While Endless Ocean Luminous feels limited as a single player game, it works far better as a communal activity. Whether it's with friends or random players, Luminous is at its best when there are more fish (figuratively and literally) in the sea. There are a few things that hold it back from being truly transcendent, like the limited ocean life animations and the story's overall structure, which is told through all-too-short individual chapters. With that said, Endless Ocean Luminous doesn't make a big splash, but it does feel like a relaxing swim.

Had 'Russia' stuck to some of the roots of the main AC series, this could have been an interesting departure from the 3D games. But making the main characters feel paper thin while stacking the deck with inconsistent stealth mechanics, fussy controls, and timed objectives starts to make 'Russia' feel like a weekend in Siberia.

As it is, it's an interesting and wholly engrossing exercise in survival that I enjoyed more with every hour that passed. Don't go into the game looking for any sort of Metal Gear gratification, and you'll come out relatively pleased with what's on offer.

I feel sad more than anything, because buried underneath the live service slop, there's real potential for a good Suicide Squad game in here. The boss battles show the game's potential. Now imagine more varied missions, different enemy types, and a more interesting gameplay loop that makes the most of this license. Above all else, imagine a better Rocksteady game. Instead of being trendsetters, like with the Arkham series, this studio is now reduced to being trend followers. And I thought the DCEU was bad.

The game works decently, in terms of mechanics. I can just think of plenty of other games you'd probably rather play more than this one. If you're in the mood for a relatively quick cyberpunk-tinged romp, though, Liberated isn't the worst you could do.

This is an awful lot of complaining, but once I stockpiled enough stuff, I did enjoy actually building with it. Return to Moria makes putting things together simple and enjoyable, as long as you meet a few basic requirements. Free Range uses logic in the best possible ways. It’s important if you’re building something top-heavy that would and should collapse without the right supports. It’s out the window completely for other things. Wanna stick a tiny wooden platform in a sheer stone wall so you can climb around? Do it! Does it make physical sense? No! But it does make exploring and building more fun.

I love The Dark Crystal, Age of Resistance, and Final Fantasy Tactics, but I can’t help but feel like it falls just slightly short of all of those things. Even so, as a combination of them, it feels like much more than a cash-in on names or styles. There’s definite dedication here, and in the end it comes out feeling far more genuine than dastardly.

It's a testament to its stage design, though, that I came away feeling utterly satisfied despite the game so constantly getting in its own way. Chibi-Robo may not be destined for Nintendo stardom, but Zip Lash shows how the tiny robot still has plenty of room to grow, experiment, and find what works for him.

Playing through Unknown 9: Awakening left me with a cocktail of emotions when I finally rolled credits after 13 hours. I usually pride myself in my ability to see eye to eye with a game’s vision and try to find even footing even if I didn’t have a good time with it, but this is different. The experience of playing Reflector Entertainment's debut title is akin to watching a bunch of trailers for those Phase 1 Marvel movies alongside the opening act of the first Avengers flick. It felt like proof of concept for a multimedia franchise that doesn’t want to give away too much but hasn’t figured yet out what it’s even about. All of this is skinned onto the early 2010s cinematic video game experience which aside from a few fun, if janky combat encounters doesn’t know how to set itself apart. It's heartbreaking because there is a much better experience in between the in-between that didn’t work.

Unfortunately, what might have looked like a fine jewel in the glint from your flashlight is really just a shiny piece of glass that leaves a lot to be desired. If you want a fairly mindless RPG experience that offers some different weapons and gear to mess around with, then Godfall will give you at least a few hours of fun.

Now I'm wondering what anybody saw in the original in the first place. The controls and the combat are bad. The story elements are dull. The load times are excruciatingly long and frequent. And visually, it doesn't look very polished, which makes me wonder how this is a remaster. The menus, especially, are an eyesore to look at with giant glaring fonts and ugly textures. The horrible online experience isn't just the icing on the cake, it's like someone took a cake and threw it in a blender without putting the lid on. Final Fantasy Crystal Chronicles Remastered is a lot of things, but a classic is not one of them.

Hello Neighbor 2 feels more like an updated version of the first game. It’s considerably larger than the first game, and the expansion of the AI technology to additional characters is a welcomed decision. Outside of that, there is very little separating the two games. Hello Neighbor 2 still has a clunky UI, unsatisfying controls, and problems being consistent with its own rules. Where there was a real opportunity to take the franchise to the next level, this sequel just feels like more of the same.

