Humour is a tough aspect for games to get right, but Super Daryl Deluxe nails its dry, surrealist American-indie tone. Despite the inherent repetition of the RPGvania match-up, the writing, graphical style, and imagination that Dan & Gary Games have packed in here mark it out as a wonderfully weird indie gem.

Rhythm Fighters is a fun and innovative roguelite which should keep you entertained for quite some time, affording you the opportunity to put your headphones in, sit back and relax to some funky beats while you beat up evil veg for laughs.

The Witcher: Monster Slayer is a slow grind that feels like it's still in beta. It's not refined enough to take the augmented reality crown from Pokémon Go, but with a lot of polish, we could one day have a new AR game for those who want something a little more grown-up than Pokémon.

A mixed bag but worth buying just for Metal Black, New Zealand Story and Liquids Kids. It's a shame the rest of the compilation has been padded out with obscure titles such as Dinorex and Ben Bero Beh when TAITO have so many classic titles such as Operation Wold, Chase HQ and Mr Do! Perhaps we'll see them in Taito Milestones 3.

Across its approximately 15 hours of playtime, #Blud offers a fun and straightforward dungeon crawler with a great aesthetic, but it is undone by some bugs that impact the flow of the game, along with some missions that just bring the fun factor right down.

Romance of the Three Kingdoms 8 Remake presents the series at its very peak. Despite turning back the clock more than 20 years, the end product feels like an evolution of ROTK’s grand strategy format thanks to smart gameplay upgrades and its beautiful presentation.

Through the stylishly muted visuals and the trappings of a Communist state on the brink of collapse, Black The Fall challenges you to escape its series of perilous puzzles in a bid for freedom from oppression. Though it will live in the shadows of its critically acclaimed peers and has a few rough edges, Black The Fall is a great addition to the puzzle platformer genre.

Dragon Quest Monsters: The Dark Prince isn't reinventing the wheel or changing the way we should view the monster-catching genre, but it is a huge amount of fun, and offers a lot of playtime for those who want to spend their time just seeing what kinds of weird and wonderful creatures they can end up playing with. The systems are clear and easy to grasp, the voice acting is great, the music is incredible, and it's just a very fun game.

If the jumping was tightened up a bit, and the difficulty spikes not so big then this could have been one of the best platformers of recent memory.

Telltale have crafted their own story from the Guardians comic-book lore, while keeping the flavour of the hugely successful movie. There are plenty of nods to both, and fans on the lookout for Knowhere, the Kree and other notable characters from the series will likely be more than happy. This is still a Telltale game though, and there simply aren’t any new mechanics to be found here that’ll convince detractors otherwise.

Spellbreak holds vast potential and is full of depths to explore, but it’s not quite there yet, despite the 1.0 release. Sure, it’s fun enough to play if you can sit down with two of your friends and bash out a couple hours’ madness, but I forgot what the game was called once I stopped playing. With next to no lore within the game, and with every win or loss feeling the same, there's just not quite enough to make a lasting impression.

As special as it was ten years ago, Patapon Remastered is a glorious example of when art, music and gameplay coalesce into something far more intoxicating than its sum parts would have you expect.

Lego 2K Drive does an incredible job of bringing Lego racing to life; it’s unashamedly creative, consistently energetic, and confidently amusing. It's the kind of game that can bring families together in front of a screen, and away from it.

Hot Wheels Unleashed puts the brand to perfect use, marrying bright and bold toy car racing with powerful track creation.

While you may not want to pick this up strictly for a single player experience, Shiftlings Enhanced Edition is probably one of the best co-op experiences there is on the Nintendo Switch, especially considering the recent surge in top-quality indie titles on the platform. If you like puzzles, platforming and have friends that enjoy video ganes, then this is for you.

STAY can’t be faulted for its aspirations and the attempt to make a believable character in Quinn, to create an individual that the player will want to help. However, the result is a near endless stream of lacklustre dialogue that made it incredibly difficult to stay to the end.

Big Hops is a good new 3D platformer that will draw plenty of fans with its fun abilities and locations to explore. My playthrough was affected by bugs, with patches coming to address some of these issues in the run up to launch, but there seem to be some teething issues that remain.

