The core concept of Kromaia Ω is that of a solid 360º shooter which can generate some epic battles, but the combination of frantic shooting, chilled out story and trippy visuals have been done better, most notably in Ubisoft’s Child of Eden. Whilst unremarkable, it remains entertaining and challenging, with the included co-op mode a worthwhile and welcome addition.

Vesta was an absolutely delightful way to start off my gaming year. It’s hardly ground-breaking stuff but this is a solid, dependable and, most importantly, fun game. It’s all over rather quickly, but it’s a credit to the developers that this left me wanting more.

Bow to Blood: Last Captain Standing is the kind of future sport I can get behind, with tons of style, plenty of bombastic airship action and an identity all of its own.

Although purists may balk at Worms Rumble, I found Team17’s reinvention to be a welcome change in direction for the series. Real-time action wrapped around the battle royale genre works a treat here when combined with the zany, explosive world of Worms, but in order to become a multiple mainstay it needs more depth both in terms of strategy and player progression.

Thymesia is a game that show’s the developer’s potential, but doesn’t reach the heights of its opening promise. While the combat is fast paced and fun, it is marred by hitbox and timing issues, and the story and lore lack depth to draw you into the mystery of Thymesia.

The Casting of Frank Stone shows Supermassive's adaptability, producing another great example of the narrative horror for fans to sink their teeth into. It's not quite as strong as Until Dawn or The Quarry, but the way it links back to Dead by Daylight is a big bonus for fans of that game and its universe with the exciting potential for more spin-offs in future.

Effie is a decent traditional third person platformer, but could have been so much more. Perhaps we’ve been spoiled in recent years, but I couldn’t shake the feeling that Effie could have been elevated if it had tied the interesting backstory to the game mechanics or development in some way. As it stands, the narrative is totally removed from the game itself and this makes it feel old-fashioned in the wrong sort of way. Not a disaster but a missed opportunity.

Rain of Reflection: Chapter 1 has a winning formula of narrative and gameplay that, despite not being a traditional pairing, form an excellent symbiosis. The systems will all be familiar to fans of interactive storytelling games and XCOM-likes, but they’ve all been implemented so cleanly that they feel fresh. The only real negative is its short runtime, which leaves you wishing the developers had waited to release the entire game at once.

There are no fancy graphics here or much customisation to help your characters advance, gain better weapons and before stronger – however, for the price this is certainly a neat, fun game and it will most definitely fill in my need for a cowboy related shooter until Red Dead Redemption comes strolling into town.

Serious Sam 4 is a natural evolution for the series. There is nothing groundbreaking here but it is just such silly and extravagant fun to play. The endless series of arena battles should begin to feel repetitive but the gunplay and challenge is perfectly pitched so each one provides a satisfying adrenaline rush. While not a true contemporary update like those of Doom and Wolfenstein, this first-person legend comes out guns blazing and, let’s be serious for a moment, that’s what we all wanted him to do.

Light Tracer takes an interesting approach to VR platforming and environmental puzzles, even if they are generally easy to overcome. However, it would have benefitted from removing the boss battles and the design of the princess’ outfit is questionable. There’s plenty of ways the path finding controls of Light Tracer can be used for future, better titles, but Light Tracer itself definitely needed a lot more time to feel complete.

Golf With Your Friends has all the rage-inducing charms of minigolf to savour while playing with your chums. With plenty of varied courses to play through and some good variations, there's a lot of fun to be had, even if the game often feels inconsistent and unpolished.

Yupitergrad is a game that's perfectly designed for VR and is a great way of tricking yourself into some physical activity. The story is charming fluff and the sense of place is really well managed too, so if you're up for the challenge and fancy the idea of swinging through the air like a Russian Spider-man plumber, then this is one VR title that you should take the plunge(r) on. [Oculus Quest]

With the mainline Musou series entering a new era, Warriors Abyss is a fun yet flawed repurposing of past games that feels like a sendoff, as if Omega Force is closing the book after a very long chapter.

