The Lord of the Rings: Gollum was conceptually a game with some promise, but from what I've seen so far, it's a mediocre and messy experience that doesn't really come together into a cohesive whole. That is, of course, before coming to the bugs, the crashes and the game-breaking progression issues that make it impossible to complete at this time. Considering that I was actually looking forward to this, this one really stings.

Protodroid Delta is a fun action platformer offering fast-paced action through really well designed stages, backed up by a fantastic soundtrack.

Warhammer 40,000: Boltgun is a brisk, brutal boomer shooter and another great reason for a visit to Games Workshop’s science fiction theatre.

Planet of Lana looks and sounds as wonderful as its original reveal promised. While it doesn't redefine the adventure platformer, the adorable partnership between Lana and Mui, the gorgeous art direction and sweeping soundtrack make this well worth experiencing.

Lego 2K Drive does an incredible job of bringing Lego racing to life; it’s unashamedly creative, consistently energetic, and confidently amusing. It's the kind of game that can bring families together in front of a screen, and away from it.

Monster Menu: The Scavenger’s Cookbook is a dish that aims to bring together various ideas from dungeon-crawling JRPGs, roguelikes, and cooking games, but only a few satisfying flavours from each of those emerge. Only JRPG addicts with a trained palette will be able to find the enjoyment here to warrant digging into the entire dish.

Grindstone is a puzzle classic, and Capybara Games have ensured that its transition to PS5 is flawless.

A pleasantly stress free puzzle game with a weird story and boss battles to boot. The level editor ensures there will always be something new to tax your brain, and it's a good addition to the PSVR 2 library as well.

As if it was really in doubt, The Legend of Zelda: Tears of the Kingdom is another sublime entry in this series. It's not as thoroughly refreshing as Breath of the Wild was six years ago, but as a direct sequel, it takes the same world and manages to transform it with a new over and under world, while Link’s powerful new abilities foster ever-more creative play, and a new epic tragedy unfolds before you. As we head into the Nintendo Switch's twilight years, this is practically essential.

Arto is a great action-adventure title which makes the most of its striking visuals. If the aesthetics appeal to you then you’re in for a neat take on the genre.

OTXO puts a roguelike spin on the familiar Hotline Miami murderfest formula, but it doesn't quite nail the landing. While moment-to-moment combat is fast and flashy and unforgiving, there isn't enough care put into the roguelike structure of the experience to make new runs feel justified or exciting.

Dredge successfully balances a rather serene fishing game with something rather more dark and sinister lurking beneath the surface. Despite the spooky eyes, tentacles, and things going splash in the night, it's really quite relaxing.

Honkai: Star Rail isn't a groundbreaking experience or a massive new open-world action game, but it's still full of promise and potential as a polished, pretty, and easy-to-master RPG experience.

In its looks and execution, Showgunners does what it set out to do and creates a turn-based love letter to the 90s, updating those themes for a modern audience, while still somehow not managing to lose authenticity. It’s a job well done and I’d much like to explore this universe further in the future.

Arkane Austin should never be underestimated for putting their own spin on a genre, with Redfall offering enough surprises and memorable moments so far to set it apart from the open-world crowd. [Review in Progress]

If you are looking for another Dead Cells, another indie souls-lite-vania, then you might be disappointed by Nuclear Blaze. If, on the other hand, you are after a fast, fun, 90’s styled action adventure firefighting puzzle game, then you’ll love this game as much as I do.

Cassette Beasts is simply one of the best Pokémon-like games I’ve come across, and I’m looking forward to earning a 100% completion. With a massive end-game and modder support built in at release though, I feel like I’m going to get very sidetracked on the way there.

Star Wars Jedi: Survivor is a great continuation of Cal Kestis’ journey. The story is a little predictable and platforming could be sharper, but this is a sequel that builds on the ideas of the original and there’s real enjoyment to be had in exploring the expansive new worlds, digging into the lore and running into secret boss fights.

Whether being completely cut off from civilisation is a fantasy or a nightmare to you, Stranded: Alien Dawn includes everything from base building as hunter-gatherers, to rediscovering technology and eventually making a successful escape, or setting up a rugged military base. It's just a bit limited in terms of thematic variety, and needs a little more work on the console controls and UI, but constructs a compelling sci-fi take on the survival management sim genre.

