The Sojourn is the equivalent of one of those big books of crosswords you can buy at the supermarket check-out. Its puzzles are well-constructed and provide a nice mental workout, but they’re all rather one-note, and the game’s world is dry as toast. If you’re a hardcore puzzle nerd, give The Sojourn a shot, but those expecting to be taken on a deeper journey may be disappointed.

Nights of Azure is a game of wasted potential. The game's dark tone and setting is ultimately ruined by the excessive presence of comic relief, which takes a lot of the tension out of the terrible choice Arnice has to take to save the world. With an experience that gets stale way too quickly, Nights of Azure true saving grace are the game's two main characters and the development of their relationship, which takes some interesting turns. A shame, as the game could have been so much more.

Warlander offers a very interesting spin on the Dark Souls formula, featuring a deep stamina-based combat system featuring limb cutting mechanics, interesting setting and progression mechanics inspired by roguelike games. Sadly, the general lack of polish and low amount of content damage the experience in the end, making Warlander a game that can be recommended only to the most die-hard fans of the Souls series.

Trackmania is a nice addition to the series, one that looks and sounds great and, even when it's incredibly frustrating, it's fun. The downside is the new monetisation system, a subscription service that looks like it could segregate the community. The game is very extensive and if the audience picks it up, it could be great for the same reason the other Trackmania games were: user-created content using an outstanding track creator and editor.

Kao the Kangaroo is a mixed bag. Far from bad, it offers decent platforming across several well-designed levels, though some issues hold it back. Some bugs certainly impact gameplay, with camera control also a gameplay-inhibiting factor. The lack of real challenge throughout most of the game will also be a limiting factor for replay value, though there is a level of exploration and several collectibles to find. While certainly not up there as one of the best platformers, Kao isn't a bad way to pass your time, and it's fortunately not priced as high as most new releases.

Sonic Origins does well by Sega’s classics, but only to a point. While the action feels true to the 16-bit originals, an abbreviated list of games, lack of features and archival goodies, and frustrating crashes keep this collection a step short of greatness. Hardcore Sonic fans looking to relive some of the hedgehog’s best games in widescreen HD ought to have fun, but others may wish Sega had reached harder for that shiny gold ring.

Sudden Strike 4 is a sound tactical game with a great depth of units and tactical options. It is, however, let down by limited AI which leaves missions feeling more like set problems to solve rather than dynamic battlefields, limiting any replay value.

GRIP is a technically sound game and can genuinely offer some exciting racing, as you try to dodge enemy weapons, track hazards and more, all at insane speeds. However, it can also be a confusing game to navigate and also has very unfair rubber-banding which can screw you over more than half the time as you'll find a well-placed rocket right up your rear-pipe just before you hit the finish line.

Fairy Tail is a very similar game to the Atelier series, only one borrowing characters and story direct from another source material. The story here, based on two separate narrative arcs, works well with how it's laid out and is laid out in a way that doesn't stop newcomers to the franchise. Other aspects, however, are mixed. The turn-based combat is far more tactical than the average JRPG, offering an interesting grid-based system that helps to keep it engaging. There's a decent amount of character interaction and humour to be found within but the massive, overhanging issue is that the quests and the game in general demand far too much busywork of you in terms of building your guild, character relations, character and guild ranks and more than I care to remember. Fairy Tail has somehow managed to keep my interest but I can't deny it has too much grinding that gets boring.

Should Jon Shafer’s At the Gates be judged for what it is now, or what it has the potential to become? The experience is hamstrung by glitches, oversights, and unfinished systems, but playing a 4X game from the perspective of the barbarians remains a fantastic concept and some of that Civilization “one more turn” allure is still intact. Forgiving types may want to give At the Gates a try now, but most others should probably leave the game out in the cold until a few updates are released.

Not bad by any means, but the seriously plodding pace for the first few episodes kills much of the excitement in Batman - The Telltale Series. Though the game really picks up for a great crescendo in the latter two episodes.

