That’s really the case with the entire Breakers Collection, though. It’s bare bones because there’s not a lot to the Breakers games. They’re mostly fine-fighting games with some balance issues, which stood out on the Neo Geo in the 90s but struggle to do so in 2023 on modern platforms. The new content helps but isn’t enough to make a collection that is barely a collection appealing. I’m glad to see them get a home release because I’m for keeping all games accessible, but they’re not titles I expect to return to regularly, and I expect most fighting game fans will feel the same.

It’s been hard to hide my disappointment with The Callisto Protocol throughout this review. While the game has the same creative forces behind Dead Space, and many of the features are retconned into the game, it’s not quite lived up to my expectations. The game strikes me as a conglomerate of ideas, like a novel approach to dodging, a similar but different storyline, tough combat borrowed from challenging games like Dark Souls, packed into a beautifully presented game. But here’s the thing: all of these ideas sound great in isolation. But the execution here in The Callisto Protocol makes for an inferior gaming experience compared to other titles.

Despite a slow start and some persistent technical issues that are inexcusable, Syberia: The World Before is a fantastic narrative adventure that continues the series in spectacular fashion, and does Benoit Sokal’s legacy proud. It’s not clear where Syberia as a series goes from here now that the Sokal is sadly no longer around to steer the ship, but I have full faith after playing Syberia: The World Before that Microids is more than capable of continuing to deliver more incredible tales in this universe.

Despite presentation that leaves something to be desired, Marvel’s Midnight Suns packs a ton of interesting strategy into its adventure, and smart writing around the edges helps to offset a main story that feels quite generic. Midnight Suns might be a flawed game in some ways, but I also couldn’t put it down, and it’s the rare game that made me truly want to run around collecting everything. Anyone who loves strategy games or Marvel should absolutely check it out.

Perhaps it’s time I stopped rewarding 2K every year for simply putting out another game. While I still have fun with the same modes I’ve been playing for twenty years, I don’t need a new version of this game to do so, and neither do you. The core gameplay is still very good, albeit stuck several years in the past, but everything around it is awful. The modes I still enjoy feel like they’re buried further in the menus every year. It feels like the only way to enjoy NBA 2K23 in a nonexploitive way is to avoid all the parts of it that its creators want you to play. I don’t see this strange dynamic ending soon, so players will continue to have to decide if being the only basketball game around is enough reason to pick it up each year.

Even with flaws, and a few too many mechanics for me to truly get lost in, I had a surprising amount of fun with The Knight Witch. I wouldn’t have thought that a bullet hell SHMUP could fit so smoothly into a Metroidvania, but that aspect of the game worked for me. While its story and characters didn’t connect as strongly as I’d have liked, it has enough personality that players looking for an interesting take on the genre should consider it.

Even though This Way Madness Lies doesn’t break the mold of other titles by Zeboyd Games, I still very much enjoyed it. It’s a well-paced, classically-styled RPG with great music, attractive artwork, and hilarious storytelling. If you’re in the mood for a short but sweet RPG and don’t mind playing on PC, I’d absolutely check this out.

Goodbye World is an important game development story for gamers and developers alike. It has interesting characters, fantastic art design, and pacing that kept me engrossed in the narrative from start to finish. Unfortunately, its game within a game will polarize players, who will either love its retro-inspired platforming or loathe its stop-go positioning within the story. Goodbye World is a must-play experience for the story alone, so if you find yourself with an hour or two to kill and $12 to spare, Goodbye World says “hi!”

The Excavation of Hob’s Barrow was a pleasant surprise for me — a fantastic game in its own right, but one whose story doesn’t deserve to end here. I absolutely need a book, film, or TV adaptation of this story, and the great thing is you wouldn’t have to change much for it to be ready for consumption in other media. Although I did find myself struggling to make sense of the ending, I suspect a second playthrough is all I’d need to clear up any questions I still have. The Excavation of Hob’s Barrow is truly a pixel art masterpiece — one that definitely deserves a deep dig.

If you enjoyed Fatshark’s previous projects on Vermintide and its sequel, or you’re just an overall Warhammer 40K fan, then you will feel right at home with Darktide. As long as you can dig past the rough state the game is in right now with unfinished content and performance issues, then there’s truly an addictive and satisfying cooperative horde shooter lying underneath all those corpses.

The Forest Quartet will get you into the swing of things. While I do wish The Forest Quartet would’ve pushed itself just a bit farther in the gameplay department, and the whole experience winds up on the criminally short side, it doesn’t fail to impress with what is there. With likeable and interesting characters, a soft but smooth graphical design, and a superbly soulful soundtrack, this is a short but sweet tale well worth saving for that rainy afternoon when you need a little comfort game.