Like the first two games, Fairy Fencer F: Refrain Chord is flawed, tonally inconsistent, and a massively repetitive grind. Re-treading this story for the third time and jump to an entirely different and less enjoyable gameplay system has made it even harder to recommend this game in spite of it's flaws. There is charm, and there are moments, and diehard Compile Heart fans might be able to push through and enjoy them, but I suspect that the people this game will truly speak to are few and far between.

For those who value a challenge, and maybe want something that feels akin to The Binding of Isaac but without the intensely creepy narrative, Beyond the Long Night is a charming roguelike with plenty of play time on offer, and lots of fun to be had.

I’m sure Wolcen could be a good isometric hack-and-slash adventure. The problem is, this console port does its utmost to hide all of Wolcen’s positive qualities with a constant barrage of crashes and performance issues, rendering a game that should be escapist fun into a frustrating slog. In time this might be worth your attention, but significant patching will be required for it to be so.

Burning Shores is exactly what you would expect, with even more of that solid Horizon gameplay wrapped around a story that initially seems quite frivolous but soon becomes very dark and uncomfortable. If you loved Horizon Forbidden West, you will love this too.

Advance Wars 1+2: Re-Boot Camp takes a strategy classic and buffs it up for a modern audience – the fact that it is so faithful to the originals only reinforces how brilliant they were in the first place. Re-Boot Camp is essential for fans of tactical warfare, and a perfect companion for Nintendo Switch; hopefully its release will rekindle interest in the series, and bring us a long overdue new entry.

Dead Island 2 does a great job of reanimating this dormant zombie-battling series, with the gore-filled combat and excessive weaponry that goes well with the oversaturated LA setting. It’s an enjoyable romp, but at the same time, ironically feels like it's playing it safe.

Hunt the Night is close to being a great Bloodbourne-inspired Souls-like, but it suffers from a midgame area that's a chore to navigate and a late game difficulty spike that goes beyond punishing and straight into sadistic. Some of this could be adjusted in updates, but as things stand, I can only recommend this title to those who really want to challenge themselves. If that sounds like you, then there is much to like.

Minecraft Legends captures the magic of Minecraft in a wholly new way. It’s chaotic, it’s creative, it’s competitive and it’s an absolute blast.

Elderand is a worthy addition to the wider Metroidvania genre and offers plenty of bang for your buck. It takes clear inspiration from the best of Castlevania and marries it to challenging combat. That being said, there isn’t anything particularly new here, and there is a lack of consistency across the level design. The result is a solid indie game offering plenty for genre fans.

The Mega Man Battle Network series was a huge part of my childhood, but now I get to appreciate these card-collection tactical RPGs from a whole new perspective. While some of these entries are mostly fun nostalgia trips, most of them hold up just as well today, and the restored content from the Patch Cards alongside the robust online functionality make this collection the definitive way to experience the series.

The Mega Man Battle Network series was a huge part of my childhood, but now I get to appreciate these card-collection tactical RPGs from a whole new perspective. While some of these entries are mostly fun nostalgia trips, most of them hold up just as well today, and the restored content from the Patch Cards alongside the robust online functionality make this collection the definitive way to experience the series.

The whole thing is a delight, and one of the more interesting takes on the deckbuilding roguelike genre I've played since Monster Train, which is apt, because it definitely takes some inspiration from that game. This is one of those games I'll be playing for months and possibly years to come, because it just feels good when you finally get a strong run going. However, the difficulty may put off some players. I recommend pushing through and fighting for those small successes, and those that do so will be rewarded by one of the best indie games of 2023 so far.

Mile High Taxi brings a huge chunk of Crazy Taxi’s frivolity to the futuristic skies, and it’s clear that solo developer Cassius John-Adams has put their heart and soul into making this a truly Crazy ride.

Fueled Up may be an Overcooked! clone but it nonetheless has some intriguing ideas that set it apart from other games in the genre. Unfortunately, the issues with pacing, poor tutorials, haphazard controls, and difficulty spikes make for an uneven experience that will not suit many players. If you’ve done Ghost Town Game’s finest to death then Fueled up might be worth a look, otherwise, forget fuelling spaceships and go fry some burgers instead.

