Making games is hard, regardless, and the fact that the team was able to put together a package like this that's so earnest, so passionate in its revisit of a world enshrined in PC gaming's history, is more than impressive. It's an admirable feat that I hope isn't lost on the general gaming crowd who don't know too much about the games outside of their time playing them. I would recommend Stalker 2 to fans of the Stalker series, obviously, and as anyone with a love of open world FPS games and distinct sci-fi. The good thing is it's available on Game Pass, so you can pay less than full price and try it out.

Alan Wake was and still is an occasionally bizarre action horror game, with some lovely set-pieces, fun combat, and what I hope is a slightly tongue-in-cheek sense of self-importance. I think it stands up remarkably well 11 years after its original release and this Remaster is the best way to experience what I consider to be a modern classic.

Space Marine 2 is a triumph of a game. It's a must buy for Warhammer fans, and absolutely recommended for good game enjoyers. I hope you consider yourself a part of that illustrious group. Space Marine 2 is one of the best Warhammer games ever released, and one of the most dangerous gateway drugs to plastic crack I've ever seen.

Taken alone, any one slice of the game – like a single house, the village itself, even the way combat handles – has its issues. But combined, it merges into something that’s still special – even if it isn’t quite as brilliant as Resident Evil 7 or 2 Remake. It’s an easy recommendation – though if you didn’t back in 2017, you might want to play RE7 first.

Really, Echoes of Wisdom feels like the perfect sign-off for the Switch with new hardware reportedly on the horizon. It’s a colourful, accessible epic that pushes its console to the limit, with all of the mechanical depth and invention, artistic design, whimsy, and spirit of adventure that you expect from a first-party Nintendo adventure.

All in all the game is a blast. It is a bit janky, and very much a love it or hate it ordeal. Some of you will bounce off it in a few games, and some of you will get a giggle out of how explosively violent it can be. Fans of Let it Die bizzarely are in the same boat, and their love will depend greatly on their infactuation with the general gameplay experience. It strikes me as a game made by people who wanted to create something distinct for the sake of variety in a popular genre saturated with familiar traits. People who are probably fun to drink with. Not much about Deathverse: Let it Die is familiar, and it’s free. So like, try it out!

Metroid Dread is likely to give those that have been counting down the days to its release exactly what they want: a thrilling experience in line with what they loved about past games. There are original ideas here - but they’re better considered as evolutions of what came before rather than anything groundbreaking. There’s stumbles here and there with the difficulty and progression signposting, but all of that feels very Metroid. Dread is no Super Metroid, but that game is a stone-cold all-timer. Putting that game aside, Dread is up to the series standard, and is well worth a look.

It feels like this review is a list of shortcomings – and to be honest, it mostly is – but one can’t ignore the sheer quality and classic appeal of the trio of games included. However they’re wrapped up, the main thing you’re going to be doing is playing the games, and so three classics bundled together running well and looking as you remember is a fine offering from Nintendo. I still think Mario deserved a more lavish birthday celebration, but the classic titles in this collection really can’t be diminished.

Sackboy: A Big Adventure isn’t the most attention-grabbing PS5 launch title. It’s fair to say it’s been completely overshadowed by Demon’s Souls and Spider-Man: Miles Morales, but it offers a wonderfully crafted alternative to what are more mature titles. Sony is on a roll with the PS5, with Sackboy: A Big Adventure being yet another title PS5 buyers should seriously consider adding to their collection.

For the first time in years, Need For Speed has remembered why people used to play it so religiously, and recognised the more recent elements that put them off. I’ll take a missed checkpoint or a dodgy police bust now and again in exchange for a return to Underground’s unlock structure and tuner fetishism; for Hot Pursuit’s high stakes chases; for an EA release in 2019 without an RNG element designed to slow progress.

Ultimately, the more you give to Indika, the more you get out of it; whether it’s pondering the philosophical questions it asks you or soaking in the environment… just don’t anticipate any concrete answers. Indika wants you to come to those conclusions yourself, much like its troubled protagonist.

In truth, Scorn doesn’t tell a particularly fascinating story, but it hardly matters; the way in which it’s told is done to perfection, and provides an incredibly refreshing horror experience that truly gets under your skin.

At a certain point you have to step back and judge a game for what it is rather than what it isn’t. After all, if you want the female protagonist there’s Portable, and if you want the epilogue there’s FES. But as a stand-alone thing – as a convenient, modern, and attractive way to experience a truly great RPG classic – Persona 3 Reload is a wonderful offering.

In the end, Still Wakes the Deep is worth the six or seven hours it takes to blast through the story. It’s not scary as such, but it’s tense as hell, and there’s a poignance here that shines brightly through the veneer of soot, and gloop, and toxic masculinity What this game is really about, just like that bronze monument in Eyemouth, is the widows and bairns left behind.

Repackaged into one of the sharpest Remaster releases I’ve ever seen, it’s a relatively irresistible package - warts and all. The blemishes upon its carefully airbrushed visage are, in many ways, part of the charm. This is a joyous little time capsule of 2000s Square - and perhaps a curious aperitif before Remake part 2. It’s easy to recommend.