River City Girls 2 does a lot right. With fantastic presentation, an incredibly exciting soundtrack, and tons of creativity and variety, all of the elements are here for a classic beat ‘em up. Poor performance, though, really brings the experience down, being an almost constant thorn in your side. It’s by no means unplayable, and I still had a fair amount of fun along the way, but this feels like a game that wasn’t ready to release yet. Hopefully, after a few patches, we’ll be talking about it being the great game it could be, but for now, know what you’re getting yourself into.

Kukoos: Lost Pets may look simple, but its puzzle elements provide some perplexing moments that’ll satisfy veterans for a weekend and newcomers for much, much longer. If you’re looking for something that’s cute on the surface but a little more complex in its core, the island of Kukoos: Lost Pets beckons.

Front Mission 1st: Remake often feels old but that’s no huge surprise. It is after all an old game. It released nearly 28 years ago. That it still mostly holds up as an excellent strategy RPG with an excellent story, interesting customization, and strategic combat, is impressive. While it may fall a bit short of what we’d hope for in a true remake, it remains a strong game worth the time of fans of the genre.

Despite some strange choices around online play and a story that failed to grab my interest, however, I had a great time with The Rumble Fish 2. It’s easy to pick up and play with fast-paced fights that are exactly what I look for in a fighting game. With interesting mechanics and a varied cast of interesting fighters, fans of the genre should absolutely give this throwback a shot.

Square Enix and Tose have done a phenomenal job bringing Zack’s origin story to life again after being buried away for so long. Crisis Core: Final Fantasy VII Reunion is everything fans want and expect it to be, with rehauled graphics, improved gameplay mechanics, a new arranged soundtrack, and fully voiced dialogue. If you somehow missed your chance to play this back on the PlayStation Portable back in 2007, then this is the definitive way to experience one of the best prequel stories. It feels like a nostalgic dream to be able to step into the shoes of Zack Fair once again, and I can’t wait to see what’s in store in Final Fantasy VII Rebirth.

At times the story of Alfred Hitchcock’s Vertigo can be interesting, but it never fully comes together. Succeeding neither as an homage to a great director’s work or on its own terms, it might be better served if it didn’t have the expectations its name provides, but that wouldn’t make it a great game. There are simply better adventure games more worth your time available this year.

Like the older but wiser cast of characters, the puzzling gameplay has matured, taxing your wits, but not your patience, never leaving you so bogged down with frustration that you can’t enjoy the comedy. Some gaming franchises age like milk, some age like wine, but Return to Monkey Island has aged like the finest bottle o’ rum.

While playing EDENGATE: The Edge of Life has plenty of issues, I still enjoyed my couple of hours with it. Mia is an interesting protagonist, the atmosphere is strong, and it doesn’t overstay its welcome. This is a case where a game being short plays to its advantage. Considering the game’s low price, I’d recommend anyone interested in it give it a try.

RWBY: Arrowfell is the definition of a mixed bag. Rewarding and fast-paced exploration does provide some satisfaction, but the combat, which makes up the majority of the game, fails to impress through the awkward way in which character progression has been implemented. If you’re willing to overlook that, then RWBY: Arrowfell serves as a perfectly fine distraction that I feel does just enough right with its narrative, presentation, and exploration to make it worth a look for action platformer fans.

Shadows Over Loathing may be part of the Loathing franchise and reflect that silly yet deep gameplay we’ve come to know and love, but there’s something deeper to this world that we’ve yet to uncover. Although there’s plenty of laughs to be had here, there’s a bit more of a serious vibe to the third installment with some Lovecraftian overtones; it’s best to go into this one with a sense of curiosity instead of just waiting to be entertained.

When it’s firing on all cylinders, the weird and wonderful world of Heidelberg 1693 provides an exhilarating challenge that evokes the glory days of the genre, all punctuated by fantastic and imaginative boss design. If you’re willing to look past the frustrations that present themselves at times in the form of uneven balancing, then Heidelberg 1693 will provide a few hours of horrendous fun that genre fans will lap up.

I spent a lot of my time with Sonic Frontiers having a ton of fun, even if there were just as many moments where I was frustrated and ready to be done with it. This isn’t a great game, but it’s one that should satisfy Sonic fans desperate for an interesting game starring their favorite blue blur, and for the first time in a long time, it feels like the series may have a sense of direction. There’s still work to be done to make it more than that, but this is a big step in the right direction.

Even with those gripes, however, there is nothing here that would stop me from recommending Sophstar to shmup fans. It takes a familiar genre, nails the fundamentals, and then builds upon those with unrivaled ship variety and its teleportation mechanic that is so core to the experience and blows the genre wide open to the extent that I’m not sure I want to ever play another shmup that doesn’t have this feature. If you’re not put off by the lack of progression and are up for the immense challenge presented by Sophstar, then I would encourage you to not let this little gem pass you by.

