It’s a clichéd line but that doesn’t stop it from being true: if you loved Moving Out then you’ll love Moving Out 2. It’s a whole lot more of the same chaotic multiplayer action you’ve come to expect. Sadly, when you get your mates around to play, you’ll likely just focus on the early levels, as the game once again loses its way and gets far too hard in the latter stages. A focus on straight-up non-stop silly fun would be much appreciated if there’s a Moving Out 3.

Atlas Fallen is at its best when you're fighting huge enemies with your carefully constructed (by trial and error) build, but when you're repeatedly fighting the same enemies, when the story falls flat, and the environments blend into one, it starts to get dull and frustrating quickly.

Legend Bowl is a fantastic retro-infused football game with a host of fan-friendly ideas that truly shows the passion of its one-man development team.

When I first heard of Stray Gods, I was intrigued. A video game musical might not totally work, but at least it would be interesting to play, I thought. How wrong I was. The concept of Stray Gods is the most interesting thing about it, but the execution is boring to the extreme. If you want a fun musical video game experience, you’re better off watching Singing in the Rain whilst repeatedly changing the volume on the remote. That way you’ll have better songs, a more enjoyable story, more interactivity, and a greater sense of player control than Stray Gods provides.

There’s a lot to love with FUGA 2, and the game is incredibly rewarding if you commit to the experience. It’s an improvement in every possible way on the original and provides an impactful and heart wrenching story with engaging gameplay throughout. If you played and loved the original game, this is an absolutely essential purchase, and even if you didn’t, this is turn-based strategy done very right. Just don’t you dare let Boron get loaded into the Soul Cannon, you monster.

Everyone has had their edgelord phase, whether they want to admit it or not. Slayers X: Terminal Aftermath: Vengance of the Slayer is an explosion and poop-joke filled journey through those memories, and I loved it. Zayn is crude, and weird, and narcissistic, and way too easy to relate to - he's a reflection of a dorky teenage past, brought to the surface via a fast, fierce, and unforgettable shooter experience.

Darkest Dungeon II is to be applauded for not resting on its laurels, instead opting to make significant changes from its predecessor. The style, challenge, and strategic brilliance remain and that is enough to make it stand out still. However, the focus on roguelike randomness and excessive grind does make this a very different experience and one that didn’t gel for me. If you have the patience to explore the rich detail of the mechanics and the stoicism to deal with the inevitable deaths and disappointments then this is a journey worth taking. Just don’t expect it to be a comfortable ride.

Remnant II is a fantastic fantasy shooter, offering a dark and enticing series of worlds to explore, loot and conquer. Whether you’re playing solo or in co-op, this is easily one of the game experiences of the year.

F1 Manager 23 evolves and grows upon the foundations of Frontier's motorsports sim, adding an accessible new Race Replay mode based on real-world events, and expanding some key options for team management. However, it's not quite there with the overall presentation, and there's some AI quirks that you need to babysit through race weekends, whether you're fighting for every point possible or hunting for championships.

Full Void is a cool little indie game that makes the most out of its influences and offers up a nice mix of puzzling and platforming within its short playtime. While it doesn’t revolutionise the genre, it is a nice throwback to cinematic platformers of old that removes many of the more frustrating elements of its predecessors. If you remember the likes of Prince of Persia fondly then you could do a lot worse than jump into the Full Void.

Exoprimal is a multiplayer shooter with bags of potential. A good round has all the thrills of Overwatch’s PvP wrapped up with the brain-massaging mayhem of Earth Defense Force or Dynasty Warriors, but it’s so slow about getting you invested that some players might simply never get there.

There's a pleasing mixture of the familiar and the new within Pikmin 4. The fresh camera view and tweaks to the gameplay make it feel more accessible, but for returning players, the focus on the Dandori ethos of planning, efficiency and adaptability provides new arenas to test your skills. Oh, and Oatchi's a real cutie too.

Thumper remains a true VR classic, and its upgrade for PSVR2 makes it the best place to experience its violent audio charms.

A Long Journey to an Uncertain End is a fun game. It's well-made, with an engaging story, relatable characters, and an immersive setting, along with plenty of LGBTQ+ representation. It's perfect if you're looking for a thoughtful and well-made space opera.

Atelier Marie Remake is simultaneously a return to form and a fresh step forward for the Atelier series. It's incredible to experience the roots of this series, and as sad as I am about the barebones storytelling, the shifted focus to time-management and calendar events gives the game an addictive farm-simulator vibe that kept me glued to it for hours. I'm excited to see how ideas from this remake come forward to inspire whatever this series has in store for us next.

