Out of Line is a good little puzzle platformer that will last you approximately 2-3 hours. It flows nicely but some may find the puzzles a touch too easy to solve. The artwork and music are great but the story remains unclear, with the ending just leaving you with more questions.

Dick Wilde 2 is a fun game and not much more than that. What it lacks the complexity of other VR shooters, it makes up for it with co-op, but it's very much one of those games where once you've played one level you've played them all. It doesn't reinvent the world of shooters, but is good at the small slice it chooses to take part in.

With a little more refinement, Ronin could easily have been an enjoyable romp. It certainly looked the part and in the initial stages was a slick action platformer, but by the time the game reaches its conclusion, there’s little motivation to continue. It may be short, but finishing Ronin feels like running a gauntlet by the skin of your teeth.

X-Men: Destiny fits our 6/10 scoring criteria perfectly. It's an "above average" game, that succeeds in certain areas whilst falling down in others. There's no doubt that there is enjoyment to be had from this title, but one can't help but wonder how good it would have been with a lot more polish, and some variety thrown in.

An enjoyable way of spending an hour or two, but a lack of significant progress combined with a fairly ordinary career structure, uninspiring user-created tracks and rocky online performance means that you won't be running home from school desperate to play the next level.

Sniper Elite holds just as many pleasant surprises as it does disappointments. Despite the well-done gunplay and unique aesthetic flares, there are simply too many areas in which the game feels underdeveloped.

GetsuFumaDen: Undying Moon is a gorgeous game with solid side-scrolling combat, but its genre shift to the roguelike form hasn't paid off. The progression system is slow and the upgrades you obtain are pretty deal, leading to a roguelike experience that doesn't do enough to incentivise sticking with it for very long.

Lord of the Rings: Return to Moria has the potential to be a challenging and enjoyable multiplayer experience. The loop of mining, crafting, and exploring is a satisfying one when overwhelming hordes of goblins aren’t haranguing you. There doesn’t seem to be any real optimisation for solo players so I’d probably stay clear unless you can get a band of dwarves together to brave the darkness of the mines.

I was so ready for an action RPG entry in the Neptunia series to come along and scratch my itch, but instead it puked on my lap and barely touched the itch. I had so much fun with the story and characters, but with better combat and more consistent performance, this game could’ve been something special.

It often feels as though Capcom wanted to emulate other, more successful third person shooters, namely Dead Space. It may have succeeded in that pursuit, though the genre continues to expand and surprise, the goalposts constantly moving.

The Prisoning: Fletcher’s Quest isn’t a bad game, and the handful of hours you’ll spend with it will certainly pass the time with a decent level of enjoyment, but there isn’t really anything particularly memorable here. The procedural generation means that subsequent playthroughs will feature slightly different layouts, though this undercuts the intricate level design that good search adventure games need. Coupled with the sometimes questionable humour and you have a title that can offer a passing distraction but won’t stay with you.

If you're coming to Fitness Boxing 2 fresh-faced and don't own the first game, then it might be worth picking up. However, if you played the first one or if you own Ring Fit Adventure, it's incredibly hard to recommend it unless you're really into thirsting over the instructors, all of whom you can still rather creepily dress-up and customise.

Tiny Metal: Full Metal Rumble has some improvements over its predecessor, but falls into the same trap of letting you quickly spam units to win most missions. With a dull story that never grabs you and decent but unremarkable gameplay, Tiny Metal still has room to grow.

Table Top Tanks really isn't the killer app for AR gaming, but to say it's a disappointment would be unfair. Despite being simplistic in most respects and offering little replay incentive, it also happens to be one of the cheapest games available on the Playstation Store at a surprising £1.59.

Remothered: Broken Porcelain is not quite the sequel I was expecting from Stormind Games. Whilst it continues the interesting saga of the Felton and Ashmann families, the game is still lacking in polish (even after updates have patched out the worst issues), and is relatively short and linear. This is worth a play for genre fans, but it doesn’t stand out in the same way that its predecessor did. Not quite Broken anymore, but certainly in need of some repair, this Porcelain doesn’t have that ring of quality I was hoping for.

