Call of the Mountain has wonderful elements to it, and it lands the most important part - the physical experience of climbing - perfectly. Trailers and even my own video capture don't quite convey the speed and agility you feel while scrambling. Unfortunately, other parts of the game are too thin, with the inability to wander back the way you came and the constant stop-start nature of its thin narrative working against its own appeal. With some fresh ideas, huge scope, and clever adaptation of an existing property without relying on a simple remake, Horizon Call of the Mountain is an important game for VR. However, I'm not sure it's a great one.

I have always considered the original City Building series to be some of the best games in the genre, and A New Era elevates Pharoah to modern standards spectacularly well. You’ll come for the charming style and intricate building mechanics but stay for the sheer wealth of content available, allowing you to spend hours building the Egyptian city of your dreams. I hope to see remakes of the rest of the series in the future, or maybe even a brand new ancient civilization city builder.

Blanc is nice. It’s not revolutionary, both as a single-player experience and a co-op puzzle game. However, it’s pretty and simple, and doesn’t overstay its welcome. It’s the sort of game that serves a purpose. It’s a pleasant way to spend a night in with someone else.

While the levels are varied and challenging, and the story is serviceable for the kind of game NeverAwake is, they weren’t the things that had me blasting through levels to see what was next - it was the excitement of seeing what kind of horrible beastie was waiting for me around the corner. The game excels at turning the mundane into monsters and doing so manages to set itself apart as one of the more unique shoot ‘em ups out there. Add to that some demanding but entertaining boss fights and NeverAwake is a decent (yet depressing) time for any fan of the genre.

Theatrhythm Final Bar Line is the platonic ideal of fanservice. There are plenty of people who would have been happy with a port of Curtain Call or simply bringing All-Star Carnival over to the West, so it’s a delightful surprise to see just how much effort and care has been poured into a title like this. It is endlessly charming, bursting with content, and treats its content with reverence. This is a game built with love for Final Fantasy, and that expression of love is resplendent, infectious, and mellifluous. I love this game with my entire thesaurus.

Tails: The Backbone Preludes is a beautiful game with an intriguing plot and some absolutely fantastic puzzle mechanics, but it does itself the disservice of playing second fiddle to its predecessor. It’s too brief and leaves too much unsaid to feel like a game in its own right. It’s as though it aimed too low and decided to settle for being a teaser or demo that’s made to tempt players to jump into the full story of Backbone, rather than take on a role of a fully-fledged game in its own right.

In attempting to emulate the cinematic aesthetic of many narrative-driven triple-A games, Deliver Us Mars lost a lot of what made Deliver Us The Moon work. Instead of a charming indie, we’re left with a disappointing wannabe. There’s an interesting story in here that’s able to shine through the dust occasionally, alongside some gorgeous vistas and wonderful sci-fi imagery, but if we get a third entry in the series, I hope it returns to its roots instead of trying to be something it’s not. Bigger isn’t always better.

Perish could’ve brought Hexen and Heretic’s medieval boomer shooter vibes kicking and screaming into the 21st century to the tune of howling metal riffs, topped off with a roguelite twist. However, it offers little to incentivise you to go back for replays. Every death feels like starting the whole game over from scratch, with so little changing that each run turns into a chore. The striking set-pieces, like the twisted Herculean monster, with a cage of heads for a, well… head, crumbling the moon just to beat you, are fantastic, but they’re too few and far between to justify Perish making you start from scratch and slogging through shallow mechanics to reach those exciting moments.

Even if I’m not quite ready to take Employee of the Month away from Battle for Bikini Bottom, we have the makings of something amazing here. Nickelodeon needs to recognise this potential, and sets its sights higher with the next SpongeBob game.

Dead Space is a triumphant remake that draws strength from familiarity instead of allowing its archaic origins to become a vice. This is now the definitive version of Isaac Clarke’s first chapter, one that doesn’t aim to reinvent his character, but to outfit him with a more relatable and nuanced arc that will likely set the stage for other games to come. Improved performance, a greater incentive to explore, and a crux of combat and scares combine to turn what was once a horror classic into a modern gem. Shame it’s a bit too easy, though.

Once you do find the paths you need to take, the story is over before it ever got going. The game's opening makes it feel like your character is embarking on a quest, but that journey ends after one stop. In that way, Season is structured like spring. You barely realize it's here before it's already gone.

Despite its flaws, I enjoyed my time with Forspoken. While the narrative is janky at times, the premise is compelling and the world of Athia is exceedingly well-built. The movement is where the game shines, making exploration a joy instead of a chore. The postgame is also surprisingly competent when it comes to dealing with the implications of the main story’s twists and turns, a rarity for open-world games. I didn’t know what to expect when I started playing Forspoken but I came out feeling satisfied.

Is it perfect? No most certainly not, but neither are these characters and that’s ok too. You can love this game despite its problems and think it’s extremely important even if there are aspects of it you don’t like. People are flawed, and so is this game, but we can overcome that and still allow them to affect us deeply as we move on from them.

