The asking price isn’t too overwhelming for what’s there, and the game is definitely a lot of fun when you cast aside the few issues it does have. Bloodstained: Curse of the Moon is an overall experience in itself, and a great game to hold you over until the release of Bloodstained: Ritual of the Night at a later date.

Sure, it’s a simple physics game that doesn’t have much to offer, but it delivers entertainment and the fact that you’re delivering equipment to help save the world is a great addition. It plays out just like an old school Nintendo game, allowing you to choose what level you want to play. Except you never face the boss, but defeat them by completing the course. I know this won’t be for everyone, in fact, it’s going to be quite annoying to some. It’s short but priced extremely fairly for what it offers. I enjoyed it and if you like achievements, the good news is that they’re very easy and straight forward. It’s great to just throw it on or to complete it one sitting. It’s a great little game with limited content and I’m okay with that.

Armello is an excellent digital board game for anyone who struggles to get friends around the table for paper board games. It's a real shame that there is no local multiplayer mode included, but the single player is very satisfactory, and the online multiplayer excellent, assuming the standard of players remains as high as it was at the time of writing this review.

Like usual, there is a mix of good and bad elements. I would say Lake Ridden has an equal amount of each that balance each other out. The quality of visuals and sound are high and the puzzles can prove difficult to most people. However, the backtracking and lack of a believable story set the game at just being pretty decent, but nothing you would rave about to all your peers. A map would have been a great addition to exploring, allowing you to mark areas of interest or just simply help you find your way if lost. If you have a craving for a supernatural puzzler, you’ll be content. If the story is what you’re after, you’ll likely be disappointed.

Had it included multiplayer modes, I wouldn't hesitate for a second to award Gas Guzzlers Extreme our Highly Recommended award, but without it, prospective players should think long and hard about what they expect to get out of the game.

I really enjoyed Wick for the short period of time in which it remained fresh, new and interesting to me. The forest is creepy and the enemies are terrifying the first few times you encounter them, but the fear is short-lived once rationality begins to take over. Playing Wick in a pitch black room, or passing the pad with friends can extend the experience. If you're a fan of horror games, or you just love a spooky story, then Wick is well worth a second look.

This game has hundreds of levels that you cannot manually choose, cool looking characters that all function the same, easy to use controls and a point system that favors number of kills over survivability. If you're looking for a simple and easy game to play with a few friends, this game is for you. If you're looking for a new and exciting multiplayer experience to really dive into, this one is not there yet.

With a unique backdrop and clever use of shadows, Projection: First Light delivers what it intended. A calm and casual puzzle platformer that is a pleasure to play through. The story is delivered in a nice shadow puppetry fashion, though some may find it hard to follow because there is no talking or narration. The biggest downside is getting glitched into walls or stuck. If save points could have been the actual checkpoints, then maybe it wouldn’t have been as much of a problem. The design and music are great, as well as how the puzzles are tackled. But because you or items can be glitched in areas they shouldn’t be, it becomes a persistent hope that it doesn’t happen (again), requiring you to restart the level. There is light at the end of the tunnel, but it’ll take some reworking of the game mechanics to really shine.

Necropolis is an alternative to the average roguelike, with excellent multiplayer features, lots and lots of depth and a ton of content to wade through for those with the right skills. Unfortunately, it's likely to be too hard for many folks to see through to the end, and as a result, I think it will remain a much-loved niche title rather than a mainstream powerhouse.

Instead of a game that grows on you, it starts becoming chore the more you play. If you die, you’re starting all the way back at the beginning. Just because you have more tools at your disposal doesn’t make it any more entertaining. There are great concepts here, which stem from Bioshock which was quoted as a main influence. From great to mediocre, Void Bastards is playable but becomes its own nuisance. There are both good ideas and bad ones that mix into an average shooter with a few annoying traits.

I loved my first few hours with Toy Odyssey: The Lost and Found, however the grind was too steep and it wasn't long before the lack of real progress dragged the experience down, ultimately becoming boring by the end.

While Kill the Bad Guy has more than its fair share of frustrations, they're never so bad that they overshadow the game's strengths. It's a simple puzzle game that handles variety and difficulty well, containing a decent amount of content. It's dark themes and constant justification of bloody murder may be rather blunt and uninspired but may appeal to those who want their brainteasers to be a bit more brutal.