There's no denying that All Zombies Must Die! has potential. The crafting idea is a good one, and with a few people round the gameplay is certainly enjoyable. However, the repetitive nature of the quests, frustrating single player experience and lack of online co-op really does drag the game down.

I really tried with Strafe, spending a good six hours with it and getting only as far as the fourth level before dying. I liked the overall tone, and the gunplay is solid fun, but really this is one of the more punishing Rogue-Lites out there, with a high skill ceiling that sets you right back to the beginning once you die without any meaningful progression unless you somehow find the key to a teleporter. A lot to admire, but for most it’ll seem utterly impenetrable.

A competent role-playing game that builds on Compile Heart’s previous successes. The combat system works well and there’s an absolute glut of content for those willing to stray from the beaten path. That said, it’s not a particularly stunning game to watch, looking more like a remaster than a title genuinely meant exclusively for PlayStation 4.

Visually it’s all a bit browser, but it’s not an ugly game. Sure, it’s flat sprites throughout, the animation is clunky and as we’ve said, some of the levels aren’t as nice as others, but the whole thing is consistent and not without a certain sense of charm.

Out of Ammo is a decent experience that blends RTS and FPS together, and if can be fun if you want something quick and not too taxing. However, it’s a game that shows its hand very quickly and doesn’t offer much beyond that.

What really lets it down is the overwhelming sense of just being a visitor in someone else's game when you play online.

Knowledge is Power makes good use of PlayLink to open the door to those more familiar with tapping on phones and browsing the internet than knowing where that Square button is meant to be, and that’s its real strength. Outside of that, it has a few other ideas, but ends up as a fairly middle of the road quiz game that’s easy enough to put on the telly and your phones for a quick test of knowledge.

Greak: Memories of Azur isn't a bad game, but it is one that's got a few too many annoyances. Between aggravating enemies, the limited inventory, and the almost absent AI of Greak's siblings, it's an experience that is too weighed down by frustration to get a strong recommendation. However, if you like the look of the world and some cheap enemies and awkward controls aren't a dealbreaker for you, Greak is one of the best looking 2D platformers I've ever played and the world is interesting enough to keep you going.

Super Dragon Ball Heroes: World Mission is a card collector's dream thanks to the astounding volume of cards and characters in the game. Unfortunately, bringing those cards into battle isn't nearly as satisfying as collecting them, as long-winded duels and shoddy enemy AI ruin the simple to learn yet hard to master nature of the card game. Fans of Dragon Ball will still have a good time here, as long as they're willing to put up with a lot of waiting and repetition.

Helvetti has buckets of charm, offering delightful 2D visuals that will impress any player with ease. Unfortunately, the feathery, button-mashing combat is less appealing, whilst the uninspired rogue-like mechanics never really click.

A competent tactical combat game with an interesting setting that promises more but never realises it.

Mario & Sonic At The Rio Olympics 2016 is a solid entry in the series that will provide some undemanding multiplayer fun, as well as a modicum of single player enjoyment. However, a few too many missteps, from the lack of online to some events that don’t hit the mark, unfortunately stop this from being anything but overwhelmingly average.

Project Root is a frustrating game because there is a genuinely good shooter hidden under a number of poor design choices. It is rather like a Michael Bay movie in that when it works, it works really well, with explosions going off left, right and centre, hundreds of bullets and a genuine sense of excitement. However, it also shares the same problems and the levels are far too sprawling, the plot is terrible and sometimes you have no idea what is going on.

Captain Blood is an odd release as it feels like a relic of its original release context. This does leave it being a nostalgic experience for those old enough to remember this era of games, but there isn’t much that isn’t done much better by its influences. Releasing decades later actually does it a favour as it feels very different to the expansive open world experiences that dominate modern gaming. As a curiosity it makes for an interesting time but it mostly confirms why such games belong in the past. Not so much buried treasure, but it's certainly better than walking the plank.

