Beyond Galaxyland shows a lot of potential and has a very good battle system in it. Unfortunately, it is let down by bugs, some poor platforming, and racing. The bugs can be addressed in patches, but a bit more focus and refinement would have helped elevate this experience.

No Place For Bravery has some real strong points and I really enjoyed the story in particular, but they're counterbalanced by weaker elements within the combat that meant I wasn't really excited by the whole package. It's a decent effort that will kill a few hours, but not much more than that.

The combat system remains completely untouched since Samurai Warriors 4 and for all its minor tweaks and nuances, time’s running out for this ageing brand of battlefield action. Even long-time fans will agree that, after being pulled in just about every direction, the series desperately needs to move on. No pressure, then, Dynasty Warriors 9.

Silver Chains feels like an homage to every popular horror game and film. While this isn't necessarily a negative, I feel like the potential and individuality of the game was lost amidst the references and tropes, making it feel forgettable. If you have a love for horrors, then I believe you’ll thoroughly enjoy Silver Chains, but I’m not so sure you’ll remember it.

There’s a calming sense of satisfaction to be had from Bus Simulator, though you’ll have to work for it. This is the very definition of a slow burner - it’s deliberately repetitive in a way that will irk most gamers, yet caters perfectly to a specific niche.

The lack of balance between platforming and tower defence coupled with a handful of under-featured game modes and unstable online multiplayer prevent it from being a "must have."

NIER is far from perfect – in fact, it's decidedly below average at times – but for every sloppy design decision or hackneyed rehash there are charming and often unique aspects that are worth the investment.

While it gets plenty of the fundamentals of right, the dimension hopping, character roster and some of the extra modes don't quite stick the landing. Sonic Racing: CrossWorlds isn’t the best karting game out there, and thirteen years on from Sonic & All-Stars Racing Transformed, it’s not even the best karting game with a blue hedgehog in it.

The Gex Trilogy is a good window into the history of gaming and the 3D games are still fun collectathon platformers, albeit with all the camera and control issues of the originals, and the awful 2D original I never want to play again. I would have liked to see a more Gexpansive remaster, and the result may not be entirely Gexceptional, but offers enough Gexperience to give you the kind of Gexual healing that only true nostalgia can provide.

Kandagawa Jet Girls follows the unfortunate pattern that many of HONEY∞PARADE GAMES latest titles have fallen victim to. There's style and charm galore, with sharp character visuals, fun music, and a charming anime-as-hell story mode. The actual gameplay, though, is rough at every possible edge, presenting a half-baked version of a truly interesting idea that simply wasn't executed on well. There's a lot to love with this game, but unfortunately, there's plenty to dislike as well.

The Amazing Spider-Man on Vita is at heart a good game, with all of the content of the home console versions available to you on the move. However the technical flaws and shortcomings that occur could potentially diminish your enjoyment depending on your outlook on such things.

Death’s Gambit is almost an above average 2D hardcore title, with challenging bosses and some solid environmental design. However the game lacks atmosphere and the story just doesn’t quite take hold. The world is compact enough that repetition is unavoidable, and repeating the same steps can you wear down. Death’s Gambit isn’t a bad game but it simply doesn’t have the spark that others in the genre do.

If you can look past the poor narrative and weak character dialogue Bound By Flame is a solid action RPG. The combination of fire and sword is an exciting duo which flows seamlessly in battle. However, you can’t help but feel that, with the PS4 in mind, Bound By Flame has been rushed to fill a gap in the market.

If all you're looking for is some bridge construction with a zombie theme, then Bridge Constructor: The Walking Dead comes with enough new mechanics to keep you interested for a while. If you're just here because you love the Walking Dead, however, then I'm afraid this probably isn't for you, as it offers little value from that standpoint.

This is a platform that Traveller’s Tales are looking to build on, and indeed have since its original launch on PC, and with continuing growth there’s the potential here for something essential for Lego enthusiasts. As it stands though, for all of the merit and freedom that Lego Worlds affords, it’s still bound by many of the same problems as its predecessors.

The car combat genre has long been out of fashion and still has a way to go if it wants to take us back to its glory days of the 1990s. Destruction AllStars is a mostly satisfying modernisation that has some neat ideas and looks fantastic, though ultimately spins its tyres on repetitive rival-wrecking gameplay and a lack of truly worthwhile content at launch.