The aim to make the story sad was completely pushed onto the player without choice. The writing went a bit overboard with it, trying to make the player feel sad, at the cost of being over-dramatic. Too many characters were absolutely too cruel to be believable. I went from feeling sorry for Olive to absolutely hating her. Decisions just didn’t make sense when put into the real world, which is what this game was trying to demonstrate. As far as the actual gameplay goes, it had a few good moments. Some were entertaining, while other times it felt a little bit underwhelming. Running around in the house, in particular, was poorly designed, having a lot of breaks in the walls as you turned the camera. It was an okay experience with some enjoyment to be had, but with a story that had some potential but ended up being off-putting.

For what it’s worth, the extremely small amount of time you’ll play this game will be entertaining. You can do everything within a couple of hours but you’ll likely enjoy your time. I liked it a lot but I also played it on Game Pass. I would regret buying it for the asking price, so if you don’t have a Game Pass subscription or it’s no longer available in the library, maybe wait for a good sale. I don’t normally like to talk about pricing, but I think it’s pretty important that you know ahead of time what you’ll be enjoying won’t be for very long.

This is a short, easy, almost mindless game. If you’re an achievement hunter, you will enjoy it more than the average player. The graphics aren’t bad, and neither are the sound effects. But without being able to run, backtracking or looking for notes with codes can be a little tedious. The puzzles are incredibly easy, using a trial-and-error method to figure them out. This is your average game, not attempting to pull out any surprises. It has a decent story premise, but doesn’t force you to live in it. You’re just visiting briefly. Some people will enjoy searching around the prison, while others will feel the game is missing more than just other people.

I enjoyed playing through the game and figuring everything out. There is some room for error, but it’s great that you can replay the day and get faster each time. The controls were all fine except when you had to input numbers. It was likely made more for a mouse and keyboard, and it was specifically more difficult to open the safe. You would click the wrong buttons often because of the movement of the cursor. I didn’t encounter any bad bugs, besides one that kept the hunger icon zoomed in once, even when I ate. It’s nice to experience it, but you may not be playing it long or ever again. But I don’t regret getting a chance to escape a kidnapping while needing to pay attention to details so that I could put everything back the way it was before I touched it. It might not be for everyone, but those who love attention to detail will find this game appealing.

Spheroids can be addicting, but that means your time spent with it won't last long. This type of game doesn't rely on a well-written story; it relies on functionality and an enjoyable endeavor. It has met the basic requirements for success but is not going to appeal to everyone. Like the bouncing spheroids, this game has its ups and downs. If you are looking for a quick game with a simple charm and a clear objective, this is it. If you're looking for hidden secrets and a challenge, you should probably pass.

It is still a very enjoyable game that, with any other name, would standalone as a fun, feature rich and exciting title. Unfortunately, what I wanted was something that resembled the first Pac-Man Championship Edition (and the Pac-Man games I love) a lot more closely. Newcomers and speed runners will probably love this version, but those looking for nostalgia will find the game sadly lacking.

Game nights are a remarkably popular way to engage with friends, which has led to the resurgence of tabletop board and card games of late. Pandemic has had quite a following, and this digital version does have its plus points – easier logistics, lower cost – and it will be familiar to those who already play the board game. For those who haven’t played before, the lack of a meaningful tutorial will be an obstacle to getting into it. However, its inclusion in Xbox Game Pass will greatly lower the risk of trying out the game. Now if you’ll excuse me, I don’t feel so good… hope it’s nothing serious.

It’s a different concept to have a mini-game that sets up your playthrough. You try your best to get what you need and can alter your experience with specific items. There’s a lot of decisions that impact your survival and it’s always a hit or miss. Such is life. While you’re in control of the decision making process you’re not always in control of the outcome. All in all, it’s a pretty well-made story with great dark humor. The biggest issue is longevity. There is a lot of replay value but it gets a bit tedious because you can survive and win, but the motivation to keep playing is only to see different endings and outcomes. It’s relatively short and you’re making quick decisions, usually just one per day followed by reading. It has some great ideas but it might not be something you play for more than a few hours.

There’s nothing really to dislike about Aftercharge. There just isn’t much Aftercharge to like. Without a campaign and lack of in-game story, you won’t find yourself intrigued nor have the ambition to continue on. There’s supposed to be a competitive mode, which wasn’t active during the time I played. It may entice people to continue on, especially if they have friends on mics. In its current state, there just isn’t enough content to warrant return after a few hours. While I enjoyed the aesthetics and original idea of the multiplayer mode, I got bored.