There are so many expectations to live up to after delivering the first Oxenfree, but Oxenfree II charts its own course, delivering something unlike Night School Studio's previous games. It has sharper horror, more inventive storytelling, and a variety of systems to keep you engaged through hours of slow and somber small-town exploration.

Despite its simplistic setup, Kingdom Eighties will hoover up hour after hour of your time. There’s a captivating quality to its pure, focused strategy, and combined with its more narrative-driven focus Kingdom Eighties is a must-play game in 2023.

Fall of Porcupine does capture a small part of the experience of working in healthcare, and it does feel relatable in some respects. The game also explores the complexity of the relationship between people and the healthcare system, as well as the issues that are faced. The story and characters are well portrayed, with the music and artwork also being a highlight. However, there are some bugs that need medicating, along with some more concrete conclusions on some plot threads.

It’s hard to be anything but disappointed by AEW: Fight Forever. The AI is game-breaking, the roster is lacking, and online play is in the doldrums. If you are purchasing AEW: Fight Forever to play local with mates then it might be worth a look, as there is a lot of arcade fun and silliness to be had here, but for everyone else, this one is best avoided.

Crash Team Rumble is an accessible and terrifically enjoyable online platforming battler, and as more seasons of content are released, it could become a pretty essential multiplayer game. In the here and now, though, it's a bit too limited and features too little content to be anything more than throwaway fun.

Dordogne is a delight. A picturesque and poignant journey that will touch your memories and your heart in equal measure.

The Legend of Heroes: Trails into Reverie is a crossover epic over a decade in the making - and it sticks the landing so well. Longtime fans of the franchise are in for an almost overwhelming level of callbacks, story conclusions, and narrative fanservice. In-between all of that, the endless Reverie Corridor provides an addictive way to dig just as deep into the combat mechanics as the story digs into the furthest reaches of Trails lore. This is a massive ending to a massive saga, and as long as you've kept up with every entry so far, you're guaranteed to enjoy it.

If you can look past (or appreciate) the brazen clichés and huge levels of fan service, Master Detective Archives: Rain Code is a phenomenal murder mystery visual novel. The gorgeous world, wonderful characters and genuinely well-constructed mysteries combine into a thoroughly enjoyable if bizarre experience. If other similar games like Danganronpa or Ace Attorney are your bag, this is definitely worth investigating.

Storyteller is a delightfully different indie puzzler, and its accessible tale-telling is well worth settling down with for a few hours.

Synapse is a phenomenal VR game, bringing striking visuals, meaningful progression and true power fantasy together to craft a game that’s begging for one more go. It stands as an immediate must-buy for PSVR2 owners.

F1 23 is a good evolutionary step forward for the series. The returning Braking Point story mode offers an enjoyable narrative with mixed up racing challenges, while F1 World brings together solo challenges, multiplayer events and car evolution in an interesting, if not yet essential way. The most significant step forward comes with the revised car physics and handling, which can still punish your mistakes, but makes racing without assists far more accessible.

If you’re a fan of strong narrative experiences, Final Fantasy lore, breath-taking graphics and a particularly sassy Moogle, and you don’t mind a sprinkling of The Witcher, The Handmaid's Tale and the many accents of Old Blighty, then Final Fantasy XVI is the game for you. Heck, it might just be the best Final Fantasy yet.

Raiden III might be not be the most iconic entry in the original series, but the Raiden III x MIKADO MANIAX re-release deserves to be the most iconic entry in their remasters. With a load of unforgettable OST remixes tied to an addictive score-based unlockables system, this is a shmup worth coming back to time and time again.

Park Beyond is a hugely enjoyable park builder that thrives on accessibility, personality and creativity.

Aliens: Dark Descent is a fantastic Aliens game. It absolutely nails the feel of the films and brings exactly the kind of tense and thrilling strategy combat you would want. The iconic motion tracker and creature design fit perfectly with the genre and there is even an interesting narrative that introduces some new perspectives to the series. While game over can come far too swiftly at times, there is always something to draw you back in.

In its best moments, Amnesia: The Bunker joins Outlast and Alien: Isolation at the pinnacle of this style of horror, but this is a game with a split identity. Combat feels out of place and mostly ends up being a navigation tool, while I would have liked to see better use of light as a defence against the creature. The story is somewhat predictable, but Amnesia: The Bunker excels with its atmosphere and the kind of tense gameplay that will thrill genre fans.