With thoroughly inconsistent combat and painful platforming, The Crown of Wu has earned itself the unfortunate and distinctive demerit of being the worst video game based on the Journey to the West.

After a thrilling opening, Alfred Hitchcock Vertigo descends into utter farce. This awkward attempt at a narrative adventure is hampered by ridiculously long loading times, terrible animation, and awkward vocal performances. Give this one a wide birth and just go watch the film instead.

LOUD is a fun guitar arcade experience. The songs are fun to play through and are very reminiscent of a specific time for music. An initial run can be quite short but there is replay value in trying to get S ranks on songs, and unlocking higher levels.

The Murder of Sonic The Hedgehog is a simple and fun visual novel adventure that any Sonic fan can click with. Even though it's been released for April Fools, the game is well polished and offers a truly engaging experience.

The Outer Worlds is an excellent game, but the Spacer's Choice Edition remaster doesn't live up to it. Sure, it can look nicer with more prevalent reflections and changes to the lighting, but it can also be really rather dark, and performance on PS5 is far from perfect. You're better off sticking with the original release via backward compatibility.

While it paints its dystopian future in broad strokes and has some rough edges, there's a worthwhile and enjoyable tale to experience within The Last Worker.

Ravenbound is a striking Scandinavian fantasy, and one that’s often a delight to experience. However, this particular open world can often feel too empty and lifeless, relying on a player's thorough involvement in its collection of gameplay ideas to stay engaged.

As a wrestling fan, I want to create five-star classic matches, with back-and-forth action, near falls, and iconic moments, but ultimately WWE 2K23 cannot facilitate that. Messy and overly complicated controls hamper those efforts, but it’s 2K’s obsession with players winning matches that ensure this professional wrestling game misses the point entirely.

Clash: Artifacts of Chaos is an idiosyncratic adventure, managing to be jaw-droppingly beautiful, fun and often mesmerising while hanging on to some of the Souls-like genre’s most frustrating elements.

Helvetti has buckets of charm, offering delightful 2D visuals that will impress any player with ease. Unfortunately, the feathery, button-mashing combat is less appealing, whilst the uninspired rogue-like mechanics never really click.

Every Atelier Ryza entry has been the best Atelier game yet, and Atelier Ryza 3 is no exception. It's the perfect final chapter for fans of Ryza and her story, but it's also the most polished and expansive exploration of the core ideals of the franchise we've seen yet – alchemy feels natural, exploration feels natural, and combat is a delightful adrenaline rush. It's sad to see my favourite tomboy alchemist go away, but if this game is any indication, the Atelier series will only get even better from here.

Labyrinth of Galleria: The Moon Society is a game like no other. The art is incredible, and the gameplay perfectly blends simple combat with exhaustive customization. Above all else, the story is an unforgettable and unmatched journey that absolutely blew me away. This is one of NIS America's best games, and probably the best dungeon crawling RPG you'll ever play.

Tchia is clearly a labour of love as Awaceb try to bring their culture to the rest of the world and show off what it has to offer. I absolutely love that tone and feel, but the way Tchia is packaged and paced means that it is ultimately feels like less than the sum of its parts.

Trails to Azure is The Legend of Heroes at its best. With some of the most enjoyable characters, jaw-dropping events and immersive world-building of the entire franchise, it's clear why this Crossbell duology has been held in such high acclaim by fans for so long. If you've struggled for ages to find the right time to get into Legend of Heroes, your wait is over — start here with Trails from Zero and Trails to Azure.

Resident Evil 4 Remake is a more mature and darker take on Leon’s Euro Trip that constantly plays with your expectations and prior knowledge. The core narrative stays true to the original, but it's not afraid to make some significant changes, while the new gameplay flow lends itself brilliantly for repeated runs for specific challenges that I'm already planning. I'm eagerly awaiting the Mercenaries mode as the hard hitting combat should be perfect for high score chasing, but in the meantime Leon is about to have a bad day all over again.

DC Justice League Cosmic Chaos is a light hearted and comedic super hero game, with gameplay that is approachable for all. While the battling can get a bit repetitive at times the story and the charm of Happy Harbor will keep you going through to the end.