Overall, the release version of Golden Lap, even with those couple of areas where it could be better, is still very much the game I enjoyed in a short burst earlier in the year. It knows exactly what it wants to deliver, and does so in the wonderfully characterful manner that’s come to define Funselektor’s games and help them stand out from the racing crowd. Without giving you an actual whiff of the petrol fumes, properly deafening you with engine roar from behind the wheel or offering you a mouthful of podium bubbly, it manages to capture the spirit of what it depicts, and with a few tweaks, its pull could be even more irresistible.

Everything that made that original game special, and ultimately a cult classic, is faithfully and lovingly reproduced here. It’s a safe reimagining, but simply on merit of all the small modernizing touches, which add up to a lot, it’s also pretty clearly a better game than the original – and considering how much I loved that game, that’s no small feat. I can see many more hours in my lair ahead – and with potential updates and DLC down the line to address some issues, true world domination could still be ahead.

Really, LEGO Star Wars: The Skywalker Saga is all the action from the Star Wars series, swaddled in the slapstick silliness LEGO has become known for in entertainment. While it’s not a 1-to-1 retelling and your favourite moment might have been left in the toy chest, it’s a knowing showcase of Star Wars’ place in pop culture – memes and all – in a deep, but accessible package.

Age of Empires 4 is as multifaceted as the events it depicts. It’s more ambitious than other AoE games in handling its content and inspirations, but also far more reserved in changing the fundamentals. There’s no need to change what works already, though a few additional gameplay flourishes could have helped AoE 4 feel more fresh and exciting. The campaigns are robust, but the missing content stands out in its absence. That’s especially true considering Age of Empires 4 is a full-priced release, though being on Game Pass makes it a more appealing prospect. What’s here is still more than enough to be getting on with, but lIke any good strategist, World’s Edge is planning ahead for the long game.

On the whole, Two Point Campus lets your most fantastical dreams come true. Whether that’s a campus of dysfunctional wizards or accomplished chefs, Two Point has learnt a lot from its prior endeavours and applied its knowledge to make what is one of the most attractive and witty simulation titles out there. Whether you’ve only the time to commit to Two Point Campus for a mere few hours or many months, you’re set for your own education on academic absurdity.

Hopefully Game Freak will continue using the Legends series as a playground (maybe a return to pixel graphics, just a suggestion), but, for now, Lumiose City has been a treat to revisit.

When you’re right in the thick of it, zipping around like a toddler after a pack of Smarties, efficiently and methodically laying waste to the hordes of hell at 900 gibs per minute, this is the strongest Doom has ever been. It’s the combat of Doom 2016 expanded in clever ways, built upon in layers, like the skin and muscles of a demon that you remove in chunks with each trigger pull. Playing it is like catharsis, a virtual wall punch for the modern age.

It feels monumentally important, wonderfully clever, and full of a gleeful energy that’ll make the heart of any old-school RPG fan swell. Top marks on this website doesn’t mean it’s a perfect game; it just means we recommend playing it absolutely unreservedly – and such is the case here.

I can’t really talk about the climax of the game’s narrative without wandering into spoiler territory as before, but it’ll sum it up thusly - Thalassa’s story is something that only gets better as it goes.

Evil Dead: The Game is a good time, albeit demanding (it appears single-player missions have everyone struggling), but it truly lets itself down by not having basic accessibility settings available to players. The game itself is certainly impressive in terms of its fresh gameplay and remarkable graphics, and there’s good fun to be had for fans of Evil Dead and Sam Raimi. However, horror fans without an affinity towards the series will likely find more fun in alternative multiplayer horror games, and they’ll probably find more accessibility-friendly games, too.

Doom The Dark Ages will get your blood pressure up. It will test your reflexes, your problem-solving skills, your aim, and your ability to solve problems on the fly. It’ll probably test your patience a little, too, when the chugging, uninspired, padded-out sections in the middle start to wear a bit thin. But when it does manage to get your adrenaline pumping, you’ll be champing at the bit and thumbing shells into your shotgun so fast that the princes of hell themselves shaking in their boots.

Horizon: Forbidden West does a great job of building on the foundation that Zero Dawn laid out; everything is more beautiful, the stakes are – somehow – higher, and the flirtations with BioWare-style story ideas shows just how much of a future this series has. The exploration and combat pillars of the game sing in harmony, too… it’s just a shame that there’s so much sludgy filler amongst all that well-oiled machine killer.

Mortal Kombat 1 is a generally positive step in a new direction. I find myself frustrated with Liu Kang's decision to allow live service DNA to creep into his new universe, and I long for some of the features left behind (like the Krypt). Mortal Kombat 1 sets the stage for a new era of MK that you can't help but get pumped up for. NetherRealm, like the characters in its ultraviolent universe, is staring right into the face of a brave new world and locking eyes with the future. Keeping those eyes in its head, though, may remain a challenge.