Fort Solis is presented like an interactive movie, but with gameplay that detracts from the experience rather than complimenting it. The narrative tries to subvert your expectations to maintain the excitement, but despite the compelling circumstances in the beginning, the story failed to stick the landing in the end. At least the game does not overstay its welcome, clocking in at roughly four to six hours depending on if you pursue collectibles and side content.

The minimalist design gives it a distinct, futuristic style but doesn’t excite.

Despite some missteps, there is good in The Medium. If you want a decent horror story to wade through, which offers telltale signs of the classics we’ve come to know and love, then Bloober Team’s latest is just that.

I like the Tron universe. I’ve been following it since the beginning and have played quite a few games within the IP throughout the decades. Tron: Catalyst’s biggest problem is that it just doesn’t do enough to stand out in the series. The combat and look of the game are boring. The atmosphere and music are detached and out of alignment with the story. The light cycle is fun, but you’re very restrained in where you can use it. And ultimately, while the time loop makes the story and progression more interesting, that arguably worthwhile story is attached to a fairly humdrum action game wearing all of the expected components of the Tron aesthetic.

MySims Cozy Bundle is fun in the moment, and I enjoyed spending small bursts of time on building projects or gathering materials. It’s just that MySims itself is really quite bland and hardly even feels like a Sims game most of the time. MySims Kingdom might just be a fantasy repackaging of MySims, but it makes the most of the foundation EA created with the first game and is definitely the stronger of the two in this bundle.

MIO: Memories in Orbit takes place in a fascinating world, and its story is often beautiful. If there was no combat, it would be a substantially better game. But there is, and it is not. Like all Metroidvanias, MIO: Memories in Orbit asks you to imagine the Vessel as a place that was once wondrous. But I could not imagine a world where I was happy to play in its ruins, no matter how beautiful what’s left of it was.

Like the three protagonists it features, New Tales From the Borderlands is a hot mess. If you don't take the game too seriously, there's a fun, heartfelt adventure buried somewhere beneath the layers of erratic writing and misplaced humor. It's an oddball romp with a bumbling cast of characters who deserve more substance than they were given. If the original Tales From the Borderlands is ice cream, New Tales From the Borderlands is frozen yogurt. And at the end of the day, even Fran admits that frozen yogurt just isn’t as good.

While the multiplayer options are confusing, it's fun to have some friends along for the ride, even as you fight over the last remaining health orb in a massive boss battle. Hey, at least you won't have to worry about shooting the food, right?

I had a lot of hope going into Full Metal Schoolgirl. My pitch for the review was simply, “hello, I would like to play this because it looks insane.” It seemed like some fun silliness to indulge in, and when it got started, the promise of a cathartic, satirical takedown of our soon to be apocalyptic real-life labor structures had me ready for something special. Then the dreaded Loop kicked in, and I realized this was going to be several hours of grinding and unseasoned chicken-coded combat. So it goes.

The Legend of Heroes: Trails Beyond the Horizon feels like a stress test. Turns out when you introduce a dozen different plot threads across several sets of stories set in different geographical locations, bringing them all together is a massive, unwieldy task. There’s fun stuff in here between the annoying parts, like really cool special attack animations, interesting character developments, crazy monster designs, and world-shattering twists. But I wish so much time wasn’t wasted on achingly boring expository setup, non-optional side content with next to no substance, and a combat system that’s in the middle of an identity crisis. Falcom has done a lot more with a lot less in the past, and all this excess is wearing me down.

Its third-person perspective and mission design elements make it feel like a relic from fifteen years ago, though it carries modern trimmings that may please those who love unlocking cosmetics and similar items, even if those parts of the game feel weirdly disconnected from the source material.

Beyond Eyes has to be commended for expressing a complicated idea so well and in such a unique way. It's almost worth experiencing just for that aspect alone. Unfortunately, as a high-concept empathy game that overrelies on the concept, it doesn't manage to move past its own cleverness.

If you're expecting a completely stacked, feature-laden game as you've gotten in the past, you're bound to be disappointed and on the phone with EA's customer service department, wondering where the majority of your game content has gone. However, if you're an avid hockey fan, you probably won't mind hitting the ice and taking part in a well-rounded contest of hockey, and seeing what the new visuals and audio have to deliver.

For all its focus on customization, Skylanders Imaginators feels fairly paint-by-number. It makes some smart improvements, and its creation gimmick is oddly addictive despite some of its design drawbacks. Even so, this is the sixth entry in a long-running series, and it's showing its age.