Unique, divisive, and fiendishly clever, there are bound to be those who love it and those who absolutely hate it. Then there are those, like myself, who fall somewhere in between, able to appreciate Thekla’s achievements but frustrated at how The Witness continues to build a wall around itself, as if guarding a secret from its players.

Inevitably, however, there will be those who simply don’t see the appeal of XenoVerse’s core gameplay, and it ultimately grates as it becomes repetitive no matter how much you enjoy it at first.

Despite its flaws, Red Wings: Aces of the Sky is a decent dogfighting game. The night flight missions show just how tricky it must have been, trying to pick out the enemy against the inky black sky, and the dogfighting is genuinely engaging, if a bit too repetitive and not quite historically accurate. If you’re a fan of combat sims and you want to try something different to the modern fighter jets we're all used to, it's worth a shot.

If you’re after a 2.5D side-scrolling stunt game, the Urban Trial Playground is going to scratch that itch for you on Switch. Sure, it’s riffing off the Trials series, but it’s a fun and lengthy alternative that’s a good fit for Nintendo’s platform.

The crucial factor to take into account here is the sense of humour. Do you like silly, immature humour that has no respect for the fourth wall? If you don’t, the gameplay probably isn’t strong enough to maintain your interest, particularly in a crowded genre. If you do however, the gameplay is strong enough to maintain your interest for the length of the game, slightly short though it may be.

Abyssus brings a distinctive brinepunk style to an otherwise straightforward co-op roguelite shooter. There's fun to be had here, but the step up in difficulty when playing co-op is a bit too punishing.

Though it makes a sound first impression it’s ultimately held back by a forced narrative and gameplay segments that fall by the wayside.

It may present some unwanted hurdles yet, as a whole, PlayStation Vita Pets is an enjoyable, long-lasting experience. Naturally, die-hard gamers will probably let this one slip through the net though younger, more casual players should feel right at home.

Chains of Freedom probably isn't going to interest anybody other than big fans of the XCOM-like tactical genre. If you are that person, the combat here is good enough to keep you going until the end, but there's a fairly narrow window of appeal.

Killsquad feels like a game that’s taking a long time to cook. As much as I enjoyed my time playing it, it didn't always hold my attention, lacking a certain special quality. While it's already come on leaps and bounds, I hope Killsquad continues to improve with time.

Phantom Breaker: Omnia has addictive gameplay and a shocking amount of depth. The blend of simple attack inputs and advanced fight systems creates a beautiful blend. Aesthetic issues like inconsistent character art are easy to overlook if you're just here to fight some friends - but controller input issues and a command list buried five menus deep are big blunders that I doubt anyone could easily overlook.

There's a bitter sweet feeling to playing Stubbs the Zombie in 2021. The game is too dated and linear to really recommend and some of my fond memories were tarnished by revisiting it, but the core gameplay still has enough to keep you engaged and the setting and humour still stand out. I still think it is worth a return play for those old enough to remember it first time around and I am glad that it is finally available again. There is enough here to get your heart pumping, but there's a persistent whiff of decay that you just can't shift.

Cars 3: Driven to Win is a fun and eclectic racer, and one that boasts plenty of content that’ll keep fans of the films happy for many hours, especially younger gamers who may well overlook some of the flaws. It’s a shame then that the game’s poor performance, lack of polish and often unfair difficulty level make it that much harder to recommend to anyone else.

Graphically the game looks very good, and the devs have created some nice loading screens inspired by the London 2012 logo. There are also commentators in the game and though voiced well enough they quickly become repetitive, sometimes looping through the same lines during an event.

Magic Ball is a charming title that will appeal to a much wider range of gamers than most PSN downloads. It’s a little short, but younger gamers will appreciate the smooth learning curve and the two online modes will provide a little extra life, especially as they come complete with leaderboards.

Getting through the world of Thief VR is natural and intuitive, and there's times where it all comes together as you knock out guards and pilfer, but there's so many small details and poor AI that drag you back out of the moment. A decent thievery game, but not as good a Thief game.

A formerly excellent game brought down significantly by a poor remaster with barely any upgrades to sell it to a new audience, at a price that’s a little too high for what the game is. Baldur’s Gate: Dark Alliance still has a great, classic DnD story and setting, with an excellent musical score, but the experience is marred by technical issues that range from disappearing sound effects and frame rate drops to frequent crashes.