Lego Horizon Adventures carries over a lot of the things previous Horizon games did well, offering lush visuals, a likable cast, and a wide range of robo dinos to take down. Unfortunately, not everything survived blockification, with an overly-simplified story, sometimes-unsatisfying core gameplay, bland level design, and an overall lack of content resulting in a Lego game that’s a few bricks shy of a load.

Evil Dead: The Game does a solid job of carving out its own bloody, aggressive take on the asymmetric multiplayer formula, but some nagging gameplay issues, frustrating single-player content, and a failure to fully capture the series’ groovy attitude hold the game back. Hardcore Evil Dead fans should find plenty to like here, but with competitors like Dead by Daylight around, this game hasn’t really earned its “hail to the king” moment.

While I can't flaunt the game for anything bar a broken inventory system, I struggle to find anything outstanding to say about it as well.

Curse of Osiris offers little as far as content is concerned. The brief campaign is forgettable and treated more like hold-over content than a proper full expansion. The only real redeeming feature about Curse of Osiris are the Raid Lairs.

Wonderfully inventive, InnerSpace is a very interesting game. Although it is regrettably missing something to keep the players coming back, it is a lovely, gentle, and relaxing game.

Would I recommend giving it a go? For the art style alone, I probably would, yes. It's an absolutely gorgeous game, and there were moments that I genuinely had a smile on my face. It was a shame that there were other moments when I literally sighed and said, "I've had enough now," although this may not be the same for everybody.

Mario Tennis Fever still scores points for its core gameplay, particularly when playing against other people, but the game’s frustrating new Fever Racket gimmick and underwhelming single-player modes don’t bring all that much to the court. The result is a game that can be fun at times, but doesn’t stand out from other recent Mario Tennis games in a way that’s likely to raise Switch 2 owners’ temperatures.

The Sims 4: Lovestruck does do a good job at sprucing up the game and trying to make it a little bit more dynamic, the same way Growing Together did. However, some of the features were incredibly lacking, and I felt that there could have been much more added to make it worthwhile. I really liked the new interactions that they added to the game, but aside from that, the expansion was still quite flat.

Override: Mech City Brawl features a fun and engaging combat, featuring giant mechs facing against each other, or against giant aliens. It's slightly marred by an unwieldy camera which loves to obscure your view of the fight and limited single-player options. However, this is made up by it being one of the better party or online games out there, when you have the people online, particularly as you can group up with up to three other players to control the same or different mechs.

It’s well polished and offers moments of great fun, especially in co-op, but as a single player experience the game is slow and starts to drag quite quickly. In some aspects it feels rough and unfinished. As it stands, if you have a friend to play Solstice with, you’re likely to enjoy your time with it - but if you’re going to attempt the game solo, then maybe wait for a sale.

It's an improvement on the previous iteration, even if only visually. Aside from that, it feels like the same game but ever so slightly improved. That's the real shame, the jump from Milestone's ageing engine to Unreal had a lot of potential. Considering everything, do I recommend MotoGP 18? If you want a motorbike racing game now, then go for it. If not, you may be better waiting for Ride 3.

The steep learning curve paired with the limited tutorial, lack of any significant matchmaking options and the currently low player count make it hard to recommend Mirage: Arcane Warfare to anyone who isn't already a fan of their previous game Chivalry: Medieval Warfare. There's a lot of room to improve, though.

Everything Torchlight III does, it does worse than one of its contemporaries. Primarily Diablo. While what is here looks good and plays fine, it's repetitive and lacks the magic of games it shares a genre with. But all of that could've been forgiven if it had at least allowed me to suffer through it with a friend in local multiplayer, but it couldn't even do that. If you get the urge to play Torchlight III, just play Diablo III instead.

