It’s remarkably easy to tell yourself you’ll do just one more expedition, only to balk when the Princess tells you how long you were down in the Abyss. I caught myself desperate to push on just a little further, to level up just one more time before I went back to Base Camp, leading to late nights that I’m not upset to have spent grinding my way to prowess and power. As long as you can handle the Princess chatting your ear off while you’re at Base Camp between expeditions and occasionally passing out and being brought back there before you're ready, the hours you’ll effortlessly sink into “just a little more” of Silent Hope will be a joy from beginning to end.

While Cocoon didn’t connect with me on the same level as other indie puzzlers, I had a great time venturing through orbs to solve mind-bending puzzles and explore alien worlds. The game also succeeds when it comes to giving you a great WTF ending, which is a requirement for this genre. It’s nice to see that even after leaving Playdead these developers are still able to deliver another fun albeit utterly baffling experience. All that's keeping it from being a true masterpiece is a little more child danger and an appearance from the Quaker Oats man himself.

EA Sports FC 24 is the same game you know and love, for better and worse. Gameplay feels good, PlayStyles are a fantastic addition that allow you to succeed while truly playing your way, but the game is held back by its focus on Ultimate Team, which excels at the expense of the rest of the game. Single-player modes feel completely neglected and in many ways have gone backwards since the last game, to the point where buying this feels pointless if you’re not going to play online.

Separate Ways is so good that it makes other Resident Evil games look worse by comparison. It’s hard to believe that this campaign was only $10 when Resident Evil 3 Remake, a game of similar length yet far less satisfying, was full price just three years ago. It’s even more surprising that just last year we were playing Shadows of Rose, a lightweight, uninspiring retread of Resident Evil Village that similarly tried to make old locales feel new again, but failed to match the quality of the base game. Separate Ways is more like a Resident Evil 2-style parallel campaign than a bonus DLC, and it’s been given the level of polish and care it deserves. Separate Ways has always been essential to the RE4 experience, but the remake elevates it to the quality of a standalone Resident Evil game. And at just $10, it might be the best value in gaming this year.

Disgaea 7 is a course correction from some of the mistakes made in Disgaea 6. Gone is the slimmed-down character roster that saw many series staples disappear - instead, Disgaea 7 has more class options than any previous game, with entirely new classes and monsters to boot. Gone are the overinflated stat values and the game-breaking unrestricted auto-battle mechanics. The result is a game that feels more ‘Disgaea’ and less experimental, making it a more fitting modern follow-up to the crowning glory that was Disgaea 5 as a result.

Paleo Pines is a largely successful execution of standard farming sim formulas and brings an interesting new (read: peaceful) interpretation to the monster-tamer genre. Collecting and caring for dinosaurs is the most compelling part of the game, almost to the detriment of other mechanics. As it stands, the game is a little unbalanced and could do with more effort put into the dinosaur-centric mechanics and less reverence placed on tying progression to arbitrary limits on player freedom.

Mineko’s Night Market is a delightful journey that explores childlike storytelling and themes of tradition and friendship in a way that captivates players. Its beautiful style and emphasis on Japanese culture draw you in, but the compelling and varied gameplay makes you stay. Its slow and simple start may be off-putting for some, but if you’re starting a cute little life sim game like this and expecting fast-paced drama, you’re at the wrong market stall.

Right now, Payday 3 is a foundation. The heisting itself is better than it’s ever been, with quality of life changes, more confident level designs, and improved stealth mechanics that make it stand above Payday 2. But in making the jump to it, you’re also giving up the years of updates and general stuff Payday 2 offered. If you’re a newcomer to the series, or a lapsed crook coming back to it, this is a great jumping on point. If you’re already invested in the series, you might find it difficult going back to basics.

Phantom Liberty is good, but 2.0 is the rising tide that lifts all boats. It makes Cyberpunk 2077, unambiguously, worth the trip.

It’s a shame that Invasions and the snail’s pace progression drag Mortal Kombat 1 down a little because, if it wasn’t for them, this would easily be the best Mortal Kombat to date. Even with those problems, MK1’s excellent gameplay and story mode make it a much-needed breath of fresh air for the series and a great first step into an exciting new timeline.

Even if it can be a little too easy and was over far before I’d have liked, Gunbrella’s incredible movement options, surprisingly intriguing mystery, and punchy gunfights quickly made it one of my favourite indies in recent memory and a universe I’d love to see more of in the future. Just remember, there’s a 100 percent chance of blood raining from the sky, so you better bring a brolly.

When all is said and done, though, being inspired this heavily by what is widely considered one of the greatest games ever made is hardly a bad thing. When Lies of P shines, it even outdoes FromSoftware itself in its nuanced execution. When it falls back on what came before, it does so with a confidence and understanding of the genre that makes it stand out.

Ad Infinitum is an enjoyable horror game for genre aficionados, and tells a compelling story in a unique setting. It has a few moments that will have even the most grizzled horror veterans whimpering in a corner, building tension to create some pulsating scares, all the while giving you enough time to compose yourself before the next one. But you’ll need to look past some frustrating design decisions and pretty glaring performance issues to get the most out of it. Beyond that, there’s just enough there to make your time with Ad Infinitum worthwhile.

The Isle Tide Hotel is an uneven game. It delivers in its goal to tell some compelling stories about very interesting people and a cult that’s up to some incredibly odd behaviour, but the inarticulate efforts to gamify the experience may prove too frustrating for those not already enamored with the concept or the genre.