The open-world aspect is one I found myself enjoying more often than not as having an entire nation to drive across was thrilling and quite memorable. On the other hand, unfair AI, an online multiplayer that is far from fair, and a spec system that kept me from wanting to experiment out of my comfort zone were just some of a few things that I felt are holding back The Crew from being the next great racing franchise.

Lara Croft's latest dungeon crawler is a decent way to pass an afternoon with a friend or two, but its limited gameplay elements and story make it little more than that.

The Last Campfire sets out what it promises to do, tell a heart-warming and tear-jerking story about life, death, and the emotions one feels when all hope seems lost. While the narrative does take a few beats to get started, the real problem lies in the overly simple puzzles that the game is built on. It’s a lovely experience that is quickly forgotten.

Madden NFL 25 isn’t a bad game, it’s just the latest mild variation of the same game I’ve been playing for the past half-decade. I’ve resigned myself to the fact that modern Madden games won’t be better than “just alright” until there’s some sort of major change in the philosophy behind how they’re developed and released, but at least I’ve got College Football to go back to.

FragPunk is launching in a strange, unbalanced state where it actively undermines its best features and doesn't quite know how to build on its own strong foundation. It's still fun, a more casual alternative to something like Valorant, but there's a definite sense that FragPunk isn't living up to its full potential. Hopefully, NetEase can work out a way to sharpen its focus in future updates and clean up the awful menus.

By the end, Deliver At All Costs reminded me of the 2000s, where a good idea wouldn't realize its full potential, but it was still good for a few hours of entertainment. This is a game that would have fit in wonderfully in that era. In that sense, this game does offer a sense of nostalgia, just like its 1950s setting.

The Evil Within 2 is a better game than the original. While I feel that no part of the game close to the excellent opening moments of the chainsaw man chase that opened the first game, the sum of those parts makes for a better overall experience. That said, I did not really fancy any of it. My aforementioned gripes and PC port issues leave me feeling indifferent towards the scattered high points. In classic horror fashion, the game ends with a hint towards another sequel. Hopefully it will try breaking new ground in gameplay systems and offer a more compelling story.

There's a lot about The Jackbox Naughty Pack that feels less like a full-blown annual release and more like an experiment. There are positives to be found here, especially when it comes to the presentation and committing to the adult theme. The art for all three games is inspired and moments like the Faker dropping trou got some good laughs. The number of games and the way the games are structured feel like Jackbox Games didn't have a lot of confidence in what it was putting forward. That's not to say this isn't fun because Fakin' It All Night Long was a good time, and Dirty Drawful had its moments. With that said, the rest of the package feels, to put a bow on the M-rated theme... flaccid.

Ryse is a decent game, given its length, but it's one that is certainly more fun to look at than it is to play.

Light Fall shows potential with its central premise and its core mechanic, but short levels, a run-of-the-mill story, and an all-too-brief campaign make it feel like there's some unrealized potential here.

Yakuza Kiwami 3 isn’t a well-reasoned, but flawed remake of an old PS2 game not easily playable anymore. It’s a meddled-with version of a PS3 game that already has an accessible PS4/PC remaster, which is being removed from sale for this. Major features are missing from the original. The story seems to have been changed in ways returning fans will take issue with, continuing a trend that’s upsetting more and more people. And to top it all off, this game (perhaps accidentally) is the tip of the spear of an effort to culturally rehabilitate a sex offender who is on the public record as going beyond “allegations.” Feels bad.

Resident Evil fans will have a serious case of déjà vu when playing The Evil Within. It offers much of the thrills and creepy environments that make the series so enticing, along with some of its frustrations.

Anger Foot has a laser-targeted feel to its approach, and I can certainly see a specific group of FPS sickos losing their minds over it. There are tons of challenge, built-in speedrunning, and lots of flashing colors. There’s enough toilet humor to decimate an underfunded transit station bathroom, too. But if you fall outside of those extremely specific (and smelly) parameters, potential interest in Anger Foot is going to plummet. I don’t see the humor being enough to encourage casual audiences to stick around, even with the ability to turn dying off. Personally, I’m happy to wash my hands, uh, literally.