As a building project, Labo displays a sense of ingenuity that few things do, and as an introduction to design and engineering it’s clear, fun, and solid. It’s a shame then that the game itself is a little too simplistic, though allowing kids to stomp around a city smashing things may not wear out too quickly in practice.

There's a bitter sweet feeling to playing Stubbs the Zombie in 2021. The game is too dated and linear to really recommend and some of my fond memories were tarnished by revisiting it, but the core gameplay still has enough to keep you engaged and the setting and humour still stand out. I still think it is worth a return play for those old enough to remember it first time around and I am glad that it is finally available again. There is enough here to get your heart pumping, but there's a persistent whiff of decay that you just can't shift.

Exoprimal is a multiplayer shooter with bags of potential. A good round has all the thrills of Overwatch’s PvP wrapped up with the brain-massaging mayhem of Earth Defense Force or Dynasty Warriors, but it’s so slow about getting you invested that some players might simply never get there.

There's a good game to be found within the Battlefield 2042 and fun to be had as the spectacle of Battlefield's signature gameplay is taken to new, more expansive heights, but it's marred by a handful of unsuccessful gameplay design changes, hurriedly implemented features and bugs at launch.

My laborious, 10-hour uphill battle with Root Letter ended in the hill giving way to a massive drop into a bottomless ravine, and as I fell through the ravine, I felt regret. I felt pain. I felt aggravation...And I heard the same damned song playing for like a dozen hours until I died.

As a piece of gaming history the Darius Collections are spot on, recreating classic arcade and console games on modern hardware, but they are massively overpriced considering the content. Some games in the Arcade collection are either minor tweaks or ports of a previous versions, so you would have to be a die hard Darius fan to even consider purchasing both collections. The Console collection is by far the better choice due to the single screen design, but aficionados will then miss the classic arcade versions.

Where the Heart Leads offers a supremely compelling and fascinating overall narrative, one that is filled with genuinely meaningful choices – surely a rarity in video games? Unfortunately, its tall tale is also bogged down with numerous presentation issues that result in dull characterisation. Overall an uneven experience that’s both brilliant and boring – sometimes at the same time.

I find myself a little perplexed by The Falconeer. I still thoroughly enjoyed my time with the game, but it almost felt like I was doing so in spite of how I felt about the gameplay. I do think The Falconeer is going to find an audience that loves it wholeheartedly, but also that there will be plenty of others for whom this falls a bit flat too.

Eurocom have captured the look and feel of the film perfectly and the characterisation (complete with the real cast doing voiceovers) is superb.

I think it’s important to preserve old games for future audiences, or make them available for audiences that never knew they existed. Video games, like any other art form, have a long history behind them, and a longer history ahead of them. Releases like Zwei: The Arges Adventure serve as time-capsules to help keep old pieces of history from disappearing. It’s a game very much from its time. While I appreciate the effort put into making the writing stand proudly in a modern day, gameplay flaws and dated design choices make it a chore to truly get a satisfying experience out of the game.

Sniper Ghost Warrior Contracts 2 is a particularly good sniping game. The set up is a hammy take on how superpower interventions only occur when there is a financial motivation, and comes off as a little bit awkward, but the game's regions are unique and fun to explore, enemies are tough to handle, and the challenges are fun to master. Sniper Ghost Warrior Contracts 2 should be a go to for sniper game fans.

Once you fall into the groove, Oninaki is greatly enjoyable, even if it initially falls flat because of its repetitive combat. The story heads to dark places surrounding the central theming, occasionally in a ham-fisted way, but still manages to have emotional impact. Ultimately though, Oninaki is a gem of a game if you’re persistent in putting in the work. Tokyo RPG Factory have done it again

Othercide is an evocative and absorbing tactical roguelike, albeit one whose style occasionally gets in the way of the substance.

It’s a shame that some of the new gameplay elements don’t quite fit together, but on the whole, Season Two is off to a solid start that will likely hook those who enjoyed the original.