Given its feature film length, one can't help but wonder if the game would've been better served in that format. While there are some interesting puzzles, the overall lack of polish makes it more frustrating than fun to play through. Like the shadows that inspire the game, Contrast just doesn't have much substance.

Drug Dealer Simulator isn’t an altogether terrible game, but it fails to reach its true potential. The world feels empty most of the time and the game's basic systems get in their own way quite a bit. At the end of the day, what is meant to be a full-fledged simulator experience ends up feeling like a half-finished early access title with plenty of room to improve.

Warlander is a disappointing experience that fails to capture the pleasures of a roguelike game. The combat is unpolished and sluggish and it is rife with poor animations and unfinished assets and elements. Outside of the dismemberment, there’s little here worth seeing.

The Academy has the kind of premise that should make it feel more special than it is. It certainly shines with its different array of puzzles. But the game's characters and their dialogue make this feel as exciting as Algebra class. I should feel more excited about the extracurriculars, but instead, The Academy's shortcomings had me watching the clock and waiting for the bell to ring.

South Park: Snow Day! does a great job at delivering a new type of genre in the South Park setting while nailing everything we’ve come to love about the franchise. As vulgar and hilariously uncouth as it can be, there’s a charm to it that takes me back to my childhood, enjoying a day off and playing with friends, even if I’ve never had a snow day. If you’re looking for a roguelike you can play with a few pals, South Park: Snow Day! will have you laughing and yelling as you hack, slash, and cast spells at kids, and of course, fart on Cartman whenever possible.

I hope this doesn’t read too negatively, but the build I played had all the makings of a great game but was held back by small technical issues here and there that just kept piling up. If you’re intro Metroidvanias with tight combat, there is a lot to love here but unless you can forgive some jank, I recommend at least waiting for a couple more patches before you dive into this one.

The richness of the atmosphere and charismatic lead performances pulled me through the story. That paired with a solid, no-frills investigation mechanic helped mitigate some of the technical problems and the sadly tacked-on demon hunting sequences. It's a distinctly average experience, but it has enough going for it that I'm glad I was able to conquer the bugs and see it through.

Like Destiny, like No Man's Sky, like Fallout 76, like The Elder Scrolls Online, Anthem could be a great game by next year. But that doesn't make it a good game now. Right now, Anthem is not good. And given what's come out of BioWare in the past and the kinds of lasting, impactful experiences that the gaming world knows BioWare is capable of delivering, that's truly sad.

Mario Tennis' transition to the Wii U feels like one step forward and two steps back. The addition of Mega Mushrooms is clever enough, but the game doesn't commit to the idea of power-ups enough to sustain it. Meanwhile the no-frills package feels so anemic that I was burned out on the experience after only a few hours. If you want a great Mario Tennis game, stick with the better, cheaper, and more complete 3DS version.

I have to wonder what happened to this project over its lengthy development cycle that took it from a promising spin-off of one of Ubisoft’s most beloved games to what will undoubtedly be remembered as one of 2024’s more underwhelming big-budget releases. It’s not entirely disposable, but it’s far from the treasure it promised to be.

Kyn is a nice distraction from other games, but don’t expect it to endlessly enthrall you like other RPGs would. However, the scope of the game is well beyond what you’d expect from the two-man team who coded, created, and designed it.

Between a story that reduces much of the depth of the series and a combat system that makes every character play too similar, Ultimate Ninja Storm Connections feels like a Greatest Hits sampler that tries to include everything and doesn’t succeed at doing any of it very well.

Sword Art Online: Alicization Lycoris feels like a run-of-the-mill JRPG, done in the style of SAO. Not ever did I think the game was downright bad or poorly made, but rarely was I taken or impressed by anything going on from a story or gameplay perspective. The game would have benefited greatly from leaning more into the online/MMO universe that it’s based on. However, fans of the anime and manga will surely still find some enjoyment with the latest adaptation of Sword Art Online.

Gargoyles Remastered is an interesting and pretty walk down memory lane, but you’d better be ready to have any rose-colored glasses shattered by its unforgiving gameplay if you take that walk.

Ghost Recon Breakpoint had every opportunity to improve on Wildlands, but instead of evolving, tore everything good about that game to pieces and replaced it with too few wins.

