The Adventures of Elliot: The Millennium Tales is a Zelda-like that earns the comparison and exceeds it in places - the time-era structure is something right out of Nintendo’s best books, and the boss fights and best puzzles carry the game superbly. It’s an easy game to dive into for a spell here or there or sink hours in, and it’s one I’ll be recommending to anyone who has ever enjoyed a certain mute hero. However, I’ll do so with the recommendation that the volume be turned down once you meet a certain should-be-mute fairy.

Nintendo has used a relatively simple formula to create Rhythm Heaven Groove, taking everything good about the old games and adding enough to justify reviving the series after more than a decade. Everything old school fans of the game will want is here with a fresh coat of paint and a lot of polish, while Beatspell adds a whole new layer that I’m not sure anyone even realized Rhythm Heaven needed. [Hands-On Impressions]

It won’t replace Valheim overnight, but it has all the ingredients to be a compelling alternative for someone looking for something a little cozier and a lot more magical, and if future updates add more Froblins, I will once again abandon all self-preservation instincts and immediately attempt to collect them. [Early Access Review]

Rogue Core is no replacement for the original Deep Rock Galactic, especially not in its current state. That being said, there is something very cool here, and I hope to see it continuously expanded over the course of this year. More weapons, more upgrades, more interesting stat upgrades for your character (I’m so done with ‘get x more armor’ in video games), and more interesting events during runs. Then I think we’ll have something special. [Early Access Review]

Mina the Hollower is an almost faultless game that combines elements of nostalgic classics we know and love with a healthy dose of Yacht Club’s flair and expertise to make it something that truly stands out as a retro-inspired masterpiece. I could honestly play it forever, with Yacht Club proving that it’s not just a one game studio with yet another bonafide classic.

That isn’t what the Rewind Collection is trying to achieve. It feels like a collection of old, unpolished games that will specifically appeal to 30-somethings who haven’t thought about Rugrats for 20 years because that’s exactly what it’s supposed to be. If you have a lingering nostalgia for Rugrats that you might not have even realized was there until reading this, this collection is almost certainly for you.

If the only problem that you have with a game is that you just want more of it, though, that’s a very good thing. Bubsy 4D may be short, but it’s also one of the tightest controlling and most satisfying platformers out there. It’s a hell of a redemption story for one of gaming’s most infamous figures, and I’m praying that it’s just the start of Bubsy’s grand comeback.

Paralives offers a very promising early access start, with enough to whet the appetite of life sim players who love to craft characters, homes, and stories. It’s not too taxing to run, it’s got a charming style, and most importantly, its unique mechanics and features are easy to learn and enjoy. The studio plans to update and add to the game, and if it does this regularly enough to keep players entertained long-term without them bouncing off, it’s got a real chance of growing into a giant in its own right. [Early Access Review]

Yoshi and the Mysterious Book is a good game. But that’s all it is. It’s far from bad, but also fails to dedicate itself enough to its otherwise spectacular aesthetic, while its core gameplay ideas never reach their full potential either. Unlike the books that were read to me as a child until I could no longer keep my eyes open, I doubt I’ll be forming any lasting memories about this platforming adventure.

Coffee Talk Tokyo is a handsomely endearing experience about listening to people and being there for them. The vibes are calming and lovely and it mostly earns its neat resolutions, but there are points where it mistakes sincerity for depth and those points do stick out all the more in a game entirely reliant on them. The good outweighs the bad, however, and I’m certain that there is something for anyone whose interest gets piqued by this game that makes it worth the price of a few evenings.

At its core, it might be ‘Arkham for kids,’ with an open-world that takes the best from Arkham Knight, Lego Marvel Super Heroes, and even a smidge of GTA 4, but it’s also TT Games through and through. It’s because the studio’s personality shines through the unabashed inspirations that it all comes out on top.

All in all, Zero Parades has that ever-elusive quality of convincing you to keep playing: to find out what happens next, to unravel the narrative, to keep experiencing Portofiro. There's something about games that try to capture the collective human experience that just speaks to my very soul. Zero Parades is the kind of game that makes you ponder our shared existence; the immutable mechanisms of existing in a society you have no control over. I'm ecstatic to announce we have another fantastic narrative RPG in the world. Bravo ZA/UM.

All things considered, Subnautica 2 has managed to mirror some of what made the first game so incredible, but it's a bit lackluster the second time around since it hasn’t changed or meaningfully built on much of it. Its greatest shot at doing so lies in its potential for an intriguing story, which the Early Access launch puts down roots (eh?) for. As long as future updates continue to evolve both the gameplay and the story to cement its own identity, I have no doubt it will be every bit as beloved. [Early Access Review]

It would be easy to say that Forza Horizon 6 is simply the best version of itself so far, and leave it at that, but that undersells what it truly achieves. It is an accumulation of its past five iterations, but somehow remains light on its feet. It’s a game that understands spectacle without becoming hollowed out by it. For a series about driving fast, its real achievement is teaching you to notice what you are passing through and stopping to admire it.