It’s without a doubt that Romancing SaGa -Minstrel Song- Remastered comes with very little hand-holding and a steep learning curve that may be off-putting in today’s limelight. However, its unique approach to non-linear gameplay and storytelling, in addition to its impeccable art direction and soundtrack, combine to create an exceptional adventure. 

Tactics Ogre: Reborn makes some changes to a classic, which meet with mixed success. Qualify of life changes like rewind and simplified class changes are very welcome, but the newly balanced battle system slows down battles that already felt on the slow side. Don’t be mistaken, though, the core game here is still one of the better strategy RPGs of its era, and it holds up in 2022. If you’re a fan of the genre and haven’t gotten the chance to check it out in the past, there’s no need to wait. Pick up Tactics Ogre: Reborn and get ready to lose fifty hours of your life.

Despite a few rough edges in terms of stage design and enemy variety, Evil West is a must-own experience for fans of the character action game genre. With a deep and engaging combat system, a meaty campaign, and a killer sense of style, it’ll leave you glued to your controller until the credits roll. If you’re a fan of Flying Wild Hogs’ brand of gory, in-your-face action, Evil West is a non-stop thrill ride through the freaky frontier that you won’t want to miss.

I don’t have too many complaints about The Witch’s House MV. Yes, the game is short, and sure, the story is lacking. But when this game is on point, it’s really on point. The Witch’s House MV expertly utilizes its creepy atmosphere, unsettling sound effects, and delightful jump scares to ensure at least a few moments of increased adrenaline. While I wish the game was longer, there is a decent amount of replayability, with the newly added difficulty mode offering different puzzle solutions and an ending you’ll definitely want to obtain. For such a short and simple game, it was certainly a memorable experience.

I’ve never been a big fan of games that require you to invest huge amounts of time before they get good. Our time is valuable and while Mount & Blade II: Bannerlord does eventually get good, the uninteresting grind along the way and lifeless world didn’t do much to pull me back. Fans of the series will still have a great time and if you are willing to invest your time you’ll definitely be rewarded for it, but its frustrating to see so much potential for an even better game left unrealized.

McPixel 3 is an intensely fast and fun time. It’s that point and click adventure game that us 80s/90s kids would have talked about on the playground alongside Mortal Kombat, swapping stories about potential fatalities and gags to discover and giggling at the crude humor. I’m struggling to think of who this game wouldn’t appeal to — a labor of love that just about anyone will find interesting (or at least funny). If you’re ready to save the day — or die, die again trying — the titular hero in McPixel 3 could certainly use the help (before he explodes… again).

Super Woden GP pretty much delivered everything I wanted from it. An addictive gameplay hook, fantastic track design, and a simple yet challenging-to-master handling system all contribute to a retro racing experience that delivers fun in spades, all while looking stunning in action. The difficulty wall that the early hours present may be off putting to some and it is undoubtedly frustrating early on, but those that battle through it will find one of the most charming and rewarding racing experiences that Nintendo’s hybrid has to offer.

Games like I Was a Teenage Exocolonist are few and far between. The aesthetics are stunning, featuring eye-popping colors and gorgeous music. The story is intense, keeping you on the edge of your seat for hours on end. And the replayability factor is massive, with at least two playthroughs required for optimal understanding of the world and its inhabitants. I fell in love with every last character, their strengths and flaws often making them endearing — or, in the very least, human. If you want to live a multitude of lifetimes exploring a whole new world each and every time, I Was a Teenage Exocolonist invites you to become part of theirs.

I don’t know what happened with Crossroads Inn. I don’t know why, in the 3 years that have passed since the original release on PC, Crossroads Inn is still a confusing, buggy mess. I don’t know who thought Crossroads Inn was ready for the extremely small Switch screen in its current state. I typically pride myself in being a reviewer that can see the positive in any game and find the audience a title was made for, but when it comes to Crossroads Inn, I find I’m at a loss. If you must get this game, try it out on PC first to get a better feel for the controls and UI; if you only have a Switch, I can’t in good conscience recommend this game to you.

Valkyrie Elysium could have been something great, with its excellent narrative backdrop built on the basis of Norse mythology. As per usual with Square Enix titles, the art direction and soundtrack are outstanding and leave me wanting more. The fast, fluid, and satisfying combat system is what carries an otherwise mediocre title bogged down by washed out visuals and uninspired level design.

Despite its issues, Somerville manages to offer a mostly enjoyable experience. The family bond forged in an opening scene, which is easily the highlight of Somerville, simply works and drove me through the game. I wanted to figure out what happened to my character’s family and see them together again, and that kept me going through a relatively short game. 

