Pokemon Scarlet and Violet feel like the awkward second evolution of one of its starters. It's growing into something resplendent, it's showing signs of an exciting second type, but it's got that weird vibe of a 20-something that hasn't quite figured out who they actually are. Add that weirdly stretched feeling to the constant technical oddities and you've got a game that's undoubtedly good fun, but it's still not even its final form. I can't wait to see what Pokemon becomes, but it’s not quite there yet.

Blackwood Crossing does a great job with telling a story, but it’s lacking in lustre as a game. The surreal setting, the believable characters, and the plot are all highlights of Blackwood Crossing, and if that is what you’re looking for to wile away a couple of hours, then I recommend it. If you’re focus is purely more on the gameplay side of things, it may be worth waiting for updates to roll out to address issues like movement and fiddly interaction. PaperSeven’s first release shows a studio that has promise in storytelling, but it just needs to fine tune the gaming side a little bit more.

Little Orpheus sets a new bar in mobile gaming experiences. Its rich, lush world is only surpassed by the fantastic narrative and voice acting and the stellar soundtrack composed by Jessica Curry and Jim Fowler. It does become a little repetitive by the end, but chances are you will already be gripped and engaged with the story, wanting to see how Ivanovich survives the fantastical dangers of this subterranean world.

9 Monkeys of Shaolin is so close to being a really good side-scrolling brawler that it physically hurts. Hurts worse than a rolling cartwheel kick to the soft and delicates. There's a truly brilliant, satisfying, fun and deep combat system here, but whether you can see it beneath the shadows, silhouettes, staircases and stupid Green Tea meters is another thing entirely.

Far Cry New Dawn isn't bad by any stretch, and judged on its own it's a pretty good game. Its combat is still satisfying, capturing outposts never ceases to be entertaining, but the issue is that it both isn't different enough from or as good as its predecessor. Far Cry 5 is a better game and New Dawn is too similar to recommend unless you literally just want more of the same, but with less vision.

There are glimmers of true excellence here; small stretches of Days Gone can be especially fun and polished. However, the assembly of these various parts suffers from the lack of an engaging story, compelling characters, or an open world that feels organic and worth exploring.

If you enjoy crafting and planning, while potentially starting a riot, then The Escapists could be the game you’re looking for.

A hugely entertaining game that can lead to a lot of entertainment and side-splitting laughter, especially if you play it with friends.

Spanning several hours and sporting a number of more traditional game features, Kona feels far meatier compared to your average walking sim. The combination of nonlinear design and survival mechanics certainly help to dispel some of the issues I have with the genre. That said, the vagueness surrounding some puzzles, frequent backtracking, and a somewhat dissatisfying finale left me with mixed feelings despite introducing some welcome changes to the formula.

Through all the little quirks and the awkwardness of the game on console, Portia remains a delight that surprises in so many ways. The world that Pathea have created is offbeat and quirky, wrapped in an art style that still works so very well, even at the Switch’s reduced quality. This is a big, sprawling slice of life simulation, and is an easy recommendation for fans of the genre on console.

A back-step for the series. Not terrible by any means, Armageddon is nevertheless a huge disappointment.

Wet Dreams Don't Dry is a collision of ideas that are thirty years apart. It's got a surprisingly liberal attitude to sex that doesn’t excessively objectify women from 2019, but controls, puzzles, and willy shaped chandeliers from 1987. The game has its 'sexy' moment, but the story is more concerned about highlighting how far we've come since 1987 and that's really hard not to like. I'm looking forward to the next game, maybe Larry will get the girl. Or boy. Or both at the same time. Or a llama.

Sand Land is all set to be your new favourite anime, with compelling characters, enjoyable combat and great anime visuals in video game form. You might just find that Akira Toriyama has saved the best for last.

It's by no means a brilliant game, but it is a good piece of interactive fiction and a new approach, which we'll happily welcome with open arms. Six of them.

Though somewhat repetitive, the game is teeming with content and plays well, especially when allied with three other online slayers.

Lego Marvel’s Avengers is another great entry in the brick-based franchise, and fans of both series, and in particular Lego Marvel Superheroes, will likely lap it up.

Compile Heart set out to prove they could do something different by making Death end re;Quest, and they absolutely succeeded. Unfortunately, the interesting ideas at the heart of the game are undone by the groan-inducing and lengthy dialogue that often tries too hard to be taken seriously. Edgy writing aside, Death end re;Quest has marvellous gameplay that kept me glued to my controller. It's a strong package for JRPG fans, but you might end up wanting to use that skip button during cutscenes.