The lack of online will clearly put off a few people; however, some odd design choices in scoring and the lack of any true single-player gameplay really stops Overcooked from being the game it could be.

I had a great time playing through Rise & Shine, but sadly, I know I'll never go back to it. I wanted to complete it; I very much so enjoyed the final twist of the story and the end "solution" even more. Enjoying the end, however, doesn't change the fact that the glitches, bad button layout and overly annoying self-awareness, really make it hard to enjoy at times.

The game does a wonderful job of capturing the past. From the visuals to the music and dialogue, it’s all very well done. The story is okay, but the ending seems a bit far-fetched. The pacing wasn’t bad, but I do think this game could have had a few more puzzles. I do wish there were some more areas to explore, instead of being in the same places for so long. The running button and lack of checkpoints were annoying, but the game is fairly short, and you likely won’t be playing a second time. The gaming world is full of fantastic games and amazing stories. While this might not make any of those lists, if you’re looking for a decent detective game with a very twisted ending, you may want to give this a few hours of your time.

It isn't a bad game at all, but it does so many things to such an average degree that it is hard to get excited about. There is also the lingering feeling that with just a little more effort and some focus, it could have been so much better. A missed opportunity, and a game for diehard fans of the genre only.

Without a doubt, I would not be missing anything if I skipped this collection. I didn’t miss out when they were originally released either. However, there is a strong contingent of shmup fans that will love it. The asking price is very fair, and if anyone enjoyed the originals they will appreciate the chance at not only playing the classics but the enhanced version as well. The Vasara Collection is a bit on the harder side, so anyone new to the genre will best spend their time elsewhere.

With no proper explanation of how things work, you find yourself fighting the game’s menu system more than actual opponents. Matches can take a long time to find, especially if it involves more than a 1v1. I believe if the experience was gained at double or even triple the rate, Absolver would be able to maintain interest from players. Having the same gear for hours and being done with the main playthrough becomes so repetitive that you lose enjoyment. While the combat is superb and the foundation of gear is quite strong, it is not at all implemented correctly. I did very much enjoy my time with Absolver, however, I quickly reached the ceiling on the time I wanted to spend with it.

I wanted to like Seasons After Fall more than I did. I've gushed about it's breathtaking beauty and the relaxed pace was a welcome change from the fast shooters we're used to seeing. However the mysterious puzzles soon started to grate and the amount of backtracking was insane. The developers certainly show great potential, but unfortunately Seasons After Fall isn't quite the sleeper hit I was hoping for.

Puzzle-wise, the game delivers like a morning newspaper. You get what you expected. Then you realize it had rained, and the story was hard to read, and ink had smeared around the important parts. The graphics are fine, but not good enough to excuse the sudden clumsiness of loading changes in the environment. The saving grace is the excellent voice acting and puzzle concepts. It turns out to be just mediocre overall. You will likely enjoy The Spectrum Retreat, but your love for it will be as empty as the hotel.

When I first got my hands on Mugsters, I was certain it would be something I’d love, mixing wacky physics-based hijinks with high-octane puzzle solving like some sort of indie Just Cause. I know that experience is in there somewhere, buried under the doldrums of tiresome repetition and eye strain. There’s still some fun to be had if you look hard enough, which is fitting for a game where everything is almost too small to see.

Firewatch is one of my favourite walking simulators because of its engaging script and lasting story, but it is by no means the revolutionary, life changing experience that I had built it up to be in my mind. It's actually more of an ordinary, pedestrian experience, and that is kind of what makes it successful.

If you’re looking for a casual puzzle game that you can pick up and drop whenever you’re in the mood, this is a great bit of fun. It does have a lot of great combinations but also a lot that just made no sense. The micro-transaction part is an annoying idea, but in the end, it’s really up to the player to decide if they would like to speed up their game by using their own money. The campaign was a letdown, but I guess it’s better than not having one at all. When they release another Doodle God game, I most certainly will pick it up.