Rise of Iron is an excellent expansion to Destiny, but it doesn’t have the same lasting impact on the game as The Taken King did. There’s not all that much for Bungie to fix this side of a fully fledged sequel, and so this DLC gets to focus on weaving a new story that delves into the game’s lore, providing hours of new content for the game’s fans to play time and again.

Yes, the multiplayer isn't inspiring in the slightest, but the single player campaign more than makes up for this, and no doubt by now the game can be picked up for pennies anyway...If you like shooters, you should definitely give this a look.

Episode Five brings the season to a positive close, and while we all like a happy ending, it does perhaps paper over a few of the more negative choices you’ve likely made. The character-driven aspects of the series have been brilliant, as has learning more about each of the Guardians’ pasts, but it’s still been foisted by Telltale’s creaky engine and often dull interactivity.

Despite a handful of issues issues, Tools Up! is a co-op game that does the impossible and actually makes DIY fun! It might even inspire you to do some real-life DIY. Nah, who am I kidding? That extractor fan is going to stay well and truly un-extracted.

Despite rocky presentation and a ho-hum story, Warriors Orochi 4 has been some of the dumbest fun I’ve had with a video game all year.

They are Billions is a great game that is lacking in content. The idea behind it – a survival strategy with "realistic" zombie mechanics – is fantastic and the actual mechanics behind it are well thought out and make for a deep and enthralling strategy, if one that may be a little too challenging for some. If that sounds great to you then being light on content may not matter, as there aren't many, if any other games that fit into this particular niche.

Fall of Porcupine does capture a small part of the experience of working in healthcare, and it does feel relatable in some respects. The game also explores the complexity of the relationship between people and the healthcare system, as well as the issues that are faced. The story and characters are well portrayed, with the music and artwork also being a highlight. However, there are some bugs that need medicating, along with some more concrete conclusions on some plot threads.

Steelrising's Parisian setting and tireless robotic enemies help it to stand out from the growing Soulslike crowd, though its mechanical heart still ticks with the same carefully crafted and unforgiving style of combat. If you want a Soulslike with a bit of a difference, or maybe one that's got an assist mode to help ease you into the genre, Steelrising is well worth considering.

The Texas Chainsaw Massacre is a fantastic homage to the original film and really shines in its general presentation, but the gaming experience itself proves to be a frustrating one. Combine an increasingly toxic community and the prevalence of cheaters with a distinct lack of maps and variety and you have a game that may well struggle to succeed in competition with the many other titles in the asymmetrical horror genre. To paraphrase the tagline to the movie – will this game survive and what will be left of it?

Megaton Rainfall is a game of incredible scale and there aren’t many titles that let you go off exploring a large universe quite like this, when you aren’t blasting alien invaders out of the sky. In VR it is quite a spectacle, though that can’t shield it from the fact that it’s quite a basic shooting gallery experience whether on TV or in VR. Megaton Rainfall is very much worth checking out if you have VR, but even without that side of things you have a decent enough superhero simulator.

A dark and twisted fantasy RPG which uses elements of survival games to great effect, Smoke and Sacrifice is a beautiful piece of indie software. Tonally and physically challenging, the artistry on display sets it apart from its peers, creating a foreboding world that’s well worth being drawn into.

Cleaning up someone else’s mess has never been this much fun, and that’s saying something when said mess includes pieces of evidence, corpses and more than a little bit of blood spatter. Serial Cleaner is easy to recommend as a quirky and fun stealth ’em up with a somewhat macabre sense of humour.

This is the arcade game the 12-year-old version of you was always meant to play. Fast, frantic, outrageously challenging and with the sort of free-form play that requires and rewards player creativity. Infinite State Games have created something very special here. I’ll see you in the skies, just try and beat my high score.

Rush of Blood isn’t particularly scary, unless you’re deathly afraid of some of the many different creatures and monsters that come your way, but it still makes for an entertaining few hours. Were it not on VR, this might easily be discarded and overlooked, but that simple fact makes it stand out.