The Fairy Tail franchise and the JRPG genre are a perfect match, and this game perfectly captures the silly yet surprisingly intense charm of the original series. It's a shame that the game often puts so little effort into adapting major story scenes, but that sacrifice is outweighed by the abundance of fun little character interactions and vignettes that are sprinkled throughout the game. Fairy Tail lets you live in the world of Natsu and co. like no other anime game has done before, and any fan of the series is sure to crack a smile at this dedicated RPG experience.

It's a brave way to use a trusted franchise, but EA have pulled it off and we can't recommend this more for hardcore Simpsons fans as they'll obviously get the most from the game. Everyone else can rest assured that this is well worth the cash.

You can see the passion and care put into Aragami from a mile away. Everything about the game shows a love for the stealth genre and the games that made the genre so great. Unfortunately, it isn’t until you get up close and start to play the game that you also see all the cracks.

We’ve still got the bulk of the game to go, but it already feels pretty clear where this game will land for people. If you enjoyed the first game and still adore Rick and Morty’s ad-libbed humour, then this is absolutely for you. This brings plenty more of that same tone, but there’s a sprinkling of new ideas and fun diversions that could make it appeal more broadly. [Review in Progress]

GRIP: Combat Racing is an unpolished gem that’s currently too flawed to fully recommend. When it comes together – particularly in multiplayer – GRIP is capable of providing some of the most engaging future racing this side of Wipeout 2097, but it’s all too easy for it to fall apart, especially when you’re placed in the hands of the game’s cheating AI.

Unit 13′s a pleasant surprise. It offers up a really smart level structure which caters for short burst gaming, but similarly presents hours of gameplay that'll take considerable time and effort to perfect and master.

A satisfying end to the story of Max and Chloe, Life is Strange: Reunion is a mature tale of the uncomfortable truth that you can’t truly go back, only learn from your mistakes and go forward.

With Farpoint, Impulse Gear set out to achieve a goal: to create a traditional first person shooter that works in virtual reality. In that respect, the game is a major success. Although not as fully-featured as its non-VR contemporaries, it captures those essential elements and makes them work in a space that doesn’t require overt tracks of handrails. The joy of cranking headshots and feeling like a real-life space marine is a novelty, but one that will eventually wear off. When it does, Farpoint becomes less remarkable, though its immersive Aim controller gunplay definitely gives it the edge over every other shooter currently available for PlayStation VR.

Rival Games started something very interesting with The Detail in the first two episodes. The story was immersive and the characters engaging. But because of budgetary constraints episode three undoes what the first two set up, with plot lines left abandoned and bugs that are very detrimental to a game based on choice.

While I eventually enjoyed Aporia: Beyond the Valley, the moments where bugs and glitches appeared took me right out of the experience. It’s a shame too, as the story is well told despite uttering no words at all, the premise is genuinely interesting, and the puzzles – when they work as intended – are a joy to solve. It’s certainly one to wait on for now while they tidy up all the bugs and glitches.

The recurring theme here is substance. On paper, creating a wave-based shooter doesn’t sound all that inventive or ambitious, yet Raw Data is just that. In a bid to capitalise on the VR gold rush, we’ve seen plenty of smaller, lacklustre shooting galleries, but Survios effortlessly puts them all to shame.

Thea: The Awakening has lots of interesting ideas, but shoves them into a compilation and order that stop them from being enjoyable. It isn't bad, so much as it is sure to cause a state of befuddlement in all who play it. It's also very hard to recommend this over, say, Civilisation VI. Add in the slight technical bumps and you have an awkward Switch port of a weird game. It just feels like someone through darts at a list of genres and went for it. 10/10 for ambition, not so much for the end result.

Exception is a Tron-like visual feast, full of inventive and dynamic action platforming that’s as satisfying as it is stylish.

Chernobylite is a game that's dripping in atmosphere, but doesn't quite hit the mark in other areas. If you can get past its clunky shooting and stealth mechanics, there’s some fun to be had in base building and people management.

Astor: Blade of the Monolith offers an enjoyable action RPG experience with charming visuals and character design. However, with weak combat and a lack of things to see and do in the overworld, it’s an experience that will soon be forgotten.