Figment 2 is a good sequel but lacks the novelty of the original. Many of the story beats and mechanics feel familiar from the original and the lower stakes take away some of the emotional impact. That said, I do appreciate a more down to earth piece of storytelling and think there is plenty of room in gaming for more of this. It's a perfectly pleasant game, but it also won't stick in the memory as well as the original.

The Dark Pictures: Switchback VR is a really solid PSVR 2 shooter with some fun uses of the headset's eye tracking and haptics, though it is sadly let down by some annoying technical hitches.

Destiny 2 is still one of the best feeling games to play, but compared to the inventive, personal story told in The Witch Queen, Lightfall is dull and totally inconsequential. What a disappointment.

I was genuinely surprised to find myself enjoying Cereza and the Lost Demon even more than I did Bayonetta 3. The laid-back exploration, the beautiful visuals, the unique control and combat scheme, and the fact that this is a fresh take on the franchise make it an altogether different experience, and one that furthers the series’ lore while ensuring it opens itself up to an all-new audience.

Dead Cells: Return to Castlevania is an immaculate love letter to one of its inspirations, but it still retains so much of its own identity and humour as you explore Dracula's castle as The Beheaded.

Playing Before Your Eyes in VR brings your even closer to embodying the life and times of Benjamin Brynn. There's some quibbles from the jump to VR, but Benny's tale remains a beautiful told story that's well worth experiencing.

If you like a very slow, difficult romp through a Hell-a-la-tattoo-parlour, Nadir's roguelike deckbuilding may be the game for you. But if you want something genuinely fun and interesting to play, you won’t find it here.

With a solid and dependable blaster-led Star Wars adventure as its basis, there's more to Tales from the Galaxy's Edge than initially meets the eye, with the most fun to be had in the side tales picked up in Seezelslak's bar. This has had a big glow up since its original Meta Quest release, but left me wanting something more consistently inventive and truly built for PSVR 2 and higher powered systems. Hopefully we'll get to see that in future.

Fatal Frame: Mask of the Lunar Eclipse doesn't set out to reinvent the franchise or radicalize what it means to be a Fatal Frame game, but with updated visuals and modernised controls, it does a great job of making an entry in the series from 2008 effortlessly feel like a modern, current-gen debut. The slow and sometimes repetitive pacing of the game will not be for everyone, and some long-winded animations and awkward loading-waits only serve to make that pacing even more of a slog, but if you have the patience for that, you're in for a solid Japanese horror experience that will keep you guessing until the credits roll.

Tales of Symphonia Remastered isn’t going to win any awards. It’s a soulless cash grab that has come with as little effort by Bandai Namco as possible. If you’re a die-hard fan, there may be something here for you, but really you’re just paying for the nostalgia hit. Those who didn’t play the original and are looking to pick up and enjoy a slice of video game history should let this one go past — there will hopefully be another iteration of this in a few years’ time and maybe they’ll put more effort into that one.

Little Witch Nobeta makes for a fun old-school action shooter. It’s just a shame that this particular witches’ brew is filled with so much unnecessary and bland garnish that serves only to dilute the taste.

Wo Long: Fallen Dynasty is nearly always a rush to play, and even when you're getting pummelled, it still feels as though you could overcome the fight if you just learned the attack patterns a little better, or maybe just summoned some more help.

Scars Above is a great addition to the library of single player adventures and it tells an engaging sci-fi story that interrogates ideas of genetic manipulation, free will, and sacrifice. While it loses momentum a little towards the end, it serves as a fantastic advertisement for smaller budget games and is well worth picking up.

Demeo is a fun and accessible digital board game, evoking games like HeroQuest with its turn-based dungeon-crawling. In VR it's a pleasingly tactile experience that's great to share with co-op friends, but if you need or prefer to play on a TV screen? Well that's still good too.

Cosmonious High makes being the new kid in class feel truly special. It's not quite as universal as the "robots do human things" humour of Job Simulator, but never gives up on being positive, from the alien character designs, to the vibrant colour palette, and the sandbox of simple puzzles and powers to use. It's just missing that half step of complexity as a VR experience.