I didn’t realize how much I needed a game like Doraemon Story of Seasons: Friends of the Great Kingdom until I started playing it. The gorgeous watercolor visuals, soothing soundtrack, relaxing gameplay, and loveable cast of characters makes it an easy game to keep coming back to. If you need a break from brutal dungeon crawlers and difficult deck builders like I did, or if you just need something peaceful to float away with, I couldn’t recommend Doraemon Story of Seasons: Friends of the Great Kingdom more.

If you’re a fan of classic 2D adventures, Astlibra Revision offers a retro-inspired quest worth undertaking, and I am genuinely glad that this review crossed my desk because, without it, it would have very likely evaded my attention. Do yourself a favor, and do not let that outcome happen to you.

I really tried to enjoy Depths of Sanity. It’s a unique take on the Metroidvania genre, and it introduces some neat ideas. Sadly the execution of those ideas were held back by the awkward and consistently problematic controls themselves. As a result, even though the game has really great atmosphere and interesting concepts, most fans of the genre will likely lose patience incredibly quickly.

Pentiment is one of the most interesting games I’ve played in 2022, going far beyond even what most RPGs can manage when it comes to player choice and consequence. Between its setting, its graphical style, and its fantastic story, Pentiment demands your attention.

I played Gungrave G.O.R.E with zero knowledge of the franchise, and I reckon that is for the better. I would be infinitely more disappointed going into this game as a diehard fan of the series and seeing what a disservice G.O.R.E does to the Gungrave name. It’s astonishing to see Iggymob charging $50 for a low-budget, niche game riddled with unoriginal gameplay, multiple soft-locks, atrocious level design, and laughable voice acting.

Supermassive Games successfully concludes the first season of The Dark Pictures Anthology on a thundering note. Powerful performances from a diverse cast of characters and an extremely interesting premise based off of real-life serial killer H.H. Holmes allows The Devil In Me to outshine its predecessors in just about every way.

Ultimately Sea Horizon was a very solid and enjoyable experience. While the quite steep difficulty and dual-component RNG can be tricky to deal with, and may push some gamers away, this is sure to appeal to hardcore fans of the deckbuilding genre. If you’re looking for something challenging and unique, I’d give Sea Horizon a shot.

The team at Digital Eclipse has done some of their finest work with Atari 50: The Anniversary Celebration. Creating a compilation that could quite easily be translated into a museum exhibit, they’ve set a new standard for the presentation of retro collections, one I hope future collections will follow.

Few games released in 2022, or any year for that matter, are as well designed and made as God of War Ragnarök. While it doesn’t completely move beyond its predecessor, it eventually offers enough fresh content to stand apart, and additional variety helps make it the stronger game of the two, even if it’s perhaps a bit less focused. A beautifully told story that carries the themes of the prior game while allowing Atreus to stand on his own kept my interest until the very end. If you didn’t care for 2018’s God of War, then Ragnarök won’t change your mind, but everyone else should absolutely check it out.

While The Entropy Centre sticks very close to its Portal-esque roots, the well-crafted puzzles work perfectly with its simple but effective time travel mechanic. There are some sections where too many enemies can be an annoying distraction from the puzzling, but these are forgivable because the temporal manipulation powers provide such unique challenges. Time is our most precious resource, but it’s well worth spending it here.

Harvestella is hard to readily recommend to the farming simulator crowd, but for those who miss PS2-era JRPGs/dungeon-crawlers, this is not a game you’ll want to pass up. Everything here feels comfortable but fresh, like a beloved, clearly worn jacket tailored to current measurements. Its streamlined approach to farming allows players to focus on a rich story set in an even richer world, featuring exploration and combat mechanics that actually make you want to stick around in the dungeons for hours. If you’re looking for a JRPG/farming sim that doesn’t compromise on story or beauty but allows you to turn your brain “off” after a long day, Harvestella is ripe for picking.

There’s little incentive for fans that already have a copy of another version to purchase the PlayStation 5 port again. But this is an absolute must-play for anyone seeking an adventure. It’s wonderful to see so many players across different platforms being able to enjoy Nihon Falcom’s magnum opus.

While I went into 41 Hours fully expecting a single A experience, I struggled to find 41 minutes of enjoyment out of my review playthrough. I honestly don’t see any quick, feasible ways to fix 41 Hours either, as there isn’t much here that isn’t a mess. Between the game’s unnaturally accurate and overpowered enemies, graphics would barely be noteworthy on an Xbox 360, and a plot does little to spurn interest, I can’t help but feel this one came out of the oven 41 months too early.

The amateur-hour writing and uneven combat are just too difficult to overlook, especially considering just how stuffed the genre is with competing titles that do just about everything The Last Oricru does, only better. Sure there is fun to be hand in exploring Wanderia and its intricate level design, but every “wow” moment is typically followed by a facepalm, as Silver says something that is tonally deaf or falls to yet another attack that should have had no business hitting him. If you’re after another slice of Soulslike action in 2022, then your $40 can absolutely be spent better elsewhere, with The Last Oricru serving as little more than a pale imitation that struggles to even nail the Soulslike fundamentals.