Earth Defense Force 5 is as video gamey as they come. No frills, just kills. If you want to unwind after a long day and just blast some baddies and see explosions until your eyes go red, you can get no better than this game. The absurdity of the story and the increasingly opressive odds of the missions make this a hell of an experience solo, and one of the most silly and satisfying cooperative experiences I’ve come across. It’s a shame that a few nagging issues from old games continue to persist in this one, but despite those, this is still a fun, wacky, addictive video game.

Think of it as a modern-day underground refresh of Maniac Mansion with the wit of Guybrush Threepwood's adventures (with a much smaller inventory) and you're probably not too far off.

A great game, despite the camera doing its best to spoil the party. However, this version is hard to recommend to those who have already ploughed through Sigma; there's nowhere near enough new content to warrant that.

Without a doubt the best AR game on the PS Vita. It’s challenging, diverse and addictive.

With Audica, Harmonix has taken a shot at reclaiming the rhythm action crown. It touts a challenging lineup of stages matched by a strong song roster yet feels boxed in by its shooting range premise.

It was definitely an experiment worth trying yet the action gameplay does little to hold up its side of the bargain.

Call of Juarez: Gunslinger passed by me in the last generation, but I’m happy to say the Switch port is an excellent way to experience the series for the first time, and the addition of motion controls make it worth considering a return to the American Frontier.

As ever, Dead or Alive 6 is a polished 3D fighter that will likely still struggle for acceptance on the ‘serious’ fighting circuit thanks to the excesses of its character’s costumes.

Fans of dystopian fiction, or good stories in general, would absolutely adore Hope’s journey. The execution leaves a lot to be desired.

Watch Dogs Legion is a different type of sequel to Watch Dogs 2, contrasting in its approach to creating a hackable open world playground, but with no less impressive results. Playing as any citizen in London leads to some less-than-engaging story moments, but the web of relationships and activities that crop up as a result of the systemic design is mind-blowing. I rarely did the same thing twice in Watch Dogs Legion, and if I did, I wasn't doing it the same way twice. Watch Dogs Legion truly feels like a living, breathing world, and it's a world that I plan to revisit often, even though I've seen the credits on the main story roll.

It feels so refreshing to step out of army boots and into a tux, with GoldenEye providing a nice change from the norm. Despite not being the best FPS on the market, the game can easily stand tall and comes highly recommended for those suffering from an overdose of modern battlefields.

LOUD On Planet X is a good rhythm game with a great track listing, but some of the issues within do need fixing.

With only a gradual difficulty curve to its platforming, 140 is just a few hours long, but they’re a good few hours. There’s a vibrant and colourful minimalist art style, and it goes well with the soundtrack that really underscores and ties into the simplistic rhythm platforming.

Valkyrie Drive is an incredibly fun and addictive game. While it doesn’t have the same crazy narrative or visual flair as a Devil May Cry or Bayonetta, it certainly shares their vibrant and satisfying combat.

Death Squared is an entertaining game that has been carefully refined until it can out from the crowds of other indie puzzle games. It’s easily recommended for gamers who appreciate the puzzle, platform and party genres individually or when combined together.

Unfortunately, I didn’t really enjoy my time with All Walls Must Fall. The fantastic setting, thumping soundtrack and original take on seduction mini-games are not matched by its gameplay mechanics. Everything felt too chaotic and the environments too lacking in variety to maintain my interest.

Bad North has a lot of potential, but it wastes most of that by doubling down on simplicity over depth. In many rogue-lite games starting a new run is an exciting prospect, as you know your newly acquired player skill will carry you through, but the slower pace here makes it feel a lot more like having to do the hoovering again because someone ate a pastry with no regard for your nice clean carpet.

Heidelberg 1693 is a neat action platformer with some memorable enemy design and boss battles, but it often feels as if the level design is at odds with the limitations of the weapon that sets the game apart. Still, I feel suitably proud that I managed to finish it and it still comes recommended for fans of titles like Ghosts n Goblins.

LOUD is a fun guitar arcade experience. The songs are fun to play through and are very reminiscent of a specific time for music. An initial run can be quite short but there is replay value in trying to get S ranks on songs, and unlocking higher levels.

A fun online experience but I can’t see this continuing to be played long into the future with so many other shooters available. The story may be a little lacklustre but if you simply treat it as a lengthy tutorial, you’ll have a great time online.