Dragon Star Varnir's dark world of witches and warfare is unlike anything else Compile Heart and Idea Factory have put out. Unfortunately, the experience is brought down by less than stellar visuals and doesn't make the most of its main gameplay innovations.. There's an interesting story to unfold here, but actually playing the game to get to it might be a challenge best left unmet.

Winds and Leaves has potential, but the waggle-to-walk controls, the constant jaggedness and morphing vegetation on PSVR, and the detached climbing mechanic cover up most of it. provided you're at peace with the issues it has, It can be a relaxing and meditative experience, but there are better options out there.

While fans can likely find enjoyment in spending time with the One Piece crew, there are far better open world adventures out there.

The inclusion of microtransactions and the need for an internet connection have a major impact on how easy it is to recommend this game. Still, it’s the best basketball game on the market.

DUST 514 is a continual project for the developer and even though it hasn’t had the strongest of launches it’s definitely worth keeping an eye on.

Beyond A Steel Sky has an enjoyable tale to tell that compliments the original game, building a newer, more modern dystopia atop the foundations of the Union City of old. It's just a shame that it's so rough around the edges.

Shadow Labyrinth has a really great premise, but the execution leaves a lot to be desired. The progression is too slow to keep things fresh and interesting, the story is lacklustre, and the gameplay just doesn't meet the expectations you would have for what is supposed to be a big new turning point for Pac-Man.

Popup Dungeon nails the papercraft look, has some endearing and funny writing, and provides an intriguing framework for community-created content. The core of its tabletop-inspired combat system isn’t engaging enough to hold it up alone, ultimately leaving it up to whatever community it attracts to decide whether it’s worth putting your own paper on the table.

Mario Sports Superstars should feel like a generous package, but each of the different sports feel lightweight or stripped back, and ultimately a touch forgettable, despite the inherent charm of Mario and his friends.

Whilst I loved the meditations on life and identity, the game never really felt polished enough to avoid detracting from the overall experience. It is by no means a bad game, but ends up as perhaps the very epitome of average.

Project CARS 3 suffers from a case of mistaken identity. Once you adjust to the new direction, you can get into a fun flow of ticking off objectives, drifting around hairpins and purchasing upgrades. However, while the series' existing platform means you get a great variety of circuits, cars and weather conditions, it also shackles this game from being a great arcade racing experience.

While the car handling and actual driving is excellent, Kunos Simulazioni don’t successfully turn this into an enjoyable game, stuffing it with single player events and a career that are both frustrating rather than fun. At its best, Assetto Corsa is quite simply a sublime driving sim. I just wish I could say that without caveats.

Zoids Wild: Blast Unleashed is a light and colourful arena brawler that will please younger fans of the show, but anyone else will likely burn through it in short order.

Priced at around a tenner, The Castle Game is a fun slice of tower defence action that packs in decent amount of replay value.

Final Fantasy Explorers certainly has the potential to grow into worthy Monster Hunter alternative, but its first attempt is a little way off.

Beholder is an intriguing concept and thematically rather strong, as it twists and exaggerates a Cold War totalitarian surveillance state into the form of a video game. However, with a sequel on the way, we hope that Warm Lamp can improve on an idea that’s rather rough around the edges but is dying to be fleshed out further.

Project Nimbus is a fun time for those looking to fly around in a giant robot and blow things up, but like the Michael Bay's Transformers movies, it just ends up feeling forgettable as soon as you put the controller down. While Zone of the Enders played very similarly, it did so with more narrative panache. With Daemon X Machina due on Switch in the near-ish future, it might be worth your while waiting a little while longer for your mecha game fix.

Hardcore Resistance fans will no doubt like what Nihilistic have managed to get the Vita to do, but for everyone else this is little more than a competent, hard working game that ticks the right boxes but never really pushes the boat out. The graphics are hit and miss, the sound generally terrible and the controls need some work. But it's not a bad game.

While Sword Art Online Re: Hollow Fragment is an enjoyable budget release that offers hours of anime adventuring, it’s tainted by inexplicable performance issues that simply shouldn’t have made it to the PS4 edition of the game.

London Detective Mysteria does a few things new within the genre of otome dating sims, but at the end of the day, it isn’t anything revolutionary. If you’ve played an otome game before, then this one will be more of the same, for better or worse. The silly cast of characters and attempts at dramatic detective plotlines are interesting, but not executed entirely well. Fans of the genre will be able to happily add this one to your pile, but if you need convincing to try out a game like this, London Detective Mysteria isn’t the one for you.

