Despite the limited gameplay and slightly repetitive nature of wandering around rooms to click on objects, Mixtape is an experience I’ll remember for a long while. The sharp dialogue that feels real and stays the right side of grating, easy-going storytelling, excellent soundtrack, and supreme confidence to play around with the medium make Mixtape well worth tuning into, even if some will be put off by a perceived lack of things to do. I still haven’t really figured out if Mixtape is a video game, but I do know that I thoroughly recommend you give it a spin.

But as it stands now, Dead as Disco is not only my favourite game I’ve played so far in 2026, but one that I can see being a true all-timer as more content is added and it’s polished up even more. Charlie Disco's comeback performance is already something truly special, but it can only get better from here. [Early Access Review]

This is almost certainly going to be the biggest Lego game TT has ever made, hence it taking so much longer to make than any Lego game to have come before it. Bigger isn’t always necessarily better, but after getting hands-on with it, I’m starting to think there’s a strong chance Legacy of the Dark Knight isn’t just going to be the biggest Lego game ever made, but also the best. [Hands-On Impressions]

If you are looking for an interactive story-based cozy game, this is a rad choice. However, don’t expect much more from Wax Heads than a well-executed moral stand against an increasingly AI-loving, money-grabbing and overly-polished world of entertainment.

Masters of Albion’s little quirks and British humour make it endearing and funny, adding some much-appreciated details to what makes it stand out, like its crafting and odd building mechanics. The humour is a throwback to old-school Fable, so it can be shockingly explicit, but in the best ways. However, overall, if Masters of Albion wants to keep players enthralled, the nightlife needs to calm down a little so I can go back to enjoying making rat pies. [Early Access Review]

After spending a few hours with 007: First Light, I’m more confident it can and hopeful it has everything it takes to become an action blockbuster with nuance, spectacle, and flair that we just don’t get anymore. [Hands-On Impressions]

Although the story mode lets itself down a bit and the offline offerings are slim, I still had a great time with Invincible VS and expect to lose even more hours to it when the servers go up. The excellent and welcoming mechanics, well-developed roster, and tons of fan service not only make Invincible VS a stand-out tag fighter, but also the game that the series has deserving for a long time.

Vampire Crawlers is a tremendous achievement. Everything here works almost flawlessly, with a gameplay loop that is quick, sharp, and smart. Genre transitions within the same game series rarely work so wonderfully, but Luca Galante and Poncle have created an incredible experience that will make you crave more, even if it overstays its welcome a tad for completionists.

While I had a blast embarking on this journey to Persephone with Ariane and Thomas, I do wish it were on the longer side. Even at seven hours long, there seemed to be room for the narrative to venture to deeper, more interesting places. Who knows, perhaps we’ll see that in the future. For now, though, this is a sci-fi epic well worth your time.

Aside from those infrequent technical issues, this is a smooth, comforting, and narratively rich experience. Moomintroll: Winter’s Warmth's balance of warmth and depth is everything I want from a cozy game in the modern era. I can already anticipate that I’ll be returning to the charm of Moominvalley in a few months, when the Lady of the Cold visits me as well.

It feels like one big adventure, and you’re only privy to one piece at a time. Delving into the depths of a foreign planet would usually be off-putting to me as a cozy gamer, but the world of Carcosa drew me in. Who is the mysterious voice lingering in Arjun’s head, what happened to the colony and the crew, and how in the world am I supposed to beat the tutorial boss on my next run?

Cthulhu: The Cosmic Abyss is, crashes and caveats aside, an excellent game. Key is a triumph, the puzzles are imaginative, and the final chapter earns everything it demands of you. I’ve spent about 12 hours with it and I find myself wanting to talk about it with everyone who has ever shared even a flicker of an interest in Lovecraft with me. It’s a cosmic horror that brings classic tropes into futuristic dressing and manages to do that well. What’s not to like?

Tomodachi Life: Living The Dream is a bizarre delight with unlimited potential, but you must be willing to unearth that brilliance for yourself instead of expecting the game to guide you. It surrenders to repetition far sooner than I’d like, but the sheer amount of things you can make your Miis do, say, and the relationships they gradually develop are so wonderful that it’s easy to overlook some otherwise notable flaws. The more you put into this game, the more you’re going to get out of it. For me, it already feels like it has all the ingredients to become another cult classic masterpiece that will go down in history.

