Murayama and the rest of the fine folks at Rabbit And Bear did it. They've created a masterwork. Eiyuden Chronicle: Hundred Heroes may have one foot firmly planted in the past, but make no mistake, its other foot is lunging forward into the future.

Botany Manor doesn’t expect much from you – grow some weird little plants in your own time, no rush. But through this, it delivered one of the most relaxing afternoons I’ve enjoyed in a while, wandering the halls of this gorgeous Victorian manor solving puzzles, growing flowers, and helping a woman succeed in STEM.

Life Eater humanises your victims with deft skill and crafts simple, emotional stories without once giving your sacrificial lambs a voice. I often found myself imagining my own life cut up into violent video editing software, and reassessed my own priorities as I stalked through an innocent person’s mundane existence, preparing to rip it away.

One thing’s for certain: you’ve never played a game like Harold Halibut before. You may have played cinematic narrative adventure titles before, but none offer up such a striking stop-motion style and thought-provoking narrative, especially when paired with a winning combination of mystery, heartfelt character relationships, and quirky artistic flair. You will question your own path in life and whether you’re truly happy, then leave you wondering how to find your own bluglglgl.

Broken Roads is an ode to the cRPGs of old, but it’s also a step forward for the genre, showing that the ‘90s approach still has a place today. The turn-based combat is punchy and responsive, the art style is gorgeous, and the roleplaying capabilities brought about by its revolutionary morality system lift Broken Roads out of the shadows of its inspirations and into its own spotlight.

When the game succeeds, it glows, and gameplay feels seamless and interesting. You might bang your head against it a little, but the solutions are always common sense and it feels incredible to work through something on your own. Just be warned that you probably won’t find the game’s ending particularly satisfying, but if you can look past that, One Last Breath does have something to offer.

Even if some of the boss battles and tougher platforming sections made me want to cry and the relatively short run-time had me done with Pepper’s adventure quicker than I’d like, Pepper Grinder is one of the most entertaining 2D platformers in recent memory and one that pushes its unique selling point to the limit. Pepper Grinder is drill-y good.

Despite its flaws, though, Millennia’s gameplay is compelling enough to keep me coming back. It’s better than Humankind (which I say as an unapologetic Amplitude fanboy), and on par with Old World, but it doesn’t quite dethrone Civilization. However, its introduction and implementation of new takes on genre staples puts the ball in Firaxis’ court.

You’ll end up learning a huge amount about both animals and management without even realising it as you sink deeper into one of the most engaging simulation games I’ve ever played.

Princess Peach: Showtime is a very approachable game and tries a lot of different ideas, which makes it perfect for extremely casual players or a younger audience. It's just a shame that it doesn't capture the 'kids of all ages' feeling of Mario's adventures or the aforementioned Luigi's Mansion. It's more like Yoshi's Crafted World, which makes sense as the two games were developed by Good-Feel. Though a significant step up from Super Princess Peach, Princess Peach: Showtime tries a little too much, and that means its best performances are overshadowed by discordant notes from the understudies.

It feels like nobody in Rise of the Ronin is connected to the world or its events, much in the same way most mechanics of the game don’t feel connected to each other. The game is inconsistent and unpolished. Annoying stat-crunching, a poorly handled story, and some really awful boss fights make it feel like a bad Soulslike was bolted on to something that could’ve been so much better. But its traversal mechanics, top-notch side missions, sublime open world, and the varied and likeable characters you can build relationships with all help prop up its weaker elements.

Alone in the Dark is, interestingly, a more communal game than I tend to expect from survival horror. You're frequently running into the other inhabitants of Derceto. I enjoyed talking to them, though the writing isn't especially good, but the game never really delivers on its title and all that company prevents it from ever really getting scary. This is a solid enough retread if you've played through Dead Space and the Resident Evil remakes and want more. But it won't bring many converts to the genre. We'll have to settle for being alone, together, in the dark. Which sorta defeats the entire point when you think about it.

Messy doesn’t even begin to cover the state that the Star Wars: Battlefront Classic Collection launched in, and even though updates are rolling out to make things more tolerable, the ‘improvements’ are loaded with issues that only make matters worse. This might be the worst port since the Silent Hill HD Collection, so get ready to warn away newcomers until it’s fixed.

Hi-Fi Rush’s PS5 port might not have much that makes it stand apart from its launch last year, but replaying it reminded me just how special it is and made me fall in love with it all over again. In a generation where games are constantly trying to sucker you into spending all of your time and money on one ecosystem, Hi-Fi Rush shines as an all-too-rare standalone, uncynical labour of love that deserves to be played on every platform.