This is the best Fire Emblem game to play ever. No exaggeration. I have not experienced all of the very early games, but I have seen enough to plant my flag for this one. But to fully experience? Way down the list. It's frustrating in the extreme - I just do not care about these characters and their plight, and even the ones where I might have, the game offers me no reason to invest whatsoever. I highly recommend Fire Emblem Engage because the gameplay and battles are stellar. Just be prepared to find yourself skipping a lot of stuff by the end.

Vengeful Guardian: Moonrider stands shoulder to shoulder with the greats, and all fans of pristinely crafted action games owe it to themselves to give it their attention.

My time with Blacktail was frustrating. Not because it was a pain to play or that the writing was awful, but because there’s a strong game buried underneath some strange design decisions and disappointing performance issues. If you have the patience to see past some pretty major flaws, then you might get some enjoyment out of Blacktail. It’s one to skip for the rest of you though, and that’s a real shame.

Still, if my only real complaint is that I wanted more, that shows just how much I enjoyed Lil Gator Game. Its unique approach to platforming and exploration, combined with its gorgeous visuals, heartfelt story, and charming characters make it one of my favourite gaming experiences of 2022.

High on Life just isn’t very good, and there’s not much more to say. I think a lot of people are taking the route of ‘well, if you love this humour you might enjoy it’, but I already do love this humour and I did not enjoy it. It’s the ghost of video games past, with boring shooting and a bafflingly slim progression loop propped up by bad jokes that feel like some bros on a podcast writing their own Interdimensional Cable skits. It’s free on Game Pass, but your time on this planet is precious. Give this one a miss.

Technical issues aside, Wavetale is a charming, chill time with beautiful visuals that’s perfect for winding down. It’s a little too simple and chill for its own good, but I still loved gliding along the sea and taking in what Strandville had to offer. If you're looking for something a little more relaxing than saving Ragnarok this Christmas, Wavetale might be the one for you.

I have a lot of conflicting feelings about Dragon Quest Treasures. It’s a perfectly serviceable game that accomplishes what it sets out to do in creating a laidback gameplay loop of treasure hunting and monster collecting, but it’s also a shallow experience that feels like too big a departure from the Dragon Quest formula. It’s missing too many things that make these games so compelling - the severe lack of monster variety being the biggest disappointment. While Treasures has high points, the low points outweigh them and leave the game a middling experience.

Darktide is built on great foundations and I enjoy playing it a lot – especially with friends. There’s a brilliant game buried deep within this Hive World, filled with exciting combat and gruesome enemies in equal measure. However, to properly enjoy those glorious moments, you have to break through the pustular skin of Darktide’s pointless upgrade systems and wade through the poisoned viscera of dull progression. I just hope that the countless obstructions in the live service elements don’t turn too many players away from the game mired underneath.

When Kukoos gives you a good gimmick to focus your platforming skill on or puts them on the back burner entirely for its main mechanics, it’s a good, gorgeous time. Unfortunately, glitches, strange difficulty spikes, and an over-focus on these pets end up holding it back from being more than a pretty face.

Final Fantasy 7: Crisis Core Reunion is an excellent remaster that evolves the original game in ways I didn’t think possible, but even that can’t take away from an experience that even in 2007 was holding itself back to satiate the platform it called home. The repetitive combat and clumsy environmental design serve to make this otherwise spectacular world feel strangely artificial, while its campy dialogue and archetypal character writing doesn’t exactly gel with the remake it serves to apply greater context to. New audiences deserve to play this game, and I’m so glad they finally get that chance, but eventual wish fulfillment doesn’t lessen the hurt of inevitable disappointment. Zack is still an adorable puppy I need to protect, though.

Beyond its unique art style, Need for Speed Unbound doesn’t do anything to reinvent the steering wheel, but it doesn’t need to. This is Need for Speed, so you know what you’re here for - fast races, cop chases, and more cars than you know what to do with. Unbound is all of that packaged in the series’ most stylish entry to date.

It's a shame that The Callisto Protocol is so uninteresting at its core. Though it looks gorgeous on the surface, a dozen hours of nothing special can have a clarifying effect. Like a monstrous two-headed enemy banging Jacob's head into the ground until it collapses, the game's tedium forces you to reckon with the fact that there just isn't much once the facade splatters away.

Marvel’s Midnight Suns won’t be for everyone. A 60-hour campaign that’s at least half made up of talking to Spider-Man about his feelings is going to turn off even some of the biggest Marvel (or at least MCU) fans, and the combat, despite its cinematic qualities, isn’t exactly God of War. But its limited appeal is also its greatest strength. In a sea of blockbuster open-world and third-person action games, it was a delight to play something so clearly driven by passion for these characters and this kind of gameplay.

The best throwback games borrow aesthetics, iconography, and mechanics from the past, and blend them with modern sensibilities. Evil West does the first part beautifully, but can’t quite pull things together for audiences today.

Gungrave Gore is repetitive, there’s no question about that, but like most arcade games – racers, sports, shmups – there can be great enjoyment to be had from something so fully of itself. Gungrave is Gungrave, and if you play it, you’ll know exactly what I mean. Whether its simplistic, repetitive nature will appeal for the price you pay is another question. Maybe wait for the inevitable discounts – or just play it on Game Pass.