The appeal of Pokémon Champions is narrower than you might expect, as hardcore VGC vets or those hoping for a Pokémon Stadium-like experience will likely be disappointed by the game's small Pokédex and other limitations. The real target audience is clearly newcomers curious about competitive play, and the game does a fairly good job of welcoming them in without emptying their pockets. The nitty gritty of PvP Pokémon battling has worked for 30 years, and it's not broken here, but a lot more could have been done to support the experience. Of course, plenty can change with updates, but as is, this game is a Pokémon Contender at best.

Ghost Recon Wildlands is just another in the long line of Ubisoft's vapid open world games packed full of content (collectibles and quests) with no real meaning. The setting is absolutely stunning and a joy to view, but there's nothing in the world to actually incentivise you to travel around. It's a sturdy, but average shooter with no variety. At the end of it all, it's mostly boring interspersed with moments of fun.

Be prepared to study outside of the game as the tutorials simply do not cut it. UFC 3 is the best game in the series so far, however the developers still have a long way to go before it reaches the heights of the other EA Sports titles.

Edge of Eternity aims for the stars and manages to reach a few of them, delivering a compelling plot and an expansive, varied, and often-beautiful world. Sadly, clunky dialogue, issues with exploration and combat, and a pervasive level of jankiness hold the game back. You have to admire Midgar Studio for pushing themselves, but as is, the Edge of Eternity may be too jagged for some.

Empire of Sin is a sincere love letter to a fascinating moment in American history and delivers all the style, swagger, and Tommy-Gun-inflicted violence you’d expect. Unfortunately, somewhat shallow sim elements, pushover AI, and a serious lack of polish means this probably won’t be your next great strategy obsession. That said, if you love gangster stuff, Empire of Sin might still be an offer you can’t refuse.

Dying Light: The Beast's parkour mechanics and crunchy melee combat are the two load-bearing pillars that make it a game worth leaping into, with support from a beautiful world to explore (minus the infected) and a tense day and night cycle that greatly raises the stakes on its survival elements. Beyond that, the mechanical and narrative pacing, inconsistent writing and narrative tone, and world design choices that feel antithetical to the series in the first place all bring it to a fairly uninteresting experience that is only worth it for however long you want to turn your brain off and enjoy watching digital infected brains go *splat.*

SUPERHOT: MIND CONTROL DELETE is an engaging, albeit shallow experience. The combat is outstanding and still one of the best you can experience, only enhanced by the new abilities featured in this standalone. However, where the combat has improved, the taut and well-thought-out nature of the levels is lost due to the roguelike nature of the game, with the thought and surprise of the originals story lost in what is mostly meandering waffle here. Is it a good game? Yes, it's well worth playing if you just want the combat. If you want more, you'll likely be disappointed.

Alfred Hitchcock - Vertigo is an interesting narrative-driven adventure game, or more like an interactive story, which incorporates several themes from Hitchcock's work. While not linked to the film of the same name, Vertigo is similar in many ways and - like Vertigo - features a compelling and well-told story with (mostly) interesting and well-developed characters. However, this story is countered by distracting facial animation, issues with balancing the generally good audio, and other technical problems. Alfred Hitchcock - Vertigo isn't a bad interactive story, I'd even recommend the story, it misses the mark on too much for me to not offer some caution.

WWE 2K22 is a major improvement over its insulting predecessor, featuring some smart tweaks to core gameplay and fan-favorite modes. That said, promises of a “completely rebuilt” experience ring hollow as it’s clear old tech is still being used, and while the action has been refined, it remains a notch below most other fighting or combat sports games you could name. Your reaction to the game will largely hinge on how you felt about 2K’s series before its hiatus, with those that still saw promise likely to have a good time. That said, don’t expect WWE 2K22 to transcend mid-card status if your patience was already at an end.

Just Cause 4 delivers a truly astounding open world that lacks much to do beyond “blow up more gas tanks.” A shallow story, an absence of interesting NPCs, and frustrating mission design make for an uninvolving game that sometimes feels like a job to play. There is fun to be had in Just Cause 4, but only if you stage a revolution against what the game wants you to do.

