Mario Vs Donkey Kong is a capable remake of a game whose identity crisis between platformer and puzzler can't survive the journey from handheld to TV. Enjoyable enough but not that taxing - aside from rare spikes when it becomes too taxing - it's a good recreation that doesn't have the tools to venture into greatness. It will be an impressive enough glow-up for fans of the original, but mixes being straightforward and mildly frustrating into a colourful and charming milkshake (so close I can almost taste it), even if it's a little bit sickly. It's worth occupying a few hours with, but it won't live long in the memory, and underlines why few Mario fans would put this one in the plumber's highlight reel.

These are solid remasters of excellent games, and fans of the series will thoroughly enjoy the experience. It’s part nostalgia, part respect for its legacy, and part truth when I say Tomb Raider 2 is a perfect game for its era, and the titles either side of it aren’t bad either. I hope newcomers give it a chance, but it does feel like the remaster could do more to help that happen.

Like all the great expansions, Demon Scourge takes all the best parts of the base game and gives players new ways to experience them. While the new Demonologist is sure to get much of my attention for the time being, I’m also very eager to run back through the game as an Alchemist, mixing up industrial quantities of Sacred Water to splash in the Demon Lords’ faces, or an Artificer kitting out Troll soldiers with the best Glyphs available. This DLC is the perfect reason to reinstall SpellForce: Conquest of Eo, or to try it for the first time.

I got what I was expecting from the game: a damn fun time. What I didn’t expect, however, is to be thinking about it so much after each game, wanting to dive right back into hell with others alongside me. I can’t wait to get better at the game, face bigger threats, to see what planets this galaxy holds, and just what each planet will throw my way.

Banishers is a game I’m going to be thinking about for a long time, for better or worse. You’ll likely not find a better story than it any time soon, but there are plenty other better ways you could be spending your time.

Like the Sarcophagus, developer Hadoque is giving birth to something strange and potentially powerful. Ultros doesn't fully come together, but it's an interesting experiment in Metroidvania design that I hope Hadoque or another developer builds on in the future.

After the failure of Babylon’s Fall, Foamstars feels like yet another attempt from Square Enix to nestle in on the live-service market, and one I wouldn’t be surprised to see fail. It’s a shame, because on a foundational level, there is an aura of Jet Set Radio or Ghost Trick in its cool aesthetic and obscene lore, which in a better world could have been turned into something far less cynical. This is a game where foam has developed into a secretion from individuals who are basically soap-based mutants, and this is the most creative thing you’d have them do? If you get foam-o from this one, I promise you aren’t missing out on much. [Review-in-Progress]

I didn’t hate Suicide Squad: Kill the Justice Leaague, but that’s only because it’s hard to feel anything too strongly about a game like this. This might be the most rinse and repeat a game of this stature has ever rinsed and repeated, and the fact it delivers good interpretations (though not Arkham accurate) of established characters is its only saving grace. With each new bundle of content likely to be low on narrative and chock full of the same missions (probably with a new name that play exactly the same way), it feels like Suicide Squad: Kill the Justice League is only going to get worse from here.

I was thoroughly satisfied with Hidden Through Time 2. Not only did I get to unwind and explore new environments, but I was able to create my own custom maps. There are a lot of details to fiddle with, and plenty of levels to work through. The plot for each time period is straightforward, but adds another layer of creativity and excitement to each level. If you’re looking for a game that will test your critical thinking skills and challenge you to look at the bigger picture, this is it.

Granblue Fantasy: Relink is a dynamic game that provides novelty with every chapter. The combat is packed with robust and interesting mechanics, and it is easy on the eyes. While there are a number of niggling issues, it manages to capture some of that old-school magic from an era of games that weren't afraid to go off the rails. Relink doesn’t nail everything it does, but it does quite a lot successfully. I expect that it will find an adoring audience, and surely the co-op aspect will give it an extended life among its audience. Just don’t come for the story.

Inconsistent graphics and the lack of a female protagonist we had in Portable aside, however, this remains a solid means of enjoying one of the finest RPGs of the past two decades. Its writing is sharper, combat is more satisfying, and it brings this world to life in ways that just weren’t possible several generations ago. Reload might lack its signature rough edge, but those coming around for the first time will find plenty to love.

It’s fair to say that I’m disappointed with Chronique des Silencieux, but mostly because there is so much here to appreciate. Held back by translation faults and a buggy experience, there are compelling mysteries, lush artwork, and strong characters to enjoy. It feels very much like a game in Early Access that needs a whole lot more cooking before it’s ready to tell its tale.

Ultimately, while Howl doesn’t do anything new or groundbreaking, it’s a solid indie title that knows what it wants to be. Its aesthetics and challenge make it a compelling experience, especially for players looking for something to work into their daily puzzle rotations - a crossword or Wordle for fantasy fans.

Even if Arcade Quest isn’t as strong as previous single-player Tekken modes, its ability to open up one of the genre’s more complicated series is admirable and does feel worth trading more single-player content for in the long run. It also doesn’t stop Tekken 8 from being one of the best entries in the series, thanks to its memorable single-player campaign, great additions to the roster, and exciting mechanical focus on aggressive and fast-paced gameplay. Tekken is back, and it’s just as strong as it’s ever been.