What Happens is an interesting and mostly successful addition to the growing field of games that focus on mental health issues. Most of what it sets out to do works well despite the glaring issues with polish and acting ability. There were moments which were more successful than others and it would benefit from making it clearer where alternative approaches were available. It is clear that Genius Slackers’ ambition is greater than their abilities but I applaud the attempt to use gaming for such a vital and powerful message.

DuneCrawl is an interesting game that blends together giant crab combat, dungeoneering and multiplayer shenanigans. It's fun enough, but I really wish it did a little bit more with the more unusual aspects of its game design.

Filled with the same style of ridiculous surgical antics as the original, Surgeon Simulator 2 does a remarkably good job of expanding it into an inventive puzzle game. The "simulator" genre's brand of obtuse controls and fussy physics objects starts to feel like a chore as you get a few levels in, but share the experience with some friends and there's a good time to be had.

If you’re coming into Grand Theft Auto: The Trilogy expecting each game to look and play like GTA V, prepare for disappointment at a passionless upscaling effort. On the flipside, if you fancy reliving these open world wonders with some of their rougher gameplay edges sanded down, prepare to lose yourself for sixty hours or more.

The core concept of Kromaia Ω is that of a solid 360º shooter which can generate some epic battles, but the combination of frantic shooting, chilled out story and trippy visuals have been done better, most notably in Ubisoft’s Child of Eden. Whilst unremarkable, it remains entertaining and challenging, with the included co-op mode a worthwhile and welcome addition.

It's not going to change the world and the fact that it's one player at once is a real shame, but it's highly likely to get the grandparents giggling like kids, and, to be honest, when you're buying a game like Start The Party, that's all you can ask for.

Motorslice is a game that needs a few patches to sort out some of the clunkier elements of its traversal, like the parkour and jumps not landing as they should. There is some awkwardness with dialogue choices but they can be ignored as they have no bearing on the story. The world itself is well designed but it needs more substance when it comes to enemies too.

Sadly, a rather major flaw in Drifting Lands’ level design really brings down a game that is mostly well crafted. Looting has all the well-thought out tropes that similar games have in spades. It’s just a shame that each level is essentially a miniature horde mode rather than featuring proper level design, and that the number of levels could have been cut drastically to make for a more coherent experience. These hang-ups sadly prevent me from recommending Drifting Lands for diehard fans of the genre, but it’s otherwise an alright effort.

Playing Witching Tower is like taking a bite out of a big fantasy epic like Skyrim. Instead of being purely focused on puzzles, you manage to get some other gameplay elements in that mouthful though they’re not quite as filling, adding some relish. It’s an apt analogy when you also consider that the game clocks in at around two hours. You’ll feel a sense of satisfaction upon completing your quest though the initial asking price of £24.99 is definitely something to keep in mind.

I can't help but feel slightly frustrated when summarising my time with Bleach: Soul Resurrección. It's an enjoyable game, wrapped in solid gameplay mechanics, but is let down in several areas. The fact it can be finished so soon is very surprising, although not as surprising as the lack of online (or even offline) multiplayer, bearing in mind it worked so well for the latest Naruto game.

Banana Splitz is a decent game, and it's certainly up there with recent attempts to get the Monkey Ball series back on track, but it's becoming a little long in the tooth now with the developers not really pushing the title forwards enough to really recreate the magic that the first couple offered.

Dandara is a beautiful game with a fresh movement mechanic, but it doesn’t come together as well as I had hoped. Leaping across platforms is satisfying when it works, but aggravating when it doesn’t, and even when the leaping does what you want it to do, you’ll find annoying backtracking or bizarre navigation puzzles to overcome. There are some great moments in Dandara, but the headaches you have to deal with to get to them aren’t always worth it.

MotoGP 17 could be seen as a last hurrah for Milestone’s ageing game engine, but even with new modes and technical improvements, it feels more like they’re treading water while waiting to revitalise the series next year with Unreal Engine 4. Get it if you absolutely must have 1080p60 MotoGP, but otherwise, there’s something better on the horizon.