Aztech Forgotten Gods tries and that's probably the best thing I can say about it. Lienzo journeyed forward with lofty ambitions and, like Mulaka before it, has laid down a foundation that makes me excited for their future projects.

It's an odd thing for a video game to bank so heavily on its aesthetics, but in the case of Desert Child, the plan works. This isn't a dense game, nor is it necessarily a complex game; instead, it's a simple title that suits retro gaming enthusiasts with good visuals, good music, amusing interactions, and a series of high-speed races.

I was surprised by how much I ended up enjoying Bulletstorm VR. With how fast the original moved, I thought I was in for a VR version of a town fair teacup ride. Instead, it was a rip-roaring gauntlet, and a refreshing twist on the terrible things I could do to my enemies with whatever weapons and environmental hazards I had at my disposal. The plot is still stuck at 2011, which might be grating for some, as are much of the visuals. However, if your goal is to kick a man into the air and then blow him to bits and pieces like a skeet shoot, Bulletstorm VR just might keep you entertained as an early VR offering in 2024.

There’s an action game underneath all of Wanted: Dead’s problems that is not half bad, especially if you liked games like No More Heroes, Devil’s Third, and Wet. It’s ridiculous in its context and action. Unfortunately, for everything good I could say about this game, there was at least one or two things keeping me from enjoying it. Between cringe-worthy dialogue, game crashes, clashing moods, random and ridiculously difficult moments, and broken mechanics, Wanted: Dead takes a lot of effort just to play, let alone enjoy.

Mario Party: Island Tour never seems a natural fit on the 3DS. It feels more like the game has been hammered into shape to fit as well as it can on the platform.

The short Story Mode and the repetitive nature of the mini games available make for a game that you probably won’t come back to after you’ve exhausted what it has to offer.

I’m more than ready to put The First Descendant down and not come back for a while. Its character playstyles are fresh and interesting, but underbaked gimmicks, overly familiar ideas, and underwhelming encounters make it hard to recommend. I’m hopeful that The First Descendant can outgrow its need to imitate other games and eventually turn into something interesting in its own right. It’s a live service game and Nexon’s first shot at making something in this style, so there’s every chance it might turn around in future updates.

The problem is that while the game's ambitions are "XL," there's nothing "XL" about the full package. It feels like there are critical features missing, like the ability to play with friends or the ability to do anything with your skills beyond just perform them for yourself over and over. It's a slog once you've mastered these tricks and there's nothing left to do. It's even worse if you don't have the patience to learn, because at that point, there's literally nothing this game has to offer you. And given that the PS4 version of the game had performance hitches at various points, I can envision people's patience wearing thin quickly.

Spectre Divide’s main selling point, the Spectre mechanic, is admittedly rather cool. It’s great to get a second chance at a tactical shooter mid-round. Unfortunately, it doesn’t feel like a strong enough hook to draw players across from the other games that have solidified themselves as the leaders in the genre. Add to this the problems with match pacing, bland weapons, and laughable microtransaction prices and you’ve got a game that is unlikely to convince hardcore fans to dive in, let alone keep players around for the long run.

Foamstars is a lot of unrealized potential. It's like getting excited about a bubble bath only for the bubbles to quickly dissipate and leave behind only some filthy bath water.

There are enough different ideas at work to make it stand out from other anime and fighting games. It's a novel effort, but nothing else beyond that.

Toren is an experience that's worth at least one run. Then, it gets put up on a shelf like a nice book, where it ends up disappearing alongside the other novels.

While the multiplayer options are confusing, it's fun to have some friends along for the ride, even as you fight over the last remaining health orb in a massive boss battle. Hey, at least you won't have to worry about shooting the food, right?

Fort Solis is presented like an interactive movie, but with gameplay that detracts from the experience rather than complimenting it. The narrative tries to subvert your expectations to maintain the excitement, but despite the compelling circumstances in the beginning, the story failed to stick the landing in the end. At least the game does not overstay its welcome, clocking in at roughly four to six hours depending on if you pursue collectibles and side content.

What this game is really about is fan service and I must admit that it succeeds in offering folks up a hefty chunk in that department. Jump Force knows that it’s really for the Shonen Jump fans and if you are a fan there’s plenty to like here. One would probably be better off focusing on the core fighting game aspects though.

It is entirely possible that Speaking Simulator is just not made to be enjoyed by me. I could see where a streamer could use the game to make a video and get some cheap laughs, letting friends at a party take the controls, or something similar, but as a full-fledged solo game, I found it to be incredibly underwhelming.