Bleach Rebirth of Souls makes an excellent first impression, with cool, loud menu UI, amped-up music, and in-game action that looks fast and furious from a distance. But when you actually dive in to learn the game and experience all of its parts, the cracks show rather quickly. The mechanics feel unrefined and poorly balanced, and the story mode has a low budget vibe that betrays the new anime’s energy. Aside from impressive animations and a few distinct ideas, this isn’t the comeback Bleach fans have been hoping for over the last decade.

Despite the stark lack of context, Hello Neighbor VR: Search & Rescue has an interesting house to explore with fun environmental puzzles, an unnerving persistent threat, and an interesting dynamic between the kids all working to help each other move forward in the house by degrees. It’s just all gummed up in unreasonably janky interactions and contrivances. I’m also not thrilled that it does nothing to ease you into the game, making it an utterly confusing experience for anyone who hasn’t been on board with Hello Neighbor already. I would like to think this can be a starting point of what to do and what not to do for tinyBuild and Steel Wool Studios if they go for a VR Hello Neighbor again. The puzzle and environment design is good, but they need to put a lot more time into what makes both a comfortable and responsive VR experience.

It’d be nice if the game did more in the way of teaching you the ropes, offered different control schemes, and provided a wider array of accessibility options. In general as well, it’d be nice if the game offered more in the way of incentives, excitement, and action to keep you coming back for more, regardless of its punishing difficulty.

Deliver Us Mars is a decent narrative adventure, even with a fairly unmemorable story and some dull characters. The puzzles were simple enough and the beautiful environments were enough to make me want to keep going. Some control quirks and unpleasant character models did bog the experience down slightly, however. This game isn't bad to the point that I'd want to blast it into the sun, but it has enough quirks that it never fully reaches the stars like it should.

Paper Mario: Color Splash ruins a gorgeous art style and clever writing with an incredibly tedious combat system.

Save Koch is impressive in the weight of its narrative choices, but a little cushioning could have gone a long way in making unraveling its mystery more enticing.

A more coherent story and confident use of setting could've helped Ad Infinitum live up to its full potential. The dilapidated mansion, nightmare trenches, and horrible creatures still give it a unique identity that goes some way toward making up for the narrative shortcomings. However, I hope there's a "next time" for Hekate and Ad Infinitum and a chance for both to play into their strengths.

Kathy Rain 2 isn't bad. Its puzzle design is excellent, and Clifftop's artists made one of the best-looking pixel games around. It just doesn't live up to its full potential and plays more like a quick homage to classic genres than a well-considered mystery thriller in its own right.

It’s a decent enough arcade shooter, and if you look at it that way, the length and mood of the game make sense. However, it doesn’t make as much sense as a game with the Dark Pictures moniker. As widely varied as the quality of those games have been, they take the time to tell a story. Switchback doesn’t. It focuses on the gunplay, action, and thrills. While it does a decent enough job of that, the performance issues bring even that end down a bit. If you’re a fan of Supermassive’s brand of horror, it would be hard for me to recommend this over their other games. If you want to play something more like a modern light gun horror that makes decent use of the PS VR2’s technology, then you could do worse than Switchback, but you could also do better.

Capcom Vancouver shot for a much larger world and, in the end, that idea wound up taking away from the overall experience. In the case of Dead Rising 3, I feel like less would have been more.

As a big basketball fan and avid player of sports games, it’s hard not to have a love and hate relationship with the NBA 2K series, and NBA 2K22 is no exception. The basketball gameplay itself is as good as it’s ever been, and it genuinely feels satisfying to move the ball around, shoot, and play defense. However, modes like MyCareer are heavily bogged down by useless baggage, and a strong emphasis on microtransactions. Spotty servers mean that even the best parts of the game are often hard to enjoy. MyNBA is the only aspect of NBA 2K22 that provided a thoroughly enjoyable experience with practically nothing to complain about. NBA 2K22 gets in its own way, but there’s some genuinely great things there if you’re willing to endure it.

Despite having a lot of verbs, stats, tinkering, and codexes, Ball x Pit feels brainless. I’m just clicking on things to make numbers go up, because numbers going up is the only way I’m going to get through a level. There’s no clever strategy or hidden breakthroughs buried off the beaten path, which is weird in an action game based on pinball you can mold into turn-based combat at one point. For all the gimmicks, ideas, and mechanics Ball x Pit has up its sleeves, it’s so focused on Being a Roguelike it misses the forest for the trees and corners you with stats from the jump. While Vampire Survivors makes me sidestep my own tastes, Ball x Pit simply reinforced them.

Though Madden NFL 16 has some great ideas in the form of new modes or changes to existing systems, it feels less cohesive and finished than the franchise deserves.