Crucible in its current form feels uninspired in a lot of ways. While the heroes themselves would fit great into smaller arena matches, throwing sixteen players into an oversized MOBA map sours what makes Crucible unique among other hero shooters.

Tainted Grail: The Fall of Avalon is an ambitious passion project that clearly invokes some of the highlights of Bethesda's signature RPG series while retaining some unique quirks all their own. Unfortunately, the first few steps out of Early Access show that this adventure into Avalon could have used a little more time fending off the Red Death.

Terminator: Resistance is the kind of shooter-meets-RPG hybrid you've seen a dozen times before, and isn't a particularly impressive one. But everything it does, it does well enough to pass. I can't bring myself to hate Terminator: Resistance, I think it's a fun, cheesy game, but I also wouldn't be able to forgive myself if I recommended that anyone bought it at full price.

Griefhelm isn't a bad game, but the parts that make it good only work in isolation, not with each other. That drags the whole experience down, however excited you might be for the battles.

Sword of Legends Online has so much to offer, but it's sadly gated off by utterly terribly localisation in the text, the cutscenes, voice acting and - worst of all - the UI. If you can get around this and the horribly slow and tedious levelling process, there are a wealth of features to dig into, some that give this one of the better endgames in any MMO, particularly a non-subscription and non-P2W title. With excellent combat, only enhanced as the game progresses, and features like player housing, pets, extra narrative elements like character biographies (somewhat more understandable than the core story) and more, it's worth the grind, even though the grind is atrocious. On balance, for MMO fans who are used to, and can put up with this sort of nonsense.

EA Sports UFC 5 doles out impressive blood-soaked Frostbite visuals and a double-dose of M-rated attitude, but don’t let the new swagger sway you. While the action remains satisfying enough, it hasn’t evolved in any significant way, and a lack of compelling content continues to be an issue for the series. UFC 5 may deliver the razzle dazzle, but it needs to work on its fundamentals.

MLB The Show 22 is one of the most conservative annual sports titles I’ve played in some time. Aside from a few minor mechanical tweaks and a handful of ancillary features like online co-op and new commentary, this is essentially the same game we got last year. It’s a shame because the franchise’s core gameplay remains rock-solid, but it’s increasingly difficult to ignore its lack of ambition. Those new to the series can add at least a point to my score, but longtime fans aren’t getting much to cheer for.

Sea of Solitude is sadly the least-essential EA Originals title to date. The game has heart and delivers a few brief powerful moments, but it’s held back by erratic design and a lack of content. Sea of Solitude is a pleasant-enough wade, but it isn’t the dramatic deep dive it could have been.

Destruction AllStars certainly has its charm. It exudes personality, thanks to a varied cast of characters that - despite having zero story - seem to have something about them that makes you want to learn more about them, such as their name. You’re here for the cars, and they are fun. The smashing, or destruction, of other cars, is a genuinely fun experience that's made all the better by each character having their own ability to mix things up. The game modes do keep things ticking over, though It needs to be said that the game needs to add more in the future to keep things fresh. This isn't a bad start for Destruction AllStars, but it's also one that needs to focus on the strengths and drop the weaknesses - particularly the abysmal on-foot gameplay - to make this game the online draw it could be.

The Lamplighters League is an interesting and ambitious, albeit flawed, tactical adventure which invokes the fantastical elements of Indiana Jones (plus you're fighting Nazi's). The blow by blow gameplay is well developed and features interesting and varied characters, in both gameplay and narrative, but is let down by a large amount of repetition. A few technical flaws also let the game down in a market where stronger competition has already done the game thing. It's a decent game, and you could have a good time with it, but one to pick up on discount.

Kingdom Under Fire II is one of the most internally divisive games I've ever played. Some parts are genuinely fantastic while others are mind-numbingly horrible. The third-person character combat is up there as one of, if not the best I've ever encountered in an MMO. On top of that is a fun and engaging strategy element, one where you can seamlessly move between commanding your troops and yourself, to fighting on the front lines with them. However, the MMO part in-between the fighting and strategy is interminably boring, showing a dated sensibility and more time-wasting than could ever be reasonably expected. I genuinely thought I was going to hate it, going by the start, but I now genuinely, almost begrudgingly, like it and against all odds I will be playing more.