Abyssus brings a distinctive brinepunk style to an otherwise straightforward co-op roguelite shooter. There's fun to be had here, but the step up in difficulty when playing co-op is a bit too punishing.

While it has its flaws, there’s a uniqueness to Get Even we rarely see in video games today. Right away, The Farm 51 demonstrates its desire to be different, crossing between genres and actually taking a gamble. While it doesn’t always pay off, we’re still left with something both intriguing, experimental and, at times, thought provoking.

Stranger of Sword City excels at one thing, and really flounders at the others. It’s a rewarding experience if you’re a fan of challenging RPGs and gameplay depth. If you’re a fan of well-written dialogue, engaging music or proper difficulty curves though…well….there are a lot of other video games out there that may suit you better.

God Eater 3 boasts fantastic monster hunting combat and the best visuals we've seen from the series, but hangs onto too many of the previous game's hang-ups.

Eiyuden Chronicle: Rising has a slow and snore-worthy opening hour, but hiding behind that repetitive introduction is an incredible blend of high-octane 2.5D combat and rewarding resource gathering gameplay. The icing on the cake, though, is the Marvel Cinematic Universe-worthy parade of character cameos and appearances that promise some of the many faces you'll be battling alongside (or maybe even against) once Eiyuden Chronicle: Hundred Heroes comes out.

As you finish the Tour and start to take on more and more challenges, Driveclub starts to show its true colours. It may be difficult for some to adapt to in an age where racers sprawl across open worlds featuring hundreds of cars and tons of tracks, but this is a game with a very singular focus.

A fairly well-rounded and solid entry in Milestone’s franchise, Ride 4 makes a similarly well-rounded and solid jump to the new generation. There’s no need to compromise on resolution or performance anymore, with the PS5 able to power the game to look its very best, but it’s really the smart take on how to use the DualSense haptics and adaptive triggers that will enhance how the experience feels.

Transference’s inventively spins its story of obsession and broken families into a game that’s all about perception and twisted realities. It’s not entirely successful, failing to confront the topics it raises and failing to live up to its Hollywood billing and origins, but it’s still deeply atmospheric as you flick between realities, solve puzzles and figure out the lengths to which Raymond Hayes would truly go.

I was so ready for an action RPG entry in the Neptunia series to come along and scratch my itch, but instead it puked on my lap and barely touched the itch. I had so much fun with the story and characters, but with better combat and more consistent performance, this game could’ve been something special.

Whether you’re a Sudoku enthusiast or a new player, Hexologic is a puzzle game that’s easy to pick up and learn. If you’re looking to pick your brains at clever numerical puzzles, this game will keep you busy with its wide selection. It may not be one to try and beat in one go, but it’s definitely worth picking up if you like your Sudoku with a twist.

Nexomon: Extinction is a solid take on the monster training genre with some interesting gameplay tweaks on the Pokémon formula and narrative decisions. The higher difficulty saps some of the pace and enjoyment of adventuring, making me hanker for a return to a Pokémon game. Still, if you’re after some monster catching and battling, Nexomon: Extinction will do the job.

Morbid: The Seven Acolytes is a great top-down Soulslike with the right mix of challenge and reward. It makes good use of the systems and mechanics it borrows from the genre staples and combines this with a darkly beautiful aesthetic and some memorable boss fights. It's not always clear how or the best way to progress, but if you’ve got a hankering for a bloody good time then you won’t go too far wrong with Morbid.

With a career mode lacking in substance, strange bugs and a limited set of content, Assetto Corsa Competizione is hard to recommend. Perhaps in 2021, with a slew of patches and DLC expansions it will be in a better place, but for now, Assetto Corsa Competizione is a superlative solo driving experience trapped in a flawed video game.

Jackbox Party Pack 2 still offers one of the best multiplayer experiences I’ve ever had on a console.

Automachef is a bizarre yet interesting take on a cookery game. Saldy, a lot of what it has going for it also goes against it and feels a little off – excuse the pun – as a result.

EVE: Valkyrie could be one of the definitive multiplayer experiences for VR, though it does feel like you’ve seen everything within the first couple of hours. The multiplayer is a bit light on content, but what is here works really well.

Tides of Tomorrow is a good story that's alternately helped and hindered by its asynchronous multiplayer. It enables some compelling gameplay options but sometimes takes agency away from the player as relying on other players means you can't really do anything yourself a lot of the time. The story can also contradict itself sometimes due to the nature of the gameplay. It's enjoyable despite this, though it starts to outstay its welcome towards the end.