Even with the challenges, there isn't a lot of replay value in Wayward Manor. Going through the experience once is plenty. By the end of it, players end up giving the house exactly what it wants. Leaving it alone to rot, empty and forgotten.

The difference between a good or bad NHL game is often tiny. For the most part, moving the experience forward in any meaningful way is enough to get me to buy in. Maybe that’s a massive improvement to gameplay and AI, or a new mode that becomes a staple of the series. These wins are often enough to make the longstanding bugs or omissions tolerable. Problems arise when what’s on offer as the year’s shiny distraction falls flat. In NHL 22, improved visuals are there but are buggy at any given moment. Superstar X-Factor Abilities are cool but alone are not enough. NHL 22 doesn’t feel like the next leap forward for video game hockey. It barely feels like meaningful DLC.

WWE 2K22 is the definition of a mixed bag. There are clearly areas where the team at Visual Concepts made positive progress with the franchise, particularly in wrestler AI and animations. Many of the marquee talents look fantastic and there is a lot to do within the game. Sadly, most of the modes are half-baked and the series is still suffering from bugs or problems it has carried for far too long. With WWE 2K22 seemingly refusing to make use of the power afforded to it by the new consoles or PCs, what do the fans who buy the game every year have to look forward to? Visual Concepts achieved its goal of surpassing WWE 2K20. The problem is that being better than awful isn’t gonna cut the mustard any longer.

What holds Way of the Hunter back is that most of it doesn’t feel fully realized or polished. Performance is an issue, bugs are an issue, accessibility is an issue and, in many cases, the quality of the game’s systems are an issue. While I suspect things will improve over time, Way of the Hunter is a long way from where my expectations lie.

Madden NFL 24 also carries over a handful of bugs and visual glitches that were present not only last Madden, but the game that came before it. Bugs like the one where both teams appear frozen on the field during the cinematic view between plays, or where the camera isn’t showing the players despite them being at the line of scrimmage. It feels like such a slap in the face to the player and makes a strong argument that this franchise is long overdue for a reckoning. The real Madden heads out there will likely find Madden NFL 24 tolerable, but as a die-hard football fan, it sucks that we’re still doomed to this annual mediocrity.

Bus Simulator 18 is not a game changer and to be honest, it’s not the most rewarding experience I’ve ever had in front of my PC. Still, it has solid driving mechanics, some detailed buses, and a gameplay loop that is strangely relaxing.

Ultimately my time with Broken Roads didn’t light up any of the parts of my brain that video games typically do on some level or another. There’s some promise at first with its distinct, all-encompassing cultural flavor. But the scenario holding up the setting only struggled to capture my interest. Combat was a similar vibe, feeling like doing chores in the middle of reading a middle of the road novel in a crowded genre. While cool on paper the morality system did more harm than good, overloading the dialogue and getting in the way of character and personality. Nothing in Broken Roads felt bad or, well, broken. But whenever I played it, unless I was chuckling at the slang translator doing something weird I was always thinking of other things I would rather be doing.

Knight Squad suffers from a couple of problems, but overall, it's good for what it is. It's a way to get friends together to slash them to ribbons and, barring that, it's a quick way to kill some time in the online space.

Deathbound, like many other Soulslike games before it, brings a few neat ideas to the table. While they are certainly nice to sample and play around with, a lot of the surrounding elements are sluggish and bland. It’s still great to see developers have a go at joining the pantheon of games in the genre, but Deathbound didn’t leave me wanting to come back for more.

Grow Home gets high points for creativity and providing a relaxing, almost meditative, experience. Except, the game is designed around a mechanic that's often more tedious than fun, and uses a robot that's prone to random spasms and collapses. Still, it's a nice distraction from action games.

Furi's beautiful art and interesting ideas are somewhat undermined by obtuse story and janky mechanics.

Getting through Satellite Reign can be a painful and slow process until you can amass enough tech, skill and firepower to repel waves of soldiers. It wants to be a game that gives you different choices, but the stealth gameplay wears thin so quickly that the game just gets boring.

Strayed Lights is ultimately frustrating because there’s a brilliant game lurking somewhere here. Upon finishing the game, I understood the story to be about conquering corruptive behavior and going on a spiritual journey inward, but it’s let down by subpar platforming and gameplay. I would even argue that the game might not have needed combat at all and could have worked better as an explorative adventure instead. Perhaps Embers might consider this for its next project.

