingenious one, but simple enough that when combined with the randomly generated levels, you can hop into the game for a few minutes and, ignoring a few flaws, find yourself staying for an hour.

Elli is a lovely little puzzle platformer that's well worth spending a few hours with, though its relaxed vibe and accessible gameplay could see your attention waning before the end.

I wasn’t expecting to like Miitopia as much as I did, but it certainly had me hooked until the end. It’s deceptively long despite its rather basic premise and while the first two thirds are somewhat restrictive, the final third is when the game really comes into its own and shows off its true potential with compelling mechanics that are surprisingly deep. Miitopia is an odd duck for sure, but one that is very hard to put down once the hooks are in.

High on Life is a conflicted game. On the one hand it's a solid shooter that often feels like more than the sum of its parts, and comes with an engaging art style and ideas, but the sense of humour is just so subjective that it's hard to recommend to anyone that isn't a die hard Rick and Morty fan.

Despite the somewhat flawed core gameplay and objectives system, Men’s Room Mayhem is a good bit of fun and a good distraction for the price – just don’t go in expecting a worthy rival to the brilliant Flight Control; while that game and the title song lingered in your head for months after, this will be much forgotten much quicker.

Warhammer Age of Sigmar: Realm of Ruin is a great-looking, well-tuned RTS that will keep Games Workshop fans happy for many hours.

The Council’s second episode doesn’t manage to hit the highs of the first, which could be down to it being smaller in scale in comparison. Hide & Seek’s murder mystery does bring you in and advances the overall plot in a big way, but at the same time it feels like more could have been made of it. There’s some story threads dangled for you to grab, but those threads could have been expanded upon more within the context of this episode.

I'd love to be able to recommended Redeemer: Enhanced Edition to you. Its top-down shoot and beat 'em up combat is tremendous fun, and the local drop-in and out co-op mode is treat, but there's way too many game breaking bugs and glitches that hold up any recommendation. If these issues are fixed with a patch then feel free to add a few points to the score, otherwise you're best off looking for your gory thrills and spills elsewhere.

It’s safe to say that World War Z doesn’t shy away from its undeniable likeness to Valve’s 10 year old masterpiece. In borrowing many of that game's ideas, from its AI engine to the uncannily similar special zombies, it's actually become a spiritual successor that can scratch that Left 4 Dead itch. World War Z might lack in originality, but this isn’t enough to deter from the brainless, fast-paced, cooperative shooter action that you can effortlessly sink hours into and unknowingly get a real soft spot for.

Oddworld: Soulstorm clearly comes from a very passionate, dedicated group of developers. Although it is very rough in places, there are parts of it that really do stick out as excellent examples of both gameplay and storytelling. With more refinement this could have been a shining example of what ground-up remakes could be, but it just falls a little short of the high standards set elsewhere. It’s still charming and funny, just like the Mudokens you’re trying to save, but that doesn’t make it any less frustrating.

Kirby’s Dream Buffet isn’t a terrible game, and certainly has the typical Nintendo aesthetic polish, but the whole package is underwhelming and lacking in any real variety. I felt as if I had seen everything bar the unlockable cosmetics after a few hours play and there was nothing to keep me hooked. Unless you are a total diehard Kirby fan, I’d just go for a replay of Forgotten Land.

Nine years on from the original, Lumo 2 writes another love letter to 80s gaming. While it branches out from isometric gaming with its many enjoyable diversions and asides, they're connected by too many rooms and sections that suffer from your sluggish movement and imprecise platforming.

Pewter Games’s title has all the ingredients for a great game but it is let down by a plot that feels cobbled together and a very short play time.

Even without the original’s VR elements, Chronos: Before the Ashes’ compelling and somewhat challenging combat is still its main draw, in which you have to attack, dodge and parry your way, with refined precision, towards victory. Its aging system also adds an interesting twist to combat, imbuing your battles with a sense of prudence. That said, it doesn’t offer anything new to the genre. Just watch out for its clumsy camera angles and you’ll do fine.

Brilliant, inventive and as we've said before, a Sega fan's perfect game.