Steel Seed is not going to win any awards for originality, but it's a solid stealth-focused action adventure game that is entertaining throughout.

The Invincible is a novel brought to life, blending its story and stunning visuals with engaging exploration. The Invincible goes back to the roots of sci-fi, offering something both classic and new when it comes to exploring the relationship between humanity and the final frontier.

What really lets it down is the overwhelming sense of just being a visitor in someone else's game when you play online.

Nintendo Labo VR Kit is the most creative use of virtual reality yet .

Ruiner has some great set pieces and a dark, bleak world that I would normally gravitate towards. Yet when the dystopian renders everyone inhabiting it to be as relatable as raw sewage, there was little for me to latch onto. Maybe you’ll find the world of Ruiner to be more bearable than I did, but even the best films of the genre have a glimmer of hope for the audience to cling to, something Ruiner is devoid of.

Reverie is a game that suits the Switch very well. As a simple dungeon crawler, it does the job well with a steady difficulty progression as the story goes on, but it's the puzzles that provide most of the challenge, with some solutions require quite a bit of thinking outside the box. This is a short and succinct game that's great for those looking for something quite light.

Project Zero: Maiden of Black Water is a welcome remaster and it’s great to see this game reach the wider audience it deserves. I’d definitely recommend picking this up if you’re a series fan, or are interested in what makes it so unique, but it shows its ages and loses some of what made it such a good fit for the Wii U. Whilst by no means a damp squib, this remaster doesn’t quite get you soaked with excitement.

Dark and Deep is a focused and atmospheric title that doesn’t outstay it’s welcome. Most of this time is spent immersed in the unique aesthetic and it stands out amongst the many other copycat PT wannabes that flood the horror tag on Steam. The ending is interesting although some of the imagery felt too separated from the Doré influence and instead moved into more conventional folk horror. All in all, Dark and Deep is a well polished and fascinating indie horror that has a look and feel all of its own, and for that it deserves a wider audience.

Renegades does a good job of bringing some fun back to Destiny 2 with some great campaign missions and new hub area. The Star Wars elements are close enough for you to spot the homage, but not so conspicuous as to pull you out the world of Destiny. Enjoyable while it lasts, but Bungie still need to do a lot more work to rescue the game as whole.

Put simply, Samurai Warriors 4 Empires is the very best this series has to offer. Taking the refined core gameplay of Samurai Warriors 4 and dousing it in the tactics of Nobunaga’s Ambition has worked wonders.

If you’re looking for an arcade racer then Riptide GP: Renegade is a decent enough choice.

Sadly, a rather major flaw in Drifting Lands’ level design really brings down a game that is mostly well crafted. Looting has all the well-thought out tropes that similar games have in spades. It’s just a shame that each level is essentially a miniature horde mode rather than featuring proper level design, and that the number of levels could have been cut drastically to make for a more coherent experience. These hang-ups sadly prevent me from recommending Drifting Lands for diehard fans of the genre, but it’s otherwise an alright effort.

Conway is a solid detective game that ticks a lot of the right boxes and fulfils standard sleuthing expectations. It leans well into the crotchety-old-protagonist stereotype which more often than not creates an interesting tension between Conway and his ensemble cast of neighbors, as well as with you as a player. It’s not tremendously challenging in terms of hard solves, but it’s more about the journey. You could do worse than spend 10 hours immersed in the small and all too human miseries of Dahlia View.

The mood, the setting, and the pedigree of the writing are all perfectly in line with my interests, but I found the combination of the card playing and having to sit at a PC never truly gelled.

It’s simple to just say that Starpoint Gemini 2 isn’t for everyone, but there are fundamental issues that really make this game utterly impenetrable. The presentation is generally of a good standard, and though the performance falters at inconvenient moments, it’s how the game deals with teaching players how things work that’s most disappointing. We’ve seen space simulations that work on consoles, but this particular trade isn’t worth what they’re offering.

The Knightling is one of the most characterful adventures of the year, with Twirlbound crafting a large, bright, engaging fantasy world, and giving you the tools to truly enjoy it. You won't regret picking this one up.

A really good crack at a VR title by Double Fine. The characters will feel familiar to those who have played Psychonauts, but those new to the series will not feel too lost when following the story. However it is a short title that feels like it could have done a lot more with its intriguing setting, and while the tracking was on point most of the time there were moments where it could have been better. Rhombus Of Ruin is a fun experience and provides one of the best produced PSVR titles so far, but it ends a bit too soon.