Shadow Warrior 2 stands on its own as a frenzied yet fresh blending of genres that can easily enthral groups of players for hours at a time. For lone wolves, the looting and shooting will be slightly less appealing. This, and a few smaller hitches, hold the game back from greatness, though die-hard fans of the genre will certainly get their fill.

Unfinished Business is a great evolution of Teyon’s take on RoboCop, with the more focused narrative and progression helping the story to push you through some combat encounters, whilst also adding some excellent lore to the wider world of Alex Murphy. If you enjoyed the first game, and maybe even if you didn’t, then I can recommend this return to Detroit. You have more than ten seconds to comply, but resistance is futile.

It’s always nice to see Marvel and Capcom working together on a fighting game and Marvel vs. Capcom Infinite is still a great fighting game with neat ideas. Infinity Stones are a breath of fresh air, and going back to a less chaotic 2v2 format makes it more playable at a lower level, but ultimately some of the silliness and wonder has been sucked out of its DNA. For the hardcore audience, it’ll still play wonderfully and I had fun, but casual players will find little to sing and dance about.

MouseCraft is a game that manages to take inspiration from two classic titles and create something fun.

Dead Rising 4: Frank’s Big Package is perhaps the perfect Christmas game; stuffed to the gills with content that swiftly loses its novelty, with the overall effect being a kind of overfed sleepiness. In this case, less could have been more.

Clash: Artifacts of Chaos is an idiosyncratic adventure, managing to be jaw-droppingly beautiful, fun and often mesmerising while hanging on to some of the Souls-like genre’s most frustrating elements.

Pokemon Scarlet and Violet feel like the awkward second evolution of one of its starters. It's growing into something resplendent, it's showing signs of an exciting second type, but it's got that weird vibe of a 20-something that hasn't quite figured out who they actually are. Add that weirdly stretched feeling to the constant technical oddities and you've got a game that's undoubtedly good fun, but it's still not even its final form. I can't wait to see what Pokemon becomes, but it’s not quite there yet.

Death’s Gambit is almost an above average 2D hardcore title, with challenging bosses and some solid environmental design. However the game lacks atmosphere and the story just doesn’t quite take hold. The world is compact enough that repetition is unavoidable, and repeating the same steps can you wear down. Death’s Gambit isn’t a bad game but it simply doesn’t have the spark that others in the genre do.

In an industry still obsessed with lifelike visuals, gratuitous violence, and tear-jerking stories, Wattam is a welcome remedy. Though short-lived and bizarre is its design, it has a joyous cleansing effect that will have you grinning ear to ear.

Tembo the Badass Elephant could have been so much more than what is offered. SEGA seemed to be searching for a successor to Sonic with Tembo but at the same time wanted to get a piece of the market for particularly hard games, forgetting to make it fair at the same time.

If you like classic point & click adventure games, then Demetrios is worth a play.

Playing on PC brings sharper resolution and a much more stable and smooth framerate, for sure, but none of it amounts to a night-and-day difference. Go with your heart and play the game on whichever machine speaks to you the most, because at the end of the day, you’re guaranteed to have a good time no matter how you play this game.

RollerCoaster is a great little title to add to your collection if you’re either a nostalgia buff or fancy having a classic management sim on the go. Otherwise, you might be best sticking to something a little more current.

Pumpkin Jack is a fun and nostalgic title that is perfectly placed to be your Halloween game this year. Highly recommended for any fans of old school platforming adventures, but also worth checking out for the spookier sorts too. It doesn’t revolutionise anything, but it also doesn’t outstay its welcome, and the fact that it is the work of a solo developer makes it even more impressive. This particular pumpkin deserves to carve out some of your seasonal gaming time.

If you’re a fan of musuo combat and witty humour, and you don’t mind some repetition when getting your fight on, you could do a lot worse on Vita than Hyperdimension Neptunia U: Action Unleashed.

Brigandine: The Legend of Runersia is a complicated beast. It’s a vastly detailed strategy game that demands a lot of players. For those up to the challenge, there're hours and hours of content on offer here, in what is an impressive strategy titles. However, if you aren’t versed in strategy games, you are going to struggle to get on with Brigandine: The Legend of Runersia as it offers new players very little help.