Layers of Fear is a great example of Bloober Team’s particular brand of psychological horror. Playing through the entire series as one game makes the connections and links between the stories and characters far more evident and the end result is a real treat for horror fans. It is a very different sort of horror to the likes of Resident Evil 4 and Dead Space but is still up there as one of the best horror games of the year for me.

Diablo IV is almost shockingly refined, with an absorbing story and addictive gameplay. The shift to always online and connected play might turn some away, and the level scaling can make combat a little same-y, but on the whole, this is still Diablo at its best. It plays very well, offers tonnes of options for tailoring your character and acquiring that all important hunt for better and better loot will keep you coming back for more.

AWAY: The Survival Series had a shot at providing something a bit different, but it has a multitude of issues that hold it back. Maybe the number of bugs is supposed to be some meta commentary about the actual creatures in the game, but I doubt it.

Street Fighter 6 doesn’t need recommending to hardcore fighting fans – you all already know how incredible it is – but do I recommend it for more casual players? Street Fighter 6 has a real sense of community, welcoming all players old and new, teaching new tricks and providing something for those that just want a bit of fun. This is truly a fighting game for everyone.

Behind the glammed up modernised graphics, this is still System Shock to its core, and there were good reasons why the sequel basically rendered it obsolete. The end result is a game that still ranks as a classic, but you must accept it on its own terms. If you want to explore the history of the horror genre then this is the version to play, but you might want to bookmark a guide to avoid System Shock’s most outdated elements.

A stone cold VR classic and a game every PSVR 2 player should own. Even five years on from its original release, Beat Saber is worth every penny.

With its wonderful hand-drawn aesthetic Death or Treat looks like it should be fantastic. Never judge a video game by its visuals however, as those visual delights disguise a bland and repetitive roguelite. Death or Treat? More like Death or Trick.

The Lord of the Rings: Gollum was conceptually a game with some promise, but from what I've seen so far, it's a mediocre and messy experience that doesn't really come together into a cohesive whole. That is, of course, before coming to the bugs, the crashes and the game-breaking progression issues that make it impossible to complete at this time. Considering that I was actually looking forward to this, this one really stings.

Protodroid Delta is a fun action platformer offering fast-paced action through really well designed stages, backed up by a fantastic soundtrack.

Warhammer 40,000: Boltgun is a brisk, brutal boomer shooter and another great reason for a visit to Games Workshop’s science fiction theatre.

Planet of Lana looks and sounds as wonderful as its original reveal promised. While it doesn't redefine the adventure platformer, the adorable partnership between Lana and Mui, the gorgeous art direction and sweeping soundtrack make this well worth experiencing.

Lego 2K Drive does an incredible job of bringing Lego racing to life; it’s unashamedly creative, consistently energetic, and confidently amusing. It's the kind of game that can bring families together in front of a screen, and away from it.

Monster Menu: The Scavenger’s Cookbook is a dish that aims to bring together various ideas from dungeon-crawling JRPGs, roguelikes, and cooking games, but only a few satisfying flavours from each of those emerge. Only JRPG addicts with a trained palette will be able to find the enjoyment here to warrant digging into the entire dish.

Grindstone is a puzzle classic, and Capybara Games have ensured that its transition to PS5 is flawless.

A pleasantly stress free puzzle game with a weird story and boss battles to boot. The level editor ensures there will always be something new to tax your brain, and it's a good addition to the PSVR 2 library as well.

As if it was really in doubt, The Legend of Zelda: Tears of the Kingdom is another sublime entry in this series. It's not as thoroughly refreshing as Breath of the Wild was six years ago, but as a direct sequel, it takes the same world and manages to transform it with a new over and under world, while Link’s powerful new abilities foster ever-more creative play, and a new epic tragedy unfolds before you. As we head into the Nintendo Switch's twilight years, this is practically essential.

Arto is a great action-adventure title which makes the most of its striking visuals. If the aesthetics appeal to you then you’re in for a neat take on the genre.

OTXO puts a roguelike spin on the familiar Hotline Miami murderfest formula, but it doesn't quite nail the landing. While moment-to-moment combat is fast and flashy and unforgiving, there isn't enough care put into the roguelike structure of the experience to make new runs feel justified or exciting.