BPM is a difficult game to recommend because it is just too damn difficult! There isn’t so much a difficulty curve as a brick wall, and the resultant over-reliance on RNG can make for a frustrating experience. The core game is brilliantly inventive and it feels fantastic when you get in the flow, but there are just too many obstacles in the way. Hopefully Awe Interactive will patch things to make the game more accessible as there is the basis for an indie gem here.

There are glimmers of true excellence here; small stretches of Days Gone can be especially fun and polished. However, the assembly of these various parts suffers from the lack of an engaging story, compelling characters, or an open world that feels organic and worth exploring.

In theory Dragon Ball Z: Ultimate Tenkaichi is the perfect Dragon Ball game. The gorgeous visuals, wealth of content and characters spanning Z and GT will delight fans. Unfortunately there's no escaping the fact that the core of the game, the actual fighting, gets boring very quickly and dissolves into the same few moves time and time again.

Super Mario Party is just a very safe game. It brings back the classic Mario Party board game form, marrying it with some of the better ideas from Mario Party: Star Rush, but it's light on the number of boards to play, lacks depth in other game modes, and misses opportunities for solo handheld and online multiplayer. It's Mario Party, but it's not particularly super.

Although somewhat far fetched, Coast Guard’s storyline can be rather captivating and adds a refreshing layer to the game. However, it gives the impression that it doesn’t really know what it wants to be, without the depth to a full ship simluator and with some lacking gameplay during the investigations.

Rust Console Edition manages to transcribe the wildly popular PC experience, but a few key missing features mean it falls short of what it should be. It could be great in time, but right now it feels like a disappointing misstep in comparison to the fleshed out PC version.

Ancient Amuletor is actually fairly close to being a hidden gem for PlayStation VR owners, with fun gameplay across four characters and motion controls that work rather well, but there’s simply not enough levels at launch and only vague promises of more in the future. As they add more worlds and characters, TiGames can hopefully make this shine.

Lost Ember is a great looking game that provides a number of different ways to play and explore its world. However, there are too many distracting performance issues that need addressing to improve its playability.

Dreamworks All-Star Kart Racing is a better kart racer than you’re probably expecting, but its low production values mean it can’t come close to Nintendo’s genre-defining franchise.

Sonic 4 Episode II feels at times dangerously close to being a great Sonic game, but there are elements throughout that let it down and leave you feeling distinctly underwhelmed. The Homing Attack is far, far more of a hindrance than an aid of any sort, and whilst the presentation is good you don't really get the feeling of a classic Sonic game with Episode II.

Here Be Dragons is actually a well thought out and detailed game, but the lacklustre characters and plot leave a lot to be desired. Mechanically the game is wonderful, the incredible enemies and art style working fantastically, yet Here Be Dragons falls short where it matters.

It’s a good first effort from the tiny three-person team based in Southampton, and you can clearly see a lot of love and effort has gone into the game. If you have some spare cash and some young children to entertain then you could do a lot worse. It’s a game with bears in it, it shows a poo when you are in last place, and I’m in a good mood, so Strangely Named Studio’s first game gets an encouraging...

Reynatis is a game full of heart that reminds me of the golden age of PS2 RPG adventures, for better and for worse. It's full of interesting ideas, but is lacking consistent execution. If you can see past that, I do think that the charm of the game – the strong character writing, the living city of Shibuya, and angsty JRPG vibe of it all – will really resonate.

Drive!Drive!Drive! is a stylish and fun attempt to rewrite the rulebook on racing games. Sadly it’s not always entirely successful, with a relatively simplistic handling model and a lack of challenge on the standard setting, but for those willing to take a chance there’s still a lot to like about it’s unique take on the racing genre.

I really enjoyed my time Maskmaker. Puzzle games like this can easily lead to frustration, but Maskmaker is a thoroughly inventive VR puzzler that walks the line very well. It's a tad short, but I think it might be better that way as it doesn't outstay its welcome or overuse any mechanics. I'd love to give it a better score and it's an enjoyable VR puzzler, but with a few fiddly bits and some pretty serious bug that forced me to restart the whole game, it's lost a couple of points.

Landit Bandit is quite short and it is limited to a few basic mechanics used to accomplish very similar tasks. The mechanics are solid enough to make it a taxing and entertaining distraction but you might be left wishing there was a little more substance and a bit more polish.