Mafia III is a game with a great plot, great characters, and great setting, but it’s hamstrung by the repetitive nature of its mission structure. Having to go through the same tasks in each territory means a sense of fatigue enters quickly, and there isn’t much in the way of distractions within New Bordeaux to break things up. The pieces of a great game are all here, but they just don’t quite fit together.

If you can look past the steep difficulty curves, unimpressive visuals and unwieldy controls, then you will find a deep and compelling historical strategy experience that will keep you engaged for many weeks.

Strikers Edge has a strong and satisfying core, but there just isn’t enough surrounding that core experience to keep me engaged for very long. A lack of game mode variety would be excusable if there were some incentive for me to keep playing the one core mode this game has, but that incentive is nowhere to be found. Coupled with the lack of character descriptions or a proper way to practice their abilities, Strikers Edge is a lot like highschool dodgeball; you can only enjoy the same rubber ball hitting you in the teeth for so long before you decide to play something else.

Here Be Dragons is actually a well thought out and detailed game, but the lacklustre characters and plot leave a lot to be desired. Mechanically the game is wonderful, the incredible enemies and art style working fantastically, yet Here Be Dragons falls short where it matters.

Tohu is a mixed bag. It delivers such beauty and curious treasures, but it loses some of its shine thanks to tediously hard puzzles and a hint system that proves to be a greater hindrance than the actual puzzles. For those who love a challenge, Tohu will tick all the right boxes for you. However, I found it to be lacking in depth for a game that showed such promise; the trailer, imagery, and story all hold the potential to deliver more and it just falls short, or at least it did for me.

Full Void is a cool little indie game that makes the most out of its influences and offers up a nice mix of puzzling and platforming within its short playtime. While it doesn’t revolutionise the genre, it is a nice throwback to cinematic platformers of old that removes many of the more frustrating elements of its predecessors. If you remember the likes of Prince of Persia fondly then you could do a lot worse than jump into the Full Void.

After MXGP Pro settled into a hardcore dirt biking niche, MXGP 2019 surprisingly steps away from that feel just one year later. It tries to combine multiple elements like track creation and player challenges, while still representing an official championship and gets lost on the way. It’s neither an arcade racer nor a serious simulator and the end result is quite bland.

An enjoyable retro-style rogue-lite; in RAD you should expect brutal gameplay in a gaudy and synthesised world. The random nature of the world sometimes proves to be a problem, but not enough to diminish what is a fantastically loud take on the genre. If only for letting players smack about mutants with their engorged limbs and a baseball bat, RAD lives up to its name. Just try to stop playing it, you’ll struggle.

Just Cause 4 is the best entry in the series to date, offering spectacular free-wheeling destruction on a scale that’s not been attempted before. Rico remains one of gaming’s most enjoyable protagonists, but more than ever before, it’s really all about what he’s capable of doing rather than the events unfolding around him.

As you play more of Conan Exiles and access higher tier items, it becomes more and more clear that there was serious potential here. The survival aspects of the game are fun, provided survival is your thing, and it brings some new ideas and features to the table. The thrall system in particular is interesting, but ultimately fails in its execution. Considering its price, I can’t help but feel the package and its quality is a little lacking.

It provides enough entertainment and while it won’t be considered a classic it scratches the itch when you want to play something for a couple of minutes.

The Lamplighters League doesn't quite live up to its promise and expectations. There's a fun mix of real time exploration and turn-based combat, but it's a step short of the best strategy games of the year – others like Shadow Gambit: The Cursed Crew have done it better. Given more time and more engaging narrative The Lamplighters League could have been great. It will have to settle for decent at best.

There are a lot of nice touches and thoughtful features, spoiled by the presentation. Ultimately though, while I couldn't recommend WRC to just anyone, it is a solid but slightly soulless game and has the official WRC license, which if you have at least a passing interest in rally games makes this the only realistic choice.

A fun game. Despite the critical tone of much of this review, I very much enjoyed my time with Bathoryn and will be going back to try and unlock the rest of those no-hit boss achievements. It is best to go in with a clear idea of what to expect, however, which is a no-nonsense old-school hack and slash platformer fuelled by heavy metal.