Bomberman R isn’t remotely a £50 game. It is, at its base, a solid entry in a much-loved franchise, and one that plays to the Nintendo Switch’s strengths, even if will require plenty of investment to get the most out of it. The current online woes also do little to make it feel like a well-rounded package, making it difficult to recommend to anyone but the most committed Bomberman fan.

There’s two sides to The Inpatient: the first two thirds are tense, intriguing, and gives games like Resident Evil 7 a run for their money, but then the final third is ponderous, dialogue heavy, and has very little in the way of scares. With a play time of three to four hours it’s a decent length for a VR game and does have replay value with it’s alternate story paths. Despite it’s flaws, The Inpatient is still much better than many of the VR horror games available, so it’s worth checking out if you have an expensive fancy hat from Sony.

Antigraviator has tons of potential, and there’s every chance that it could attain it a few updates down its spiralling road. However, as it stands there are too many problems with the game’s underpinnings that the fantastic visuals can’t quite cover up.

Either way, ACC: India manages to keep the stealth gameplay fun, while the open combat still leaves room for improvement.

Sentinels of Freedom is a robust turn-based superhero strategy game. While not doing anything groundbreaking and lacking in some areas, Sentinels of Freedom is still a fun romp into the world of comics and being able to create your own hero is even cooler. Just make sure you stick to playing this on a big TV.

There's a lot to like about PAW Patrol: Mighty Pups Save Adventure Bay, particularly when it comes to how accessible it is for its target audience. This is a game that even the most novice of gamers can pick-up, play and enjoy. It also looks great, my son delighting in seeing all the pups and their vehicles. On initial play my son declared he "super loved" it and gave the game two thumbs up, but over the course of only a couple of sessions, the game's obvious flaws began to dampen both his, and my, enthusiasm. Far too soon, this latest Paw Patrol video game had been entirely forgotten about as we've gone back to playing with Lego instead.

The 2D platforming sections are worthy of praise and show that, when Sonic Team are on their game, they can really get it right. The issue is that when they fail it seems to be pretty spectacularly bad. The balance of good and bad levels is pretty even, throwing you back and forth between loving and hating the game.

There's a lot to like about HyperParasite; bombastic action, smooth gunplay and literally thousands of 1980's pop culture references are all good fun. It's just a shame that its spoiled by an overly punishing roguelite structure, asking you to play thorough the same content again and again to make any noticeable progress, rendering the pacing of the game an interminable slog.

Demon Gaze 2 expands and improves on everything from the first game, but when the first game was the video game equivalent of 3am fast food, though, those improvements don’t amount to a ground-breaking new title in the genre. Demon Gaze 2 is just a fairly decent, quirky JRPG.

Flow Weavers is a well designed and enjoyable escape room puzzler that is perfectly suited to virtual reality but also suffers from some of the common issues that the format provides. While it doesn’t reach the genre heights of The Room: A Dark Matter, it offers a welcome change of setting with the emphasis on magic and dimensional teleportation well suited to the virtual world. This is a game that may well weave its magic on you, albeit for only a brief while.

Evil Dead fans will love the amount of fan service on offer here, from the painstaking recreation of movie locations to Bruce Campbell’s goofy one-liners. However, when it comes to raw entertainment value, there’s an imbalance between the forces of good and evil. Playing as the survivors can be fun with friends but lacks the fun or variety of being an evildoer.

Shut In is a short experience with a price to match and it's one that I mostly enjoyed. That said, I do have a particularly dark sense of humour and was able to separate the game from my own mental health struggles. The tone here is so mocking that it won’t be for everyone and I’m still in two minds as to whether it is hoping to raise awareness or simply using mental suffering for entertainment. I’m inclined to give it the benefit of the doubt, but your mileage may vary. Unlike our current situation, this is one period of isolation that isn’t mandatory.

While the premise of using sound to traverse a mansion is great on paper in practice it eventually wears thin. The puzzles themselves aren’t too difficult, which could be a positive or negative depending on your view, and while the art style is great the story is far from interesting despite a set up that could have been used for a unique feeling thriller. If you are looking to play a puzzler for a few hours in VR then Blind could be worth a look at, but it’s far from an essential purchase.

