I have no doubt that those who are into motocross and its associated sports will get some kicks out of MX vs ATV All Out and its numerous modes and racers, but it does come across as a cash-grab with poor graphics and performance on Switch. If you’re simply looking for a racing game to play on the go, look elsewhere.

Torchlight III is a disappointment. It has good production values and gives a good first impression, but it just lacks depth in so many areas. The loot and skill systems are boring, and there's not enough variety as you're pushed into crowds of enemies with shallow explanations for why you have to go through. There's very little really to recommend here when its biggest competitor is now so old and cheap.

Gungrave VR comes across as a game where the devs were hyped for the possibility of VR but didn’t know the best way to utilise it for an engaging experience. It’s very short, there’s no coherent story, the camera feels weird and not well implemented in the third person mode, and it all feels a bit bland. There are much better ways to spend your time and money unless you really have an hour to kill and Gungrave VR gets a very deep discount.

Verdun’s goal is an admirable one, to capture the feel of warfare on the Western Front, on occasions it manages to do that and be fun. The rest of the time, it’s an unintuitive slog. It might be a better game on PC, but on PlayStation 4, it’s almost certainly not going to be this year’s most fun or engaging WWI shooter.

Deep Crimson evolves a number of Tamsoft’s original concepts, while tying everything together in one neat package, but it’s just a shame that the combat system lacks any sort of depth or zest. What’s worse is that it feels as though this stems from the developer’s overriding focus on sexualising its line-up of characters.

There’s a nice central idea to Fallen Knight, and offering players two vastly different play styles is a good twist. Sadly, the host of problems that suffuse the game from beginning to end will put off all but the most determined or masochistic of players.

Hearth&Slash has a lot of great ideas. On paper, a Devil May Cry roguelike is probably one of the most amazing ideas ever. Unfortunately, the reality of that idea never lives up to that promise. The roguelike features were relatively basic compared to games like Rogue Legacy. The action gameplay was nowhere near as satisfying as Metal Gear Rising. In the end, Heart & Slash just made me wish I was playing one of those games instead of this one.

With its wonderful hand-drawn aesthetic Death or Treat looks like it should be fantastic. Never judge a video game by its visuals however, as those visual delights disguise a bland and repetitive roguelite. Death or Treat? More like Death or Trick.

The short length of the game doesn’t allow the story to get going properly, with the end coming just as things get interesting.

There’s a lot to like about Big Helmet Heroes, it’s a delightfully silly and fun side-scrolling beat ‘em up, but substantial patches are required to fix the game before contemplating a purchase.

Castle of Heart is a generic, infuriating, and ultimately underwhelming experience. It doesn’t even come close to emulating what made the old Castlevania games classics, as it just crams enemies and traps into levels and hope it works, rather than having coherent level design. If anything, all that Castle of Heart has done is reminded me of how good the old Castlevania games were and that this doesn’t fill that void that has been left behind.

Hidden Dragon isn’t terrible, but it’s sorely stuck not one, but two generations in the past. The sidescroller is by no means dead, yet those working in this shrinking subgenre are either emulating its most celebrated champions or pushing the boundaries with something new and inventive. Hidden Dragon does neither, nor does it have the visual oomph that can often help overlook a game’s shortcomings.

Constructor HD was actually delayed multiple times, so System 3 presumably encountered some difficulties in development. Whether that is the explanation for the result, which just barely toes the line of average but gets pulled back down by its price and its launch day DLC, or if it was a bit of a cash grab is anyone’s guess. As it is, this is not worth purchasing.

Maybe it is just the way the game is designed, maybe it is because of the poor balance, but The Legend of Evil ends up feeling like a puzzle game. It doesn’t work as intended, or at least it doesn’t seem like it. Without better balance, or maybe just a better explanation of what you are meant to do, this game has an unplayable campaign, but an enjoyable enough ‘arcade’ mode.

Rugby 20 is like a Northern Hemisphere team's World Cup campaign. It's full of big ideas and good intentions, but a shock defeat here and an expected loss to the South's big boys there, and it soon comes off the rails. There's some fun to be had, but it's often at the expense of the game, not because of it.

When theHunter: Call of the Wild works properly, it’s still going to be a game that only those with the patience of a saint would enjoy. It’s very slow, full of barriers, and isn’t very exciting. That’s not to say it’s not completely without merit as it’s a stunner to look at and there are rare occasions where everything comes together to make a compelling experience. Just note that those rare occasions are few and far between.