The Outlast Trials is good because Outlast was good. This is a creepy horror experience with all the dashing about and horrific mutants I loved about the first one, and I’m going to find myself coming back to it more often than I care to admit. It feels like The Outlast Trials is riding the coattails of the series, using the same tricks and scares instead of effectively innovating on the formula. I had a good time, but I leave it unconvinced Red Barrels even knows what made the first game such a sleeper hit.

There is a bit of a grind to get the materials you need, but it doesn’t feel like it. You can freely explore all areas right away, though accessing the resources involves restoring the land and solving the mystery of the ancient civilization. It’s a great way to unwind at the end of a stressful day, and with the multiplayer function, you can bring friends along on the journey as well. [Early Access Score = 80]

Just like its PC and console versions, PowerWash Simulator VR is a bizarrely enthralling game. The to-the-point gameplay loop provides the perfectly formulated dopamine drip feed to keep me going longer than I ever actually plan to. It’s refined, calming, and super satisfying to see an absolutely ruined skatepark become squeaky clean. Compared to most games on the VR market, it provides an above-average level of polish and content. The biggest disclaimer I can give is that if you’re someone who wants action-packed gameplay with linear direction, you might find this game a bit underwhelming or directionless. For everyone else, it’ll have you putting power washers on your Amazon wishlist before you know it. [Meta Quest 3]

There are moments of beauty in Highwater, most of it instigated by environmental design – I loved coming across surprises and marvelling at how even after catastrophe, human beings continue to do their thing. But unfortunately, as much as I love the game’s aesthetics and very competent turn-based combat, it doesn’t have all that much to say about its complex themes, and finishing it felt like a relief.

The best part of this game, however, is that you won’t miss much by the time you complete it. You’re free to explore at your leisure, though you’ll be guided to the conclusion one way or another. How you interpret it depends on how much you’ve learned about Gilda and Keegan, and how much faith you have in their relationship. It’s a short, bittersweet story of love, devotion, and hope.

The Pirate Queen - A Forgotten Legend is an underwhelming game not worth your time. Its barebones gameplay and unmotivating storytelling failed to entertain or excite, and its disappointingly short runtime only disappointed me further. The story of Cheng Shih is a fascinating one that more people should become aware of, but this game does her legacy little justice.

As a long-time TRPG fan, Unicorn Overlord is everything I wanted it to be and more. I suspect that some people will read this review and think that it sounds tedious, but that’s the thing about games that deliver such a focused experience: they aren’t going to appeal to everyone. However, by being so specific in everything it does, Unicorn Overlord ensures that those who do “get it” will be thinking of it fondly for decades to come.

By the time I had located and freed Moomintroll, though, I had fallen in love with this version of Moominvalley, and only wished for a little more to explore, especially now that Moomintroll was free and by Snufkin’s side. Snufkin: Melody of Moominvalley is a short but sweet glimpse into the world of the Moomins, and it plays out just like one of its classic stories or TV episodes.

WWE 2K24 comes closer than ever to bucking this trend, which alone is a cause for celebration. It’s a good time, and now, for the first time in years, I can pull out a few controllers and step into the squared circle with friends without fear they’ll be lost amidst a sea of impenetrable nonsense.

Penny’s Big Breakaway might be a bit unrefined, but behind the occasional bugs and argumentative camera is one of the best momentum-based 3D platformers I’ve ever played, with unique movement mechanics that rival Sonic at his absolute best.

Brothers isn't perfect. Its blend of serious tone and incomprehensible delivery doesn't fully work, and its characters (especially a female character introduced late in the game) are more archetypes than believable people. However, the remake's improved presentation of the original's unique gameplay make it well worth experiencing. Even if, like me, you're a decade late to the party.

Ultimately, while Solium Infernum is a niche game, players that fill the niche are likely to have the time of their lives with it. If, like me, you’re the sort of board game enthusiast who can’t get your friends to try your latest purchase because you turn into a ruthless Machiavel on game night, finding some online opponents in the pits of Hell is sure to be a devilishly fun time.

Part of me wanted Rebirth to capture fleeting moments of my upbringing, but I much prefer how this story and the people behind it have grown alongside me, perceiving an opportunity to present this epic in a different light that can only be achieved with the benefit of hindsight. I have no idea where it goes now, and that just might be its greatest achievement.

Pacific Drive takes each genre it tackles in a bold new direction, and creates something that’s not necessarily unheard of, but feels entirely unique in its design, care, and the way in which it pulls you into its world. You’ll immediately begin to care for your car as you keep it safe, and exploring the Zone consistently provides new, refreshing things to keep you engaged and daunted. Though the milder aspects can feel repetitive, it adds to a worthwhile experience that is absolutely worth playing.