Although there are lots of ways to upgrade and decorate your van - which, I suppose, is just about the only saving grace of this game - I had absolutely zero interest in doing so. Why should I bother putting the time into making my van look nice when the world is so devoid of character? There are dozens of cozy survival games that nail everything Outbound is trying to do, and go so much further. I do expect another developer to pick up where Outbound has dropped us off though: people want a cozy campervan game, and I’m certain someone else is already cooking one up.

InKonbini: One Store. Many Stories offers a short but very sweet slice-of-life game that makes you value the quiet moments and fleeting conversations you have with strangers. Much like our favourite convenience store snacks, it offers plenty of flavour in a bite-sized chunk that keeps our appetite satiated until the next eye-catching game comes along. I went into InKonbini expecting something a little different, but finished my final shift pleasantly surprised with just how attached I had become to the game. It’s impressive how it takes small moments and elevates them to such heartfelt heights.

This isn’t the series most standout storyline, but there’s a lot to appreciate between the traditional gameplay loop we all crave and various new features. As always, given the nature of the game, to truly appreciate it and fully unearth the plot and fine details, you’ll need to replay and delve into those other possible branches. Good luck staying alive.

At the moment, Everything Is Crab is in a great state, but I think it’s missing a lot of content for more replayability and variation from run-to-run. I can see a ‘meta’ developing quickly, too, which will reduce choice even more. That being said, even in its current evolutionary form, I’d say this is one of the better roguelikes so far this year.

Despite the limited gameplay and slightly repetitive nature of wandering around rooms to click on objects, Mixtape is an experience I’ll remember for a long while. The sharp dialogue that feels real and stays the right side of grating, easy-going storytelling, excellent soundtrack, and supreme confidence to play around with the medium make Mixtape well worth tuning into, even if some will be put off by a perceived lack of things to do. I still haven’t really figured out if Mixtape is a video game, but I do know that I thoroughly recommend you give it a spin.

But as it stands now, Dead as Disco is not only my favourite game I’ve played so far in 2026, but one that I can see being a true all-timer as more content is added and it’s polished up even more. Charlie Disco's comeback performance is already something truly special, but it can only get better from here. [Early Access Review]

If you are looking for an interactive story-based cozy game, this is a rad choice. However, don’t expect much more from Wax Heads than a well-executed moral stand against an increasingly AI-loving, money-grabbing and overly-polished world of entertainment.

Masters of Albion’s little quirks and British humour make it endearing and funny, adding some much-appreciated details to what makes it stand out, like its crafting and odd building mechanics. The humour is a throwback to old-school Fable, so it can be shockingly explicit, but in the best ways. However, overall, if Masters of Albion wants to keep players enthralled, the nightlife needs to calm down a little so I can go back to enjoying making rat pies. [Early Access Review]

Although the story mode lets itself down a bit and the offline offerings are slim, I still had a great time with Invincible VS and expect to lose even more hours to it when the servers go up. The excellent and welcoming mechanics, well-developed roster, and tons of fan service not only make Invincible VS a stand-out tag fighter, but also the game that the series has deserving for a long time.

Vampire Crawlers is a tremendous achievement. Everything here works almost flawlessly, with a gameplay loop that is quick, sharp, and smart. Genre transitions within the same game series rarely work so wonderfully, but Luca Galante and Poncle have created an incredible experience that will make you crave more, even if it overstays its welcome a tad for completionists.

While I had a blast embarking on this journey to Persephone with Ariane and Thomas, I do wish it were on the longer side. Even at seven hours long, there seemed to be room for the narrative to venture to deeper, more interesting places. Who knows, perhaps we’ll see that in the future. For now, though, this is a sci-fi epic well worth your time.

Aside from those infrequent technical issues, this is a smooth, comforting, and narratively rich experience. Moomintroll: Winter’s Warmth's balance of warmth and depth is everything I want from a cozy game in the modern era. I can already anticipate that I’ll be returning to the charm of Moominvalley in a few months, when the Lady of the Cold visits me as well.

It feels like one big adventure, and you’re only privy to one piece at a time. Delving into the depths of a foreign planet would usually be off-putting to me as a cozy gamer, but the world of Carcosa drew me in. Who is the mysterious voice lingering in Arjun’s head, what happened to the colony and the crew, and how in the world am I supposed to beat the tutorial boss on my next run?