Samurai Jack: Battle Through Time truly feels like a blast from the past. Instead of playing into modern action game trends, the game revisits the style and feel of old-school action games with great success. There are a few frustrating elements that come from that dated design style and hamper the experience, as well as an ultimately unnecessary weapon-durability system. Still, for fans of the original cartoon, this is a trip down memory lane well worth taking.

There isn't much to say about Zombie Army VR. It's not bad, but it also doesn't stand out from the zombie shooter hordes, and it even fumbles the series' only truly distinctive feature, the X-ray killcams. It's a by the numbers zombie shooter in VR that might be enjoyable enough if zombie shooting if your gaming version of comfort food, but there are better options out there.

Shape of the World isn’t a bad game, it just never quite hits its stride in the way a game like this needs to. There just isn’t anything that implores you to move forwards apart from the fact that there is little else to do, and while there are some very pretty moments, rarely is anything more than superficial achieved. Shape of the World fails to do enough to pull itself out of the abstract and ultimately just feels empty.

Sadly, Scanner Sombre never really attains the heights of Dear Esther and Gone Home, two games that Introversion site as inspirations. If you have an interest in that genre, it’s still very much worth exploring the cavernous depths of Scanner Sombre, but more than its fellows, this is a striking idea that searches for a game and a story to make the most of it.

If old-school knockabout fun is your thing then SARPBC is probably the best the PSN has to offer you.

It’s a slow paced game and the Vita version is a little less than swift about its transitions, simulations and loading screens but that’s a small price to pay for those die hard fans that want to take their Football Management career on the road.

Overall the controls are intuitive and responsive, with the game working with you to complete its levels, but every once in a while, certain mechanics felt a little off. Thankfully there’s a wide array of accessibility options, and while hardcore gamers may lament this approach as overly casual, the optional nature means that The King’s Bird can be enjoyed by all.

If you're coming to Fitness Boxing 2 fresh-faced and don't own the first game, then it might be worth picking up. However, if you played the first one or if you own Ring Fit Adventure, it's incredibly hard to recommend it unless you're really into thirsting over the instructors, all of whom you can still rather creepily dress-up and customise.

Having flirted with the dark side in the run up to launch, Star Wars Battlefront II has had its reputation sullied by its underlying business model and how that is tied to character progression. That distracts from how much it improves on the first game though, with much better variety in Galactic and Starfighter Assault, character classes and team play being gently encouraged, and a broader and deeper player progression. Perhaps the greatest irony is that fear, anger and hate were Star Wars Battlefront II’s path back towards the light.

The game is a visually nice one, though levels do repeat. The only real problem is the sensitivity of the touch pad on PS4, and then it plays better on Vita. It’s a game that is enjoyable in short bursts compared to a long slog, and it provides a fun distraction.

F.I.S.T. offers a rock-solid Metroidvania experience that I enjoyed greatly. Chunky combat, glorious level design and well-hidden secrets are what gets me out of bed in the morning, and F.I.S.T provided all of that and terrifying talking bears too. Unfortunately, I can’t overlook the technical issues that plague proceedings. If TiGames sort out the problems with a rapid patch then this would be a game that's much easier to recommend.

Helvetti has buckets of charm, offering delightful 2D visuals that will impress any player with ease. Unfortunately, the feathery, button-mashing combat is less appealing, whilst the uninspired rogue-like mechanics never really click.

Compared to the original, Nights of Azure 2: Bride of the New Moon is an utter disgrace. For me, it took all the good stuff out and amplified the things that didn’t work. Performance is notably worse, and don’t get me started again about how bad the dialogue is in this cookie cutter excuse for a sequel. Even if you like this kind of titillation, this is a remarkably poor example of it. Avoid at all costs.

This is a platform that Traveller’s Tales are looking to build on, and indeed have since its original launch on PC, and with continuing growth there’s the potential here for something essential for Lego enthusiasts. As it stands though, for all of the merit and freedom that Lego Worlds affords, it’s still bound by many of the same problems as its predecessors.