Mouse is an enjoyable and visually stunning shooter with just enough uncapitalized potential to make me mourn what could have been. It looks amazing, the music is spectacular, the voice acting is top-notch, and it feels great to play in the moment, but its unwillingness to put up even a semblance of challenge is its biggest downfall. I’d still very easily recommend it, but sticking it on the hardest difficulty is almost a requirement.

The defining strength of Replaced—besides the stunning visuals—lies in its cultural commentary. Though the main narrative focuses primarily on one aspect of the apocalypse, organ donation and the subsequent dehumanisation that comes from losing a part of oneself, there's plenty of flavour there for the world's other tragedies: extreme poverty, the frivolity of the elite, fascism, police state and especially the dangers of technology.

It’s got big ambitions, a big heart, and two big and beautiful characters leading the charge on an intergalactic adventure like no other. Cheese and cliché aside, Pragmata is a rare triumph.

Regardless of what you specifically look for in a cosy game, there’s a little something for everyone here. Even with my nitpicks, I’m unlikely to forget the stories I pieced together to tell Tabitha’s life story anytime soon.

Sintopia is a far better game than its title suggests. The title Sintopia sounds like someone came up with the name first and built a fabulous idea around it, but look past that, and you have a deep, charming, and constantly unpredictable experience that is well worth your time.

A small roster of games aside, the Marvel Maximum Collection is everything someone who wants to play these games in 2026 could want. Classic Marvel titles from three decades ago dusted off so they can join the growing list of old games being rescued from the past and made playable today. Throw in all the quality of life features that let you either play these games as they were intended, or with mod cons so that you can actually finish them, and this collection is a fantastic celebration.

Darwin's Paradox is easy to admire and occasionally difficult to enjoy. ZDT Studio has built something visually and narratively confident for a debut - Darwin is a protagonist with real charm, and his world has a presentation that consistently overdelivers. But a game is only as good as it feels to play, and this one too frequently asks you to fight its systems rather than inhabit them. The frustrations are not deal-breakers in isolation; cumulatively, though, they erode the goodwill that the presentation so diligently earns.

Even when Super Meat Boy 3D had me moments away from rage-quitting, occasionally thanks to a death that wasn’t my fault, I couldn’t help but smile as I bashed my head on whatever wall I was struggling to jump off. Meat Boy’s legacy is a very particular one that won’t appeal to everyone but, even with some wobbles, 3D proves itself to be a sequel that’s worthy of standing next to the original masterpiece.

The Star Force Legacy Collection brings back the underrated spin-off in the best way possible. It looks and plays better than ever while also featuring a number of worthwhile bonuses both hardcore fans and newcomers alike will appreciate. There are a few remaining flaws to take into account, but seldom did these truly infringe upon the experience.

That really should be a given for a game with the phrase "Nintendo Switch 2 Edition" in its name. Unlike other games to have worn that badge so far, though, I’m thoroughly convinced that there’s enough here to justify the price of its upgrade. What I’m still unconvinced of is whether this expansion is so good that the whole Wonder package is now an $80 game. Not because I don’t love Wonder and everything it brings to the table, both in the base game and its Bellabel Park upgrade, but because I’m yet to be convinced that any game is worth $80.

It plays a treat on my system, which is far from top of the line. Kojima Productions and Nixxes are known to be masters of optimisation when it comes to porting projects like this, and it might be one of its most accomplished efforts yet. It plays and looks incredible, so much so that I’m tempted to go on this epic and emotional journey all over again.

It’s highly ambitious and one of the most intriguing triple-A games I’ve played in years, but I wish so many parts of the whole weren’t inherently flawed. Now my journey in Pywel has come to an end, I’ll be leaving this one on the shelf for a while.

Not enough time is spent with characters to sympathise with their plight, while the narrative itself discordantly jumps between several themes without committing to a singular vision. It’s not helped by a middling combat system and exploration that is too simplistic and predictable for its own good. As a queer woman, I’m delighted that games like this exist, but I can’t bring myself to ignore the fatal flaws that hold this passionate effort back from greatness.

John Carpenter’s Toxic Commando focuses on delivering a very specific pleasure. Four buddies, a towering horde of undead, and a soundtrack that sounds like it escaped from something covered in dust in your basement. It identifies that particular itch perfectly, and it leans into it with a sense of gleeful, gory enthusiasm.

The Dying World comes to us after a messy early access period, and it shows. The pacing is all over the place, and parts of the narrative feel unfinished. The finished stuff is fantastic, but the rest leaves so much potential left unexplored.