Riders Republic is a game players can effortlessly lose themselves in, even if the gameplay itself is pretty shallow. The endless barrage of events populating the world map become less exciting over time, resembling a shopping list rather than milestones in your ascension to extreme sports godhood. If you’re still keen to take the plunge, make sure you have a posse ready to party up with.

Super Blood Hockey is a simple game that will last one person a few hours before it gets too repetitive, but is great for playing against others. If you have someone to play it with locally, or you like taking advantage of the Switch's Joy-Con, it's worth picking up. If not, you'd probably need to be starved of hockey games for it to be essential.

With a career mode lacking in substance, strange bugs and a limited set of content, Assetto Corsa Competizione is hard to recommend. Perhaps in 2021, with a slew of patches and DLC expansions it will be in a better place, but for now, Assetto Corsa Competizione is a superlative solo driving experience trapped in a flawed video game.

There are some great ideas in Perception, but the execution is somewhat lacking. Wandering around a haunted house with no vision should be a tense, methodical, creepy experience, but this game has a sprint button. You are given a lot of help to navigate and solve puzzles because if you did not have your sight and were trapped in a mansion with moving walls and keys to find you would be utterly helpless. This means the whole premise to the game quickly becomes pointless, which is a real shame.

Torn Away is a peculiar game. Numerous technical issues do their determined best to spoil an otherwise powerful narrative; one that is elegant in its simplicity. Those haphazard controls, visual limitations, and laughable stealth sections will succeed in turning many players away, but, if you manage to put up with them, you’ll find that Asya’s tale is one to relish.

If you’re looking for an arcade racer then Riptide GP: Renegade is a decent enough choice.

Slitterhead is destined to be a cult classic, though mainly because of what it could have been, as opposed to what it is. The combat is functional but feels dated and gets boring before the end, the dialogue sections are unvoiced and feel cheap as a result, and the loop of finding and then fighting enemies through various forms soon becomes unfortunately one note. I enjoyed immersing myself in the world of Slitterhead but the game itself feels too much like a relic of a bygone era than a new title by industry giants.

While having both 1 and 2 may be necessary if you are completionist or if you adore the series, the second one is so much weaker that it is very hard to justify.

Tides of Tomorrow is a good story that's alternately helped and hindered by its asynchronous multiplayer. It enables some compelling gameplay options but sometimes takes agency away from the player as relying on other players means you can't really do anything yourself a lot of the time. The story can also contradict itself sometimes due to the nature of the gameplay. It's enjoyable despite this, though it starts to outstay its welcome towards the end.

Aphelion is a deeply frustrating mix of both brilliant and baffling design: part gorgeous, best-in-class narrative adventure. One boasting cinematic presentation backed by superb lead performances, further enhanced by the year’s most compelling, science-grounded sci‑fi story. But also, part dreary third-person action-adventure, undercutting the pace of its narrative with clunky platforming, tedious stealth and puzzle sections, and Thomas’ oxygen-management nonsense. In the end, this tight narrative adventure is stretched into an over-long slog. Sure, it’s well worth seeing through for the story, but with a sharper gameplay focus, Aphelion could have been essential.

Late Shift is a decent FMV title with a cast that puts in a lot of effort to make their characters believable. It’s let down by some glaring plot holes that don’t stand up to scrutiny. There are seven endings, meaning that some of the choices made do matter, while others feel a bit like filler and don’t seem to change anything. The ambition and the actual cinematography is there, but the writing really needs some improvement to push Late Shift toward greatness.

Telefrag VR is a good attempt at a 1v1 VR arena shooter, though it feels basic in parts and there's a lack of content. When it gets going the action is fun, but there is quite a bit of downtime and it can get stale without any sense of progression. It's a good attempt fron Anshar Studios.

In some ways Everybody’s Golf has been well worth the wait. This is still the same gentle and appealing brand of arcade golf that fans have come to know and love, and it’s easy to get caught up in the sheer fun of it all. However, once you venture online you’ll discover that the game is currently deeply unbalanced, with micro-transactions and mobile-esque grinding sapping any sense of competition from proceedings, while asking players to reach for their wallets in order to gain an advantage. In a game that’s supposed to be all about the golfing fun, Sony have categorically found a way to put you firmly in the rough.

