For players who have loved or been interested in the franchise before, but who felt that the growing roster and feature set made it too unapproachable, Sun and Moon is like meeting a long-lost friend again. And for everyone else, Sun and Moon is the perfect game for understanding what makes Pokemon so popular.

For better and worse, Sun and Moon is essentially the same Pokemon experience that comes out every few years, just with enhancements to make it feel more modern.

The excellence of Dragon Quest Builders illustrates the versatility of this 30-year-old franchise as much as it speaks to the engrossing appeal of Minecraft-inspired creation. The story-advancing draw of quests goes hand-in-hand with the depth of a crafting system that cleverly uses monster drops as some of the game's building tools.

Dragon Ball Xenoverse 2 is among the best games to emerge from this beloved franchise. It looks stunning, has a solid gameplay base, and gives people who love the series a way to feel like they’re a part of this big, beautiful universe. Though it has its share of problems, I was really surprised at how much fun I had with it.

Dishonored 2 might lack challenge in its later levels, but the basic tools are a joy to play with regardless. And with two characters and two basic play styles to choose from--both of which noticeably impact the story and the world as you go--there's a lot of longevity to be wrung from the campaign. It's an incredible shame you can't restart the campaign with all your powers intact once you beat the game, but you can, at least, bring up old saves, adjust the difficulty, and see what unfolds.

Evil may be banal, but Tyranny is not. While I have some personal misgivings over how much I enjoyed such a twisted, unscrupulous game, this is a unique experience that makes you think about human nature, morality, and what role mercy and compassion should (or even could) play in a centuries-old war. It reaches beyond the standard heroic fantasy RPG where you slay monsters and save the kingdom, inverting that familiar story and setting and creating something utterly different--and somewhat depressingly realistic.

While no Call of Duty game has matched the comprehensive excellence of Call of Duty 4: Modern Warfare, the exploits of Reyes and Ethan are at least as memorable and moving as any deeds from “Soap” MacTavish and John Price during from the series' heyday.

While no Call of Duty game has matched the comprehensive excellence of Call of Duty 4: Modern Warfare, the exploits of Reyes and Ethan are at least as memorable and moving as any deeds from “Soap” MacTavish and John Price during from the series' heyday.

By venturing beyond Earth--and not just to other planets, but to space itself--Call of Duty found a canvas to produce its best story in years. It reinforces the notion that a game's narrative is only as good as its characters.

Telltale's Batman series has passed the halfway point--and, unfortunately, Episode 3 fails to raise the stakes, present a fresh take on Bruce Wayne, or take the narrative in an interesting new direction.

This is more than a treat for fans of old-school games; Owlboy is a heartfelt experience that will touch anyone with an affinity for great art and storytelling.

It's still a fundamentally unimaginative example of the genre it's aping, and completely fades out of memory the second you remember there are other fish in the sea.

While Ashes of Ariandel is ultimately a safe addition to Dark Souls III, it's convincingly satisfying; the risk of death at any moment is as likely as finding a new piece of practical gear or the discovery of an unexplored path. Just don't expect any areas as memorable as those in the main game or revelatory moments that substantially expands the lore.

What Ashes of Ariandel lacks in originality, it makes up for in cohesion with the full version of Dark Souls III.

While Ashes of Ariandel is ultimately a safe addition to Dark Souls III, it's convincingly satisfying; the risk of death at any moment is as likely as finding a new piece of practical gear or the discovery of an unexplored path. Just don't expect any areas as memorable as those in the main game or revelatory moments that substantially expands the lore.

Butcher is a living relic, a callback to the days when being gritty and macabre was a goal unto itself. But make no mistake: beneath that gruff exterior is a thoughtfully crafted game.

Unfortunately, you have to put up with a fair amount of frustration and filler before you get to enjoy the best of what World of Final Fantasy has to offer, namely charming writing and Final Fantasy fan service. If you’re willing to put up with some of the game’s mundane sequences, you’ll get some enjoyment out of it, but if you’re not a Final Fantasy fanatic, the magic in these moments may be lost altogether.

Civ 6 has a few rough edges, but they’re pushed far into the periphery by spectacular strategic depth and intricate interlocking nuances. Any frustrations I experienced were immediately eclipsed by my desire to continue playing. Just one more turn, every turn, forever.