Shattered - Tale of the Forgotten King is a game set in a beautiful, stylised world that is sadly too opaque and flawed to recommend.

If you’re looking for a game that has punishing fights, but is a bit easier than Souls then this is it. However the story and lore just aren’t that interesting, despite a good premise and Harkyn doesn’t have much personality. There’s also quite few bugs that really need addressing, like clipping through the environment and objects, or the enemies that just stop moving completely, yet can still deal damage, or suddenly develop the ability to fly.

The game has basically one trick up its sleeve, but a trick that it executes very smoothly.

Priced at around a tenner, The Castle Game is a fun slice of tower defence action that packs in decent amount of replay value.

London Detective Mysteria does a few things new within the genre of otome dating sims, but at the end of the day, it isn’t anything revolutionary. If you’ve played an otome game before, then this one will be more of the same, for better or worse. The silly cast of characters and attempts at dramatic detective plotlines are interesting, but not executed entirely well. Fans of the genre will be able to happily add this one to your pile, but if you need convincing to try out a game like this, London Detective Mysteria isn’t the one for you.

Down The Rabbit Hole is a perfect example of a VR game utterly beholden to its format. It builds an incredible vision of Lewis Carroll’s Wonderland, and lets you interact with it, but completely forgets to give you any reason for being there.

There's some fun to be had in the dungeon crawling and battling an inventive array of enemies, but for the romance side of the game to be simultaneously funny, you have to be able to take the characters seriously, which unfortunately, I just couldn’t. The reliance on stereotypes and tongue-in-cheek narration turned this game into a comedy, but considering it as a romance game really lowers the quality of the entire game.

One thing they never tell you about parenthood is that you should prepare to play a lot of Monster Truck video games. If that's you, you should do yourself a favour and skip straight to Hot Wheels Monster Truck: Stunt Mayhem. It’s easily the best Monster Truck themed game out there right now. Most importantly, it’ll keep your youngster busy whilst you wash the pots, order a food shop, and get the hoovering done – what’s not to like?

As a 3D action game, Estival Versus manages to tick most boxes, but it fails to deliver anything which could be labelled as ground-breaking. While in no way poor or unenjoyable, it does little to put this franchise on the map. Still, for fans of previous entries, there’s plenty of meat on the bone, bundled together in a respectably polished brawler.

Giga Wrecker Alt. is a physics-based puzzle platformer that falls down in the same places as most games in the genre, but with interesting characters an intriguing story, it's a decent game on the whole. Just be aware that the difficulty is real, so if that’s a deterrent, consider yourself warned.

Encodya has some lovely elements – the soundtrack, a few interesting plays on dystopian fiction and the heart at the core of its story – but uninteresting puzzles, lack of environmental variety, and unremarkable storytelling mean I can’t recommend it over its contemporaries.

Wonder Boy: Asha in Monster World is an exceedingly bland experience. This remake trades heavily on the 90s nostalgia factor, but fails to consider that, with the original only released outside of Japan in 2012, few will have played Monster World 4 in order to have any feelings of nostalgia about it. Sadly, all those playing the game for the first time will find little to get excited about.

Destroy All Humans 2 - Reprobed is a good-looking remake and certainly has its fun moments, but the repetitive missions of its predecessor remain, and there's a lot of bugs that need addressing. Crypto remains a fun protagonist and the gameplay is entertaining, but it feels this remake needed a bit more care.

MediEvil resurrects one of our all-time favourite PlayStation mascots for a new generation. This remake does exactly what it promises, revamping dated visuals while staying faithful to the 1998 original, even if that means digging up certain design choices that have remained buried with Sir Dan all these years.

Those looking for a spooky adventure for Halloween can certainly find one in Project Zero: Maiden of Black Water. Taking photos of ghosts while trying to keep dry is enthralling, while Mount Hikami’s forests and shrines are among some of the spookiest locales in the franchise.