Backbone had the potential to fill a bit of a void for a noir style game, but it comes up short. It opens with a strong prologue, but the story that follows tries to hit too many different themes meaning there's a lack of focus by the time it comes to a conclusion.

Although there’s a niche that will no doubt revel in the game’s eccentricity, those who cringe at otaku culture will find very little value here.

Feel[s] more like a flashy RPG Maker project than an actual published title.

It feels like you are fighting the game every step of the way, and this is frustrating because of how much promise there is underneath all the problems. Given more time I’m sure Yanim Studio could have nailed this on the first attempt, but instead Red Goddess: Inner World’s bugs dominate against the gameplay.

As it is, this feels like it could just be a re-skin of any one of a dozen poor quality Wii shovelware titles that we all feared when Sony's Move controller was first showcased and we would have difficulty endorsing that kind of product to anyone but the youngest, most easily amused.

Tamsoft may have upped the ante on a number of fronts, yet it’s the core gameplay where this sequel suffers most. It’s all well and good creating an offbeat world in which to put players, but Onechanbara is missing the depth to keep them there.

It is difficult to recommend City of the Shroud. It offered so much but delivers very little.

I went into Autopsy Simulator with expectations and hopes for a game that confronted the messy realities of mortality and gave an insight into the neglected world of the mortuary. However, the game at present is so preoccupied with telling a hackneyed story that it is difficult to recommend. Hopefully the promised autopsy only mode will remedy this.

Fundamentally, it feels like the Kickstarter budget should have been a little higher to achieve what Anima: Gate of Memories clearly wanted to be.

If you like a very slow, difficult romp through a Hell-a-la-tattoo-parlour, Nadir's roguelike deckbuilding may be the game for you. But if you want something genuinely fun and interesting to play, you won’t find it here.

Turning the Terminator franchise into an enjoyable game experience should be doable, but not on the budget Teyon have tried to do it on. Last-gen issues make this a time traveller that nobody wanted to come back.

Gunscape is aimed at giving players the tools to create their own old school FPS levels and maps, but Blow Fish Studios’ attempt to carve out a little niche is lacking in its execution. What remains is a game that could be of interest while you roam through player-made maps, but will ultimately be left behind as actually playing them will quickly tarnish any glimmer of hope it had.

Harold Halibut looks great, like one of Aardman’s finest, only as a video game. Unfortunately, it’s the game part that underwhelms, offering a distinctly tedious narrative adventure that is a chore to play.

Frankly, Double Pug Switch is just not a fun game. It's meant to be challenging, but the worst of this comes from sticky controls and a buggy game. Coupled with the intentional disregard for the safety of cute things, this is a game which ends up infuriating. Maybe it plays better on the PC or other consoles, but I cannot in good faith recommend it for Switch.

Ogre tale is one of the most Marmite games I have played in a very long time. If, like me, you’re a Japanophile, you’ll probably be able to look past the flaws. If not, you’re going to hate the jarring dialogue jarring and incessant reference dropping.

Neptunia Game Maker (R)evolution is another stinker in a long line of disappointing Neptunia series entries. I love these characters and their world, but this is a flat action-RPG with a barebones management game bolted onto it that do not do them right by any means.

12 is Better Than 6 has good combat and a great art style, but is held back by technical issues, unpredictable AI and some odd design decisions. The issues hamper the gameplay and, whilst there is a story, it's entirely forgettable and delivered in awkwardly written dialogue. It's probably best to stick this game's obvious influences.

Smelter's opening cutscene got me very pumped for what was to follow, but what did follow left me despondent. I’d been set up and felt ready for an awesome 16-bit experience that, thanks to its promised smelting of genres, would feel genuinely fresh. The game that followed wasn’t fresh, it was past its sell by date and starting to smell like feet.

I hate being negative about a game but I found Evil Nun a soulless and unenjoyable experience. Even without the bugs and glitches the whole repeating loop is dull and derivative rather than immersive. If this is your kind of horror game then there may be something for you to enjoy but you should be playing Amnesia or Alien: Isolation instead.