Both in its single player campaign and its multiplayer modes, Titanfall 2 has a more measured pace than its predecessor, making the build-up to its climactic battles just as enticing as the events themselves. It's every bit as kinetic and fluid as the first Titanfall--but in many respects, it's a much better shooter.

Titanfall 2 demonstrates a vitality that its predecessor couldn't. Whereas the first Titanfall kept up its breakneck pace throughout the entirety of every match, Titanfall 2 understands that sometimes, dialing things back for a few moments can make the long run much more enjoyable. In many ways, Titanfall 2 feels like the game Respawn should have made in 2013. It's a fantastic sequel. It's a fluid shooter. It's a spectacular game.

Coincidentally, much of the game's voice cast is plucked from the Youtube comedy/gaming community, which seems oddly self-fulfilling, since the game is likely to be more enjoyable watching other people comment and play rather than actually playing it. 100t Robot Golf is an elaborate, even hilarious, joke, that rather perfunctorily has a game attached to it.

The Silver Case's unusual take on human conversations, its indecision about whether it wants to be just a visual novel or an adventure game where the player is a full participant, and its lack of focus in tying up any sort of cohesive plot, all add up to a mess of a game.

No matter how you spruce it up, however, WWE 2K17 isn't the substantial leap forward I was hoping for. The in-ring action is still serviceable, and refinements to various aspects of its combat make for a more enjoyable game than in previous years. But there are still a myriad of niggling issues holding it back, and the absence of 2K Showcase only compounds these problems.

Eagle Flight initially sounded like a kooky concept to me, but I can’t remember the last time I had this much fun playing capture-the-flag. The game has a surprising amount of depth, and it’s highly competitive as a result. There were multiple occasions when I couldn’t help but scream when an enemy eagle killed me as I was a beak’s length away from victory. And while the graphics aren’t amazing, just being able to quickly zip around Paris can be breathtaking. If you’re looking for a really fun multiplayer VR game, you should fly like an eagle.

Battlefield 1 is just an introduction to one of the deadliest world events in history, but it is an outstanding, feature-rich package in both its emotional stories and strong multiplayer.

EA DICE splendidly interprets the early 20th century as a world in technological transition while humanizing the war's participants through well crafted, albeit fictional, narrative vignettes. Combined with an enthralling multiplayer component, the overall result is the studio’s best work since Battlefield: Bad Company 2.

Battlefield 1 is just an introduction to one of the deadliest world events in history, but it is an outstanding, feature-rich package in both its emotional stories and strong multiplayer.

RIGS controls are top-notch, and aside from the grating, repetitive announcers, the arenas are colorful places that I love competing in. But the smaller details that RIGS stumbles over make it hard to justify continuing after completing an initial season. RIGS is a great showcase for how to make a VR shooter, but it's also a game that could learn from the "less is more" mantra.

Picking off enemies one-by-one with a railgun, demolishing them point-blank with a shotgun, and ripping through them with a chainsaw are just a few of the exciting moments that make it hard to put down. However, if you want to experience its action-packed highs, then disregard its groan-inducing lows and skip the cutscenes.

Its enigmatic visuals, choice-driven narrative, and provocations on morality are the driving forces that warrant multiple playthroughs, and all of those aforementioned elements combine to make Here They Lie one of the standout offerings among the PSVR's launch lineup.

With Imaginators, the Skylanders series isn't pushing any gaming boundaries, but at least it has character.

Though Mafia III's campaign contains quite a few memorable moments like that bayou shootout, they're buried under a pile of repetitive filler missions and underserved by dated gameplay, which adds little to the standard sandbox shooter formula we've seen in dozens of other games. And worse still, the game suffers technical blemishes from start to finish.

Though Mafia III's campaign contains quite a few memorable moments like that bayou shootout, they're buried under a pile of repetitive filler missions and underserved by dated gameplay, which adds little to the standard sandbox shooter formula we've seen in dozens of other games. And worse still, the game suffers technical blemishes from start to finish.

Every aspect of Mafia III's writing--from the dialogue to the mission descriptions--is excellent. The obvious care and craftsmanship that went into its narrative elements should serve as a model for all other triple-A titles. The gameplay, however, just can't live up, and repetitive missions and technical problems drag the experience down further, turning a game that could have been truly great into one that has to settle for "fair."