Rust Console Edition manages to transcribe the wildly popular PC experience, but a few key missing features mean it falls short of what it should be. It could be great in time, but right now it feels like a disappointing misstep in comparison to the fleshed out PC version.

Happy Home Designer captures some of the Animal Crossing magic, but not enough to make it an essential entry in the series.

SpongeBob SquarePants: Battle for Bikini Bottom - Rehydrated is a solid remake that perhaps stays a little too true to the original. The updated visuals bring the game more inline with the original cartoon series, but some dated game design holds the port back from being truly exceptional.

Driveclub VR has its shortcomings and doesn’t quite match up to the high bar that the original game now sets, but even then, it’s an outstanding racer, especially if you have a racing wheel. Driveclub VR is an essential purchase for racing fans on PSVR.

Monochrome Mobius: Rights and Wrongs is full of interesting nuggets of narrative revelations for fans of the long-running Utawarerumono visual novel series, but its pacing problems and lacking quality make it much less suitable for newcomers than it should be.

The Incredible Adventures of Van Helsing: Extended Edition is a good action RPG that is a welcome addition to the PS4, but is held back by some uninspiring loot, uneven difficulty and the decision to release the trilogy one game at a time. This version does include all of the enhancements from the Final Cut, but it’s difficult to recommend buying this alone when the full trilogy is so often discounted on PC. Given the likely future releases, I fully expect this to appear on PS+ fairly soon. So unless you have completely rinsed Diablo 3, and are bored of Alienation but desperate for more loot, I’d stake clear of this until the full trilogy is released.

Castaway Paradise is a disappointment. It simply doesn’t capture interest like Animal Crossing does, whether it’s due to the broken economy, the endless repetition of quests, or perpetual fruit gathering.

A functional but disappointing experience.

Manic Mechanics is a reasonably sufficient attempt to do Overcooked! in a garage, but lacks the magic that made its influence such a classic. Entirely disposable fun for a weekend then, just don’t be expecting your friends to be begging to play more next week.

The spirit of Gorkamorka lives on in Speed Freeks, with a frantic blast of multiplayer mayhem the perfect antidote to the grim dark realities of other Games Workshop titles.

Shredders is a breath of chilly mountain air in the face of snowboarding fans everywhere. If you miss the genre's heyday of Cool Boarders, 1080 Snowboarding, and Amped, then it's definitely time to strap on a new pair of digital bindings.

MotoGP 15 is still an accomplished racer, but it offers little to draw fans in, compared to last year’s entry.

Great presentation and plenty to unlock makes Vempire highly recommended.

One Piece: Burning Blood is a great example of a licensed videogame, and it gets so much right, bringing the characters of One Piece to life in spectacular fashion. It’s a shame that the limited and unwelcoming narrative scope and unnecessary difficulty spikes take away from what is otherwise a great arena brawler.

Blue Reflection is a good start for something even greater. It manages to perfectly capture the atmosphere of classic magical girl anime series, and does so with some of the prettiest visuals I’ve seen in a Japanese PS4 game. Unfortunately, it fails at making a truly engaging JRPG to go with it. The lack of a focus on combat is interesting, but it ends up making combat feel more like an afterthought than it ought to be. I hope Gust is willing to put out a sequel, because with some of these issues tackled, this could end up being my new favorite JRPG series.

The Wheelman isn’t perhaps the prettiest game on the PlayStation 3, but it’s certainly not ugly: Barcelona looks fine, there’s plenty of variety and lots to explore but everything has a slightly flat feel to it.

Solid is the word I would use to describe H1Z1: Battle Royale on PlayStation 4. It’s not the prettiest of games or the most clever, but it does what it does really well and it is a great alternative for those who find all the tree chopping and base building in Fortnite very tiresome. H1Z1 is off to a great start on PlayStation 4.

Feel[s] more like a flashy RPG Maker project than an actual published title.

Black Ops 7 really demonstrates the difficulties of Call of Duty's yearly release schedule and going back-to-back with its sub-series. It's not as rushed-feeling as Modern Warfare III was, that's for sure, but it's also not a consistent experience. The multiplayer and Zombies are solid continuations from last year, but there's not too much excitement in that, especially after the energy-sapping co-op campaign and Endgame.