Pokken Tournament tries its best to cater to a more casual fighting crowd, but in its efforts to do so rapidly becomes mundane after repeated playthroughs.

A great “demo” for fans of the film series who want to check out Forza Horizon 2 while also getting a dose of the film franchise they love so much. The game does a great job of giving players a taste of the Horizon 2 experience as I was able to complete the main story in approximately 3 hours.

Modern Warfare 2 cherry-picks gameplay mechanics from other genres and incorporates them into the game under the guise of innovation. The enjoyable moments of the campaign are tarnished by unnecessary limitations, technical problems, and pacing issues. While its solid gunplay, movie-quality visuals, and exceptionally acted characters are among its most redeeming qualities, the campaign relies heavily on the nostalgia of its predecessors without creating any truly iconic moments of its own. I still recall what it was like to experience the original 2009 Modern Warfare 2’s satisfying gut-punch of a finale. Unfortunately, this year’s campaign did not end on nearly as satisfying or memorable a note.

There’s a fun and challenging experience down in the depths of Below, especially in the very lowest levels. Unfortunately, the cumbersome design will turn players away and keep the game’s treasures hidden forever.

Fe's charm is in its concept and its songs, as I learned new songs with different pitches and tones, and learned to communicate with new wildlife. It also has flashes of visual brilliance, thanks to its use of soothing water color landscapes. But a humdrum story, lack of direction, and inconsistent controls didn't leave me wanting an encore.

There’s a lot of potential scattered around Agents of Mayhem but not enough of it is realized. The shooting and abilities are fun, the characters are interesting and could develop followings individually, but everything is hindered by a half-baked open world. No matter how fun the shooting is, the in-between moments are consistently a chore. If this was intended to spring a new series of games to life, the initial effort spits and sputters on the launch pad.

In an effort to adopt the stylings of other popular, open-world racers, Need For Speed: Payback presents some fun ideas with poor execution. It also misses an opportunity to elevate an NFS staple with a tacked-on, linear version of Pursuit that annoys while simultaneously reminding me of the absence of a Burnout game on the market.

Considering I’ve already written 2000 words on a game with no gameplay that lasted less than two hours, I would say I’ve probably seen enough. Did I learn anything about myself? Would I have enjoyed it more if these people were gay terminators as part of a weird government social experiment? Probably, yeah.

If you have kids interested in things like fantasy storytelling and adventure games, but titles like the recent Legend of Zelda feel like too much for them, Ravenlok is an easy suggestion. And if you’re just looking for something breezy that’s visually enticing but not much of an investment otherwise, you can do a lot worse than this. It may be a little monotonous and unambitious, but the adventure is over well before it can overstay its welcome. Ravenlok feels like a nice piece of fluff that’s polished and genre-heavy enough to be fun, but won’t address any cravings for the next big game in your stack.

Bard’s Tale IV started off on the right foot, but proved to be [a] boring installment in a franchise that probably would’ve been better off staying in the 80’s.

Star Wars: Battlefront II is a pretty good game and you’re going to get it if you’re a fan of Star Wars, no matter what anyone says. I’m just thankful that the game is an improvement over the first attempt and is incredibly fun solo, or with friends online. The loot crates diminish its value greatly, and it’s a shame EA forces them down your throat as part of the core gameplay, but the game looks gorgeous and is enjoyable to play.

At the end of the day, this is an inferior version of Left 4 Dead 2 that lacks the style, charm, gore, and engaging characters it tries to reproduce. That said, there is a decent foundation here and there are worse ways you could spend a weekend with some buddies.

As it stands now, Road to Eden feels less like a full release and more like an extended demo.

I'll say this much, if you try and play Metamorphosis as a substitute for a book report, you'll probably fail your English class. But as a game that's inspired by Kafka's classic tale, this is not bad at all. The platforming is competent, the puzzles can get creative, and the characters are often interesting. The downside is that the performance lag can't be ignored and sucks a lot of the fun out of this game. The other thing worth noting is that this is a very brief adventure. Even novices should have little trouble getting through the full story in anything more than four to five hours.

For what it is, Disney Villains: Cursed Cafe is fine. It's a simple visual novel that gives some extra flair to some tried-and-true Disney baddies. I certainly had a good chat with more than a few of them, but it wasn't something that could hold my attention for very long and was made worse if I felt like I made a mistake and had to blow another 5-10 minutes to redo the day. Some people are made for the daily grind of potionista work, but maybe I'm just not one of them.