The music by Marcin Sonnenberg is excellent, the ancient Germanic future to the game is a decent angle for some humour, but it ultimately fails to maintain interest due to monotonous gameplay. This is a rare case where the game’s presentation outpaces its gameplay, leaving behind a creative and briefly entertaining, yet inexplicably dull game. Certainly good for passing time, but there are countless similar games on mobile devices for a fraction of the price.

Brut@l is certainly a punishing experience for those not used to Rogue-like tropes. Yet it’s a visually attractive game that pays tribute to Rogue in its ASCII style that’s genuinely appealing, as well as having a clean interface and enough flair in the combat to not be devalued as a button masher. A few issues rise when it comes to cooperative play, which make this a harder sell, but Brut@l is otherwise a fitting tribute to Rogue and the genre that came from it that dominates the indie scene.

Edge of Eternity is definitely a welcome addition to the JRPG pantheon, and while it clearly doesn’t have the budget of the genre giants, it is full of heart and character. I certainly enjoyed my time exploring Heryon, despite a few niggles and a crafting system that adds little. If you go into this with an open mind and have an affection for the genre, then you’ll find much to like.

Atari Flashback Collection is a wonderful way to experience gaming history for the first time, or reminisce over your favourites one more time.

If silly jump scare horror is your thing, you can do a lot worse than Doom 3 VR Edition, but you can also do much better. Its cutscenes are 2D, you get lost a lot, and occasionally you need to waggle your weapon about so it cooperates, but if you can get past these issues it's... a good enough version of the venerable id Software shooter.

Somerville is a fantastically evocative game as it depicts an everyman's journey through a War of the Worlds-like alien invasion, leaning on countless sci-fi tropes and ideas along the way. Disappointingly, it's undercut on a number of levels by controls and a detached feeling and hastiness with some parts of the story it's telling.

Such is the fickle world of gaming that the game can be found – one week after release – for £19.99. At that price, despite its flaws, the game is well worth a look, so the score's a cleavage heaving, upskirt looking, foul mouthed...

If you loved Leliana you will love this and the price will be the only thing to make you pause for consideration before hitting the 'buy' button. For anyone else it is a far from essential addition to DA:O.

Silent Hill by way of Japanese horror, Re:Turn makes a more than decent attempt at inciting fear in the player. It might be handled in a way that comes across a little hammy at times, but the fantastic atmosphere incited by the visual and sound design more than make up for this. Sprinkle in some excellent puzzles and an engrossing story and you’ve got one hell of a reason to turn up those headphones and turn down those lights.

Formula Legends is a love letter to F1, and for fans of the sport, you can’t help but fall for its charms. However, it is a small-scale arcade racer, and you need to temper your expectations when getting into the driver’s cockpit.

Dungeon Hunter: Alliance may feel a little light to begin with, but a few hours down the line, and you may find yourself engulfed in the deepest RPG the PlayStation Network has to offer.

An intriguing take on the long-running JRPG series, but it just doesn't do a good job of crafting a management experience that feels rewarding or engaging. Even once you're used to the overwhelming menus and systems, it never feels like you're a part of the town you're building from behind the walls menus, charts and numbers. It was a treat to see previous Atelier characters interact and talk to each other, but that bit of fanservice doesn't make up for the lacking gameplay.

Rooftops and Alleys is close to being a flipping great parkour game. This trick-filled, point-scoring, freerunning experience has a banging soundtrack and hilarious online play, but the fussy and frustrating controls stop it from climbing to the next level.

Monster Truck Championship bravely tries something new and very nearly succeeds. The movement of the trucks is difficult at first, yet ultimately rewarding, but what's built around the driving is sparse and unimaginative. I could see this developing into a fun sequel that rewards patience, but this first effort is a little rough around the edges.

As far as hybrid genres go, this is an interesting one. The combination of walking simulator and the integration of the puzzles is very well done, while the drip feed of the story is steady enough to keep your focus, driving you through the small niggles that arise throughout a play through. The whole thing is tied together with some great voice acting and great music. Overall, The Spectrum Retreat grabs hold and refuses to let go, while its clever combination of pure puzzling and story telling makes for an enjoyable and unique experience throughout.