There’s a lot more to Bayonetta 3 than there was to the series’ prior titles. A lot of it works really well, offering a game that’s far larger in scale while still nailing the core action the series is known for. While the lack of focus may stop it from being quite as strong a total package as its predecessor, the high points here are as good as the series has ever been.

I can’t hide my disappointment with The Chant. I had a real hankering for a supernatural game this year, after getting some hands-on time at Gamescom. Instead, I’ve been left with questions about what this game could have been. It could’ve usurped Until Dawn, one of the best recent examples of a supernatural horror game, but with a more intriguing and deeper plot. It could’ve been a new fascinating way to approach and manage combat situations with three meters that operate together in harmony, giving you complex gameplay decisions to tackle alongside challenging combat. It could’ve been a new campy horror game, a guilty pleasure, similar to some of those dreadful TV shows I named at the start. But unfortunately, it’s neither of these things. Instead, you’re left with a story that feels incomplete and lacking depth. You’re left with combat that lacks any sort of meaningful challenge. And ultimately, you’ll be left like me: very, very salty.

While it would be awesome if someone would come along and dethrone Shatter from being the King of the Brick-Breaking genre, the way it once did to games like Arkanoid, for now, it’s still the best this genre has to offer, and it’s great to see it become available on modern platforms. While its upgrades are mostly aesthetic, beneath them, Shatter Remastered Deluxe still somehow feels as immediate as it did thirteen years ago.

Kaichu – The Kaiju Dating Sim reinforces what makes the genre delightful. Its ingenuity is perfect for those who love looking through their Steam queue and finding a ridiculous-sounding title to sink a few hours into, and the price pretty much seals the deal. Although this casual, wholesome experience swings very, very far into the “casual” side of things, it is still a good time, especially for those who seek novelty. If you’re ready to look for love in all the tall places, Kaichu – The Kaiju Dating Sim has a gigantic pink protagonist who gives monster hugs and kisses.

Absolute Tactics: Daughters of Mercy is a solid entry-level tactical RPG that just needs…more. More enemies, more level variety, and a more compelling story. Newcomers to the genre will find a lot to like here; experts, your mileage may vary.

Star Ocean: The Divine Force admittedly has a number of issues. A poor interface, a main story that isn’t all that interesting, and certain character designs that just look bad. For me, however, its strengths more than overcame those issues, with a truly charming cast of characters, intense and enjoyable combat, and a novel twist in D.U.M.A. who makes moving around both in and out of combat a joy. It won’t be for everyone, but fans of the series or genre who have spent years waiting for a Star Ocean game worth their time will find this is exactly the sort of B game they don’t make enough of anymore.

Vampire Survivors is simple in so many ways. The graphics are basic, with many of the earlier versions’ assets taken straight from other games and asset packs, but they have a look that reminds players of a beloved series and simply work. Gameplay is literally just moving a character around with some planning along the way. Yet somehow, it’s one of the most addicting games of 2022, the one I most consistently come back to, and one of my favorites of the year. If you have a spare thirty minutes now and then, absolutely check it out.

It’s hard to recommend this de-mastered port of Alan Wake on the Nintendo Switch due to how inconsistent the frame rates are and how downgraded and blurry the graphics are. Considering this title is readily available and cheaper on so many different platforms, you are far better off enjoying this classic third-person horror shooter on a PC, PlayStation, or Xbox. If the Switch is your only option or you value portability, then I guess this version is somewhat viable, but just keep your expectations in line. At least it’s not a Cloud port, right?

As a love letter to classic PS1 survival horror games, Signalis comes in crystal clear. Its core gameplay loop is tense and immensely satisfying, and the atmosphere and enemy designs make excellent use of the pixellated graphical style. While some errant hit detection and occasionally obtuse puzzles try to muddle this signal, this is one broadcast worth receiving.

With its numerous endings to uncover and pixel-perfect production values, Faith is one of the most unique and exciting games I’ve played in years. And now that the trilogy is available in one gloriously gory package, there’s never been a better time to take up the cross and see what all the shrieking incantations are about. Faith: The Unholy Trinity is a masterpiece in minimalist horror that no fan of the genre should miss.

No game is perfect, but A Plague Tale: Requiem is everything I could have asked for in a sequel. It refines and improves on all of the issues I had with Innocence, creating a game that doesn’t feel all that different, but simply feels far better. Instead of reinventing the wheel, the team at Asobo Studio evolved it instead, making a far better version of an already good game with a refined version of the same formula. Anyone who remotely enjoyed the original needs to check it out.