Golem Gates is a great strategy title that blends CCG and RTS elements into an enjoyable combat-heavy form, while offering a world and soundscape that I immediately fell in love with.

A puzzling game, in every sense of the word. In that manner there are puzzles, each of which must be surmounted before you can progress, but equally its lack of any true storytelling, beyond that which you create yourself, or indeed any hand-holding to point you in the right direction almost cause too much confusion.

While Way of the Hado feels tacked on and ultimately a pointless gimmick, this is still a great version of Street Fighter II and currently the best way to experience the classic game on today’s hardware. The additions to the main game are minor at best for the astonishing price tag, with Evil Ryu and Violent Ken just being amped up clones of existing fighters, but it still plays like the classic arcade fighter. Just don’t expect anything revolutionary.

The crucial factor to take into account here is the sense of humour. Do you like silly, immature humour that has no respect for the fourth wall? If you don’t, the gameplay probably isn’t strong enough to maintain your interest, particularly in a crowded genre. If you do however, the gameplay is strong enough to maintain your interest for the length of the game, slightly short though it may be.

Glaring issues with Zodiac: Orcanon Odyssey can be summed up by remarking on just how dull and unfinished it feels.

There’s some good ideas in how PlayLink can be used to let a group of players (and non-gamers in particular) join together and shape a filmic story, but the actual interface feels clumsy, and the story and scripting leaves plenty to be desired. It’s safe to say that Hidden Agenda is an obvious disappointment.

Super Meat Boy Forever is an interesting sequel. It attempts to build on the legacy of its predecessor, but the additions it brings to the table cannot elevate it beyond the simplicity of the original. The updated visuals are welcome, but Super Meat Boy Forever is a classic example of trying too hard to innovate, while losing sight of what made the series so beloved.

It doesn't quite hit the spot in some ways with its puzzles often too simple and unchallenging but it never feels hugely to the detriment of the game.

If you'd have told me before I played Shing! that I would like a control scheme that see's you launch combo attacks with an analogue stick, I would have karate chopped your kidney in anger. Ultimately, you would have been right. It's a control scheme that innovates, is accessible and offers a degree of combo flexibility not seen in more traditional beat 'em ups. In a stellar year for nostalgic side-scrolling beat 'em ups, Shing! is a new IP that absolutely demands your attention.

The card combat and deckbuilding of Neoverse is incredibly strong and if all you need to keep you entertained is deep card combat, it's got you covered. However, the lack of any kind of context and background to anything, just going from fight to fight, eventually takes the sheen off. The core of the game has benefited from a great deal of attention, care and creativity, it's just a shame it was almost squandered due to the lack of it elsewhere.

Winds and Leaves has potential, but the waggle-to-walk controls, the constant jaggedness and morphing vegetation on PSVR, and the detached climbing mechanic cover up most of it. provided you're at peace with the issues it has, It can be a relaxing and meditative experience, but there are better options out there.

Like the first two games, Fairy Fencer F: Refrain Chord is flawed, tonally inconsistent, and a massively repetitive grind. Re-treading this story for the third time and jump to an entirely different and less enjoyable gameplay system has made it even harder to recommend this game in spite of it's flaws. There is charm, and there are moments, and diehard Compile Heart fans might be able to push through and enjoy them, but I suspect that the people this game will truly speak to are few and far between.

Phantom Breaker: Battle Grounds Ultimate is a renewed take on a beat 'em up that probably felt a little outdated back when it launched in 2012, and while the revamped graphics and the engine are both nice, they're not enough to make this feel like a game that's really worth sinking your time into. It's a fun five minutes or so here and there, but it's just not doing enough to really make it an enjoyable time.

Echoes of the End is annoying, because it just needs a bit more time to iron out the niggles and give it that extra layer of polish. As it is it's got a lot going for it but some will lose sight of it through some issues that get in the way.