I’m sure Wolcen could be a good isometric hack-and-slash adventure. The problem is, this console port does its utmost to hide all of Wolcen’s positive qualities with a constant barrage of crashes and performance issues, rendering a game that should be escapist fun into a frustrating slog. In time this might be worth your attention, but significant patching will be required for it to be so.

I desperately want to like Lords of the Fallen, but it's the first game all year that's actively annoyed me. I love the Soulslike genre more than any other, but this game took all of the lessons it could have learned since the original Lords of the Fallen and either forgot them entirely, or just misunderstood them so greviously that you'd assume it skipped a class.

Some games demand a remaster, to be brought bang up to date for an entirely new audience to find and enjoy. Asterix & Obelix XXL is not one of those games. In 2003 it was a solid, if unremarkable, effort. Now, seventeen years later, it just feels entirely unnecessary, with drab combat, pointless collectables and frustrating challenges. If you really need an Asterix and Obelix fix, best just go back and reread the comics I'd say.

Ninja Gaiden Z is an exceptionally intriguing spin-off in premise alone. The thought of playing as someone who actually hunts the series’ protagonist is original, but the execution just isn’t there.

Neverwinter Nights 2 Enhanced Edition does the bare minimum as it brings the game to consoles. It looks a bit better, but that's about it. It's still buggy and rough around the edges, but it is at least Neverwinter Nights 2. If you really want to sit back and play it with a controller, this will do it for you. If you want anything more, the original is more than playable on pretty much any PC, and has deep mod support.

White Day has plenty of problems though it’s easy to see why some may see it as a cult hit and why its creators wanted a revival. It’s a clunky, vague, and often frustrating game yet, at the same time, there’s this great setting and some clever puzzles at work. It’s just a shame that, in order to get to the good stuff, you’re almost guaranteed to face some hardship.

Fallen Legion has a wealth of great ideas, but ultimately crumbles under its ambitions. A fun combat system helps form a strong core, but one that ultimately doesn’t hold together for very long. The saving grace here is the beautiful artwork and smooth animations, which are complimented by some great music. Unfortunately, it’s hard to recommend the game on those traits alone; Fallen Legion is interesting, and promising, but rarely enjoyable.

Ghost Recon Breakpoint should be the breaking point for Ubisoft's open world design by committee. There's an entertaining experience buried somewhere under the bloat and I had some fun at times in the game – I love infiltrating bases, but everything surrounding that is a pain. Maybe, just maybe, not every game needs to be open world? Maybe not every game needs a gear score? Sometimes simplicity is key.

I do admire the effort, but in a year where Sonic Mania outdid its franchise’s reputation and Mario stands tall, Bubsy: The Woolies Strike Back is a mere afterthought. Its length is pathetically short and, surprisingly for Bubsy at least, the game is really easy. Not everything that could possibly go wrong did go wrong, yet if this is the pinnacle of Bubsy games, then the poor Bobcat should be laid to rest in peace.

NeverDead does very little to separate itself from the legion of sub-par, gimmick-tagged titles. The premise of playing as an immortal protagonist who can reassemble parts of his anatomy is likely to catch out a number of curious gamers, but it's a concept that fails to shine amidst a crowd of poor design choices and a complete lack of narrative engagement.

Overkill’s The Walking Dead could have been something special, but it finds itself dragged down by poorly implemented and designed systems. There’s flashes of what could have been, and there’s a chance that Starbreeze will turn this game around in the coming months to rebuild from a poor launch, but as it stands I couldn’t even recommend this game to the most hardcore of The Walking Dead fans.

You can see they've really tried to make a great platformer with the co-op mode, and some of the ideas in there are absolutely brilliant; but that's less than a third of an otherwise disappointing game that shouldn't have ever been a full disc release, needed to look a lot better and had to be consistently good, rather than just fun in the platforming sections.

STAY can’t be faulted for its aspirations and the attempt to make a believable character in Quinn, to create an individual that the player will want to help. However, the result is a near endless stream of lacklustre dialogue that made it incredibly difficult to stay to the end.

The story takes a weird turn in the third act which made it seem less like LocoRoco and more like Rise of the Planet of the Apes, making the game a somewhat strange and interesting experience despite the incredibly frustrating levels and annoying control issues.