Cthulhu: The Cosmic Abyss is, crashes and caveats aside, an excellent game. Key is a triumph, the puzzles are imaginative, and the final chapter earns everything it demands of you. I’ve spent about 12 hours with it and I find myself wanting to talk about it with everyone who has ever shared even a flicker of an interest in Lovecraft with me. It’s a cosmic horror that brings classic tropes into futuristic dressing and manages to do that well. What’s not to like?

Tomodachi Life: Living The Dream is a bizarre delight with unlimited potential, but you must be willing to unearth that brilliance for yourself instead of expecting the game to guide you. It surrenders to repetition far sooner than I’d like, but the sheer amount of things you can make your Miis do, say, and the relationships they gradually develop are so wonderful that it’s easy to overlook some otherwise notable flaws. The more you put into this game, the more you’re going to get out of it. For me, it already feels like it has all the ingredients to become another cult classic masterpiece that will go down in history.

Mouse is an enjoyable and visually stunning shooter with just enough uncapitalized potential to make me mourn what could have been. It looks amazing, the music is spectacular, the voice acting is top-notch, and it feels great to play in the moment, but its unwillingness to put up even a semblance of challenge is its biggest downfall. I’d still very easily recommend it, but sticking it on the hardest difficulty is almost a requirement.

The defining strength of Replaced—besides the stunning visuals—lies in its cultural commentary. Though the main narrative focuses primarily on one aspect of the apocalypse, organ donation and the subsequent dehumanisation that comes from losing a part of oneself, there's plenty of flavour there for the world's other tragedies: extreme poverty, the frivolity of the elite, fascism, police state and especially the dangers of technology.

It’s got big ambitions, a big heart, and two big and beautiful characters leading the charge on an intergalactic adventure like no other. Cheese and cliché aside, Pragmata is a rare triumph.

Regardless of what you specifically look for in a cosy game, there’s a little something for everyone here. Even with my nitpicks, I’m unlikely to forget the stories I pieced together to tell Tabitha’s life story anytime soon.

Sintopia is a far better game than its title suggests. The title Sintopia sounds like someone came up with the name first and built a fabulous idea around it, but look past that, and you have a deep, charming, and constantly unpredictable experience that is well worth your time.

A small roster of games aside, the Marvel Maximum Collection is everything someone who wants to play these games in 2026 could want. Classic Marvel titles from three decades ago dusted off so they can join the growing list of old games being rescued from the past and made playable today. Throw in all the quality of life features that let you either play these games as they were intended, or with mod cons so that you can actually finish them, and this collection is a fantastic celebration.

Darwin's Paradox is easy to admire and occasionally difficult to enjoy. ZDT Studio has built something visually and narratively confident for a debut - Darwin is a protagonist with real charm, and his world has a presentation that consistently overdelivers. But a game is only as good as it feels to play, and this one too frequently asks you to fight its systems rather than inhabit them. The frustrations are not deal-breakers in isolation; cumulatively, though, they erode the goodwill that the presentation so diligently earns.

Even when Super Meat Boy 3D had me moments away from rage-quitting, occasionally thanks to a death that wasn’t my fault, I couldn’t help but smile as I bashed my head on whatever wall I was struggling to jump off. Meat Boy’s legacy is a very particular one that won’t appeal to everyone but, even with some wobbles, 3D proves itself to be a sequel that’s worthy of standing next to the original masterpiece.

The Star Force Legacy Collection brings back the underrated spin-off in the best way possible. It looks and plays better than ever while also featuring a number of worthwhile bonuses both hardcore fans and newcomers alike will appreciate. There are a few remaining flaws to take into account, but seldom did these truly infringe upon the experience.

That really should be a given for a game with the phrase "Nintendo Switch 2 Edition" in its name. Unlike other games to have worn that badge so far, though, I’m thoroughly convinced that there’s enough here to justify the price of its upgrade. What I’m still unconvinced of is whether this expansion is so good that the whole Wonder package is now an $80 game. Not because I don’t love Wonder and everything it brings to the table, both in the base game and its Bellabel Park upgrade, but because I’m yet to be convinced that any game is worth $80.

It plays a treat on my system, which is far from top of the line. Kojima Productions and Nixxes are known to be masters of optimisation when it comes to porting projects like this, and it might be one of its most accomplished efforts yet. It plays and looks incredible, so much so that I’m tempted to go on this epic and emotional journey all over again.

It’s highly ambitious and one of the most intriguing triple-A games I’ve played in years, but I wish so many parts of the whole weren’t inherently flawed. Now my journey in Pywel has come to an end, I’ll be leaving this one on the shelf for a while.