Putting aside the weird, tone-deaf childishness of the plot setup, Grit and Valor – 1949 is occasionally an exciting little strategy game. Some of its map designs and optional objectives force you to make the most of scant resources, and for all the challenge, it's refreshingly quick and easy to make up losses when you fail. It's just frustratingly shallow in its take on roguelike structures for longer than it should be.

Every aspect of this game feels like it was made by a sadistic Dungeon Master who just never gives their friends a break. Of course I expect to die hundreds of times when playing this kind of game, but there’s gotta be something that keeps me coming back for more, that makes the challenge enticing, and I just never felt that here.

Honestly, unless you’re a big fan of Hot Wheels themselves, and derive a lot of joy from unlocking the different digitized versions of real-world toys, you can do better. Cruisin’ Blast came out the same year the first Unleashed did, and that game captured the essence of banging toy cars together in over the top racing environments perfectly. In comparison, Turbocharged is more scattershot, trying to be a Jack of All Trades and only hitting the bullseye with the IP’s aesthetic.

It's a game that doesn't have the courage to be itself, so it throws every half-baked design idea it has at you instead. Next time, Nintendo, listen to the rabbit: trust your instincts.

Thief has its hang-ups, particularly with frustrating loading times and repetitive gameplay that will have players unlocking the same doors over and over again. However, Eidos Montreal has captured the essence of stealth gameplay with their take on Thief.

At its core, Gang Beasts is a lot of fun. Between its wacky physics, creative level design, and copious amounts of character customization options, there's a lot here for groups of friends to enjoy. If the online element pulls itself together, there's enough reason to keep coming back for a few occasional matches and some new laughs. It's worth a try, because the laughs I did have while playing this have been priceless.

Admittedly, many of the flaws or problems I have with Dynasty Warriors 9 are nothing entirely new to the series. It’s just that now there’s a whole new layer of problems that have been put on top of them that make the original issues that much more apparent. For almost every aspect of the game's features that I felt were on par with the quality of past titles, there is a contradiction.

Spectre Divide’s main selling point, the Spectre mechanic, is admittedly rather cool. It’s great to get a second chance at a tactical shooter mid-round. Unfortunately, it doesn’t feel like a strong enough hook to draw players across from the other games that have solidified themselves as the leaders in the genre. Add to this the problems with match pacing, bland weapons, and laughable microtransaction prices and you’ve got a game that is unlikely to convince hardcore fans to dive in, let alone keep players around for the long run.

Multiplayer may be fun, but it plays too safe to overcome the genuinely disappointing single-player campaign.

Bambas! has style and heart, but without clearer direction or refinement, it ends up walking in circles.

King of Seas does lots of things well, from its visual presentation to the simplicity of its sailing mechanics. It touches base with many of the things that made classics out of the games that came prior while streamlining the experience into something that feels like a store-brand version of the thing I actually wanted.

The Alliance Alive is a great-looking game with an interesting premise and intriguing battle mechanics, but in the end it falters from its combat decisions.

Contra: Rogue Corps may not get high marks for reinvigorating the Contra series, nor does it innovate or do anything exceptionally well. But a game that you enjoy playing doesn't have to, and I found myself enjoying this raucous shooter more than I thought I would. It may have its own fair share of problems, but its low price and low barrier entry make it a serviceable and potentially hilarious time to be had solo or with your friends. Just drop the Contra from the title if it bothers you so much and give it a try.

Unfortunately, the pacing is slower than a triceratops wading through a tar pit. Cooler dinos and greater objective variety should keep players coming back for more, but they're unfortunately locked behind a story that's more tedious than Jurassic World and unfolds just as slowly. This is without even mentioning that cutscenes can sometimes play twice and some story instances (I'm looking at you, Magnum!) will not only play out multiple times, they'll play out with the same unskippable dialogue, the same extended loading times, and the same objectives...I just want to shoot dinosaurs, man.

The offering here is on par with just about every other mech game we’ve seen over the past few years, and while there are things that could be better, the stunning anime-style visuals and the sheer amount of customization are two things that make it shine.

The real shame of Batman: Arkham Origins is that those attempts at innovation are so clearly visible. The studios have obviously made an attempt to freshen up the series, and some changes like the boss battles are actually very successful. But those changes are fairly minor in the grander scope of the game as a whole, leaving Arkham Origins unable to escape from under its predecessors' shadows.