The DioField Chronicle delivers a unique real-time spin on the usual tactics RPG experience, but it's marred by a boring story, unlikable characters, and inconsistent presentation. While the one saving grace is the addictive and always rewarding combat, missions fail to deliver the evolution or variety that some might expect. Overall, it's an interesting game, but not an altogether great one.

Milestone have delivered a fun and different racer that uses rider momentum in an interesting way. However your enjoyment and, probably, the longevity of the game will depend on your interest in the sport or the racing game genre.

Steel Rats is an undeniably daring experiment; fusing gameplay mechanics, varied visuals and control inputs that have no right to go together. The game should be an absolute mess, but it deftly weaves these disparate elements together and what we are left with is a thrilling and refreshing stunt=based shoot ’em up.

Looked at as a game it is a fun experience that is over far too quickly. However, those that lose themselves in the Creation Mode will find the hours flying by and will be more than happy with their purchase.

Alex Kidd In Miracle World DX is a game only a diehard fan could love. It is frustrating, repetitive, and plagued with the issues of a bygone era. Despite the lovely graphical update, there is very little here for any newcomers, and seems a waste of potential in favour of appeasing old fans.

With Batman dead, his four proteges have big boots to fill in Gotham Knights. Thankfully Warner Bros. Montreal has largely pulled it off, creating a Gotham City that's filled with things to do, and letting the four characters' contrasting styles show in combat and their personalities come through in the story.

Cobra Kai: The Karate Kid Saga is a very nostalgic game, but not in the way you might think. It's not that it's a beat 'em up, nor that it's based on an ageing franchise, or even because it looks like it should be able to run on a Sega Saturn. No, it's nostalgic because this a licensed video game that is fairly terrible, using its branding as a smokescreen to hide a multitude of problems from an unwitting buyer until it's far too late. It's just like the good old days. If this was 1991 then Cobra Kai would have been published by Ocean Software.

The boring story is filled with forgettable, two dimensional characters, and while there is passion between the main characters, it feels forced rather than natural. The gameplay isn’t ground-breaking either, but it is at least competent at delivering a mindless hack ‘n’ slash that is fun to play and worth a look.

Worms: Revolution Extreme has made the jump to Vita nicely, but it’s a shame that the opportunity wasn’t taken to polish and improve on what Revolution delivered the first time around. It is, however, a quite comprehensive package of one of the biggest shake-ups to the Worms formula in years.

It's by no means perfect and there is plenty to be overly critical or analytical about. However, it's a very solid foundation for a series that could spawn an incredibly good game in the near future.

While the story is serviceable as a backdrop, it’s actually the environments that steal the show. Gliding around and exploring the levels is relaxing for the most part, apart from a couple of moments of disorientation. The artwork throughout is sublime and the music fits it all perfectly, though it sits along titles like Bound, where the art and experience also outshine the plot. If you have a PSVR and are keen to play something that doesn’t take too much effort while providing some great visuals then How We Soar is a worthy pick.

Nine Parchments is a solid release. Its gorgeous art style, dependable controls and fun co-op play almost hide a multitude of sins. Almost. Unfortunately, with a poor save system and combat mechanics that never really develop from the first level onwards, Nine Parchments soon becomes a slog that is less than magical.

We. The Revolution is a stand-out recreation of the nightmare that was the French Revolution. Despite the turn based strategy mechanics falling flat, Polyslash still manage to put you on the edge of your seat by performing the near impossible feat of making resource management exciting. This is a game that demands you keep your head, when everyone else around you is losing theirs.

Port Royale 4 starts off strong, but its solid trading and management gameplay just become repetitive over time, eventually turning into a waiting game as numbers slowly get bigger. Managing cities and trade routes also never really overcome the somewhat awkward controls on console, and combat never becomes interesting. Still, if you absolutely love trading and seeing your empire grow is all the reward you need, Port Royale 4 might be for you.