Not enough time is spent with characters to sympathise with their plight, while the narrative itself discordantly jumps between several themes without committing to a singular vision. It’s not helped by a middling combat system and exploration that is too simplistic and predictable for its own good. As a queer woman, I’m delighted that games like this exist, but I can’t bring myself to ignore the fatal flaws that hold this passionate effort back from greatness.

John Carpenter’s Toxic Commando focuses on delivering a very specific pleasure. Four buddies, a towering horde of undead, and a soundtrack that sounds like it escaped from something covered in dust in your basement. It identifies that particular itch perfectly, and it leans into it with a sense of gleeful, gory enthusiasm.

The Dying World comes to us after a messy early access period, and it shows. The pacing is all over the place, and parts of the narrative feel unfinished. The finished stuff is fantastic, but the rest leaves so much potential left unexplored.

Monster Hunter Stories 3: Twisted Reflection sets the new gold standard for the series. It raises the bar on every aspect that we love about the series, but also reinvents its go-to template by introducing exciting new mechanics that overhaul the core monster-battling gameplay. While the narrative could have been less obvious, it was still an enjoyable adventure and the new cast of characters are bound to become fan favourites.

Planet of Lana 2: Children of the Leaf builds on the delightful world that the first game whisked us away to and delivers yet another beautiful and touching tale. It raises the bar when it comes to puzzles and challenges, while giving us some much-anticipated answers as to where Mui came from and the more technologically advanced society that existed in the ancient past. Lana is more grown-up here, and so the darker story feels right at home as we continue this journey with her, and I’m now left in anticipation of her next chapter.

The just fine writing and exploration that doesn't add as much as I hoped mean that Scott Pilgrim EX isn't quite a genre-defining brawler like the stand-out Shredder's Revenge and Absolum. Instead, it's closer to Cosmic Invasion, a great beat 'em up that does a lot right with plenty of style and love for the source material, especially as an unabashedly biased fan. If this is as much of a sendoff to the series as it feels, then it's a worthy last hurrah.

There is a fun time to be had here, but ultimately Pokemon Pokopia doesn't explore the Pokemon side of its world and offers building quests that are mostly rigid and repetitive. As ever with Pokemon, there is enough charm to see it through, and the mechanics aren't shallow, even if they're used in aid of the same few tasks over and over again.

By the end, it felt like Resident Evil Requiem had marked the end of a new era that began almost a decade ago. It’s reached a point where anxiety-inducing horror and over the top explosive action can exist in tandem rather than cannibalising one another into tragic irrelevance. Leon Kennedy and Grace Ashcroft engage in a delicate dance where all of their complicated steps work together in relative harmony despite some minor missteps.

Paranormasight: The Mermaid's Curse is a strong follow-up to the first title, continuing the gorgeous art style and unique gameplay system, and cementing the series as the peak when it comes to supernatural puzzle visual novels. While the puzzles could have been more balanced throughout, the narrative and characters outshine those of the previous game and make for a deliciously moreish game that kept me captivated from beginning to end.

Even when I struggled to find a Golden Gear, I didn’t really mind that much since I knew it just meant spending extra time in Demon Tides’ moreish open world. The platforming is best-in-class, the characters and world left more of a mark than I expected, and Fabraz somehow managed to make going open-world seem both effortless and obvious. If the second game in the series is this good, I’m already counting down the days until the third.

Even as someone who isn’t the biggest fan of the original Rayman and its penchant for punishment, I still found a lot to love in the 30th Anniversary Edition. The many tweaks and enhancements make it the way to play the original, and the detailed documentary is a great extra on top of it all. It’s just a shame that the party is pooped a bit by the missing soundtrack and some teething problems.

In a genre crowded with self-serious shooters, there is something refreshing about a series so deeply committed to its own identity. Even when the bit falters, even when it reaches for the lowest-hanging fruit, High on Life 2 never feels timid. It is garish and intermittently incisive. At its best, it makes the threat of human extinction feel like an open mic night you’re moderately glad you attended.

Putting those minor gripes aside, Reanimal is a breath of fresh air. It’s a roughly 7-hour experience chock-full of exciting and tense moments that will have you on the edge of your seat for most of the runtime. It’s a true evolution of the Little Nightmares formula, and while some technical issues can frustrate at times, and it loses a bit of its tension as it draws to a close, it’s still an experience that I would easily recommend to any horror fan.

If you’re buying Mario Tennis Fever to have a few rounds of tennis with friends the way you would Mario Kart, then you’ll have a good time. It’s a solid arcade tennis game with some unique powers and cute character moments. But as an overall experience, it’s shallow, a little unbalanced, deeply lacking in creativity, and seems to deliver the bare minimum of options outside of its roster and rackets.