Sword Art Online: Lost Song is not a bad title, it’s simply an average one. Fans of the anime will be well served by it’s gentle adventuring and light tone, and the combat may attract those who enjoy the Musou games, but the likelihood will be that it’s not likely to be an experience you’ll remember in a few months time.

The Princess Guide is an adorable, energetic game. It has gorgeous art and fun, well-written characters. It's just marred by grinding through messy and poorly designed combat. The AI squad-mates that are so integral to the action have terrible AI that make it impossible to consistently coordinate any of their actions. There's massive heart and care put into the narrative and visual design of The Princess Guide, but that is weighed down by how frustrating it is to play the game.

Automachef is a bizarre yet interesting take on a cookery game. Saldy, a lot of what it has going for it also goes against it and feels a little off – excuse the pun – as a result.

Nine years on from the original, Lumo 2 writes another love letter to 80s gaming. While it branches out from isometric gaming with its many enjoyable diversions and asides, they're connected by too many rooms and sections that suffer from your sluggish movement and imprecise platforming.

There's some fun to be had in the dungeon crawling and battling an inventive array of enemies, but for the romance side of the game to be simultaneously funny, you have to be able to take the characters seriously, which unfortunately, I just couldn’t. The reliance on stereotypes and tongue-in-cheek narration turned this game into a comedy, but considering it as a romance game really lowers the quality of the entire game.

It takes elements from other Milestone games such as the improved visuals and track deformation, adds a few unique features of its own and provides a perfectly acceptable dirt racing game experience. But, in a world where acceptable isn’t quite good enough, I wish more developers dipped their toes into the bike racing arena to really push Milestone to another level. MEAS2FWCTOVG is solid but uninspiring.

It was a great concept, but the third instalment has disappointed. There really isn’t much depth to be found with Skate 3, due to the short career mode and lacking extra features.

Marvel’s Guardians of the Galaxy is a great portrayal of the space-faring heroes and a good game. We encountered some annoying bugs that are hopefully alleviated with patches, and it's pretty linear, but this is an interstellar romp that you can enjoy across a few evenings.

Forspoken was once one of the big reveals for the PS5 in 2020, but aside from using the SSD for open world magical parkour and the ultra quick fast travel, it is difficult to really see how it takes advantage of the latest console generation. The world of Athia looks good, and the combat is full of flashy magic, but there's no major side quests to divert from repetitive activities and a predictable main story.

Astor: Blade of the Monolith offers an enjoyable action RPG experience with charming visuals and character design. However, with weak combat and a lack of things to see and do in the overworld, it’s an experience that will soon be forgotten.

Underling Uprising is an exuberant old-school beat ‘em up throwback that absolutely nails the Saturday-morning-cartoon vibe, delivering a gloriously daft roster of player characters to boot. With a few friends sat on the same sofa, it’s the kind of loud, colourful, coin-op-like chaos that I have loved ever since playing Captain Commando in my local arcade. It’s just a shame that the input lag and framerate issues undermine much of what Dummy Dojo have achieved elsewhere. Still, provided there’s some solid post-launch polish, this has all the potential to be a cracking co-op party brawler.

Ultimately, I have mixed feelings about Lawn Mowing Simulator. On the one hand, the gameplay gets a bit monotonous after the first few levels, and building up your company requires quite a bit of grinding. But, it does exactly what you would expect in terms of offering a game about mowing people's gardens, maximising the laid-back vibes of cutting grass with a powerful machine.

For those who take the risk, there is a satisfying game to be enjoyed, mainly thanks to the simplistic yet diverse combat mechanics as well as drop in co-operative play. It's an ideal purchase for younger gamers anticipating the release of the film, but for anyone else, caution is advised.

Dynasty Warriors Empires has always been for the die-hard fans. Those who enjoy the hack n’ slash combat and love adding their own tactical twist. Those wanting to direct custom campaigns and create their own musou legend. Even if DW9 left a sour taste, there’s some solace to be found here within its repurposed carcass, though redemption may still be lost.