Red Solstice 2: Survivors is, at best, a slightly above-average game. For every fun aspect, such as the genuinely fun action-packed nature of the run-and-gun gameplay, there are downsides such as incredibly repetitive missions outside of the core campaign. However, you then find an excellent range of creatures and a good amount of character customisation, really boosting the game, for it to then be let down by the base and region-building feeling tacked on, and then the game is impacted by a fair few bugs. If you liked the first Red Solstice, and other similar shooters, you'll enjoy this, though arguably in shorter sessions or with other people online.

Port Royale 4 is a solid trading and building management sim. The improved visuals, as well as some improved mechanics, help set this apart, as does the tactical turn-based ship combat. It's very user-friendly and intuitive, particularly with the city building and trade-route creating aspects. However, it isn't without flaws. Side quests feel very repetitive and don't really give you enough to do and the campaign can be too rigid, not giving you the amount of time you'd need to do anything other than the bare minimum for the tasks set. If you like this sort of game, Port Royale 4 is likely just up your alley, but I can't see it converting anybody to the cause.

Immortals of Aveum makes a solid early impression with engaging magic-infused FPS action and eye-catching Unreal Engine 5 visuals, but a predictable plot, irritating characters, and repetitive, by-the-books level design dims the game’s razzle-dazzle. Immortals of Aveum will be worth it for some shooter and fantasy fans, particularly at a discount, but don’t expect your memories of the game to live forever.

It has some good elements, but they are often covered by the average, meaning little gets the chance to stand out. Were it a little tighter, a little faster and not requiring you to do so much busy work, I could see this being a more enjoyable experience.

For a choice-driven experience, Bathora: Lost Haven leaves something to be desired. While it does do some clever things with the choice and duality themes, the experience falls somewhat flat due to excessive linearity, clunky and unsatisfying combat, and way too fast pacing that detracts from the emotional weight of some of the choices. The nice-looking visuals and the engaging puzzles that break the monotony of the experience and a few story beats make the experience enjoyable at times, but it could have been so much more.

Warhammer Age of Sigmar: Storm Ground is a solid turn-based strategy game that has some fun in its small corner of Games Workshop’s fantasy universe, but it isn’t unique or exciting enough to overcome ill-fitting roguelike mechanics that turn progression into a grind. The game will still appeal to some hardcore fans, and may become a better experience with updates, but for now, this latest Warhammer adaptation is routed by a few bad strategic choices.

Your enjoyment of Little Town Hero will largely depend on your patience for quirky JRPG systems. The game’s battle mechanics are unique and surprisingly deep, but can be frustratingly random and time consuming. Add in a story and world that have their charms, but are ultimately rather simplistic, and you have a Little Town that will only appeal to select tourists.

Chronos: Before the Ashes is an interesting enough title, one that does feature some interesting environments that really support a strong level of world-building. Even those not familiar with Remnant would find this interesting. However, looking beyond the environment and storytelling, you're going to find aspects of the game lacking. The combat is far too forgiving, and you'll have completed the game before encountering most of the perks to the fascinating ageing system. Do I recommend this? For an easy-going souls-lite title, it's not bad, but it isn't great either.

Shady Part of Me is a decent puzzle platformer, which offers some inventive challenges and an overall polished presentation. That said, almost everything about the game, including its story, aesthetic, and core mechanics, are lifted wholesale from more memorable indie games like Braid, Limbo, Little Nightmares, and Contrast. Like a shadow cast upon your bedroom wall, Shady Part of Me may be fleetingly interesting, but it won’t leave a lasting impression.

Long heralded as the pinnacle of graphical performance, the Remastering of Crysis leaves much to be desired with a style of combat and fidelity that can’t quite match its contemporaries on PlayStation and Xbox.