Big Sky Infinity has bags of potential, with a really solid gameplay core. There are occasions where this shines through and you have an absolute blast. However, there are a number of issues that, when combined, really do drag down the score. Here's hoping for a sequel where all this potential is fully realised.

Skybolt Zack is exactly the kind of game that benefits from playing the same stage over and over again. Learning the patterns and routes for each will eventually have you zipping through, but it’s going to take plenty of tenacity to get to that level.

It would be nice to have a few more types of enemy rather than ninety percent being standard soldiers but what there is comes thick and fast. It is certainly not the most accomplished example of the genre though and for those people who like an FPS but are on a limited budget it might not be worth the ticket price.

The Ninja Gaiden Master Collection is a solid collection of three games that are enjoyable, but are also showing their age. If you're coming here for a challenge, then you'll likely be very happy with what you find, but times have changed a lot since these games released. As long as you're fine with that, then you should pick up the mantle of the Hayabusa Clan and start chopping off arms.

Minecraft Legends captures the magic of Minecraft in a wholly new way. It’s chaotic, it’s creative, it’s competitive and it’s an absolute blast.

Harold Halibut looks great, like one of Aardman’s finest, only as a video game. Unfortunately, it’s the game part that underwhelms, offering a distinctly tedious narrative adventure that is a chore to play.

Sure, it might not be the game we were originally promised, but it's still a lot of fun. The sheer scale of the island alone is an impressive accomplishment.

Oceanhorn 2's debt of inspiration to the Legend of Zelda series is hard to avoid, but it would be a shame to dismiss this as a simply copy or clone when it's a thoroughly enjoyable experience in and of itself. Given the more expansive, survival-based turn that Zelda took with Breath of the Wild, there is actually a real niche for the oldschool dungeon approach and Oceanhorn 2 fills this with aplomb. It may be I Can’t Believe It’s Not Zelda, but that isn’t necessarily a bad thing.

Bound is easily one of the most stunning games to release on PS4, and if you’re searching for something a little different I heartily recommend it.

The game works best in how it empowers you to toggle between idle exploration and obsessive score chasing whenever it suits you. However, as time drags on, if that drive to make headway begins to wane, there’s little else to keep players hooked. Then, of course, there’s the ridiculous online-only policy that is bound to frustrate, adding a completely expendable layer to the year’s best winter sports game.

This was a game with a lot of depth and variety to the scenarios it put you in, and that’s great fun to play cooperatively. Though it still has its flaws, the added content and changes that have been brought together in the Crimewave Edition build upon the original release and mean that there’s plenty of reasons to sink back into a life of crime.

If there was ever a time to sit down with some friends and play a scary game, it's Halloween 2020. Little Hope fits the bill perfectly. The annoyances found in Man of Medan have been almost completely removed leaving a spooky tale with jump scares to giggle about, heart racing action, and tonnes of atmosphere. For £25 Little Hope is an absolute steal and highly recommended.

Just Cause 3 is a wonderfully constructed open-world, that successfully builds on its predecessor’s legacy with humour and aplomb. The key problem however is that at the moment there are too many technical problems which hamper play. You’ll want to be wild and free, blowing everything to hell in a variety of ways, and so often you can be, but that only serves to emphasize those moments where Just Cause 3 struggles to keep up.

On paper Ride 3 offers a lot of variety both in terms of quantity of bikes and track options. It’s possibly the most refined Milestone game to date and you could spend 20 hours playing through the career and have a perfectly acceptable experience, but you’ll be left wanting more. It does little to innovate or move the genre forward. In many ways, Ride 3 is like eating a 14 piece KFC bargain bucket all to yourself. Initially it’s satisfying and feels like great value for money, but about halfway through, indigestion starts to make you question why you didn’t just get a Zinger burger instead. Sometimes, less is more.

Apsulov: End of Gods is a worthy counterpart to other great Norse games of recent years. With only a small development team, it can't match the presentation of some of the games that inspired it, but it makes up for this with a distinctive character. Taking the ideas of Doom 3 and Dead Space and mixing them up with Norse mythology, this is a really interesting and enjoyable horror experience.