The gameplay is boring, the landmarks and scenery are mediocre, and the story is almost nonexistent. Submerged is a rapidly sinking ship that never even left the harbor.

It seems to suffer from many of the same launch and ongoing issues that plagued Friday the 13th: The Game, but there's a silver lining here. Should the issues I lined out be addressed and improved with future updates, and additional maps and objectives rolled out over time, this could indeed be shaped into an exciting prospect. In its current state, however, it's best left to hardcore Predator fans insistent upon adding any related media to their collection.

Despite one-third of the game getting a passing grade, the rest falls short of meeting even the lowest of expectations. Clinging to the coattails of its predecessor, the reboot fails to capture the essence of what made the original Modern Warfare games so iconic. From its lame excuse for a campaign to its redundant multiplayer, finding redeeming qualities in Modern Warfare 3 has been nothing short of challenging. The game amounts to little more than half-baked expansion disguised as a full-fledged title, and the whole thing feels like a slap in the face to consumers. The most disappointing part is that it doesn’t even matter how much we can see through the ruse, because profits will always speak louder in the end. While there still may be new MM3 content on the horizon, it will likely arrive too late to make a difference.

Dolmen is a solid sci-fi spin on the Soulslike formula, even if there are some places where it falls short. Not being able to jump is a simple but detrimental design flaw, and the mediocre cinematics bog down what could have been a very cinematic experience. Despite that, Dolmen still features challenging combat, as well as a variety of ways to play to your own unique style. I look forward to seeing if and how Massive Work Studio will build upon this foundation in the future.

Street Rumble isn’t terrible, but it’s not good either. Sure, it looks good, but the music is boring, the gameplay is bog standard, it has serious design flaws, and in a lot of cases, it just isn’t interesting. Yeah, there’s an arcade mode, boss rush, and so on, but you need to beat the story mode to unlock them, and if I hadn’t been playing this for review, I would have stopped around thirty minutes in. Beat ‘em up fans deserve better. Licensed games deserve better. And The Karate Kid deserves better than to be resurrected as a coat of paint used to gussy up a mediocre beat ‘em up.

The story is also a convoluted mess, going on for much too long. Even worse, its reliance on deus ex machinas is almost comical. The emotional manipulation that Cerny attempts through the story is a bit too brute-forced.

It continues to baffle me as to why Stubbs got this modern re-release. The story is fine, but clever narratives can only take a game so far. Nothing about this game feels like it belongs in 2021, whether it's the repetitive gameplay or the dated graphics. Like Stubbs' character in this specific story, this game should be approached as a curiosity and nothing more.

I enjoyed my time with Welcome Tour. Just be aware of what you’re getting if you decide to buy yourself a ticket to this, Nintendo’s other museum. It’s not a bad game, it’s just not entirely a game; that, coupled with the higher cost if you want to experience all the program has to offer, results in a product that won’t be for everyone.

It has glimmers of smart ideas, and the developer could have been a perfect fit, but it just doesn't live up to its potential. It feels rushed and dull, and the show deserves better.

Hatoful Boyfriend: Holiday Star isn't a lump of coal by any means. Rather, it feels more like unwrapping a present and getting socks.

I knew the writing was on the wall when Everybody 1-2 Switch! was announced in the same month that it was released, with little fanfare from Nintendo. Everybody 1-2 Switch! is fun in the same way that watching a bad movie is fun. If you’ve got some good friends together and everyone’s in a silly mood, you might have a good time throwing on Everybody 1-2 Switch and having a laugh at the absurdity of it all. But after about 20 minutes of this, most sensible people will ask you to close the game and launch Mario Kart, Mario Party, or even Switch Sports before they sink more of their precious time into Everybody 1-2 Switch!

A golf game developed by some of the people who brought us Burnout seemed like a great idea on paper, but it was poorly executed as globetrotting means nothing in this game, it isn’t very well optimized on PC, and its repetitive gameplay can get old real fast.

Bakugan: Champions of Vestroia is certainly the best of the recent Bakugan video game adaptations, though it’s far from a masterpiece. The world is neat, and WayForward does an excellent job with the Bakugan creatures themselves. Battling is solid, as it does a great job at mixing real-time and turn-based elements. It could have greatly benefited from some new Bakugan types for diversity’s sake, or a more unique story. Regardless, Bakugan: Champions of Vestroia will surely satisfy most fans of the franchise.