I thought I would enjoy Pathologic 2, but its needlessly mundane and cruel systems take too much away from its otherwise interesting and strange world.

While The Escapists 2 appears to be a bombastic, fun loving adventure through misfortune and triumph, it turns out to be mostly a long and patient game of planning, and luck.

Kingdom Hearts HD 2.8 Final Chapter Prologue is an adequate collection of what's left over from the series, with what also acts as an exquisite demo for the upcoming Kindom Hearts 3. This isn't to say that hard work hasn't gone into the remaster, but for a premium price point the game just isn't worth what it's asking, and the core component shows its age and origins a little more than could be hoped for.

Asterigos: Curse of the Stars had the potential of being one of the most exciting ARPGs influenced by the Souls series, with its ancient Greek and Roman influences, cartoonish art style, unique approach to story choices, and a more gamey approach to combat and character customization. Sadly, it falls flat mostly due to the mediocre level design. If you can look past this significant issue, however, you'll find a decent enough game with an acceptable story and serviceable combat with some interesting twists.

The Lord of the Rings Gollum is a game that has a lot of technical issues that also ultimately drag its presentation back. However, it still is a charming game in its own way with its setting, writing, and some incredible environment design that can catch your breath at times. This game is a cautious recommendation for players that aren't Lord of the Rings enthusiasts.

Jurassic World Evolution 2 expands its prehistoric playground with more dinosaurs, modes, and unique franchise flavor, but it’s all built on a flawed and often frustrating foundation of unbalanced and unpolished mechanics. Jurassic World Evolution 2 is a better game than its predecessor, but it feels like a glorified expansion. Those looking for a more substantial sequel may want to spare the expense this time.

It is frustrating to rate Anthem. The game looks great, plays even better and has an intriguing setting to boot. However, the fragmented world design, overabundance of loading screens and severe lack of content considerably drag down the experience, at least for the time being. Still, this is a live service game after all and the folks at BioWare have the chance to right this ship by adding enough content in the upcoming months, though it won't be easy.

You can certainly have fun with SpellForce, particularly the fast paced strategy side of things, but it can feel like a slog at times.

Lawn Mowing Simulator does what it says on the tin, and much like Euro Truck Simulator 2, it's more than just mowing lawns. You're building a business empire and mowing lawns across the land, something that's both surprisingly engaging, and very relaxing. There are a few issues, such as poor balancing leading to grind, but if you like those simulations that offer you just enough game and something to call your own, this is worth considering.

Fear Effect Sedna is proof creativity can’t always overcome poor execution. The game is often quite enjoyable, but the inspired moments can be difficult to appreciate amidst Sedna’s mishandled nostalgia, ill-considered mechanics, and sometimes-wonky level design.

Oninaki is a heartfelt mess. Its unique world and challenging themes are more memorable and moving than anything Tokyo RPG Factory has done before, but it’s hard to fully recommend the game given its humdrum action and strange design choices. Depending on how much frustration you're willing to put up with for a good story, Oninaki may be worth owning, or perhaps better left beyond the veil.

The value proposition isn't amazing, and would be a tough pill to swallow even if it were £1 per game. Solo, this is absolutely one to be missed, while players with siblings, flatmates, partners or regular gatherings might actually find this to be essential.

Medal of Honor: Above and Beyond isn't the return to the series that I would have hoped. As a VR game is has a lot to offer, the gameplay is engaging, the missions varied, and both the single-player and multiplayer can be fun to play. However, the story is woefully mismanaged, with a cast of mostly unlikeable and unsympathetic characters - a tragedy when it comes with an incredibly powerful piece of work in the form of the gallery, a collection of documentaries and interviews with veterans of the war.

Black The Fall is an atmospheric 2D puzzle platformer, and although it creates an interesting tone, the game itself can't quite hold up against the titans of the genre.

Etherborn looks nice and has some really interesting puzzles but they are presented in a way that's just a little too slow, not to mention a little too frustrating, to be truly enjoyable.