Hotshot Racing is a nostalgia-tickling delight that doesn’t have quite enough depth to keep pulling you back for any real length of time.

The game is good; fans of tense, methodical dual stick shooters will probably really enjoy it. It's just a shame that the wider-reaching problems weren't addressed.

Pool Panic excels at being exactly what it is, a weird puzzle adventure game with a lot of personality and plenty to do.

I did like going back through the four games on offer with Mega Man Legacy Collection 2 overall. The features included are exactly the same as the first Legacy Collection and the way saving works now makes for a fairer challenge that doesn’t make things too easy. It’s just a shame the enhanced version of Mega Man 8 wasn’t used and Mega Man & Bass was not included, as it gives the impression Capcom’s heart wasn’t quite in it. It’s a decent collection, but plays things far too safe.

Bleach: Rebirth of Souls is the game that Bleach fans have deserved for such a long time. It's a fresh and inventive arena fighter that combines the classic energy and atmosphere of the series with a fresh, stylish, and modern coat of paint.

Loot Rascals has potential, but the over reliance on luck and a lack of any real progression lets it down some what. I appreciate what Hollow Ponds is attempting to do with the game but without any tangible feedback that you’re improving it can feel like effort and time is being wasted. Still, the gameplay is actually fun, and the on-the-fly strategy aspect utilising cards is a system that has been implemented well. Loot Rascals looks great and plays well, and its style will appeal to some. If you want a game that is challenging, humourous, but very reliant on luck then Loot Rascals is for you.

Hideo Kojima has been accused at various points of promoting style over substance, and in this remaster of Zone of the Enders: The 2nd Runner that’s more apparent than ever. For all of its fantastically designed mech, and its tight and often enjoyable combat, Zone of the Enders 2nd Runner is an ugly, poorly-told and overly short slice of nostalgia that can’t be saved by the introduction of VR.

Mutropolis is a decent point and click adventure title with genuine humour and some very good puzzles. However, it's let down by a slow-paced middle act that drags on far too long and some puzzles that could have been better implemented.

The biggest issue probably lies with the not being able to get into any games on the multiplayer, but it doesn't really feel like you're missing out. The single player is strong enough on its own that you don't feel like you're losing anything significant, and of course you may be able to get in yourself.

This is a great little shooter that has aged well considering it’s over five years old, and actually feels more at home on Vita than it did on PlayStation 3.

Tales of Xillia 2 is a very good game, but it is definitely not better than the original.

Overall, 2.0 may not have the impact of the original but it’s still one of the best “toys to life” gaming experiences on the market.

There's fun to be had with MechWarrior 5: Mercenaries, but it's probably not for everyone. If the management aspect of the game appeals to you almost as much as using a giant mech to launch a salvo of missiles at a large skyscraper-sized enemy, then you'll likely enjoy MechWarrior 5. There's lots of repetition in the gameplay, but it's tempered a little by the changes it goes through as a result of your growing mercenary outfit. It's rewarding if you put the time in, but it's a shame there's no matchmaking to help alleviate the repetition.

Battle Brothers is like a school-yard bully. This video game brute will do it’s very best to break you. It will tell you that you suck. Then it will aggressively inform you that your mum will be performing some sexual favours on it whilst giving you a wedgie in front of the rest of the class. But stick up to this bully, impress it with your resolve and maybe you’ll find that it’ll be your best friend. Perhaps, eventually, as close as a brother. The question is, do you have the commitment to get there? If the answer is yes, then you’ll ultimately - after far too much graft - find a deep and comprehensive strategy RPG. Just be prepared to have to stick with it, as this bully really hates you.

As a VR experience designed from the ground up for the technology, Doom VFR is probably the best example of this to date. There are some improvements to be made with the movement, but it is otherwise a fantastic bit of the ol’ ultra violence that shouldn’t be missed. Bethesda have definitely shown they understand the potential of VR, so hopefully we’ll see more dedicated VR experiences in the future.

You can easily get yourself lost in the world of Olive Town - I’ve already spent more than 50 hours cultivating a farm that's entirely unique to me. Whether you want a relaxing time or a challenge, this is the game for you; Story of Seasons: Pioneers of Olive Town is so malleable that it'll work for everyone.