There is a lot of fun to be had with the game; it's fast, there's a fair amount of content, and two different styles of vehicle to master. Unfortunately it's plagued with issues which can spoil the experience somewhat. If you feel you can handle these issues, then go out and get yourself nail'd… damn it!

Berserk and the Band of the Hawk is the pinnacle of musou games, as far as I’m concerned. Omega Force and Koei Tecmo have experimented with the formula for years, and everything they’ve learned and perfected has led up to this game. Berserk Musou gives you the addictive, outrageous hack-and-slash combat musou games have had for ages. It gives you the unique characters and varied mission structures that musou games have only had in the last few years. And on top of that it gives you a gripping, mature, and masterful narrative that a musou game has never had. Until now.

Medal of Honor: Above and Beyond offers a fun and lengthy single player campaign with lots of replayability alongside a full featured suite of multiplayer modes. I did, however, find the general tone to be somewhat at odds with the respectful presentation, lacking a connection with real history and feeling more like a Wolfenstein game at times. There are also some issues still to be patched, which Respawn are working on, and the multiplayer lacks players right now. Overall, this is a tour of duty that is rewarding but not essential.

There’s not many wholly new ideas within the mix of Payday 3, but it’s a sensible refinement of what those games tick, bringing in some interesting tweaks and gameplay changes to smooth the experience a little. All in all, Payday 3 is a welcome return for the heist ’em up series, and a reminder of why the first two games were so popular. [Review in Progress]

If you’re looking for a compelling and atmospheric take on the zombie genre that’s more Walking Dead than Left 4 Dead, State of Decay 2 is an imperfect but enjoyable sequel to the superior original. The gameplay loop of scavenging, crafting and killing can begin to wear thin, but the human element is capable of pulling you back in. Tackling the world with others in tow may decimate the game’s carefully constructed atmosphere, but those multiplayer shenanigans will probably be wild enough to distract from the host of technical issues that simply refuse to die.

Detective Pikachu Returns falls flat, feeling like a hollow experience with under-baked and sparse bolts of brilliance. Wide and mostly empty areas, a difficulty level smaller than a Cutiefly, slightly more gameplay than your standard visual novel, short run time and limited usage of its one truly unique and fun mechanic. Forgive the cliche, but most of Detective Pikachu Returns’ moves just weren’t very effective.

Without wishing to damn it with faint praise, Battletoads is pretty much exactly what you’d think it would be. Taking clear influence from the 90s classics whilst adding in some welcome modern approaches, there is plenty here to enjoy while it lasts. An ideal perfect Game Pass title, this is well worth checking out, warts and all.

The MotoGP series has long suffered from a lack of obvious progression from one release to the next. This time, Milestone has at least tried to do things differently and switch game engines, but right now that hasn’t paid off. Last year’s game was already supposed to be a transitional one, yet here we are with a game that is a regression for a series that was becoming a bit stale.

Chaos Code: New Sign of Catastrophe thankfully does not live up to its subtitle at all. This re-release of a re-release builds up on everything that came before it, fleshing out the experience into something worthy of your attention, whether you’re a hardcore fighter or a casual button-masher. Some wonky writing and poor visuals dampen the experience somewhat, but if you can look past that and fancy some classic KOF style fighting game action, this is the game for you.

This Is The Police leans on cliched scenarios and characters, but it represents some of the real struggles a police force has to deal with, like budgets being cut and a city with a lot of social problems.

MXGP provides a wonderful racing experience. The unpredictable physics, terrain deformation and challenging opposition (whether it be online players or AI set to hard) combine to make a gritty racing game, which you can have plenty of fun with thanks to the sheer about of content.

Battlezone is easily one of the best games on PlayStation VR, even with a high price point. It’s retro futuristic tank combat is fun and engaging, while the randomised campaign, four player co-op and the challenge it can throw your way keep me wanting to come back and try to beat it time and again.

With an awesome inspiration and some very cool ideas, it’s an immense shame that City of Brass game ends up being as dull as it is. With lacklustre combat, enemy design, rooms and movement, City of Brass feels like a chore to play. With the smorgasbord of Rogue-lites to play these days, some of which are among the best games you can play, City of Brass is an easy pass.