Honkai Star Rail highlights the issues that Genshin Impact had despite how many issues have been addressed. The game's barebones RPG mechanics will definitely improve over time, but it still will take a lot to convince any enthusiast to pick this game over other turn-based RPG gacha games.

While the game can be fun at points, its archaic and dated design choices can make for an overall frustrating experience. Its combat doesn't require much thought, and the game can be "difficult" for the wrong reasons. Still, it's high points are still noteworthy highlights for the overall experience, and when everything works properly, you do feel as badass as the main character is supposed to be.

Gord is an interesting and, at times, good, albeit flawed, survival city-builder mixed with action RPG and strategy elements. The atmosphere is excellently done, but this is countered by the sanity mechanics taking too much from the rest of the game. Almost every positive has a negative. The character development mechanics bring a fundamentally broken inventory system. The excellent monster development introduces a few that are just outright broken. The (sometimes) interesting campaign brings a near-opaque element of worldbuilding, requiring much side-reading as names are unceremoniously thrown at you. All in all, Gord isn't a bad game, and while I can have a decent time of it, there are too many flaws to recommend it universally; hardcore strategy fans may apply.

With its excellent world-building and intriguing story, P.A.M.E.L.A could have been a great survival game, but it sadly fails to reach the must-have status due to a variety of issues. The game can still be an enjoyable experience, but how much really depends on the player's tolerance for mediocre combat, bad enemy AI and the many technical issues.

Shadwen is a competent and somewhat enjoyable stealth game, but not exactly memorable. While the core experience and some of its mechanics, such as the time manipulation mechanics, are quite well done, the game suffers from a general lack of polish, an average last-gen presentation and a rather limited amount of content. When Shadwen works, however, it works well, so Frozenbyte definitely has a good starting point for a potential sequel.

For $15, this is a good game to burn through over a weekend. Expect anything more than a above average tie-in, however, and you'll be left disappointed.

Perception builds upon one unique gameplay element throughout its entire brief run but fails to see what makes a horror game memorable.

There's a decent JRPG here, if just incredibly dull. Digimon fans will find plenty to enjoy, whereas casual observers of the series will probably be better off by picking another JRPG.

ELEX is pretty much the gaming incarnation of a mixed bag. While exploring the massive world of Magalan is an enjoyable experience and the lore easily pulls players in with lots of interesting quests, the mediocre combat, poor companions AI and severe balance issues prevent it from securing a spot in the ever more crowded RPG limelight.

Dragon Ball Xenoverse 2 is hard to recommend as it's so similar to the first, but if you're new to Xenoverse and a fan of Dragon Ball I can heartily endorse this game. If you've played the first, well... It's still good, just not really a must-have.

What turns out to be a fun JRPG with a big world to explore and good combat is marred by bad story, bad quests and some diabolical pacing. Only recommended for SAO fans.

With a story that fails to go beyond serviceable and some not particularly inspired characters, Assassin’s Creed Valhalla: The Siege of Paris fails to reach the heights of the Wrath of the Druid expansion, basically offering more of the same in a somewhat uninteresting setting. The Infiltration Missions, a nice callback to earlier entries in the series, are not enough to salvage an experience that only the most die-hard Assassin’s Creed Valhalla fans will thoroughly enjoy.

The Dwarves is a role-playing game that fails to reach its full potential. Its interesting battle concepts are marred by a mediocre execution, very limited RPG mechanics, and just too many technical issues on PlayStation 4. Despite this, the game still managed to be somewhat enjoyable thanks to the gripping yet not too original story, and charming characters. Due to gameplay and technical shortcomings, however, only die hard high fantasy fans may find some enjoyment in The Dwarves. Everyone else would do better in looking elsewhere.

Werewolf: The Apocalypse – Earthblood is as straightforward as an action-adventure game can be. None of its features are broken, but the shallowness of the entire experience makes it a very hard game to recommend for those who are not into the setting to begin with. It does provide moments of fun here and there, but its linear, derivative experience does not stand out in any way.