If Blood Bowl 3 does one thing right, it’s that it really makes me appreciate that Blood Bowl 2 exists, which right now is a far superior game in all aspects. For now, save your money and wait to see if this one gets any better.

The Last Clockwinder is a delightfully charming puzzle game suitable for all ages. With almost unlimited solutions to the puzzles and no time limits it's rather relaxing. It may not have the wow factor of some the other games in the PSVR 2 launch line up, but it's well worth a look.

Atomic Heart is a bit of a surprise. It's not perfect and the open world is an unneeded dilution, but when you're in the story missions it's always entertaining, despite occasionally dragging things out a little. It can be a bit strange, but it's the self aware kind of strange that can be a bit charming. And the robots are pretty great.

Leaning on the power of PS5, Kayak VR: Mirage is filled with wonderful locations to visit around the world and explore with paddle in hand. It looks stunning and makes for a great way to demo PSVR 2 or VR in general, but personally, I was left wanting something a little more.

Nobody said being a giant tentacle monster was easy, but Tentacular’s mix of physics puzzles and quirky story and setting does make it rather fun.

Theatrhythm Final Bar Line is a labor of love that is worthy of loving back - it's game packed to the brim with iconic songs, unforgettable characters, and fun excuses to revisit and collect them all. Accessibility options, versatile difficulty levels, and simple yet addicting multiplayer help make a great package even greater. Any Final Fantasy fan owes it to themselves to dive into this game and take a musical trip down memory lane.

Like A Dragon: Ishin is a really fun spin off for this long-running series. Many of the big characters from the mainline Yakuza games, bar some of the newer games, are recast as new ones but none of the impact is lost. Edo Period Kyo is a great city to explore with plenty to offer players, and the combat styles are really fun to experiment with, even if Brawler is a bit wasted. The long wait for a Western release has been worth it.

Octopath Traveler II manages to improve on almost every aspect of its predecessor, whether they needed it or not. The exploration is deeper with more nooks and crannies to nose your way through. The combat is far more intricate, giving greater options to build your party and skillset, and a large degree of player choice. The visuals are absolutely beautiful, and the sound design is phenomenal once again. Honestly, Octopath Traveler II has basically negated the need to play the first title, and I cannot think of higher praise.

With a positively batty sense of humour, What The Bat? is a thoroughly daft VR successor to What The Golf? and the best baseball game I've played in years – also the only baseball game I've played.

Wild Hearts has proved to be an immense surprise. It navigates the line between well-worn ground and exciting new innovation immensely well. It’s the best non-Capcom hunting game we’ve ever had, and a hugely enjoyable action RPG in its own right.

Horizon Call of the Mountain is an ideal showcase for what PlayStation VR 2 can do. Stunning PS5-powered vistas and a great blend of intuitive climbing and combat make this a must-play game for anyone picking up the next generation headset.

Despite its clear and comprehensive flaws, Wanted: Dead is still weirdly likeable, and will undoubtedly find a similarly strange and unique fanbase to worship at its feet.

Metroid Prime Remastered is fantastic. We’re just a couple hours in, but it’s every bit as good as I remember it being, without the disappointment that can so often be felt from revisiting a childhood favourite.

A few tweaks to a shooter from 2007 aren't going to covert anyone in to a schmup fan, but for those who already are, Raiden IV x Mikado offers a lot.

We Were Here Forever certainly grew on us the more we played, with some great brain-teasing puzzles that really make the most of the split player perspectives (though we did give up on the walkie-talkies).

The sights and sounds alone make Hogwarts Legacy the dream Harry Potter game fans have been longing for. There’s an intriguing mystery to unravel, though you’re bound to spend most of your time exploring a wealth of side content, visiting virtual landmarks and roleplaying as a Hogwarts student. That said, it’s more successful in being a sandbox teeming with nostalgia rather than a stand-out action RPG in its own right, let down by gameplay foibles and spellcasting combat that quickly slides into repetition.

Hi-Fi Rush is an utterly beguiling new take on rhythm-action, combining some of this generation’s most impressive visuals with music and mayhem.

Deliver Us Mars is another engaging science fiction tale with something to say about our modern world. This message is wrapped in a more personal story this time around, that’s bolder in how it tells it, and mixes it well with broader action and puzzling, so it’s just a shame that the game can’t match that ambition with some technical weaknesses even on the latest consoles.