Nothing more than a brilliant idea gone horribly wrong. The chapters are relatively short, uninteresting, and the gameplay just isn't exciting enough to keep you coming back for more. Adding co-op for the sake of having a multiplayer component does not automatically make for a fun game. Harmony of Despair is proof of this. Konami's halfhearted effort does not deserve your money.

Despite being a standalone game, Trials of the Blood Dragon is at best a quirky aside to Trials Fusion. With so many truly ridiculous ideas in the story, they’ve given themselves free license to experiment and try new things, but so many of them simply don’t come off and aren’t that much fun.

Ancestors: The Humankind Odyssey promised so much, but it ultimately isn’t any fun to play. The lack of direction, the clumsy controls and unwieldy mechanics make this a huge missed opportunity that just doesn’t hang together as an experience. The DNA of a great idea may be here, but it needs a significant amount of evolution before it can become realised.

Battle Princess Madelyn has some lovely animated cut scenes to enjoy, the plot begins in a charming manner that brings to mind the Princess Bride, and its retro inspired pixelated graphics are on point. If only they were attached to fun and compelling gameplay, then Battle Princess Madelyn really could have been a contender to capture the crown of Ghost ‘n Goblins. As it stands, it’s probably best to avoid this one and break out your SNES from storage instead.

If you are a mud enthusiast, then you’ll find a lot to love about AI Limit and will likely see it through to completion. If, like the rest of us, you’re ambivalent about mud, then AI Limit doesn’t do nearly enough with its combat, nor with its world-building, to keep you playing for long.

At best, the Metal Gear Solid HD Master Collection is a cynical cash grab that is trying to repackage and resell you on nostalgia. There are very few reasons to part with your cash at this point: wait for a proper ground-up remake.

I was so excited by the prospect of Power Rangers: Rita’s Rewind, it looked like a vivid nostalgia infused dream-game for 9-year-old me. Don’t be fooled though, this is not the game your inner child has been looking for. Repetitive and lacking in imagination and finesse, Power Rangers: Rita’s Rewind should be rewound and begun again.

A throwback to the bad old days of movie tie-ins, this uninspired and dull reskin of LEGO Worlds takes all the good parts of the LEGO games and tosses them in the bin. This is the game that President Business would have designed, full of static environments and boring construction. Everything is far from awesome with The LEGO Movie 2 Videogame.

While Heroland looks good and has a few funny moments thanks to the writing, there's simply not enough here to make it worth your time. Idle games work well on mobile because you're meant to do other things while they're chugging along, Heroland requires too much input to be left alone, but not enough input to ever hold your attention.

We'd struggle to recommend Damsel: there's definitely fun to be found in its score-chasing gameplay though you have to take the good with the bad, grappling with its vexing mini-games, boring story, and grating level designs.

Those wanting a great squad-based shooter or a truly essential Warhammer 40,000 game will have to keep searching. At a glance, Deathwing seems like a solid adaptation and it nails that distinctive Space Hulk look and atmosphere, but there’s just not enough variety or depth to keep players engaged beyond those first few encounters.

Despite a fascinating premise, one inspired by both Chinese folklore and real-life history, Wuchang: Fallen Feathers resolutely fails to deliver on any of its initial early promise. This is a Soulslike by the numbers, one hampered by a cornucopia of PS5 performance issues that plague the game like a disease.

If you like tough games then this is for you, but fans of strategy or tower defence have much better options available to them.

Conquest is a third person 16-player brawl around some of Tolkien’s most famous landmarks, marred by poor visuals, unintuitive controls and repetitive gameplay.

While Fantastic Contraption encourages you to be creative, it immediately boxes you in at the same time with a limited number of solutions and even fewer tools. Its novelty wears off far too soon, resulting in something as shaky as its player-made creations. [Tested with PSVR]

The tactics and tactility of a good tennis game remain amongst the purest of gaming experiences, but AO International Tennis is not a good tennis game. Overly complicated and bereft of any emotional resonance, the positive elements, including the detailed character creator, will likely be as swiftly forgotten as the game itself will.

A massive disappointment. It has all of the elements of a true classic, but ultimately falls short due to poor execution.

It’s a shame how RAID turned out, really. Although it arguably came out of nowhere, it’s usually games with little to no initial fanfare that can come swooping in to reenergise a gaming genre – just look at the rampant success of PlayerUnknown’s Battlegrounds. Still, Lion Game Lion shouldn’t be disheartened. There’s still a chance to turn RAID into something great, but it’s going to take a long, long time for that to happen.