As I was playing through Danger Zone, my general opinion of the game kept jumping around as often as my car did. I love the crash junctions from Burnout, and the puzzle nature of trying to obtain the pick-ups. With that said, I wish there was simply more to it and that it was a bit more polished up, especially considering the game’s development pedigree. Three Fields knows its stuff, and I sincerely hope there is enough demand from franchise fans to prompt planning for either a DLC expansion or a Danger Zone 2 with a level editor. The fact that the game will get Xbox One X enhancements and 4K output in the near future offers that hope. So, if wanton destruction and a relatively easy 1000 Gamerscore are your thing, queue up Kenny Loggins and take this highway to the Danger Zone.

There’s no real way to measure the length of time you’ll spend playing this. It’s all based around your personal desire to build and create your own masterpiece. Want easy achievements? Then you’ll be happy to know it has them. While it wasn’t something I could spend any more than a few hours tinkering around with, I can admire the possibilities for others. It has a great theme, extremely child-friendly, and the wooden tracks look excellent. As a whole, it’s a nice package that will either bore you or open up your imagination and give you countless hours of joy.

Late Shift is an enjoyable story and was good enough that I didn’t mind playing it through several times, even with the issues I had with it. If you’re in the mood for a decent story and don’t mind working for it, then give Late Shift a try. It is definitely an enjoyable experience.

Just as its protagonists change into bats at the successful completion of a level, Demon’s Crystals has two forms. One is its enjoyable gameplay that sticks to the script for twin-stick shooters pretty well, providing great fun in short arcade-like bursts. The other is its lack of polish and confusing design choices. What would ultimately tip the scales towards purchasing the game will either be the user’s interest in the genre – notably fans of Smash TV due to the very similar mechanics – or willingness to take the plunge at such a low price point.

Besides the flaws and lackluster graphics, Revenant Dogma somehow manages to still capture the genre’s appeal.

Switching between the two combat styles and exploring the world is a fairly fun experience. However, Mighty Rabbit Studios may have bitten off more than they could chew. Even though all the features made it into the game, a lot of the time it was largely tedious and verging on boring.

Trulon: The Shadow Engine is an okay game and therein lies the problem. There are no major problems, but neither is there anything to distinguish it from any other RPG, so much so that it may as well be called "RPG Game". The card battle system starts promisingly; however, the interesting premise is not expanded upon in any meaningful way. With its increasingly tedious battles, the whole thing seems to lose steam towards the halfway mark leaving little desire to play the game to completion other than for achievements.

This Is the Police has been a difficult game to rate and in my mind I've changed my score from "Highly Recommended" then down to "Limited Appeal" and back again, all depending on which part of the game I was playing. This mostly boils down to severe pacing issues and wildly varying difficultly levels throughout. If the developers can tighten this up then This Is the Police could be a real gem, but as it stands, interest levels soon plateau after overly long mid-sections and there's too much frustration in the later half spoiling any earlier enjoyment.

Nine Parchments is magical. The world is colorful and vibrant in some areas while keeping itself dark and gloomy in others. If you can warrant playing alone or dealing with the ridiculousness of enemies at a later time, then the game is worth picking up. If you don’t have anyone to play with and can see that as dampening the experience you may want to avoid the game altogether.

Shift Quantum is a fantastic little puzzler that goes for broke creating unique spins on its core mechanic. It’s stumped me on more than one occasion, but its quick levels and pick-up-and-play nature made it easy to put down and try again when my brain was ready for the challenge. It’s too bad the packaging is mediocre, and there are some small but glaring oversights, but those issues aren’t aggressive enough to ruin the core experience if this is your type of game.

It's a good game, but it isn't likely to impress fans of pure survival games, and it's definitely more intense and demanding than your average walking simulator. As a result, I suggest that you treat it like a low-action sci-fi adventure; the kind of thing that will leave you with a lot of unanswered questions, but that can deliver a lot of intrigue and excitement along the way.

Over the years, 2D platformers have been raising the bars in quality and ingenuity. Double Cross doesn’t add much to the genre but is pretty decent overall. The excitement of solving cases diminishes quickly when you come to realize there is no thinking on your part. It just serves as part of the storyline. If you can focus on the combat and levels, you’ll see why it’s still a very enjoyable game. Each of the various stages offer different challenges to make things feel different as you progress. It’s nice to be able to choose what missions you take on. The story is a bit light and the humor could use a lot of work. It ends up being a fine addition to the platformer genre, but nothing you need to rush to purchase.