I also wish some narrative sections played out to their end and the choices mattered a bit more, but Foreclosed tells its story and gets out. I can’t fault it for not overstaying. If you want a snappy cyberpunk adventure it might be worth seeing how the story of Evan Kapnos and his fight for his own identity play out. Just be prepared to deal with some average and occasionally frustrating gameplay all along the way.

To put it simply, if this was one of those retro re-releases that are basically fancy emulators with additional screen filters and save states, maybe online play as a treat, Star Wars: Episode 1: Jedi Power Battles (whew) probably would’ve been alright. Instead, we have this bizarre Frankenmaster that looks and sounds like the end result of someone playing with a PlayStation emulator for the first time and pushing the sliders all the way up. Preservation is important, even for games that aren’t “classics.” This isn't the preservation you've been looking for.

Ultimately, Battle of Z offers Dragon Ball Z fans more of the same: another chance at seeing their favorite characters pummel each other. However, without a real fighting engine to support the game, hardcore fans haven't just played this before, they've probably already played something better.

I wanted desperately to find a good game underneath all the bugs in Redfall, and every now and then a tiny ray of light would shine through and give me hope. I took my time to give it a fair opportunity where others wrote it off only a few hours in. Unfortunately, they were right, and this will go down as one of the more disappointing games that I’ve played in recent years. All we can hope for now is that Redfall’s disastrous journey serves as a warning to Microsoft and its stable of development studios. Not because the world’s second-largest company can’t take the hits, but because players deserve better.

It's really only good for mindless entertainment. I guess the same can be said of most YouTube channels, too.

Dungeons & Dragons: Dark Alliance delivers a solid D&D adventure, with exciting combat and a slew of monsters to take down. Though my experience was a bit dulled by crashes and some minor bugs, it certainly didn’t ruin the game for me. Dark Alliance fits in nicely in the pantheon of Dungeons and Dragons games.

With NBA Live 15, EA Sports makes minimal progress at best, but can't seem to find a solid enough identity for its hoops sim. The gameplay is all over the place, the modes don't show enough improvement, and the visual splendor is dulled over by commentators who feel like they want to be somewhere else.

As is, Airplane Mode doesn’t make it off the runway. I’d rather fly Spirit.

If Akiba's Trip: Hellbound & Debriefed catches you having too much fun, be prepared to have that stripped from you like a finely quaffed set of Shadow Soul clothes. This game is a constant chore to enjoy and should be reserved for the folks that really want to see where the series began.

I'll say this much, if you try and play Metamorphosis as a substitute for a book report, you'll probably fail your English class. But as a game that's inspired by Kafka's classic tale, this is not bad at all. The platforming is competent, the puzzles can get creative, and the characters are often interesting. The downside is that the performance lag can't be ignored and sucks a lot of the fun out of this game. The other thing worth noting is that this is a very brief adventure. Even novices should have little trouble getting through the full story in anything more than four to five hours.

Escape Dead Island disappoints on multiple levels, from its lackluster gameplay, to its awful storytelling.

Mighty No 9 does present a few concepts that feel like they could have been the next iterative step. Even if it had avoided its many pitfalls and baffling design choices, though, it's likely a few decades too late for such minor improvements.

If the idea of playing a shooter crammed on top of a modern edition of Drug Wars, full of pseudo ironic stunt casting and roguelike gimmicks sounds like a good time, boy do I have a game for you. The only game for you, really. All snark aside I don’t think I’ve ever played a game quite like Crime Boss: Rockay City. It’s a massive swing and a big miss, with enough force to crack the sound barrier while the ball stays in the catcher’s mitt. It’s neither a cynical corporate cringe like Sharknado, nor is it a low-budget dud you’d expect to see a crew of robot puppets heckle. It’s weird, loud and uncanny. Frankly I’m surprised Christopher Walken didn’t show up.

Contra: Rogue Corps may not get high marks for reinvigorating the Contra series, nor does it innovate or do anything exceptionally well. But a game that you enjoy playing doesn't have to, and I found myself enjoying this raucous shooter more than I thought I would. It may have its own fair share of problems, but its low price and low barrier entry make it a serviceable and potentially hilarious time to be had solo or with your friends. Just drop the Contra from the title if it bothers you so much and give it a try.