Jurassic World Aftermath Collection brings the tense experience to Switch mostly intact, but the Quest version - and the upcoming PSVR2 port - remains the best way to play.

SpongeBob SquarePants: The Cosmic Shake is a decent 3D platformer filled with all the SpongeBob humour you'd expect, but it feels like a step back when compared to the far more imaginative Battle for Bikini Bottom: Reheydrated. The lack of alternate characters or costume abilities really hurt it, as does the very linear level design, so while there’s still fun to be had but I was left with a general feeling of disappointment.

Season: A letter to the future is a melancholic and touching ode to the things we leave behind, while the world continues on regardless. It’s beautiful, and those of an inquisitive nature should step into its world to create memories of their own.

EA Motive have done incredible work with the Dead Space remake to bring a horror classic up to date, injecting true horror back into the genre alongside considered changes and expansions to the original story. It’s hands down one of the best remakes ever made, and it’s like playing Dead Space for the first time all over again. Welcome back, Isaac.

OmegaBot is a solid side-scrolling action platformer, but it lacks that certain something to really stand out. The platforming is decent, but could be better especially when using weapons as a jump assist, while boss design leant too far in the direction of bullet sponges.

Neptunia: Sisters VS Sisters has some fun ideas and absolutely beautiful visuals, but with an incredibly flawed combat system that fails to learn from its predecessors, we're ultimately left with another clunky spinoff that fails to move the needle for the franchise. There's so much room for exploring new, exciting, and impactful ideas in the world of Neptunia, but Neptunia: Sisters VS Sisters is adamant in taking another step sideways rather than pushing the series forward.

Forspoken was once one of the big reveals for the PS5 in 2020, but aside from using the SSD for open world magical parkour and the ultra quick fast travel, it is difficult to really see how it takes advantage of the latest console generation. The world of Athia looks good, and the combat is full of flashy magic, but there's no major side quests to divert from repetitive activities and a predictable main story.

A Space for the Unbound is a wonderful and intensely emotional experience. If you’re interested in dark psychological scenes mixed with day to day life and appealing anime inspired visuals, you’ll be extremely happy.

Monster Hunter Rise remains one of the best action-RPGs of recent years, and the PS5 release is a perfect example of what should be going into this kind of port.

Fire Emblem Engage balances the series' past and its future, offering a renewed focus on the tactical gameplay, an endearing cast of old and new faces, and the best visuals the franchise has ever seen.

Unusual Findings is a good point and click adventure that will appeal to fans of the genre and nostalgia addicts alike. It doesn’t do anything to reinvent the wheel, though, and does suffer from the occasional moment of obscurity or needing to talk to every character again to discover a new line of dialogue. If the style and setting appeal, though, then there is a lot to love here, not least the pixel art and liberal use of pop classic ‘You Spin Me Round (Like a Record)’.

Lone Ruin is a solid roguelike twin-stick shooter, though this style and form has been done better elsewhere. There's a decent challenge and some replayability to be found as you repeatedly venture into the ruined city, but its brevity and lack of narrative drive fall short of the genre's greats.

One Piece Odyssey is the ultimate adventure for a diehard One Piece fan. It's touching to be able to revisit the people and places making up some of the series most iconic story arcs in a way that feels rich and immersive rather than skimmed-through and streamlined. Some quirks in the overworld exploration and a few combat design flaws might make this a but of an unpolished RPG on paper, but if you've spent the last two decades with Luffy and his crew, then the shine and charm of One Piece Odyssey is undeniable.

Path of the Midnight Sun is well worth a look if you’re a fan of turn-based JRPGs. If you enjoyed the old Final Fantasy and Fire Emblem games, then there's a high chance that you'll love this.

Crisis Core Final Fantasy VII Reunion is essential gaming for Final Fantasy fans — not only because it brings a much beloved game into the modern day, but also because Zack was heavily teased ahead of the next instalment of the Final Fantasy 7 Remake trilogy.

Blacktail is a beautiful adventure steeped in Slavic dark fantasy, though this setting sometimes sits at odds with its pan-Atlantic voice acting and script.