Like a Dragon: Infinite Wealth raises the bar in every way to take its rightful place as the new peak of the series. Whether you’ve been with Kiryu all this time or you joined the series with Kasuga, you won’t be able to help falling in love with this captivating new entry to the series that perfectly pairs the past and the future, our two favourite protagonists, and RGG’s typical blend of quirky comedy and heartwrenching plotlines. If it’s not my GOTY in December, I’ll eat my Majima Construction hard hat.

Ace Attorney is a wacky series, balancing murder plots and despair in the face of injustice with punny names and the supernatural. Despite this clash in tone, its narrative and character writing are strong enough to carry each entry and make this collection a worthy successor to Phoenix Wright’s original trilogy. Bringing these particular games to modern platforms is a worthy effort in itself, but Apollo Justice is guilty of going above and beyond to produce an experience worth the time.

Prince of Persia: The Lost Crown might not have the most captivating story and characters, but its platforming and combat are a new peak for the series - an impressive feat considering that’s what put it on the map in the first place. Some fans may have already turned their nose up at The Lost Crown because of everything that it does differently from the Sands trilogy, but this is not only one of its best entries in the series, but one that understands what makes Prince of Persia so great in the first place.

The Grand Getaway isn’t a good VR game, there’s no getting around that. But it is an excellent Wallace & Gromit short, matching the humour of the likes of A Grand Day Out or A Matter Of Loaf And Death perfectly. Full of heart, all its VR misfires are forgiven when you’re sat in Wallace’s kitchen with a giddy grin on your face.

While I find it hard to recommend Rising to most people at full price, I wholeheartedly recommend that anyone even vaguely interested check out the free version. There is a lot to love about Granblue Fantasy Versus: Rising, and without risk of buyers remorse, players should jump into the free version to see if they are a good fit for Gran’s merry band of adventurers.

Dragon Quest Monsters: The Dark Prince is a mixed bag. On the one hand, it has the best mechanics and combat the Dragon Quest series has ever seen, with the monster-focused gameplay loop providing endless fun. On the other hand, overcommitment to the silent protagonist trope and shocking performance issues drag the experience down significantly. Although held back by dated hardware and dated design choices, The Dark Prince is one worth courting.

And yet, as you struggle through the game's often abstruse systems, there is something rewarding in it all. More clarity both over where to go next and what the game itself is built upon would be welcome, but what is here is worthwhile and, for those with a greater tolerance for getting lost over and over or finding the right way and being unable to progress because the search has tired you out to much, A Highland Song holds some promise. After everything, the view is just about worth the climb.

If you’re a 40K fan or just looking for a combat-heavy RPG outside of the normal fantasy fare, Rogue Trader will make a welcome addition to your library. It dives deeper into the setting and lore than any other video game to date, showing that it’s clearly a game by fans, for fans. Owlcat gave us multiple Pathfinder RPGs - hopefully, we’ll see more adventures in the Koronus Expanse in the future as well.

You can spend countless hours cataloging the various plant life throughout the Western Frontier, seeking out every Tsraya flower to unlock new upgrades, and dismantling RDA bases far and wide - and I probably will. I am constantly in awe of the places I discover in Frontiers, from grand vistas to hidden caves to lookout points on floating mountains that give you the most incredible view. It’s a world I’m excited to continue exploring and learning about, and overall it has deepened my love for Avatar. Ubisoft’s strengths are also sometimes the things that keep it running in place, unable to iterate and evolve, and Frontiers is the perfect example of that. It’s everything you love and hate about Ubisoft games, Avatar-style.

Arizona Sunshine 2 does everything the original game does well. It’s a visually stunning experience with well-designed levels, an engaging narrative, and enjoyable gunplay. While the new features like explosive crafting and buddy commands fall short of being meaningful additions, they don’t hinder the overall package. If you loved the first game or are looking for a good story-driven shooter, then I recommend giving it a try.

On the whole, Spirittea is an enjoyable management sim with a strong concept and charming pixel art that’s ultimately let down by a lack of polish.

Dungeons 4 is a complete package that delivers a way to embrace your dark side, build your very own evil empire, and see the forces of good reduced to dust. It heavily focuses on resource management more than strategic combat, which may be off-putting to some, but there’s a lot of challenge here, and combat is equally as satisfying. Just watch out for the unicorns. They’re more fierce than you’d think.

Steamworld Build is a great addition to the series, providing a unique but refined take on the city builder genre. Anyone looking for a more complicated, hardcore experience might find it a touch underwhelming, at least until the game really starts to find its feet. Even so, its forgiving nature and slow but consistent feed of gameplay mechanics make it especially appealing to more casual players or folks new to the genre.

This isn’t a single-player experience with multiplayer tagged on to sell battle passes – if anything, it’s the other way around. I found playing other people more fun than fighting the AI, despite all the triple-A quality cutscenes aimed to curate a perfect experience. But Realms of Ruin goes to show, no matter how stylish your Lord of Change character model is, no matter how well rendered its feathers are, games are nothing without deep gameplay systems and precise controls to back it up.