Dredge successfully balances a rather serene fishing game with something rather more dark and sinister lurking beneath the surface. Despite the spooky eyes, tentacles, and things going splash in the night, it's really quite relaxing.

Honkai: Star Rail isn't a groundbreaking experience or a massive new open-world action game, but it's still full of promise and potential as a polished, pretty, and easy-to-master RPG experience.

In its looks and execution, Showgunners does what it set out to do and creates a turn-based love letter to the 90s, updating those themes for a modern audience, while still somehow not managing to lose authenticity. It’s a job well done and I’d much like to explore this universe further in the future.

Arkane Austin should never be underestimated for putting their own spin on a genre, with Redfall offering enough surprises and memorable moments so far to set it apart from the open-world crowd. [Review in Progress]

If you are looking for another Dead Cells, another indie souls-lite-vania, then you might be disappointed by Nuclear Blaze. If, on the other hand, you are after a fast, fun, 90’s styled action adventure firefighting puzzle game, then you’ll love this game as much as I do.

Cassette Beasts is simply one of the best Pokémon-like games I’ve come across, and I’m looking forward to earning a 100% completion. With a massive end-game and modder support built in at release though, I feel like I’m going to get very sidetracked on the way there.

Star Wars Jedi: Survivor is a great continuation of Cal Kestis’ journey. The story is a little predictable and platforming could be sharper, but this is a sequel that builds on the ideas of the original and there’s real enjoyment to be had in exploring the expansive new worlds, digging into the lore and running into secret boss fights.

Whether being completely cut off from civilisation is a fantasy or a nightmare to you, Stranded: Alien Dawn includes everything from base building as hunter-gatherers, to rediscovering technology and eventually making a successful escape, or setting up a rugged military base. It's just a bit limited in terms of thematic variety, and needs a little more work on the console controls and UI, but constructs a compelling sci-fi take on the survival management sim genre.

Like the first two games, Fairy Fencer F: Refrain Chord is flawed, tonally inconsistent, and a massively repetitive grind. Re-treading this story for the third time and jump to an entirely different and less enjoyable gameplay system has made it even harder to recommend this game in spite of it's flaws. There is charm, and there are moments, and diehard Compile Heart fans might be able to push through and enjoy them, but I suspect that the people this game will truly speak to are few and far between.

For those who value a challenge, and maybe want something that feels akin to The Binding of Isaac but without the intensely creepy narrative, Beyond the Long Night is a charming roguelike with plenty of play time on offer, and lots of fun to be had.

I’m sure Wolcen could be a good isometric hack-and-slash adventure. The problem is, this console port does its utmost to hide all of Wolcen’s positive qualities with a constant barrage of crashes and performance issues, rendering a game that should be escapist fun into a frustrating slog. In time this might be worth your attention, but significant patching will be required for it to be so.

Burning Shores is exactly what you would expect, with even more of that solid Horizon gameplay wrapped around a story that initially seems quite frivolous but soon becomes very dark and uncomfortable. If you loved Horizon Forbidden West, you will love this too.

Advance Wars 1+2: Re-Boot Camp takes a strategy classic and buffs it up for a modern audience – the fact that it is so faithful to the originals only reinforces how brilliant they were in the first place. Re-Boot Camp is essential for fans of tactical warfare, and a perfect companion for Nintendo Switch; hopefully its release will rekindle interest in the series, and bring us a long overdue new entry.

Dead Island 2 does a great job of reanimating this dormant zombie-battling series, with the gore-filled combat and excessive weaponry that goes well with the oversaturated LA setting. It’s an enjoyable romp, but at the same time, ironically feels like it's playing it safe.

Hunt the Night is close to being a great Bloodbourne-inspired Souls-like, but it suffers from a midgame area that's a chore to navigate and a late game difficulty spike that goes beyond punishing and straight into sadistic. Some of this could be adjusted in updates, but as things stand, I can only recommend this title to those who really want to challenge themselves. If that sounds like you, then there is much to like.

Minecraft Legends captures the magic of Minecraft in a wholly new way. It’s chaotic, it’s creative, it’s competitive and it’s an absolute blast.

Elderand is a worthy addition to the wider Metroidvania genre and offers plenty of bang for your buck. It takes clear inspiration from the best of Castlevania and marries it to challenging combat. That being said, there isn’t anything particularly new here, and there is a lack of consistency across the level design. The result is a solid indie game offering plenty for genre fans.