Madden NFL 22 is an upgrade from the last few entries in the series. The new momentum mechanic, addition of Quality/Performance Modes, and some changes to Franchise genuinely make it feel like a step forward. However, the game fails to skirt around some of the same issues that’s held it down for years. A poorly executed Face of the Franchise, and an Ultimate Team mode that’s pretty much more of the same stop the game from being the endzone celebration that it could be.

The visuals are crisp, the music is great, and there's a wide variety of things to do, but unfortunately it veers too far into freemium territory to elevate it above other, extremely similar titles.

AEW Fight Forever’s gameplay, modes, and campaign are quite a fun time, if not occasionally cheesy. Unfortunately, rough graphics, strangely limited features beyond the wrestling, and some very phoned-in commentary are just a few of the things that distract from what might otherwise be a solid competitor to WWE and its 2K series.

The Contra Anniversary Collection could have been so much more. At $19.99, it’s far from expensive, yet still feels underwhelming when judged against what Konami’s rivals are offering in similar packages.

There’s no denying there is fun to be had with WWE 2K15. Yet, its legacy issues and some questionable design choices keep it from greatness. And so, just like with the sad case of Daniel Bryan, fans will be left waiting and wondering what could have been if things had gone differently. Hopefully next year.

SolSeraph is an interesting riff on the same package ActRaiser introduced years ago, but unfortunately it doesn't go the distance when it comes to replicating the experience players had with the Super Nintendo original.

Nickelodeon All-Star Brawl simply feels like a barebones platform fighter. Combat is pretty decent, but there’s just so little surrounding it. The game’s greatest sin is how little it leans into the over-the-top zaniness that is Nickelodeon and its extensive history of memorable characters and moments. It lacks identity while being based on some of the most unique entertainment properties of the past few decades.

There is a shocking amount of things to do in Where Winds Meet. If you’re into gacha or are just okay with trying something for free that is pretty rough around the edges, Where Winds Meet does have a lot of content that can be fun to engage in, especially with friends. If you’re just looking for a solo adventure with a good story to digest and cool combat, you’ll probably be let down, as Where Winds Meet doesn’t quite hit the highs that plenty of other games do in the action RPG genre.

While Ventura Bay looks good and the game has plenty of missions and side missions to complete, the constant distractions I felt while playing it kept me away from enjoying it as much as I have previous iterations of the franchise.

Despite its sudden conclusion and its familiar gameplay, LEGO The Hobbit is a fitting adventure, adapting the films for younger and older players alike.

In any other year, Ghost Recon: Wildlands would be a fine if somewhat unremarkable open-world game. By a twist of fate, it happened to release in a very crowded season for open-world games, which may make it seem pale in comparison. Where it stands out from Zelda: Breath of the Wild and Horizon: Zero Dawn, though, is its multiplayer focus. Though I found the repetition too much, those cathartic moments of perfect planning in multiplayer are enough to warrant giving it a try, as long as you have a squad of friends to back you up.

Taking the time to farm elemental resistant accessories, equipment upgrades, and stronger skills, setting up your party loadout just so at a save point, then watching your team get ragdolled anyway all while you’re several levels above what the game says you need completely overshadows the effort put into the careful, puzzle-like design of each boss. Which is a shame, because if those fights weren’t so egregiously overtuned in such an unproductive way, the stuff actually holding up Fantasian’s systems would’ve really shined. The criticism from before clearly had an impact, but even with the adjustments there’s still moments where this game isn’t fun at all to engage with on its given terms. Even everything else, from Uematsu’s thematically apt soundtrack to the super neat diorama visuals, is hard to enjoy when your brain is bogged down by constant dread. Fantasian Neo Dimension has a distinct vibe and a lot of cool ideas, but over-commits to its idea of challenge such that it buries its own nuances under a pile of big numbers.

While Man of Medan isn’t the greatest game you’ll play this year, it does a good enough job of setting the Dark Pictures Anthology series out to sea. Unfortunately, the unevenly paced story, the out-of-tone voice lines, and the stiff animations make for a subpar experience that we will hopefully see improved in later iterations of the series.

A frustrating mess of bad design decisions, bugs, glitches, and narrative missteps. It could have been so much more, but it ends up falling flat on its face. While there are things to enjoy about it, they're few and far between -- your time is much better served replaying the original trilogy or exploring the widely available mods out there. You'll end up being much more fulfilled and feeling as though you've used your time in a productive manner.