After the successes of both Stick of Truth and The Fractured But Whole, South Park: Snow Day! is a big change of pace that left me with mixed feelings. It's an enjoyable game with some nice ideas, but at the same time, you'll be left wondering was this it?

There's a lot of things to like about Blair Witch, from the way it invokes the imagery of the original film, to some inventive camcorder puzzles and intriguing depictions of trauma, but most of these aspects aren't given the time to really develop. There's the skeleton of a really good horror-based walking sim here, and while it's still worth checking out for horror fans, it feels more like a first episode of a series rather than a standalone game. A missed opportunity; all Woody and no real Buzz.

Slime Rancher 2 is filled with charm, joy and adorable creatures, but the fun doesn’t translate to every aspect of the gameplay. In seeking to expand and add content to the game, the developers have made what should have been an effortlessly delightful experience a somewhat monotonous one.

Dustforce may look fabulous and has some really interesting ideas but the overall execution falls somewhat short of expectation. Though still enjoyable, the fiddly controls add an unnecessary amount of challenge, barring both younger audiences and casual platformer fans.

A Tale of Paper is a great concept with an excellent presentation that’s slightly ruined by some poor platforming design. If you’re willing to stick it out though, you’ll be rewarded with a gorgeous world to explore and an equally captivating score.

F1 Race Stars could have been wonderful, with just a couple of tweaks to the handling. However, the stoic adherance to sim-esque cornering has meant that the driving needs to be approached with far more care than it should, something that's at odds with the presentation, track design and the fact that at any point you could be blasted with a weapon from behind – and they're not blockable either.

The boring story is filled with forgettable, two dimensional characters, and while there is passion between the main characters, it feels forced rather than natural. The gameplay isn’t ground-breaking either, but it is at least competent at delivering a mindless hack ‘n’ slash that is fun to play and worth a look.

Putting the weirdness of the character skins to one side, is Muse Dash worth playing? If you can pick it for a couple of quid, sure. The mechanics are intriguing, the music is alright and there’s a fair amount or replayability, given the huge collection of songs available too. If you really want to collect all of the skins, there are a fair few to choose from, but too many of them will get you odd looks on your commute to work.

Iris.Fall is a deliberately bite-sized experience and could easily be completed in a single sitting. Whether this amounts to value for money obviously depends on your perspective, but given the relative cost compared to a DVD or Blu-ray I think it is worth picking up to experience the artistry at hand here. The visual design is exemplary and the narrative is pleasing enough. Definitely a game that is worth a look if you like the art style and the idea of the puzzles, but be prepared for a couple of frustrating moments. Iris.Fall shouldn’t be left in the shadows.

As you play more of Conan Exiles and access higher tier items, it becomes more and more clear that there was serious potential here. The survival aspects of the game are fun, provided survival is your thing, and it brings some new ideas and features to the table. The thrall system in particular is interesting, but ultimately fails in its execution. Considering its price, I can’t help but feel the package and its quality is a little lacking.

I adore so much of Pathfinder: Wrath of the Righteous, from being able to play as an undead lich, to how the story adapts to that choice like you're playing through an incredibly detailed dark fantasy book. That's why I'm almost devastated by the game's lack of polish. It's unbalanced, there's bugs that forced regular restarts, and the console UI isn't suited to managing a crusade, which isn't as interesting as kingdom management. If this is your kind of game, you're better off trying to play on PC. Otherwise, you can join me in enjoying the game despite itself, or play Kingmaker until this has had some significant patches.

Manga die-hards are bound to get a real kick out of J-Stars Victory VS+. The level of fan service here is on point and there’s a solid fighting game to back it up. That said, after just a few hours it begins to lose steam, becoming less and less appealing as something you’d want to play for long sessions.

Tear the anime-patterned wrapper away and what you have is essentially another iteration on the same aging format Omega Force has been peddling for years. In this case it has been slightly altered but not enough to conceal the franchise’s ongoing fatigue as fewer bold ideas are brought to the table.