Underpolished, repetitive, and littered with difficulty spikes, it’s a hard-sell to most gamers and even those who adore the Stallone trilogy.

To put it simply Escape Dead Island is a cash grab using the Dead Island name, before the franchise completely moves to the new consoles with Dead Island 2. There’s nothing really satisfying about Escape Dead Island, even if you are a huge fan of zombies or Dead Island.

Dog Duty is certainly an experience, I'll give it that, though not exactly a good one. There's a grand parade of issues here, from poor visuals to inept path finding and everything else in between. I'm not saying Dog Duty is the worst game I've ever played, but it's certainly up for contention.

No more advanced than Crazy Taxi was back when it debuted all those years ago, and without the same trademark attitude, Taxi Chaos is a real missed opportunity to modernise an arcade favourite.

Fort Solis aims for big-budget horror but fails to deliver on all fronts. I don’t mind short games in the slightest, in fact, I welcome them, but Fort Solis felt like four hours of my life I will not get back. Unless you have money to throw away, you should probably give this one a miss.

Crossover games are nothing new to Bandai Namco or Shonen Jump, so it surprises and disappoints me to see that none of the good aspects or successful mechanics of these previous games made their way into Jump Force at all. Jump Force is a visual mess, It lacks the fun and charm that a wild crossover like this should embrace, and It's just a technical mess from top to bottom. Jump Force is a huge celebration of some of the most iconic manga in history, but it fails to do any of them justice.

In its current state the game should have been a £1.99 PlayStation Mobile title, not a £7.99 PlayStation 4 game. The title is coming to PS Vita this week and will be cross-buy but not cross save, and is certainly more suited to short bursts of gaming on a bus.

The Lost Child is a dull, uninspired dungeon crawler. On paper, a Lovecraft dungeon crawler with a Japanese flair could be something truly iconic and memorable. Instead of realizing that ideal, The Lost Child apes existing dungeon crawlers and throws a dozen ideas at the wall, with none of them managing to stick. Combat can be fun and the El Shaddai nods are cute, but it isn’t enough to make this cosmic terror worth losing your sanity over.

On initial appearance Dusty Raging Fist looked like everything I wanted from a game, but that just goes to show you should never judge an anthropomorphic 2D side scrolling beat ’em up platformer by its gorgeous anime graphics. Unresponsive combat, atrocious platforming and game breaking bugs, crashes and frame rate issues ensures that Dusty and his cohort will soon be gathering dust on player’s shelves.

There’s still plenty of potential left in the rogue-lite and I doubt these kinds of games will be going away anytime soon. As video games grow and evolve, we’ll come to remember the select few roguelikes that truly shook up the genre and presented a polished, ultra-satisfying product. Hypergun will not be one of those games.

Even, if for some reason, you happen to take a liking towards VR Karts, it’s not worth £34.99 of anyone’s money and exposes the imaginary premium that studios are putting on games simply because it says VR in the title. It’s such a sour point to end on, but even if it were priced accordingly, VR Karts rarely peaks above mediocrity.

After about an hour of play you've probably seen just about all there is to see. If the variety was there or the price was that of download title then you could probably overlook some of the technical faults. In the end its biggest crime is that it just isn't fun to play.

On paper, Fuel Overdose sounds like the perfect arcade blast to dip into for half an hour whenever you feel the urge. Unfortunately, the reality is a lot less impressive, leaving us with a game that is deeply flawed in several key areas.

The Incredible Adventures of Van Helsing III is difficult to recommend. Perhaps when it first released for PC five years ago it would get a little more leeway, but as there are better options for an action RPG available, some brand new to PS4 and some that have been out so long they're dirt cheap. It has a few bright moments, but I'd avoid this unless you desperately want to finish the trilogy.

At no point should game feel like a chore, and unfortunately, that's exactly what Okabu is. I don't think I have ever played a game that was so utterly unenjoyable from start to finish. If the tedious gameplay doesn't get to you then the glitches and performance issues will. And while there is a lot of content to be found in Okabu, it doesn't really matter when the game itself just isn't any fun.