While Under The Waves has good intentions and well-thought-out ideas, it’s a disappointment. There are moments when it's beautiful and charming, striking you with its own visual style and excellent music and asking you to swim more miles to see what you can find. But this effect can’t stand on its own for long, and the result is an experience filled with the dumps and vices that it tries to fight against.

Fae Farm gets off to a slow start, but you’ll see the game’s true value from Chapter Three onwards, when the crafting, romance, questing, and other optional content becomes so vast that you’ll never be able to keep up with it all. For fans of farming sims willing to get over the first hurdle, the actual gameplay is highly enjoyable, and the style and setting are utterly adorable. Just don’t expect a standout narrative, but do expect a few minor bugs.

When it finds itself, Samba de Amigo proves that it deserves to be revived more often than it is. But it loses this streak too quickly. Samba has far more potential than a few fun dances to keep the family busy over the holidays, I just hope it doesn't take Sega a bunch of DLC packs and another 10-year hiatus to realise that.

There are parts of this game that are highly relatable. You can scroll through social media and see what are essentially Tweets (or Posts, thanks Elon), mostly about the impending meteor impact, that capture Twitter (sure, X) culture with hilarious accuracy. The third act also shines, with tensions between characters finally bubbling over and leading to huge blowouts that feel very true to the nature of teenage friendships. Fang’s relationship to their parents and brother Naser also feel very complex, more than any other relationship they have with the other characters. But none of this is enough to carry the weight of the game’s slow first acts or make up for the game’s unrealised thematic potential, and that’s a shame. What could’ve been a meaningful meditation on the importance of community turned out half-baked. The seeds of something great were there, but it never quite had the payoff it deserved.

All being said, I never believed I would live to see the day a worthy successor of Jet Set Radio materialized into existence, and yet, here we are. For better or worse, Bomb Rush Cyberfunk embodies the vibes and fun of the early 2000s era in video games and succeeds in delivering a great experience, whether you’re a fan of that era or not.

Starfield is all about the stories it tells, and it tells them well. The central narrative and the characters inhabiting it are some of the best that Bethesda has ever produced, but they’re unfortunately let down by the banality that so often surrounds them. I came into Starfield wanting to explore the stars, and I got a brilliant sci-fi story instead. That’s not necessarily a bad thing, but I’d be lying if I said I wasn’t a little disappointed.

It’s disappointing to see a project that had potential come up short, but if like me you were anticipating the launch of Untamed Tactics, it turned out to be far from what we were hoping for. The game’s biggest selling point could have been a dynamic Parley System with witty banter and opportunities for hidden characters and plotlines, but like the rest of the title it falls disappointingly flat.

What I find most remarkable about Sea of Stars is that, despite not caring all that much about its characters, the gameplay was good enough that I was invested throughout. Managing the meters of each battle, and exploring the colorful landscapes and dungeons that connect them, is so entertaining that my quibbles about other aspects couldn't bring the experience down. The story isn't especially compelling, but it perfectly serves the purpose it needs to: getting you from the fun of A to the fun of B without any real hiccups in between. Howard Hawks once said that a movie needs "three good scenes and no bad ones" to be great. That's what Sea of Stars has going for it. Nothing that'll bother you too much, and plenty of good.

Baldur’s Gate 3 is a masterpiece. Games like this don’t come along often, experiences that capture the zeitgeist so profoundly as to provoke scurrilous rumours that Larian Studios would come under legal action for making a game considered too good. From narrative to level design, combat to quests, character creation to romance, everything is fine-tuned to provide a gripping experience that provokes wonder and joy.

Fires of Rubicon is the series at its peak as FromSoftware fires on all cylinders. The mech gunplay evolves far beyond mindless action to tell a story of the oppressed stripping bare the power of those they serve to better a dying world. It’s a story that will always be relevant, but now more than ever, its lesson of standing up to those in power who are tearing apart the world for personal gain is paramount.

Fort Solis is all presentation and no substance. It feels like it blew its budget on getting this cast to build up some hype before launch, and then forgot it needs substance to make it worthwhile. With an appalling story, bumpy technical issues, frustrating UI, and a pace so glacial I literally fell asleep at one point, Fort Solis is a waste of everyone’s time. And not even the deliciously grizzled voice of Roger Clark can help that.

The Everwar between Lucium and Rasharn reminds me of what it feels like to play Immortals of Aveum, a game that feels perpetually at war with itself. Its jokey tone is at odds with its high stakes and the world it wants you to care about. Its movement-focused arena design is at odds with the precision it would require to make it start to sing. Its magical flavor is at odds with how bland its combat is. Its name may suggest something that will last forever, but I doubt I'll remember much about it by the end of next week.

I enjoyed my time with Blasphemous 2. I’ve unlocked both endings, scoured and pillaged the entire map, and completed every quest I could find, and, where I found the first game severely wanting in the fun factor, the sequel delivered in spades. Despite this, it’s held back by simplistic quests and bosses so unfair as to taint the whole experience. At certain points, thematic suffering bleeds through the cracks in the fourth wall and becomes part of the gameplay.

The Cosmic Wheel Sisterhood shows us what women can be when they are free to be who they are, liberated from arbitrary restrictions on their lives. It is a feminist, progressive, intersectional game, one that celebrates women in every form. It made me feel connected to the world around me, and that’s a huge accomplishment.