LEGO Bricktales cleverly combines familiar LEGO construction play patterns with an all-new exploratory experience. Although the exploration segments feel a bit too aged-down for this tired millennial’s tastes, the construction is delightfully challenging and exactly what I would have hoped to see in a LEGO game. If you want great LEGO prompts and don’t mind extremely linear (yet still charming) storytelling or are a literal child, LEGO Bricktales is here to unlock your wildest imaginations.

It’s no doubt that the future of Deadlink is looking very promising, as Gruby Entertainment has laid out a solid foundation for a fantastic rogue-like. The only downside to all this is the content, or lack thereof, as there are only two levels to play through. The developers have stated that the next major update is slated for December 2022 so here’s to hoping for a fleshed out road map leading to a 1.0 launch. If you’re a fan of Doom Eternal mixed with Hades, drenched with a cyberpunk skin, then you will for sure love Deadlink.

As upset as I am about the censorship thing, I still can’t help but love everything that’s going on overall. The Chaos;Head Noah/Chaos;Child Double Pack is an enthralling, terrifying, and occasionally humorous double-dose of Science Adventure goodness. You’ve got to take the bad with bad with the good, and trust me when I say the good outweighs the bad by a considerable amount in this case.

While Serial Cleaners isn’t without its issues, this macabre mop-’em-up has its moments, but only the most patient custodians of carnage will likely want to see it through to the end. The writing is fantastic, and the characters all bring something new and exciting to the table with their various talents. If you enjoyed the original game and can look beyond the grime and viscera that occasionally gunk up the experience, you might just find Serial Cleaners to be a dirty job worth undertaking. It’s not much, but it’s honest work.

Potionomics is bubbling over with personality — in fact, this may just be the most charming game I’ve played all year. It has so many elements blended beautifully together that would make many different types of gamers happy. With some UI tweaks to highlight critical information to players when its desperately needed, Potionomics will undoubtedly receive even more positive attention than it’s already getting (which is saying something). If you think you have what it takes to be the very best potioneer that ever was, Potionomics is ready to soul-bound itself to you.

Almost everything that’s currently present in Them’s Fightin’ Herds is excellent, with the exception of a few platforming sections in the story mode. The issue is that even two years after initially releasing on PC, it still doesn’t feel like a completed game, nor have the developers been clear about when that will change. If what’s here sounds like enough for you, though, or you’re a big My Little Pony fan, you should absolutely give Them’s Fightin’ Herds a chance.

There are some truly fun moments in Gotham Knights. Playing with a friend highlights the very best of what the developers set out to do, and I enjoyed both the story and getting to see Gotham’s protectors outside of Batman grab the spotlight. If the developers had built Gotham Knights around its strengths, it could have been an easy recommendation. As is, you spend so much time in its bland open world that only those who plan to explore it with friends should seriously consider it.

I was hoping for something special with Undungeon, but sadly was utterly disappointed. This is an example of a game where less could have been so much more. It overburdens players with overly complex systems that weren’t intuitive or fun. Granted, it has stellar artwork and a cool premise, but that’s not nearly enough to fix what’s already broken. Despite tinyBuild’s recent track record of publishing high quality games, this is one I absolutely cannot recommend.

Triangle Strategy is another resounding success by Square Enix in its quest to bring turn-based pixel art masterpieces into the realm of modern gaming. Its bigger mechanics force players to make tactical decisions on and off the battlefield, while its more nuanced ones give players a sense of joy in discovery at even the smallest turn. Each of Triangle Strategy’s components are elegantly refined down to the smallest detail, but when blended, make for a slightly, yet strangely, imbalanced experience. If you don’t mind a tactics game that focuses more on story with battles largely used to further exposition, Triangle Strategy is an absolute must-play.

Minor issues aside, Lost Eidolons is a truly impressive tactical RPG. It has solid and easy-to-grasp mechanics and manages to differentiate itself thanks to the weapon swapping and realistic visual style. While there’s still some room for improvement and some minor issues that require fixing, I can wholeheartedly recommend this to any fans of the genre. Here’s hoping this talented new team has many more exciting adventures to share in the future.

Session: Skate Sim is a game of two halves at the moment. It presents a daunting, yet rewarding challenge that genuinely tries to move the genre forward through its dedication to being an authentic sim, but at the same time lacks the character and anarchy that the genre and skateboarding, in general, are synonymous with. Add onto that a healthy serving of jank and bugs, and Session: Skate Sim becomes a hard sell. However, if you can look past its flaws and are down for a challenge, it’s worth giving a shot as the innovations it does present are worth experiencing, and the highs you will receive from mastering the complex controls are unlike anything else the genre has to offer.