With NBA 2K18 we’ve reached an inevitable crossroad, though the signs should have been seen a while back. The on court action is still the best available, but there is now room for another franchise to come and steal an audience that will be sick of the costs of simply being able to compete in the 2K series. The grind isn’t fun and paying gives advantages over those who won’t or can’t afford to. You absolutely cannot ignore how NBA 2K18 is a full price game that also integrates the business model of a free to play/pay to win title and the way that the enjoyment you get from it suffers because of it.

Submersed takes an interesting and original premise and does virtually nothing good with it. There are elements and ideas of a good game in the bare bones of this, but it is all so poorly executed and dull that it is difficult to recommend. The fact that it is a mid-price game on PS4 only compounds this amateur feel as there are hundreds of similar games available on Steam for a couple of quid. In the end this is far more snores than Jaws, and lacks any real bite.

Knee Deep isn’t an adventure title worth playing, lacking any real hallmarks of the genre. The few puzzles essentially solve themselves, there is very little player participation outside of dialogue choices, and the plot is so bloated with forgettable characters that you lose track of who is who. It seems like the best ideas were poured into the design of Knee Deep, creating a well made digital stage show with voice actors who put in a decent performance. Unfortunately if Knee Deep was a real theatre show I would assume that the final curtain would fall quickly.

When weighing up the terrible controls, frustrating gameplay and predilection for box based torment, I can honestly say the tenner you could spend on Demoniaca: Everlasting Night would be better used to start a fire.

I would have had more respect for Girl Fight if they had the balls to have done the job properly and had some proper porn as a reward. Instead we get a mediocre fighter wrapped in a non existent story with ridiculous sexist stereotypes that they should have been canned decades ago.

In the end, Is it Wrong to Try to Pick Up Girls in a Dungeon? fails to deliver satisfying combat, falls short of being a rewarding dungeon crawler, and tells the story in a fatally cumbersome way that just isn't engaging. You'll be better off just watching the anime again.

It’s rare that I can’t find positives to talk about in detail, and it’s a real shame that Fantasy Hero ~Unsigned Legacy~ game wasn’t improved in any way, but simply ported with no tangible improvements over the PS Vita original. Fantasy Hero has the occasional solid mechanic in place, but neither the story nor its gameplay boast any interest or originality. This game may have been considered pretty average upon its original release in 2014, but by modern standards it’s incredibly poor.

Where difficulty can be used to make a game more addictive or rewarding, here it manages to sap every ounce of fun out of the experience.

Ultimately, there is a difference between being easy and not very good. NASCAR Heat 3 is severely let down by the anodyne on-track action. Lacking any sort of driver enjoyment undoes the hard work put into the officially licenced lineup and career path options. Even for a racing game fan, this game is as dull as dishwater and extraordinarily derivative.

Soul Axiom tries to discuss the subject of the soul, but doesn’t have one itself.

Shadwen feels like it needed more time in development, both to work on its core ideas and bring them to fruition. The bland environments, the lack of an interesting plot, the technical issues, and the various gimmicks makes Shadwen a poor stealth and assassination game. At the very least, it tries to do something a little bit different, but simply doesn’t pull it off.

Despite being just a chess game, there are no real selling points to recommend this over any of the others out there. There’s no extra modes, no tutorial and the game is marketed as being something it’s not. This is a gambit you should not bother taking.

While the Senran Kagura series has always been rife with fanservice and hyper-sexualization, these moments were at the tail-end of addictive action gameplay, funny character interactions, and classic anime cheesiness. These things are what make up the heart and soul of Senran Kagura, and by removing those and placing full focus on the T&A virgin wish-fulfillment, Senran Kagura Reflexions is just a lifeless alternative to an afternoon with your Chrome Incognito tabs.

Whether having to stare at the ground for extended periods of time, shoot what should've been a hit but inexplicably doesn't leave any blood behind, or even just getting around with an unsteady frame rate and graphical glitches, there's something here to disappoint everybody. Perhaps if you are hardcore into trophy hunting you could extract a droplet of enjoyment out of Way of the Hunter, but doing so will be an uphill battle against the game itself.

There are some intriguing ideas at play here. Decent stealth mechanics and a captivating cultist backdrop will reel you in though there just isn’t enough substance to make The Church in the Darkness a lasting, worthwhile experience.

The gameplay, whilst initially entertaining, quickly becomes tedious and incredibly monotonous after it has been rinsed and repeated over and over again.