Slitterhead is an experience that's fantastic in still shots or in story trailers but the actual gameplay becomes a muddled mess when the player is forced into repetitive chase and combat sequences.

Nights of Azure 2 had the potential of being much better than the original game, but it fails to build upon some of its best features, such as the character development and interaction. The experience offered is thus slightly worse. The game can still be enjoyable with its fast-paced battle system, humorous interactions, and plenty of fanservice, but the low challenge level, bad dungeon design, and underwhelming story make it difficult to stay engaged for a long time. A missed opportunity.

The Gunk is a rather visually stunning experience with many drawbacks that prevent it from scoring higher. While it has some noteworthy high points, it also has some devastatingly low points that show that Image & Form Games are just dipping their toes into 3D world design.

Manages to capture B-movie atmosphere and aesthetics perfectly, but fails to provide a truly compelling gameplay experience due to a flawed execution of many of its mechanics.

Hard Reset Redux is not a bad game, but nor is it something you'll feel particularly satisfied putting an afternoon into. Its dreary setting has been better explored in games like Deus Ex and its combat has been better exploited in Doom. If this year hadn't already been so stellar for amazing releasing, Hard Reset would be more welcome, as it stands, there's a lot better to spend your time on.

A fast-paced combat system and operatic soundtrack from Motoi Sakuraba aren't enough to save Valkyrie Elysium from a fate worse than Ragnarok: mediocrity.

Konami's first anniversary collection for their 50th anniversary contains some notable arcade classics, but the fact they've been previously released digitally with more options should appeal to only the most ardent of nostalgic fans.

Phantom Breaker: Omnia brings the game to western countries for the first time. However, it also brings what seem to be vestiges of old and outdated game design that work against it. While the fighting mechanics might be easy to understand, every character feels like they play the same way and the combat is so unintuitive it feels like you're just in a button-mashing contest. It works as a novelty and not much else.

For those that are looking for a relaxing game that can be completed at a leisurely pace, this may suit you. Although the game presents more of a structured approach that many players may find preferable to a game like Minecraft, Dragon Quest Builders has a number of flaws that appear to hinder the player. As a result, the game can feel quite drawn-out and boring at times which may prevent players from wanting to stick with it until the end. Nonetheless, it will be very interesting to see what Dragon Quest fans make of it.

An experience built for a fireteam of three, Aliens: Fireteam Elite turns the xenomorph horror on LV-895 into a shooting gallery that sadly misses the mark of what made its source material so iconic in the first place.

Destroy All Humans! is a respectable clone of the 2005 original, featuring impressive visuals and moments of explosive fun, but painfully-dated writing and some frustrating missions bring the game back down to earth. Destroy All Humans! is like a pristine 4K Blu-ray re-release of a campy cult movie – a certain niche audience will appreciate the effort, but many may question the point.

Jump Force has major problems, but it can actually be really fun. It feels tedious when playing missions, and repetitive at times in combat. But using your favourite characters' abilities in battle remains fun throughout. It's going to be an acquired taste, but anime fans will actually find a lot to enjoy here. Just stick to the online play, where you can remain blissfully ignorant of the awful cutscenes and animation.

Project Zero: Maiden of Black Water is a strange release. It's not a remake, nor a remaster, feeling more like a re-release with a few added features. Visually, it's barely different to the Wii U Release, so if you've already played it, then there's not much I can say. However, considering the original was limited to the Wii U, with a limited audience, this version brings it over to modern consoles and the PC, keeping the excellent atmosphere and different combat system and making it control better than expected. Is it worth buying? That is very dependent on if you like horror games.

My Hero One's Justice does so much right with a fun combat system and some lovely anime-style visuals but lets the whole experience down by a lackluster story mode, a lack of performance polish, and some serious repetition in the single-player content. Having said that though, these games keep improving, so if we're lucky, we'll be impressed by My Hero One's Justice 3.