It’s a good mixture of okay ideas, achieved through some nice presentation and a stellar idea at its heart, which makes it worthwhile if you’re really interested in that, but perhaps a reboot is required to do it justice.

Signs of the Sojourner has an excellent premise, an incredible soundtrack, and solid writing, but this jars with an often punishing and frustrating difficulty. All signs point towards this being a light-hearted narrative Indie, but the balance undermines that core identity, making it a struggle to fully enjoy.

I realise that my complaints could easily be dismissed as an old man complaining about the whole rave experience but, if anything, I wanted Strobophagia to be more of a sensory overload than it turned out to be. Everything just feels like it’s been dialled down a few notches, and consequently it doesn’t engage you as much as it should. With some fine-tuning and, more crucially, some better music, this still has a lot of potential to offer up an original and effective horror experience. It just isn’t quite there yet.

No matter what you do, the stats mean absolutely nothing.

The Incredible Adventures of Van Helsing: Extended Edition is a good action RPG that is a welcome addition to the PS4, but is held back by some uninspiring loot, uneven difficulty and the decision to release the trilogy one game at a time. This version does include all of the enhancements from the Final Cut, but it’s difficult to recommend buying this alone when the full trilogy is so often discounted on PC. Given the likely future releases, I fully expect this to appear on PS+ fairly soon. So unless you have completely rinsed Diablo 3, and are bored of Alienation but desperate for more loot, I’d stake clear of this until the full trilogy is released.

Mixing the old with the new, it’s clear that Codemasters have tried to bring Micro Machines up to date in World Series. While there’s plenty of charm to the classic racing and elimination mode, I feel they could have gone even further with the ideas in Battle mode and the variety of vehicles and weapons that it contains, bringing these back to the classic modes.

Final Fantasy Crystal Chronicles Remastered Edition retains plenty of its original charms, enhanced by updated visuals and audio, but with its defining local co-op diluted by clunky online play, it simply doesn’t stake a strong enough case for its return.

OmegaBot is a solid side-scrolling action platformer, but it lacks that certain something to really stand out. The platforming is decent, but could be better especially when using weapons as a jump assist, while boss design leant too far in the direction of bullet sponges.

Little Witch Nobeta makes for a fun old-school action shooter. It’s just a shame that this particular witches’ brew is filled with so much unnecessary and bland garnish that serves only to dilute the taste.

A fun game. Despite the critical tone of much of this review, I very much enjoyed my time with Bathoryn and will be going back to try and unlock the rest of those no-hit boss achievements. It is best to go in with a clear idea of what to expect, however, which is a no-nonsense old-school hack and slash platformer fuelled by heavy metal.

Cloudpunk delivers the look and feel of a cyberpunk city, it just doesn't fill the city with anything of interest. The story is okay and there's some side conversations to keep you amused, but once the novelty of driving around Nivalis wears off, you'll recognise that this is a game made entirely of fetch quests. The city looks gorgeous, it's just a shame it doesn't have more attractions.

WWE Undefeated is ok. For a free to play mobile game, it has quite a good fighting system which definitely serves as a good base to build on, but it’s very light on content and needs more development to add some other basic functions.

You really should play Dispatch. This funny and surprisingly touching superhero adventure is something to be savoured. Just don’t play it on Nintendo Switch, the clumsy censorship renders a terrific game a rather mediocre one instead.

As someone with a lifelong soft spot for the medium-specific charm of video game glitches, Cyberpunk 2077’s botched launch just ain’t it. Even overlooking the rushed rollout, after an eternity of being bludgeoned in the face with hyperbole, running through 2077 feels like five different games stitched together into an entertaining, passably decent, generic behemoth.

Don't Stop, Girlypop! is a yassified delight and the kind of unabashedly girl-power game I love to see. I just wish that as much energy went into the polish and game design as it went into the art, vibes, and killer soundtrack.

ToeJam & Earl: Back in the Groove is a hard sell. If you loved the originals, then there might be enough here to spirit you back to the days of the Mega Drive, but without knowing the source material, you are left with a good looking but fairly generic walkabout game.