I found it hard to be excited during the opening hours of Mass Effect: Andromeda. It feels too safe, too much like what’s gone before, but then it clicks. There’s a moment where the galaxy opens up to you and you find yourself embarking once more on a huge mission across compelling, beautifully constructed planets, surrounded by memorable characters. Sadly the glut of technical missteps serve to cheapen proceedings, but this is still an adventure you don’t want to miss out on.

Swarm is not only an attractive looking title but it's one that has similarly appealing gameplay as well. It's becoming more and more commonplace for downloadable titles to take up consumer attention and Swarm is certainly a game that deserves yours.

Heaven’s Vault is a fantastic narrative experience that offers a genuinely mature and intelligent take on science fiction and the interactions between technology and religion. Superbly realised characters, fascinating architecture, and a wonderfully detailed new language to decipher combine to make this a truly original and rewarding game. It’s a shame that the sailing is so repetitive, but Heaven's Vault will reward fans of slower paced and meditative games.

The Sinking City promises a nightmarish journey through a Lovecraftian townscape filled with monsters and threatening cults, but too often falls into a loop of forced combat and resource hunting. The investigative parts are excellent, and this is probably the best Lovecraft adaptation since Call of Cthulu: Dark Corners of the Earth, but it still never really lives up to its potential. Close, but no Shoggoth.

Little Nightmares 3 is a gorgeously crafted collection of grim visuals, memorable creatures and fear-inducing horror. The co-op play is a natural and understandable evolution for the series, but it does alter the overarching atmosphere, albeit it subtly.

While I feel the initial asking price might be a tad high, there’s countless hours of play time to be found here.

Membrane is an immensely enjoyable puzzle game filled an increasingly interesting use of it’s simple base mechanics.

Space Hulk: Tactics is certainly true to the ethos of the original board game, with some smart card-based additions, a full Genestealer campaign and a full on level editor. That said, it’s only liable to be long-serving franchise fans that get the most out of it.

Born of Bread may look unique but in reality, this is your run-of-the-mill action RPG. Some decent ideas can’t disguise the formulaic ingredients on offer. In terms of bread, it's more supermarkets’ own than an artisanal sourdough. When it comes to bread-based games, you deserve butter.

There’s more depth to the game with more nuanced battles and more player creation options, and a very self aware plot and sense of humour. Though the fighting can start to feel repetitive, it’s a great fit for bite sized gaming on the go.

It even blends two genres that theoretically shouldn’t fit together, yet somehow in this context and with the clever implementation of its gadgets, a far more enjoyable experience. It’s by no means perfect, but with great ideas it deserves at least a look for yourself.

It's difficult to sum up Conspiracy! On the one hand it's a great concept and the meta approach is fascinating. It's a game with many interesting things to say about online culture, the news cycle and how we perceive the world we have constructed. This is a game with lofty ambitions, but it also happens to be a dreary experience that, despite a short run time, was an absolute slog to play.

As a package, the Winters' Expansion is a necessary addition to any Resident Evil fan. The added content for Mercenaries is just the temptation needed for new players to take on the mode’s challenges (or a reward for those that already have), and Rose’s story is a perfect conclusion to the Ethan Winters saga. Personally I can take or leave the third person mode, but it’s a nice inclusion nonetheless. I’m certainly intrigued by the prospect of where the series will go next and would heartily recommend a return to the Village as a necessary destination whilst you wait for the Resident Evil 4 Remake.

Despite the various caveats and areas that Hello will look to improve upon over the coming months, you can so easily lose hours at a time landing on a new and interesting planet for the first time, giving the local flora and fauna idiotic names, before falling down a hole and getting lost in a sprawling cave system, only to do the exact same thing on the next planet over. There’s nothing quite like it.

A fun and engaging puzzler, with a likeable aesthetic that will keep you amused throughout its seventy-five increasingly challenging levels. It’s a relatively short experience, but the extra challenges and online leaderboards add length to an enjoyable indie package.

Cosmic Picnic have created a good game and if you like tough roguelikes then you’ll have some fun with this.

Despite the game’s pacing feeling a little off at times, Masters of Anima takes a solid formula and adds its own twist in order to deliver something that is entirely its own, wonderful, entity.