Even though I wanted to love Duke Nukem 3D: 20th Anniversary World Tour, if even just to dig into the nostalgia evoked by replaying a game that absorbed a lot of my spare time in 1996, the only emotion aroused was a sense of amazement at just how far shooters have come in terms of graphics, immersion, and level design in 20 years. The Duke may forever be the king, but he's the king of 1996, and his game is so set in a particular time and place that it should probably be left there.

Despite it's short campaign--you can complete everything in a little more than an hour, if you're skilled--Rez Infinite is the game to buy a PSVR for. It's hypnotic and enveloping. And it's transformative, both within itself and in the wider scheme of the experiences made possible by VR. You don't want to sleep on Rez Infinite, because with the addition of more polished visual flair and the dreamy Area X, we have a new classic for the new generation on our hands.

Sure, it could use a few more maps (and more are on the way), and its learning curve is just steep enough that it's briefly tough to see the fun on the other side, but it achieves its aims with style and flair.

Even now, playing through it one year after I originally beat it, it's hard to put down. The Siberian wilderness is just as detailed and gorgeous as it is on Xbox One, and I didn't notice many differences in the character nuances, either.

It's true to the arcade original, capitalizes on its platform of choice, and provides a fully-formed experience--which is more than you can say about some VR titles. The draconian solo play, unimpressive AI, and repetitive missions stymie the fun to an extent, but with friends, Battlezone VR successfully scratches a nostalgic itch an exciting new way.

Gears of War 4 makes the best of the franchise's multiplayer modes, but delivers a lackluster campaign in the process.

The game feels old hat, taking you through well-trod ground--albeit with a fresh coat of paint and a few new faces.

Yo-kai Watch 2 does preserve the quirky tone and charming writing that made the first game so engaging, but its lack of iteration is problematic in that there aren't enough fresh ideas to color its monotonous gameplay.

At its most imaginative, Color Splash's visual gags and thoughtful manipulation of 2D objects rival any "wow" moment from Sony's Tearaway games.

A game with really high highs and really low lows. Ocean Descent and The London Heist are great introductory VR experiences that I think everyone should try, whether they're into games or not. Their biggest downfall is that they're both really short. Scavenger Odyssey, on the other hand, just made me motion sick. Overall, its a collection of novel but insubstantial tech demos.

Thumper thrives due to the way it marries speed, simple controls, and mesmerizing atmosphere. It's far more convincing in VR, where you're enveloped in the game's space and free of distractions from the outside world, but it shouldn't be ignored by those without the appropriate hardware. Thumper, no matter how you play it, is too good to miss.

There comes a point when it feels futile to push yourself to play over and over again in the hopes that you'll somehow learn new tactics in the face of such limited options.

Rush of Blood can be completed in roughly an hour and a half, and though you can unlock a few alternate paths in a couple of levels, they generally lead to more of the same--just in a different arrangement. Rush of Blood has a disturbing flavor overall, but that alone can't save what amounts to a largely predictable experience filled with straightforward action, dumb enemies, and predictable frights.

Batman: Arkham VR is barely a game. Of all the launch titles for PlayStation VR, it's likely to be the least mechanically driven, but that doesn't mean it has no value. While playing it, I was totally enveloped in the world, and in those moments the shallow mechanics didn't matter to me. I appreciate that this is a very subjective emotional response based on my lifelong obsession with the character, but it's also a glimpse into one of the greatest promises of VR: Its ability to transport us into alien worlds and blur the lines between what is real and what isn't. To give us the opportunity to sideline our real selves and absolutely inhabit characters we've dreamed of being since childhood.

Compared to the many missteps in Sonic’s history, it’s a decent example of what the series could be in a modern context. But when measured solely on its merits as a platformer, Fire and Ice is a repetitive yet competent game that's slightly above average.

While an uninspired story and intrusive dialogue displays hold the game back from reaching its potential, what's here remains incredibly satisfying and worthwhile.

While the main game is brief, it’s plenty of fun, and bonus minigames like dodgeball add some extra charm to Tokyo Rumble. It’s a solid action game with a charming retro flavor that leverages RCR's foundation to construct both a new adventure and a different perspective on beloved game.

Blizzard has proven it can still craft an MMO experience as well as--if not better--than anyone else.

Some technical issues have migrated from this year’s PC release: characters sometimes freeze in place while the turn progresses; soldiers can take almost 10 seconds to execute commands; and cutscenes have a tendency to drop frame rates throughout campaigns. But the layered tactics, impactful meta-game, and deep character-building are all intact on PS4 and Xbox One. XCOM 2 remains a superb strategy title.