Lichtspeer is fun and fast, and the new type of atmosphere is welcomed. Reminiscent of something like Kung Fury, Lichtspeer embraces neon futuristic wacky elements. It’s fast-paced and easy to pick up and play, but the lack of depth in many areas won’t hold the average player’s attention.

The story isn’t anything too great, with underwhelming character development and a boring plot. Not being able to control up and down for dashing feels like it’s an attempt to make the game more difficult. Overall, I enjoyed what I played but there were a few letdowns.

There’s a lot of good but sometimes the bad can outweigh it. This can be an extremely difficult game only because of the seemingly unfair advantage your opponent has. The upgrade system can be annoying especially when someone you invested in gets wasted. Is it fun? Yeah, but a lot of games do it better. This is for fans of the series for sure, and if it didn’t have the show giving its appeal, then this would be a poor entry into strategy-based combat.

Deformers is a bouncy, fast-paced and addicting game. When you get your friends together, virtually or physically, you're almost guaranteed to have a blast. The issues start to rise when you look at the ranking system and Form Ball's ability to provide competition. If you have friends over often or play online with them regularly and don't care much for leveling up or ranking up, this game might be worthwhile. If you are looking for a new competitive online multiplayer game, it's not quite there, especially given that there are not many people playing online.

88 Heroes is perfect for a handful of hours one afternoon but not for much more time than that, which is a shame because there is brilliance on display in the level design. As I progressed through the four areas, I gained a sense of mastery and saw incredible level layouts that I hadn't even imagined possible when I began. Unfortunately, the longer I spent with the world, the more toxic my encounters with the game became. Jokes lost their luster, and I found myself left with a handful of enjoyable characters and dozens more I wish never to see again. Those that can overlook the outdated and offensive language of the jokes on display, the technical issues and don't mind being on the end of a receiving of endless jokes will find a rewarding 88 levels with plenty of strategies required to find all that lies within. Personally, I value my sanity a tad more.

Clustertruck is a really unique concept, and it's one that I enjoy in doses of up to about an hour, but only very occasionally longer than that. It has a decent sized and rewarding campaign, and it can be played with pals in a pass the pad, score attack kind of approach. There is a ton of replay value because the unlockable skills which give the ability to replay levels in new ways. With all that said, there's no way that Clustertruck is going to appeal to everyone. Clustertruck is utterly bonkers, skill intensive, hard as nails and occasionally frustrating, but for me it is still compelling enough to be worth a look.

Battlestar Galactica: Deadlock is a pleasant diversion from tactical games like Fire Emblem, especially with the addition of resource management. It’s also a bit lighter than your typical space-battle simulator since movement is simplified to be not-fully-three-space. It will play well with Galactica fans in this anniversary year, as well as gaming tacticians in general, but its advanced learning curve and higher-than-average price will make it a tougher sell to others. Still, if you fancy yourself an armchair Adama, using your spare cubits to buy Deadlock would be a decision worthy of the support of the Quorum of the Twelve.

I think there’s a lot of room for improvement but it’s still a fun game. As a whole though, I didn’t feel like spending much more than a few hours with it. The design and atmosphere was great, but there were too many things I found to burden the overall experience.

Some fun can be had by those who enjoy narrative and puzzle style adventures, especially as we fast approach the spooky season.

If we're not talking about gameplay, Broken Age is great. It presents a fun and detailed world to inhabit filled with silly characters and interesting plot developments. If we are talking about gameplay, Broken Age is just okay. It's a serviceable attempt at a point-and-click game that stumbles more than it should. This isn't the best adventure game to come out this year, but it's still an enjoyable ride.

Within the first fifteen minutes of playing Pix the Cat, you’ll see mostly everything it has to offer. The core aspect of this game is chasing high scores. For some, crunching the numbers and perfecting the art of gameplay just isn’t what they are looking for a game. Others will be turned off by the repetitive nature.

The story is excellent, the characters work well, and the art switches between colorful and gloomy whenever it needs to. Can too much of a good thing be bad? It really depends on you. If you have the patience to read through bucket loads of text (I suppose that’s why you’re here instead of YouTube) then you’ll adore this game. If you get a little impatient, you’ll probably end up fast-forwarding through most of the scenes until you get to one that looks like it’s important. I will admit, as much as I loved the story, some of the conversations just didn’t seem like they were going to end.