Fallout 76 is a bit of a disaster, which is a shame because there are good ideas and good bits of content here. There wasn’t a single play session where I didn’t have a lot of fun, but there also wasn’t a session where something ridiculous didn’t cause frustration. It feels like it should have been released into early access as a work in progress for the next several months, thus alleviating some of the frustration from poor performance, bugs, and balancing issues.

I know volleyball and dodgeball are totally different activities, but the inspiration is pretty obvious here. And if you want to play a sports game like this that’s wacky, over the top, and still has a competitive element, Mario Tennis or the Kunip-kun Dodgeball games are much more fulfilling in every way. And if you’re just a Fairy Tail fan looking for something fun to play with these characters, Fairy Tail: Dungeons or the GUST-developed RPG from a few years ago (with a sequel coming soon) are much more successful in nailing their own concepts. It’s a shame, but aside from some fun visuals and occasional on-screen wackiness, Fairy Tail: Beach Volleyball Havoc doesn’t deliver in either the volleyball or the havoc.

The finished state of Balan Wonderworld is disappointing to say the least. For all of its style, I was really interested to see how they would expand upon the preview. The aesthetic and characters are there, the music is captivating, the level design made me want to explore and experiment where I could, and the abilities mostly gave me options to do so. However, these things are held down by a lot of contrivances and outright holes in either functionality or context.

If you're looking for a deep, well-rounded driving simulator with a career mode, then Taxi Life is going to fall short on all accounts. There are a variety of similar titles available that do everything that Taxi Life offers and do so much more competently. Taxi Life can look pretty at times, but it's a big ask to overlook its many bugs and short-comings. Driving a taxi around a city isn't the most interesting idea to begin with, so Taxi Life needed to get all the details right, and unfortunately it doesn't come close to doing so.

Stratton Studios succeeds in creating a fun Halloween game with Costume Kingdom. The trick-or-treat and costume mechanics are inventive, while the battles heavily lift from the Pokemon formula. The story and world feel a bit shallow, making the overall experience a bit forgettable. Costume Kingdom is a sweet treat to have for the spooky month of October.

Wrath of the Mutants is a functional beat ‘em up. I’ll give it that. If you liked the 2012 show and want more TMNT beat ‘em up goodness to play, it’s fine if your co-op friends are nearby. Otherwise, there are far better options at similar or cheaper prices, even within this IP.

Blue Estate shows that an on-rails shooter can work efficiently on PlayStation 4.

Despite its deceptively intriguing prologue, Vane quickly goes from a journey of discovery to a laborious chore, mainly due to the abundance of technical issues and a lack of a decent save system.

With its shallow gameplay, lazy design, and unfunny writing, I can only hope that Twisted Pixel intentionally set out to create a bad game--one that could be celebrated in the way that terrible films can. If so, LocoCycle is a huge success; it is miserable.

Those Who Remain begins with a cool premise that can keep it intriguing for a while, but that quickly fizzles out. There's just not much reason to stay and finish the game out, despite the fact that it can be completed in a few hours if you can figure each puzzle out quickly.

The Amazing Spider-Man 2 continues to swing with energy, but you can see some of the strain peeking out of his suit. Between the glitches from rushed development and some unnecessary gameplay segments (go…away…Peter!), it's not nearly as good as Beenox's other efforts. Here's to hoping that for the next game, Activision lets this team run wild on something inventive and new. Certainly couldn't hurt this web-slinger's chances.

Unsurprisingly, Mutants in Manhattan continues the time-honored tradition of licensed games being a sub-par, disappointing representation of a popular franchise.

MindsEye isn’t a “so bad it’s good” situation. It’s just bad in a mundane, uninteresting way. It’s a half-baked idea built out with shallow writing, vapid gameplay, and bland everything else. Even the bugs aren’t funny enough to be memorable. The most entertaining part of all this is the vague allusion to sabotage the leadership at Build a Rocket Boy seems to be leaning on. Will we eventually learn exactly who sabotaged what part of this pile of decaying, raw beef of a video game to the extent of holding it back from greatness? Or were we simply seeing desperate executives throwing darts at the Wheel of Avoiding Accountability? Who can say? By the time an answer may emerge we’ll probably all forget MindsEye existed. We don’t really have bargain bins anymore, after all.

Hatred is a game that basks in controversy for the sake of controversy, while doing nothing to keep the curious interested in seeing it through.