Star Renegades doesn’t countenance mistakes, while demanding an inordinate amount of commitment from its players due to its mechanically dense system. This can be a challenging game to get into, from learning about its intricate turn-based combat, to making sense of the walls of text, numbers and symbols it throws at you. Those patient enough to familiarise themselves with what this roguelike has to offer, however, may find this to be a tactically satisfying experience.

Damon and Baby is a game which is just sort of fine. It can be fun to play, but it just feels a bit repetitive most of the time, and neither the combat nor the story are engaging enough to really keep you locked in. I don't think it's a bad game, per say, but I do think it can be a bit dull, and that's just as bad a lot of the time.

People of Note is a kind-hearted RPG with a deep affection for music. Its soundtrack won’t resonate with everyone, but it’s both deeply enjoyable and tight and focused, with a cast of likeable characters whose journey you’ll want to see through.

Though Team Ninja has certainly spruced up a number of elements, they seem to have avoided the game’s most fundamental issues. The series’ trademark gameplay has always been challenging but never quite so obstructive and un-rewarding.

Those who are after more than just another run-and-gun game will do well here, and the inclusion of two player co-op is the icing on the cake. Unfortunately the game is dragged down slightly by the number of glitches, which somewhat ruin the immersion.

The Town of Light isn’t a game you play for fun. There’s nothing enjoyable about the true face of mental illness nor the fear and isolation it engenders. Instead of aiming to reward players with a sense of enjoyment, LKA.it strives to help them empathise with the character of Renée and the unspeakable horrors she’s forced to endure. There’s a sobering, meaningful story to be witnessed and while its delivery is imperfect, The Town of Light still makes for one of the most thought-provoking games of this year.

New arcade racers have been few and far between over the last half decade, and Gravel is just one attempt to reignite the genre. There’s some good racing to be found here, with plenty of licensed cars to take through some lovely scenery, but it doesn’t get your heart pounding with excitement. Gravel might be a fairly decent racer, but its biggest sin is that, despite the fireworks and exotic locations, it’s just a bit boring.

White Day has plenty of problems though it’s easy to see why some may see it as a cult hit and why its creators wanted a revival. It’s a clunky, vague, and often frustrating game yet, at the same time, there’s this great setting and some clever puzzles at work. It’s just a shame that, in order to get to the good stuff, you’re almost guaranteed to face some hardship.

The Lego Ninjago Movie Game does a great job of bringing the full film experience to your console and wrapping it up with the next step in Lego gameplay . It’s fantastic to see a return to the style of the Lego Movie Videogame, as opposed to the Lego Batman Movie’s half-accurate Lego Dimensions pack, but it’s bittersweet when all of that good work is somewhat undone by last-gen technical flaws which have somehow found their way back in.

Marvel’s Avengers offers a new approach for a superhero video game, yet one that still feels all too familiar for anyone who's played Destiny, The Division, or Anthem. It’s eye-popping in its technical prowess as well as how much it leans on live service hooks, anticipating players will come back day after day. And a lot of players definitely will, especially if they can squad up with friends. Past its flaws and behind the grind, Marvel’s Avengers is still a fun superhero brawler that has plenty of room to grow in the coming months.

The Greek Myths have been plundered by video game developers to such a degree it’s hard to conceive that a fresh take could be even possible. Remarkably, Achilles: Legends Untold offers just that. This action-adventure might be a little rough around the edges, but that arguably adds to its charm. If you can put up with some nasty difficulty spikes then you’ll find a remarkable world of myths and legends to explore.

Cthulhu: The Cosmic Abyss is a flawed, but interesting experience. The narrative is straight out of a Lovecraft story and it escalates into a suitably maddening conclusion. The mechanics are interesting and promising but the lack of polish across multiple platforms and the inconsistency of responsiveness made for an overly frustrating time and I was ready for the game to end quite a bit before an incredibly complicated final puzzle. I’m glad that I persevered (albeit with the ingame AI assistance) as the ending felt appropriate. If you have the patience, and enjoy the setting, then there is some fun to be had, but perhaps wait for further patches for a less frustrating experience.