No, it’s not an amazing new franchise you’ll desire more of. You will, however, enjoy what you experience. There’s a happy medium of enjoyment without becoming something you’ll want to play all the time. If you’re looking for something creative that doesn’t take itself too seriously, then maybe Pizza Titan Ultra is something you can have fun with but not take too seriously.

While Aragami will be enjoyable, it will start to get dull as you kill enemies (like a blade does). It almost feels like a Batman game where you’re just doing the stealth challenge missions. While it does what it does fine, it feels lacking as an entire game.

This was a tough review because it really is a great game, but it didn’t keep my attention which makes me conclude that, aside from some boss battles, it’s just kind of boring.

Song of the Deep occasionally shows flashes of promise, but ultimately they're just that: flashes and promises. Too often it feels like Insomniac was just going through the motions, leaving players with something of an empty shell of a new and impressive adventure.

Some of the puzzles were really fun. I enjoyed the Antartica chapter quite a lot and it was the best set of brain teasers in the game. Design is above par and there were no technical issues while playing. I especially loved the blending of genres. It never got boring. However, it ended far too soon. The story was a little messy and the big “surprise ending” was disappointing. A few confusing scenes, specifically during the lab, were a bit over the top. I think overall it’s an average game but without anything else to do after the credits roll, know that you won’t be spending much time with it.

The Infectious Madness of Doctor Dekker is in no way a bad game and indeed worth playing through even if only once, just for the experience alone if the subject matter interests you.

For what it is worth, Paladin was by no means a disappointing game. It brought forth the additions I was hoping it would while paying homage to the classic formula of Defender. It would have been nice to see more than forty levels, or the possibility of an endless mode that keeps going until you die, but alas no such mode is present. Indeed, the difficulty of completing all forty levels and the time it is completed in all bases on the skill of the player and how different elements play in their favor. The 35 minutes that I had spent was definitely worth it, but unless you plan to play the game again using the other 4 ships at your disposal, then the $9.99 price you pay might not seem worth it.

The idea is really good. I just love being able to put myself in a job that I normally don’t do. I think that’s why the simulation games are so popular. I wanted more out of it. I didn’t mind it being short, but sometimes it felt there was less control than you should have.

Coffee Talk is an extremely pleasant experience from start to finish that tackles some difficult social issues in the process. The characters are extremely charming and the writing is very well done. I found myself rooting for these characters and looking forward to each day at the coffee shop to see who would show up and where those situations would leave them. I am happy to report that it did not disappoint.

It's fun to look at, has some ridiculous puzzles to solve and has the capacity to charm. I'd recommend taking this adventure for a spin over a weekend, though have a pad of paper handy to make note of anything out of the ordinary along with bit of patience. Just make sure to hang in there until the end. Even with the potholes and speed bumps, its worth the trip.

Switch – Or Die Trying is a simply designed, yet polished game. It can hold its own and be an enjoyable experience for the right player. It's mostly for those who find pleasure in speed running levels and those who are avid platformer fans. For everyone else, maybe skip this one.

I loved my first few hours with Kitty Powers' Matchmaker. It's relaxed, and kitsch gameplay is a refreshing change from the norm. It's got real character and a great sense of humor, and I'd love to see similar dating sims make follow suit and try their hand at the Xbox crowd. However, Kitty Power's Matchmaker's repetitive nature means it's best played in short bursts and I'd question the price point the developers went for when bringing the game to consoles. There's fun to be had but maybe not $12 worth.

What it does, it does well. But what it doesn’t do is what really drags it down to not feeling like an exceptional game. I love the idea; the movement feels great; but the lack of content really made it slip to just being average. No one likes to get stuck, and shame on me for not looking up maps or guides. I know they are out there, but I was very frustrated to be getting lost all the time. I wanted something in-game to at least give me a simple hint. Even if it let me know the area that I needed to go, it would have been helpful. It’s really a pretty good game otherwise. I might try it one more time, but if I get lost for an hour I’m hanging up the tentacles for good. And sadly, I’m quite certain this will be the case.

Felix the Reaper is a textbook example of style over substance. The presentation, especially of the central character, is immaculate and easily the most enjoyable part of the experience. The game itself isn’t bad, but it lacks anything that left me itching to play more. The gameplay is fine but solutions can be a bit obtuse, while the additional challenges are too hardcore to be fun. I could watch Felix dance all day, but those moves won’t charm anyone who’s not ready to take on his deadly dance floor.