The Mega Man Battle Network series was a huge part of my childhood, but now I get to appreciate these card-collection tactical RPGs from a whole new perspective. While some of these entries are mostly fun nostalgia trips, most of them hold up just as well today, and the restored content from the Patch Cards alongside the robust online functionality make this collection the definitive way to experience the series.

The Mega Man Battle Network series was a huge part of my childhood, but now I get to appreciate these card-collection tactical RPGs from a whole new perspective. While some of these entries are mostly fun nostalgia trips, most of them hold up just as well today, and the restored content from the Patch Cards alongside the robust online functionality make this collection the definitive way to experience the series.

The whole thing is a delight, and one of the more interesting takes on the deckbuilding roguelike genre I've played since Monster Train, which is apt, because it definitely takes some inspiration from that game. This is one of those games I'll be playing for months and possibly years to come, because it just feels good when you finally get a strong run going. However, the difficulty may put off some players. I recommend pushing through and fighting for those small successes, and those that do so will be rewarded by one of the best indie games of 2023 so far.

Mile High Taxi brings a huge chunk of Crazy Taxi’s frivolity to the futuristic skies, and it’s clear that solo developer Cassius John-Adams has put their heart and soul into making this a truly Crazy ride.

Fueled Up may be an Overcooked! clone but it nonetheless has some intriguing ideas that set it apart from other games in the genre. Unfortunately, the issues with pacing, poor tutorials, haphazard controls, and difficulty spikes make for an uneven experience that will not suit many players. If you’ve done Ghost Town Game’s finest to death then Fueled up might be worth a look, otherwise, forget fuelling spaceships and go fry some burgers instead.

With thoroughly inconsistent combat and painful platforming, The Crown of Wu has earned itself the unfortunate and distinctive demerit of being the worst video game based on the Journey to the West.

After a thrilling opening, Alfred Hitchcock Vertigo descends into utter farce. This awkward attempt at a narrative adventure is hampered by ridiculously long loading times, terrible animation, and awkward vocal performances. Give this one a wide birth and just go watch the film instead.

LOUD is a fun guitar arcade experience. The songs are fun to play through and are very reminiscent of a specific time for music. An initial run can be quite short but there is replay value in trying to get S ranks on songs, and unlocking higher levels.

The Murder of Sonic The Hedgehog is a simple and fun visual novel adventure that any Sonic fan can click with. Even though it's been released for April Fools, the game is well polished and offers a truly engaging experience.

The Outer Worlds is an excellent game, but the Spacer's Choice Edition remaster doesn't live up to it. Sure, it can look nicer with more prevalent reflections and changes to the lighting, but it can also be really rather dark, and performance on PS5 is far from perfect. You're better off sticking with the original release via backward compatibility.

While it paints its dystopian future in broad strokes and has some rough edges, there's a worthwhile and enjoyable tale to experience within The Last Worker.

Ravenbound is a striking Scandinavian fantasy, and one that’s often a delight to experience. However, this particular open world can often feel too empty and lifeless, relying on a player's thorough involvement in its collection of gameplay ideas to stay engaged.

As a wrestling fan, I want to create five-star classic matches, with back-and-forth action, near falls, and iconic moments, but ultimately WWE 2K23 cannot facilitate that. Messy and overly complicated controls hamper those efforts, but it’s 2K’s obsession with players winning matches that ensure this professional wrestling game misses the point entirely.

Clash: Artifacts of Chaos is an idiosyncratic adventure, managing to be jaw-droppingly beautiful, fun and often mesmerising while hanging on to some of the Souls-like genre’s most frustrating elements.

Helvetti has buckets of charm, offering delightful 2D visuals that will impress any player with ease. Unfortunately, the feathery, button-mashing combat is less appealing, whilst the uninspired rogue-like mechanics never really click.

Every Atelier Ryza entry has been the best Atelier game yet, and Atelier Ryza 3 is no exception. It's the perfect final chapter for fans of Ryza and her story, but it's also the most polished and expansive exploration of the core ideals of the franchise we've seen yet – alchemy feels natural, exploration feels natural, and combat is a delightful adrenaline rush. It's sad to see my favourite tomboy alchemist go away, but if this game is any indication, the Atelier series will only get even better from here.

Labyrinth of Galleria: The Moon Society is a game like no other. The art is incredible, and the gameplay perfectly blends simple combat with exhaustive customization. Above all else, the story is an unforgettable and unmatched journey that absolutely blew me away. This is one of NIS America's best games, and probably the best dungeon crawling RPG you'll ever play.