Sure, Super Alloy Ranger isn’t breaking the mold of 2D action platformers, but Alloy Mushroom manages to perfectly capture the essence of what made old-school classics feel, look, and play great. Not to mention how affordable and humble the asking price is at $9.99. There’s a ton of replayability here, with two characters to play and master, secrets and collectables to find, and plenty of stages to perfect. If you’re a fan of Mega Man games or someone who appreciates gorgeous pixel art, this is a no-brainer purchase for you.

At its core, PGA Tour 2K23 is the excellent golf game I’ve been missing in recent years. A new three-click swing system opens the game up for players who didn’t care for the analog swinging of old. I’ll be playing way too many hours of this one in the months to come, even if the series could still use some work on its presentation and a bit more variety.

With so many options to customize your team and strategic battles that feel better than ever, Mario + Rabbids Sparks of Hope is exactly what a sequel is supposed to be, building on the foundation the first game laid down while not being afraid to shake things up. A general lack of polish feels wrong in a game starring Mario, but beyond those issues lies a fantastic strategy title for all ages.

While I do think there was room for some additional quality of life features here, and it sometimes gets a bit too clever for its own good, The Case of the Golden Idol took me back to my childhood, reminding me of the puzzles I once loved while putting its own spin on things that would only work in a video game. This idol might be cursed, but you should still take a chance on it.

Cultic is an astonishing achievement for a one man studio. It has the creepy, sinister atmosphere of the finest horror titles, packed with the cathartic carnage of the best FPS games. It’s an odyssey into the heart of darkness, with the path blasted open by dynamite. Far more than just a worthy spiritual successor to Blood, Cultic is a descent into pure madness that you won’t want to miss.

Asterigos: Curse of the Stars is a triumph, a title of such confidence and quality that it feels like the work of a veteran studio, rather than a studio trying its hand at the genre for the first time. With a truly flexible combat system, an engaging and deep narrative, and a gorgeous visual style that makes the most of its Greek and Roman inspirations, Asterigos: Curse of the Stars easily overcomes any minor criticisms that can be raised against the slightly lacking level design and quality of life issues.

I really was hoping to fall in love with Criminal Dissidia, but as it is now it feels woefully incomplete. Though it does feature attractive artwork, tons of cards to use and a metric ton of Steam achievements, it nevertheless was held back by poor translation, confusing combat mechanics and inconsistent difficulty. Fans of rogue-likes and deck builders might enjoy the game more, but even then it’s a hard title to recommend unless the developer makes a lot of quality of life improvements.

If you have people to play it with, SpiderHeck is an absolute must-play and a game you should be checking out right now. Even for solo players, though, I think there’s enough to keep you entertained for the . For me, SpiderHeck is the surprise of 2022 and is so good that I can overlook the arachnids crawling around in it.

Offers a lot of options which are much appreciated, but with the gameplay and story being weak, it’s a hard game to really engage with. Taking leveling up and growing your characters out of a tactical RPG is an interesting idea, and might work if the core of the game were stronger, but as it is, it robs the game of any sort of progression and makes it all run together. If you really want a game like this, you can play with others. It might be worth a try, but most players should look elsewhere for their tactical thrills.

Some games are only going to appeal to a very specific audience. That’s great, I’m all for niche games, and SuperPower 3 should have been one of those titles. With the number of issues, it has, though, including systems that simply don’t seem to work, performance problems, and a complete lack of direction, it’s hard to see even the players who it should be for getting much enjoyment out of it.

Lost in Play doesn’t reinvent the wheel, but it does refine it into something that directly speaks to our inner child. Its juxtaposition of simple point and click storytelling and challenging mini-games makes for a fantastic balance sure to keep things interesting. If you’re ready to explore every corner of your imagination (and then some), Lost in Play is all you’ll need to get started.

Tunic is intuitive gameplay at its finest, requiring you to figure things out as you go. You’ll either sink, or you’ll swim, and though I sank far more often than I swam, I still couldn’t get enough of this game. If you need a little Dark Souls with your Zelda, this is one of those games that you don’t want to pass up.

Prodeus is self-consciously an old-school shooter, and it does a good job in replicating the frenetic, explosive gunplay and oppressive atmosphere of classic 90’s FPS titles like Doom and Quake. Sadly, beyond some interesting aesthetics, it doesn’t really stake out much of an identity of its own. The lack of any real story, worldbuilding or unique gameplay mechanics stops Prodeus short of being something really special. Still, if you’d like a game where you can switch off your brain and just exercise your trigger finger, Prodeus provides a great world to blast your way through.

Overwatch 2 probably didn’t need to be billed as a full sequel or have a number put at the end of its name. It offers more changes than the average update, but billing it as a major update to the game would have been more honest. Still, marketing is marketing and doesn’t change that there are a lot of changes here that will make Overwatch fans who haven’t played in some time want to jump back in and see what all the fuss is about. Overwatch 2 remains a fantastic shooter, and now that you can play for free, any Switch player in need of a great multiplayer shooter should absolutely check it out.