If you’re looking for an optimistic documentary-esque game about diving in the ocean, you’ve come to the right place. It’s family-friendly and just a straight outlook at the various species. If you want both sides of the story, you might be disappointed to know that the real dangers involved with actual deep-sea diving are nowhere to be found.

Manual Samuel starts well but sadly loses steam fairly early on. Which is a real shame as I wholeheartedly loved the first hour or so into Sam's nightmare day. The game is at it's strongest when it's gamifying the mundane aspects of life, but this one trick pony loses its appeal when it tries be a proper game with fighting, boss levels and high scores.

Finding a car in a parking lot has been a subject in a few other forms of media. Take, for example, the classic show Seinfeld, where the group can’t find their car, and a lot of funny things happen during their search. Then in other video games where you park a car and do a side quest, only to forget where you parked the car and run around the blocks looking for it. At least it’s happened to me. It’s not a strange thing to dream about, because there are times when some people can’t find their cars. It has happened to me at a concert, and I couldn’t find my group. But I have learned from these mistakes, and now I either mark it on my phone or I glance around for a landmark I can remember. So it hasn’t happened to me in a very long time. Besides what I liked and didn’t like in this game, there wasn’t much to do, so I didn’t have too much to talk about. The game is incredibly short and doesn’t place your car in a random location. It is always in the same spot, giving no real depth to what was already thin.

I would only recommend Gear Gauntlet to those hardcore gamers that love to be constantly challenged, and who are always looking to shave that extra tenth of a second of their best time.

If previous games with randomized elements appealed to you, and you're put off by the big focus on patience and stealth, then Party Hard may be a good recommendation. Players who are up for a challenge and who enjoy action-puzzle games while not minding a slight element of chaos should consider Party Hard — but that's a lot of qualifiers to consider.

With 30 different levels to play through and a satisfying $4.99 price point there's certainly value here for your money, but it's just too frustrating a game for most players to want to go through the torture of completing. Whilst this in itself may attract a more hardcore player than myself, the clumsy and unresponsive controls sadly make for a deal breaker.

Enigmatis: The Ghosts of Maple Creek isn’t horrible, but it isn’t great. It finds itself somewhere in purgatory, floating in between the spectrum. On one hand, you have a game that lets you skip all the gameplay, and enjoy a simple ghost tale. On the other hand, you have a game with roundabout puzzles that are not so fun to play through. Either way, Maple Creek is filled with mystery and trash.

This is generally a painful experience. It's painful to see the only MLB option on Xbox One flounder again for a third year in its new lease on life.

I thought that, overall, the game was decent. Nothing really awed me and only a few things really annoyed me. However, these annoyances ruined any real interest I had to begin with. I can’t imagine even playing on harder difficulties where you actually lose your gear. I will emphasize the fact that this game could be a lot more fun with multiple people. You can play online cooperative as well as couch co-op. It seems it’s always a lot of effort to add online multiplayer support so, I must say, it is respected that it was included. This may only really appeal to people who want a game they can play together with a friend or family member, or to a die-hard “play every action RPG” gamer. Otherwise, you won’t miss much by not playing it.

Perhaps the most disappointing thing about Letter Quest is the fact that it really doesn't feel like it makes that much difference when you craft an unusually long or complex word.

What IN-VERT does well is that it provides you with decent entertainment at a great price. Without extra modes nor a very good story, you might give it a few hours and never play it again. The exclusion of level creation seems to really weaken the release on Xbox. This doesn’t mean it’s bad, it’s just missing what sounds like more than half of what the game is meant to be. If you’re hunting for achievements, you’ll be happy to know it’s quite an easy 1,000 Gamerscore you can get without even having to beat half of the stages.

A mess of a flying and aiming system, Bow to Blood delivers moderate entertainment that doesn’t make me want to continue playing it.

Heart&Slash probably would be a lot more fun if it wasn't a roguelike. Its weapons are really cool, the combat has some potential and the light RPG elements are rather neat. If the level design was more deliberate and there were checkpoints instead of permadeath, it may have negated some of Heart&Slash’s biggest issues. A good roguelike is constantly challenging but always fair., This one is just provides cheap frustration.

A sometimes promising, often frustrating, always underwhelming and overly short shoot-em-up that fails to meet the expectations set by its own title. The art style is pleasant, and the weapon combinations are fun, but that's not enough to drag this game out of mediocrity.