Tchia is clearly a labour of love as Awaceb try to bring their culture to the rest of the world and show off what it has to offer. I absolutely love that tone and feel, but the way Tchia is packaged and paced means that it is ultimately feels like less than the sum of its parts.

Trails to Azure is The Legend of Heroes at its best. With some of the most enjoyable characters, jaw-dropping events and immersive world-building of the entire franchise, it's clear why this Crossbell duology has been held in such high acclaim by fans for so long. If you've struggled for ages to find the right time to get into Legend of Heroes, your wait is over — start here with Trails from Zero and Trails to Azure.

Resident Evil 4 Remake is a more mature and darker take on Leon’s Euro Trip that constantly plays with your expectations and prior knowledge. The core narrative stays true to the original, but it's not afraid to make some significant changes, while the new gameplay flow lends itself brilliantly for repeated runs for specific challenges that I'm already planning. I'm eagerly awaiting the Mercenaries mode as the hard hitting combat should be perfect for high score chasing, but in the meantime Leon is about to have a bad day all over again.

DC Justice League Cosmic Chaos is a light hearted and comedic super hero game, with gameplay that is approachable for all. While the battling can get a bit repetitive at times the story and the charm of Happy Harbor will keep you going through to the end.

Figment 2 is a good sequel but lacks the novelty of the original. Many of the story beats and mechanics feel familiar from the original and the lower stakes take away some of the emotional impact. That said, I do appreciate a more down to earth piece of storytelling and think there is plenty of room in gaming for more of this. It's a perfectly pleasant game, but it also won't stick in the memory as well as the original.

The Dark Pictures: Switchback VR is a really solid PSVR 2 shooter with some fun uses of the headset's eye tracking and haptics, though it is sadly let down by some annoying technical hitches.

Destiny 2 is still one of the best feeling games to play, but compared to the inventive, personal story told in The Witch Queen, Lightfall is dull and totally inconsequential. What a disappointment.

I was genuinely surprised to find myself enjoying Cereza and the Lost Demon even more than I did Bayonetta 3. The laid-back exploration, the beautiful visuals, the unique control and combat scheme, and the fact that this is a fresh take on the franchise make it an altogether different experience, and one that furthers the series’ lore while ensuring it opens itself up to an all-new audience.

Dead Cells: Return to Castlevania is an immaculate love letter to one of its inspirations, but it still retains so much of its own identity and humour as you explore Dracula's castle as The Beheaded.

Playing Before Your Eyes in VR brings your even closer to embodying the life and times of Benjamin Brynn. There's some quibbles from the jump to VR, but Benny's tale remains a beautiful told story that's well worth experiencing.

If you like a very slow, difficult romp through a Hell-a-la-tattoo-parlour, Nadir's roguelike deckbuilding may be the game for you. But if you want something genuinely fun and interesting to play, you won’t find it here.

With a solid and dependable blaster-led Star Wars adventure as its basis, there's more to Tales from the Galaxy's Edge than initially meets the eye, with the most fun to be had in the side tales picked up in Seezelslak's bar. This has had a big glow up since its original Meta Quest release, but left me wanting something more consistently inventive and truly built for PSVR 2 and higher powered systems. Hopefully we'll get to see that in future.

Fatal Frame: Mask of the Lunar Eclipse doesn't set out to reinvent the franchise or radicalize what it means to be a Fatal Frame game, but with updated visuals and modernised controls, it does a great job of making an entry in the series from 2008 effortlessly feel like a modern, current-gen debut. The slow and sometimes repetitive pacing of the game will not be for everyone, and some long-winded animations and awkward loading-waits only serve to make that pacing even more of a slog, but if you have the patience for that, you're in for a solid Japanese horror experience that will keep you guessing until the credits roll.

Tales of Symphonia Remastered isn’t going to win any awards. It’s a soulless cash grab that has come with as little effort by Bandai Namco as possible. If you’re a die-hard fan, there may be something here for you, but really you’re just paying for the nostalgia hit. Those who didn’t play the original and are looking to pick up and enjoy a slice of video game history should let this one go past — there will hopefully be another iteration of this in a few years’ time and maybe they’ll put more effort into that one.

Little Witch Nobeta makes for a fun old-school action shooter. It’s just a shame that this particular witches’ brew is filled with so much unnecessary and bland garnish that serves only to dilute the taste.