Svoboda 1945: Liberation unabashedly airs its country’s scars and sins alike to sincerely ask players the ultimate question: is all history worth preserving? Whichever you decide, you’ll be left feeling like you’ve neglected an open wound still festering, either to stand painfully in perpetuity or to serve as an all but forgotten foundation.

Despite its flaws, No More Heroes III is a worthwhile addition to the series. With the performance issues that distracted on Switch now a thing of the past, and the best combat that the series has produced to date, No More Heroes III is capable of providing an overload of gorgeous, chaotic fun. With combat this good, it's a shame that the rest of the package feels so woefully outdated at times. By relying so heavily on past gimmicks and humor, No More Heroes III becomes a recommendation for die-hard fans only, rather than something that could have had a more widespread appeal had some more efforts been made to modernize the experience.

Despite the supposed horror theme, My Sticker Book has such an adorable, cute drawing style as well as the music background that sounds like the nostalgic tones from a toy music box. From art to music, My Sticker Book really reminds me of that feeling of childhood innocence. Fans of Gloomy Bear’s cute and creepy aesthetic would certainly appreciate the art style in this game too. Play My Sticker Book and get in touch with your inner child.

While at times the repetition inherent in its design got to me, the thing Hardspace: Shipbreaker shares most with those podcast games is that its core gameplay loop can feel incredible. That it sometimes tore me out of my complacency with no notice and made me fight for my life didn’t stop me from wanting to play just a few minutes more, it made the desire to do so nearly impossible to resist. Paying off your debt may be an endless slog, but when it feels this good I know I’ll be signing up for another tour with LYNX.

Small issues aside, NeverAwake is still a transcendent and shockingly enjoyable adventure. Not only did I get invested in the story of the game, but the gameplay constantly kept me on my toes, and was a balanced challenge. While some may be irritated by the hardcore vibe of the game, I’d say this is a title that almost any gamer can appreciate. Add in the low price, and this is a must own adventure.

Overall, Justice Sucks is a solid, wild romp. It’s the vengeful, murderous rampage through the eyes of a Roomba that you didn’t know you needed.

Moonscars’ fluid combat mechanics, fun boss battles, and lovely art stylings kept me engaged and made me a believer that there is a lot more enjoyment still to be milled from the souls-like subgenre.

Return to Monkey Island is consistently funny, with a ton of charm and interesting puzzles to work through. The interface is the best in the series, and it’s incredibly well-paced. It may not be what every fan of the series has hoped for, but I think those who can look at it for what it is rather than what they might have hoped it would be will have a wonderful time with it.

Potion Permit is a quaint little alchemy simulator that will delight anyone looking for something cozy. It’s not exactly the Stardew Valley sibling it appears to be, but it has the potential to become just as beloved in its own right nonetheless. If you’re hurting for a cute life sim that blossoms over time, Potion Permit will cure what ails you.

There’s very little wrong with Splatoon 3. Almost everything it does is done well, and the few minor complaints I have are likely to be fixed or involve a card game that most players will likely ignore. Its plethora of quality-of-life changes means this will almost certainly be the best game in the series going forward and the place for new players to jump in. Right now, though, if I have to pick between those quality of life changes or the larger amount of content in Splatoon 2, that’s not as easy a choice as it should be because the gameplay hasn’t evolved in any major way, and little of the new content truly stands out. Which means that while I can easily recommend Splatoon 3 to series devotees desperate for new content and new players needing a good starting point, anyone who falls in between may want to wait for the game to be fleshed out before diving in.

Betrayal at Club Low is a masterclass in artful innovation. It gives the player a lot more interactivity and agency than its predecessor, Tales From Off Peak City, and in the process totally re-invents the entire point n’ click adventure genre. Trying out such a bold new gameplay style was a big gamble, but it’s a roll of the dice that’s won big.

Those who have a sense of nostalgia for old-school, turn-based strategy games will likely be able to find some fun with The Dragoness. Despite a lack of personality, bland combat, and a sense of repetition that sets in quickly, something at the core of the game simply works. There are so many other options available to players that offer more, though, that it’s hard to recommend this one to all but the most dedicated devotees of the genre.

Despite my issues with the game, The Outbound Ghost is still the best Paper Mario styled game I’ve played in many years. It easily offers a dozen hours of gameplay, and that’s just if you play the main story. For those that like to wander, there’s plenty of hidden secrets to unearth, as well as randomizer effects to mix up your experience. While the game wasn’t as tight or well organized as I would have liked, it’s still a solid turn-based RPG that fans should enjoy.