New Gundam Breaker definitely has some great nuanced aspects to its core concept of mix-and-match mech model making, but what it needed was more variety to spice up the gameplay. While last year’s Gundam Vs was nothing mind-blowing it was a much more solid and mixed combat experience.

WWE 2K20 closely aligns with much of the current WWE onscreen product. It features the most promising roster in history, yet manages to squander it with incompetence, all while expecting fans to lap it up like they always do.

While some additions to the old formula provide value, particularly the ability to leap onto buildings to shave time on fares and online leaderboards, falling short on all the other parts of the experience drags the entire game down. The lack of Crazy Box-style minigames further reduces any replay value. Crazy Taxi succeeded by offering players the feeling of chaos and excitement, either through its then-novel gameplay mechanics or its untouchable sense of style. Taxi Chaos brings neither to the table and offers only minimal appeal to folks who might have missed all the hoopla twenty years ago. 3/10 beaded seat covers.

Even with the challenges, there isn't a lot of replay value in Wayward Manor. Going through the experience once is plenty. By the end of it, players end up giving the house exactly what it wants. Leaving it alone to rot, empty and forgotten.

Babylon’s Fall feels like a game that came out a decade ago, both visually and in its gameplay. Combat is clunky and boring most of the time, outside of a few highlights here and there. There’s nothing that encourages players to engage with the live-service elements, despite it being a core tenet of the experience. It’s like someone fed a computer a bunch of information and had it generate an action RPG. Babylon's Fall’s biggest credit is that it’s technically competent; the game isn’t broken or held back by major bugs or issues. It’s a shame, because PlatinumGames has proven itself to be an impressive talented studio. Unfortunately, Babylon's Fall manages to disappoint on just about every front.

Bounty Battle is one of the coolest ideas for a game I've seen in some time, which is partly why I feel like part of my soul has been crushed. This game is an absolute mess. It's presentation is terrible, the character models are laughable, the systems are confusing, and it made me wonder half the time if my PC was broken. Given the rich roster of wonderful indie characters, this should have been a contender. Instead, this fighter's career is over before the bell even rang.

It’s not just the bugs and glitches that make Remothered: Broken Porcelain a bad game. It’s the core designs. It’s how these systems function, or rather fail to function. It’s how the story is blasted out in chunks of exposition. There’s a lack of finesse to the entire experience. No number of patches can fix these problems. Overall, even fans of the previous title may find it difficult to get through what's on offer here.

There’s no doubt in my mind that Lord of the Rings fans will appreciate a lot of what Gollum is offering. It’s genuinely cool seeing such a fascinating side character step into the protagonist role in a story that further expands on a universe teeming with secrets to discover. It’s a bummer that there isn’t much else to write home about. A dull gameplay experience and technical hiccups make The Lord of the Rings: Gollum just as much of a polarizing experience as its main character.

The game has some nice fan-features, including Prime Ministers with varying personalities and perspectives on Godzilla's threat potential, and Diorama Mode, which is a virtual dollhouse for custom scenes. There's also a great kaiju encyclopedia, detailing the long list of monsters Godzilla has confronted, along with various versions of the monster itself. However, none of that helps the game overcome its overly simplistic and boring gameplay.

The graphics are two console generations old, it suffers bad level design, and missions are uninspiring throughout all stages. What makes this whole experience sting even more is the fact that this bad game has so many obvious issues, that even getting through it for the sake of a review was difficult.

A game with a dedicated ‘pull your dick out’ keybinding in 2022 should be way more clever than this. No amount of John St. John voice-over work or copyright-dodging music jingles can cover up the odor emanating from this pile. 4/10 BBQ’d dead dogs.

This is a bad game. It’s not worth $20 and, in my opinion, not worth $5, unless you’re the kind of person that would get a kick out of Paris Hilton slut jokes in 2018 and can’t get enough lazy, casual racism.

Sniper Rust VR is a collection of things that make for an unentertaining experience, but a poor shooting experience is the final straw.

Rambo: The Video Game just disappoints, over and over. There are no new power-ups or twists to keep you interested, no memorable boss fights, and no touches that fans of the film will go "ooh" over. The team at Reef could've done a lot more with this, something along the lines of what Sega did with its arcade Rambo game. Instead, they took the easy way out. Go watch the movies instead. All of the thrill, none of the pain, Johnny.