Some technical issues have migrated from this year’s PC release: characters sometimes freeze in place while the turn progresses; soldiers can take almost 10 seconds to execute commands; and cutscenes have a tendency to drop frame rates throughout campaigns. But the layered tactics, impactful meta-game, and deep character-building are all intact on PS4 and Xbox One. XCOM 2 remains a superb strategy title.

The Journey is engaging enough that it'll be interesting to see how it's developed next year, but right now, it's not the reason to buy FIFA 17. That remains a combination of still-excellent fundamental gameplay (on a par, at least, with Pro Evolution Soccer 2017's much-improved showing) and Ultimate Team, the game-above-the-game to which PES still has no serious answer. Put together with an improved Career mode and best-in-class presentation, and FIFA 17 is still out in front--even if its lead has been cut this year.

This year's FIFA, then, can be fairly summarized as one big change that doesn't quite pay off, and lots of small ones that do.

It feels timid. It feels safe. It feels like the last remaining breath before the possible sequel, as if Destiny is standing still and waiting for inspiration to arrive, rather than going out to find it.

It feels timid. It feels safe. It feels like the last remaining breath before the possible sequel, as if Destiny is standing still and waiting for inspiration to arrive, rather than going out to find it.

Despite its few drawbacks, NBA 2K17's excitement for basketball is contagious, and it's hard not to get wrapped up in it. Apart from the lacking 2KU mode and stiff recreations of commentators, the rest of the game looks great and plays even better. After finally devoting a significant amount of time to one of these games, I now see why it's such a well-regarded series, and it makes me wish that every sport got the same treatment that basketball does in NBA 2K17.

Good sequels strike a balance between reproducing familiar systems and introducing new features. Rage Burst shares many similarities with Resurrection, to the degree that you wouldn’t be blamed for mistaking the former for an expansion pack of the latter at a glance. But Rage Burst is bolstered by a beefed-up combat system and scores of stylish, powerful loot, making frequent, sometimes repetitive questing, more enjoyable than it was in Resurrection.

Online play suffers from serious connectivity issues. Wait times for opponents are lengthy, and most games I played suffered from a latency that left a full half-second between me pressing a button and my player releasing a pass or a shot--essentially unplayable in a game built on anticipation and timing. I had a good connection roughly the same number of times I was disconnected entirely; heavy lag was the standard.

Anyone expecting Telltale to continue deconstructing Bruce Wayne and his alter ego will come away from Children of Arkham unsatisfied. It effectively lays the groundwork for future events with the help of a few unexpected twists, but in leaving out meaningful detective work, it falls short of the series' first episode.

With Forza Horizon 3, Turn 10 and Playground Games affirm the series’ status as the driving game for everyone The new emphasis on off-road options isn’t at the expense of traditional races, thanks to the sheer volume of activities. All the while, Playground Games’ calculated kitchen-sink design philosophy and rich reward system persistently tempt you to explore beyond your comfort zone, whether it’s gifting your first Ariel Nomad buggy or reminding you that stunt races can impress thousands of fans. Enhancing your own brand might feel like a strange motivation to hit the road, but pulling off sick e-drifts on a mile-long series of curves makes the PR work worthwhile.

Pac-Man: Championship Edition 2 creates an exciting dynamic where ghosts are still dangerous, but the overall game is more forgiving than the original--and it’s more entertaining as a result. Arcade ports tend to be games we play in short bursts--mostly for the nostalgia factor. Pac-Man: Championship Edition 2 certainly relies on that nostalgia to a point, but it handles the classic game in a way that plays with expectations to surprise you. It’s the same game enhanced in the right directions to be make an old concept fun, innovative, and challenging all over again.

Pac-Man: Championship Edition 2 creates an exciting dynamic where ghosts are still dangerous, but the overall game is more forgiving than the original--and it’s more entertaining as a result. Arcade ports tend to be games we play in short bursts--mostly for the nostalgia factor. Pac-Man: Championship Edition 2 certainly relies on that nostalgia to a point, but it handles the classic game in a way that plays with expectations to surprise you. It’s the same game enhanced in the right directions to be make an old concept fun, innovative, and challenging all over again.

Pac-Man: Championship Edition 2 creates an exciting dynamic where ghosts are still dangerous, but the overall game is more forgiving than the original--and it’s more entertaining as a result.