The controls are relatively easy to grasp and once you’re done with the main missions, the extra modes put a different twist on proceedings, but as always with these games, it’s really at its best when you can share the nonsense with others.

The story is solid, if a little unusual for a Sherlock Holmes tale, and the collection of mechanics and mini-games that could easily feel thrown together actually work well together, leaving you guessing about what comes next.

Is Aftermath worth it then? It is if you are a fan World War Z and are looking for more content. The new class is a decent addition and can add a new tactical choice when facing the hordes, while both the episodes of Rome and Kamchatka add a couple more hours of content and more variety for when you're grinding for levels and upgrades. However, the first person mode feels undercooked and the rat swarms just aren't scary compared to the likes of the Bull and the Lurker zombies.

Nicktoons & The Dice of Destiny does have entertainment value to it, especially for a younger audience, but those looking for a nostalgic trip revisiting Nickelodeon characters might be a bit disappointed due to how basic the gameplay and levels are. There are also technical hitches that need to be addressed.

Monster Hunter Now could grow into a true successor and companion to Pokémon Go, but only if Niantic listen to their audience make rapid improvements to the game. Smoothing out the difficulty curve and server issues could elevate the game, but the gameplay loop of buying Gems for Potions just to get through a day's play is quickly becoming obnoxious.

Eurocom have captured the look and feel of the film perfectly and the characterisation (complete with the real cast doing voiceovers) is superb.

The Lamplighters League doesn't quite live up to its promise and expectations. There's a fun mix of real time exploration and turn-based combat, but it's a step short of the best strategy games of the year – others like Shadow Gambit: The Cursed Crew have done it better. Given more time and more engaging narrative The Lamplighters League could have been great. It will have to settle for decent at best.

Rise of Industry 2 isn't bad, really. It's actually rather good at what it does, it's just that what it does isn't that entertaining. The long periods of waiting for your businesses and decisions to bear fruit. If you're okay with waiting around for the money to come rolling in exchange for some really quite involved logistics and industry construction, then you'll likely enjoy this. If that doesn't sound too promising to you then you might want a broader city builder, where there's more stuff to focus on.

I’ve got very mixed feelings about Borderlands 3. Overall I like it and it’s fun to play, but it could have been so much more and the writing feels like time traveling back to your high school days and being surprised and a little disappointed at how immature everyone is.

YesterMorrow is an entirely competent and mostly sound platformer. Sure, there's some issues around the occasionally finicky controls, but these are mostly balanced out through the exemplary level design. The main issue here is that the gameplay experience is so very hum-drum. YesterMorrow is a mish-mash of many other better games that we've all played before. As such it struggles to build its own identity and never becomes a compelling experience.

PixelJunk Raiders plays like an interactive sci-fi album cover from the 70s; one full of Vangelis off-cuts that you're going to try and share with a bunch of your friends despite the fact they're more interested in Rod Stewart.

I so badly want to love Back 4 Blood, but its grindy nature and difficulty spikes out of nothing let it down, leaving you with a bad taste in your mouth. It has potential for those in it for the long haul, accumulating cards and building specialised decks to match the challenge, but right now I just have no desire to go back 4 more.

I really, really wanted to love Phogs!, but I simply couldn't. It really is a lovely idea, set in a lovely world and there's a simple joy to the game's opening. It's clear just how much love went into this game, right down to the Hollywood Bowl carpet at the bowling alley, but the execution just leaves you wanting. Between the repetition and the bugs, there’s just too much to get frustrated with, making the game, at times, an uphill struggle.

Martyr isn’t bad, but it feels like it’s missing that spark to be really enjoyable. When playing with hack-and-slash action you want to feel involved, but the fights in Martyr feel like someone else is playing the game. Sure there are some fun moments and maybe it will grow into a more enjoyable experience post-launch, but for the here and now, it probably isn’t worth your time.

Figment 2 is a good sequel but lacks the novelty of the original. Many of the story beats and mechanics feel familiar from the original and the lower stakes take away some of the emotional impact. That said, I do appreciate a more down to earth piece of storytelling and think there is plenty of room in gaming for more of this. It's a perfectly pleasant game, but it also won't stick in the memory as well as the original.

Black Myth: Wukong is a stunning game to look at, but the exploration is lacking, and the fighting is just sort of fine for the most part. It's just a bit uninspiring, and isn't a game that I'm expecting to stick with me for any length of time now that I'm done with it.