Like a trip to Whole Foods, Organic Panic is not without its share of fun, but its cons unfortunately outweigh its pros. Destroying the environment and flooding out meat and cheese monsters has plenty of charm, but some variety and polish would have gone a long way toward extending it. This is definitely not a bad game, but it does get a little boring — just like veggies.

There's certainly plenty of hours of game time in Mekazoo and plenty of replayablity; I just don't understand why anyone would subject themselves to Mekazoo.

This is not a good experience with a controller and I’m sure it’s much better with a mouse and keyboard where you have more control over what you’re doing at a faster pace. It’s a shame because it was briefly very fun and addictive. Just it wore out its welcome a bit early. If you’re a fan of strategy games you may be able to ignore the negative stuff, because it’s not a terrible game, just one I couldn’t find enjoyable as I progressed.

While I really like how it looks, the gameplay was mediocre. No fast travel meant a ton of running with a bad mini-map you can’t zoom into. It certainly has potential but it’s just not there yet.

One of my favorite genres, Metroidvanias, have a sense of progression. Beating bosses to get special abilities to allow you to traverse into areas you couldn’t get to before. It gives you a curiosity about what lies down that path. In Sheepo, I always knew what these paths would have. Either a feather or a new area to find a boss and get more feathers. It was too much rinse and repeat for me. Not being able to fight anything made for some boring backtracking. The fast travel is awful, making it almost easier to just walk to your desired designation because some of the travel points were in obscure areas. I just couldn’t find any “wow” moments. It’s a pretty bland experience that had some creative platforming puzzles; but with the controls not being too accurate, it felt too much like a chore.

Unfortunately, what starts out as a proper room escape game quickly flops due to the abysmal story as the uninteresting characters and the confusing plot leave players disconnected from the game overall.

Unfortunately, Symmetry doesn’t make itself clear fast enough to keep someone playing in the long term. The collection of resources becomes grindy as you try to last long enough for the game to tell you the next story point, with no indication of how or when that next story point will occur, or what you need to do differently (if anything). There’s a lot of potential here, and I’m trying to see it, but I guess this face-hugger is in the way.

It is incredibly frustrating and ultimately lacking in long term fun.

The biggest issue is that this experience is just way too short, especially for the amount it costs to have it. You can get many of the books at this cost! If you haven’t read any of them, then I would highly advise against buying this game. If you have, then I would just give you a little warning. The gameplay is mediocre and the story is a lesser version of the movies. The only real delight you’ll get from it is the fact that it has characters from the Goosebumps universe. I dream for the day we can see a larger universe to explore with many more references to the books, besides just the handful they keep reusing.

Defenders of Ekron – Definitive Edition is not the game its advertised to be, nor the game you’d want it to be. The second half of the game is a tedious, confusing mess with no real support from the storyline; it doesn’t help it stay afloat. The hour or so of shmup style gameplay that is there is solid, but its blurred by the rest of the game’s mechanics and gameplay elements. The puzzles, while occasionally interesting, are completely out of place. The game overall is a failure. It’s playable, but it’s not likely what you’re wanting or expecting.

Home Sweet Home is a game that lacks the direction and polish that it needed. The various locations that the game has to offer really bring on the horror feeling, but once the broken AI rears its ugly head, it just takes the horror appeal away completely.

Reus tries to simplify a complex genre, but loses what makes the genre interesting in the first place.

It’s not that I didn’t like what I played, but that I couldn’t enjoy it more. You’re forced to abide by randomness. The less control I have in a game, the less I want to continue on with it. I liked the style and theme. The mazes were great and shooting monsters is always a pleasure. But then you die. That powerful new rifle you bought is no longer in your inventory. The shop that sold it might not have it in stock anymore. And they are overpriced anyway. Damage over time seems to ruin the combat. Everything I liked was overshadowed by exactly what H.P. Lovecraft was all about. Madness. If Untold Stories was meant to create that feeling in real life, then it sure succeeded.

When this game landed in my inbox, I did have very high hopes that this would be the Burnout of old that helped introduce me to Xbox 360 racing, as one of my first Xbox 360 purchases was Burnout Revenge. Unfortunately, those hopes were dashed by an ostensibly full-featured release that appears to be a beta in disguise. Three Fields is promising free updates that add content and fix issues. Unfortunately, as it stands today, players would be better advised to set their satnav’s destination for another title.