Rive is demanding, but it pushes the kind of near-thoughtless play that shoot-em-ups strive to achieve. When faced with an onslaught of enemies and environmental hazards, you'll have to think fast or die. Rive also doesn't run all that long, but what's here is excellent, top-notch action, and the game delivers some of the most memorable moments in a shoot-em-up in years.

Rive is demanding, but it pushes the kind of near-thoughtless play that shoot-em-ups strive to achieve. When faced with an onslaught of enemies and environmental hazards, you'll have to think fast or die. Rive also doesn't run all that long, but what's here is excellent, top-notch action, and the game delivers some of the most memorable moments in a shoot-em-up in years.

W.M.D. is easily the best game in the Worms series in several years. It stays true to the 2D, animated roots of the ’90s games while adding enough new features to keep it feeling fresh and relevant. The relatively simple gameplay is overflowing with finesse and strategy, the presentation is fantastic, and offline or on, Worms is just incredibly fun.

W.M.D. is easily the best game in the Worms series in several years. It stays true to the 2D, animated roots of the ’90s games while adding enough new features to keep it feeling fresh and relevant. The relatively simple gameplay is overflowing with finesse and strategy, the presentation is fantastic, and offline or on, Worms is just incredibly fun.

Apocalypse is a fantastic RPG that goes above and beyond the original Shin Megami Tensei IV to become one of the shining gems of the 3DS library.

Almost 50 hours in, I finally feel like I'm playing Dragon Quest 7 proper; I have access to job classes, the main story is kicking into gear, and I've located a casino where I can try my luck at a few mini games while I continue my adventure. I'm wary after so many hours of repetitive questing and simple combat, but it's motivating to see signs of good things to come.

The resource gathering is tedious, the crafting is superficial, town management is convoluted, microtransactions are practically inescapable, and the world is unwelcoming and empty. In short: The individual components aren't enjoyable, and they don't contribute to anything bigger. There is no payoff. There is no point.

I wanted to like it more, and had it not overstayed its welcome, I would have. But in the end, like its robots, ReCore is a game with a bright soul encased in parts that are used well past their prime.

Despite the weak connective tissue that ties it all together, The Final Station leaves a positive impression. There are numerous dark and dreamy settings to discover--crumbling, dimly lit caverns, old train tunnels, vividly snowy villages, and flooded towns filled with corpses and garbage floating in water--and almost every encounter forces you to develop and execute a viable strategy, lest you shoot from the hip and end up as zombie food when your ammo runs out.

Jotun is a short game, and good players can probably plow through it in about 3 or 4 hours, but even with the ending behind me, I find myself dying to witness some images again and wanting to try different strategies. I want to hear Thora tell her tale again. Any good bedtime story that makes you want to hear it again right after it’s over is one for the ages.

Jotun is a short game, and good players can probably plow through it in about 3 or 4 hours, but even with the ending behind me, I find myself dying to witness some images again and wanting to try different strategies. I want to hear Thora tell her tale again. Any good bedtime story that makes you want to hear it again right after it’s over is one for the ages.

It rides off a lot of what NHL 16 did, and the new additions don't add anything crucial to the experience. It's still a lot of fun to trade players in Franchise, build a formidable roster in Hockey Ultimate Team, and actually play matches, but if you were hoping NHL 17 would be a significant step forward for the series, you're out of luck.

NHL 17 is a great game of hockey, but unlike last year, there isn't a standout mode or feature that makes this game substantially better than its predecessor.

Spirit of Justice takes the Ace Attorney series to new heights by treading old ground. The breadth of tools available to crack cases and the wealth of character drama keep you entangled--it's genuinely difficult to put down the 3DS in the middle of case, what with such colorful witnesses and piles of complex lies to sift through. This is courtroom drama--and the series--at its finest and most fun.

The technical problems from last year's edition are gone, replaced by a game that purrs its way around the track like a well-oiled machine. F1 2016 is a terrific racing game that’s fun to play regardless of whether you enjoy tackling a full career mode or prefer a quick five-lap race around your favorite circuit.

It introduces wrinkles that make each level feel fresh. And it weaves complex themes into its gameplay in ways that, although not subtle, are nuanced. Mother Russia Bleeds knows how to upset many expectations of the genre--I just wish it wasn't always trying to shock me.