I had a lot of fun with Fracked. There a frustrating enemy every once in a while and it could do with a few more guns, but this doesn't do much to diminish the enjoyment. The novel and clever cover system, great shooting, skiing and climbing all make Fracked a welcome surprise that comes highly recommended for PSVR shooter fans.

Blades of Fire is a very good game, blending tough action RPG combat with a fun and unique weapon forging. The story is a little by the numbers and exploration does have a lot of back and forth, but the different regions and enemies look great and the narrative is elevated by Aran and Adso's relationship.

There are moments in Gauntlet: Slayer Edition that shine. Whether it’s successfully taking out a room full of enemies with your three co-op partners or, even better, single-handedly, because your friends already died and now they owe you a debt. These are the moments that people will play for despite its repetitive nature, but that repetition is ultimately the deal-breaker and the other issues only serve to reinforce that there are other games in the genre that do it better.

Detective Pikachu is a deceptively small game with simple cases and not a heck of a lot else. As someone whose detective itch is usually scratched by the Phoenix Wright games, this felt like solving the really easy introduction cases in each, rather than challenging logic and reason. It certainly has the presentation chops, but the people who’ll get the most out of Detective Pikachu are diehard Pokémon fans and younger gamers.

Shadows of the Damned: Hella Remastered is a great version of the original that offers limited but welcome updates such as resolution increases, faster load times and a much requested New Game+ mode. The unique grindhouse aesthetic and over the top humour remains as distinctive as they always were and it is here that the appeal of Shadows of the Damned lives or dies. If the absurd humour and over the top ideas are your cup of blood then this is an easy recommend even if you don’t have nostalgic memories of the original. Get ready to grab your Johnson and kill some demons.

There are some troubling flaws with the camera, and the construction tools, though potent, are not as immediately accessible as they should be.

The story does nothing original unless you wind up on one of the new story paths after 20 hours of play. On top of that, the visuals still reek of PS3 muddiness despite the smooth framerate. It’s a grindy number-managing repetitive experience, and you might automatically love that or hate it depending on your allegiance to Compile Heart. It simply feels out of place next to other PS4 JRPGs on offer, and could have used a lot more polish if it wanted to stand a chance in the current gen.

Knowledge is Power makes good use of PlayLink to open the door to those more familiar with tapping on phones and browsing the internet than knowing where that Square button is meant to be, and that’s its real strength. Outside of that, it has a few other ideas, but ends up as a fairly middle of the road quiz game that’s easy enough to put on the telly and your phones for a quick test of knowledge.

I liked a lot about Miitopia. The Mii cast and the social interactions were the highlight, but I also enjoyed the fun story and the variety of player classes on offer. If you’re looking for a deep and tactical JRPG with an excellent story you might want to look elsewhere, but if you’re looking for a fun and simple JRPG with a great sense of humour, you should certainly check out Miitopia.

The story is solid, if a little unusual for a Sherlock Holmes tale, and the collection of mechanics and mini-games that could easily feel thrown together actually work well together, leaving you guessing about what comes next.

Butcher is a game that will mainly appeal to those who like hardcore shooters, where one wrong move can cost you progress. For others, that style of play could prove frustrating, especially when testing your platforming skills. Though it’s built around the idea of being a relentless killing machine, that doesn’t really feel fully realised with most enemies on a par with you when it comes to dealing damage. Butcher shows potential, but it doesn’t reach it in its short campaign.

Jump King is an excellent experience in soul-crushing difficulty and nightmarishly precise platforming. It's the type of game that won't be for many people, but for the small percent that craves this kind of experience, they won't be disappointed. The somewhat imprecise nature of your jumping often frustrated me and diluted the pure player skill needed to clear the game, but it still ends up being a solid test of your patience and platforming skills.

Ruffy and the Riverside takes us back to a time where the 3D platformer was king, controllers had three prongs, and analogue sticks were a new-fangled invention. There’s the same vibrancy and creativity here as classics like Banjo-Kazooie and Mario 64, cribbing a few of their tricks along the way while making something that still manages to feel fresh and unique.

Afterparty is a game with characters and writing, with the secondary characters often managing to outshine our two leads, Milo and Lola. Unfortunately a few technical issues with load times, stuttering and long periods of silence do suck some of the fun from Afterparty. Still, it's worth playing if you like your character centred pieces.

Don't Stop, Girlypop! is a yassified delight and the kind of unabashedly girl-power game I love to see. I just wish that as much energy went into the polish and game design as it went into the art, vibes, and killer soundtrack.