Grow Up plays with gameplay elements that are unapologetically unwieldy. When even basic things like jumping and climbing feel clumsy, it’s difficult to get excited about playing with B.U.D., even if he elicits a laugh or two. There’s enough charm and visually rewarding exploration to make Grow Up worth a look if you can get past the control issues, but that's ultimately easier said than done.

Valley feels like a good first act. Despite obstacles that tend to abruptly kill your momentum, running and bounding through wilderness remained exciting. The world's history is so intriguing that I left wanting to know more. I didn't want the adventure to end, and like a jogger who's forced to slow down in the middle of a run, I was frustrated that Valley had to end so soon after it began.

Valley feels like a good first act. Despite obstacles that tend to abruptly kill your momentum, running and bounding through wilderness remained exciting.

Valley feels like a good first act. Despite obstacles that tend to abruptly kill your momentum, running and bounding through wilderness remained exciting. The world's history is so intriguing that I left wanting to know more. I didn't want the adventure to end, and like a jogger who's forced to slow down in the middle of a run, I was frustrated that Valley had to end so soon after it began.

Although you may feel at odds with Obduction's late-game complexity, it still feeds into an incredibly alluring world that earns intimate engagement. Its puzzles require keen observation and perseverance, and while player-made missteps can lead to mental fatigue, Obduction's commitment to keeping the onus of discovery on you means that deciphering the game’s intricate puzzles is often gratifying despite occasional frustrations along the way. Just make sure to take breaks and clear your head once in a while.

There are plenty of weighty decisions, risky maneuvers, and impactful events to consider. But they often take place in repetitive playthroughs in galaxies that don't always differentiate themselves from the next. Master of Orion shows signs of brilliance, but it's bogged down by boredom, and sometimes, the allure of the stars wanes too much to beckon us onward.

A game that warrants repeated playthroughs to see both endings and experience other relationship choices. Alone With You bears some heavy thematic overlap with recent games like SOMA, Everyone’s Gone to Rapture, and other story-centric releases that focus on the nature of what makes you human, the importance of relationships and contact, and mortality. It’s different enough to feel new despite its retro roots, delivering impactful scenes that shine thanks to a stellar script that brings its few, but emotionally charged, characters to life.

Attack on Titan may be systematically simple and has some visual issues, but I still had fun playing within its world. Well-trod musou layout aside, battling titans and swinging through the skies with futuristic military gear can be an enjoyable experience--if you can look past its glaring flaws.

Those unfamiliar with Jojo are likely to be bewildered playing Eyes of Heaven; the game pulls no punches in declaring its priorities with its thick layer of fanservice, pleasing only those who've read far into the series' three decade long run. It's an unfortunate misgiving to newcomers, but for fans, it's unequivocal bliss.

If EA Tiburon's goal with Madden 17 was to build upon the solid foundation set by the last two iterations, the studio mostly succeeded by fine tuning its production values on and off the field while also focusing on its strengths in its Ultimate Team and Franchise.

Save for the aforementioned play-calling bug and the loading times, this is the most accessible and welcoming Madden in this console generation, which is an accomplishment for a sport that can appear complicated at first glance.

Expectations for Metroid aside, Federation Force fails to make a case for itself in the end.

This is a beautiful, haunting, and memorable game, a worthy follow-up to Limbo. Its puzzles, although rarely difficult, are engaging complements to the story. The real achievement of this game, though, is the way that it crafts its narrative: detailed environments convey the bizarre world that you travel through; introspective moments are filled with minimalist sound design and just the barest touches of music; and the things you must do to complete your journey force you to confront the realities of humanity, freedom, and existence.

With plenty of opportunities available online or off, KOF 14 is a well-executed addition to the revered fighting series. Those disappointed in its new visuals may be unwilling to give it a chance, but if you remain steadfast in parsing through the multiple layers of its mechanics, you'll be rewarded with one of the most accessible, satisfying entries in the series to date.

Deus Ex: Mankind Divided refines and reinforces the defining foundations of the series. It creates challenging situations and gives players the tools and flexibility to deal with them in a multitude of ways, all within an absorbing cyberpunk world. Although not a significant departure from Human Revolution, Mankind Divided is still a uniquely fulfilling experience, one which feels rare in games today.

Despite its few faults, Deus Ex Go remains an increasingly fun, rewarding puzzle-solving experience.