Romeo is a Dead Man is self-aware and self-referential, filled with personality. Whether it’s a compelling personality will vary from person to person, but it throws so much at the wall that surely something will stick. The combat is excellent, the enemies are memorable, and the balance between macabre and levity is well-tuned. Despite the stumbling story, there’s enough bounty in the chaos to recommend this game.

Yakuza Kiwami 3 is now the best way to experience Yakuza 3, especially since this retcon will likely now be the established canon. There’s no arguing that it has improved on the original in many ways, not only giving it a much-needed facelift and tinkering under the hood to make for a smoother experience, but adding a whole host of new content to whet our appetite. While I lament some losses during the creative overhaul and I am notably disgruntled by one major change, I can’t deny that the positives far outweigh the negatives.

I desperately wanted to love My Hero Academia: All’s Justice. It looks, sounds, and plays better than One’s Justice, while having tons of details that fans of the series are going to love. And in Free Battle, where there's no ridiculous difficulty spikes, they probably will. It’s just a shame that loving All’s Justice outside of that mode too often feels like getting hit with a Delaware Smash, leaving it as a decent and incredibly frustrating game that should have been great. Hopefully it will be with some sorely-needed balance patches.

Nioh 3 may stumble slightly with its narrative and a bit of bloating from the new open zone design, but it’s still far and away the best game in the series to date. Consistently excellent combat, well-designed bosses, and a new form that adds even more depth and value to already meticulously put-together mechanics make Nioh 3 more than a worthy challenger to Elden Ring.

Dragon Quest 7 has always been the series' most ambitious entry - a sprawling anthology of tragedy and hope that attempted things no other Dragon Quest has matched. It was also, frankly, too long. Reimagined solves that problem without sacrificing what made the original special. For series veterans, it's a chance to revisit a flawed classic in its best possible form. For newcomers, it's finally a reasonable entry point into one of the franchise's most rewarding narratives.

Don’t Stop, Girlypop will not be for everyone, but far too many games are seemingly made for everyone these days and lack a sense of personality and flavour. Don’t Stop, Girlypop certainly doesn’t lack for that, and is all the better for it. A great shooter with a lot of flair, I wish it followed its own ‘don’t stop moving!’ tagline a little more consistently, but it’s still a fantastic experience. A glitter-soaked, midnight raving, psychedelic pink fantastic experience that could be the shake up the shooter genre needs.

Code Vein 2 isn’t breaking new ground in most of its conventions nor will it become the new face of Soulslikes. But it has its own unique ideas that are fully realised, letting it stand out against its contemporaries in the genre, while surprisingly strong characters help blend the gameplay and narrative together. If you have the appetite for it, there’s plenty to sink your teeth into.

I can’t help but be a little disappointed with Arknights: Endfield. On paper, it has the makings of an excellent gacha game, and with some updates in the future, it potentially might become one. But for now, it’s a slow and often tedious experience. I can’t see myself jumping in on launch day like I had originally intended, because I’ve burned out on the experience much quicker than I thought I would.

MIO: Memories in Orbit is a demanding, luminous journey through decay and empathy, one that asks a lot of its players and gives back just enough to make the struggle worthwhile.

Pathologic 3 is about disease and friction and difficult choices. It is not a game for everyone, and it doesn’t try to be. It’s demanding and deliberately obscure, and asks you to embrace failure as part of its teaching method; that will put people off. But for those willing to meet it on its terms, it offers one of the most thematically rich and emotionally resonant experiences in recent memory. I wouldn’t go back in time to avoid this roller coaster, but I also wouldn’t want to live through it all over again.

The Skate part of Skate Story is very good, offering variety, pace, and a unique approach to boss battles. But it's less intricate by design than other skating sims, and that's to make room for the Story part. Your mileage may vary on this, and there's clearly a lot of thought gone into every element, but sometimes so much of it comes off as noise. Or maybe you're smarter than me, and you'll just get it.

Metroid Prime 4: Beyond is the game I wanted it to be, but I can’t say the same for anyone else. It’s a series that has been on hiatus for so long that fans have likely built up impossible expectations inside their heads that are never going to be met, or an ignorant form this new game needs to take at all costs.

Those minor issues don’t stop Marvel Cosmic Invasion from being yet another stellar beat ‘em, but they were enough to just keep it from matching the heights Shredder’s Revenge reached, which might also be down to how much more I prefer Turtles to Marvel. Whether you’re stuck comparing every brawler to TMNT for the rest of time like me or not, Cosmic Invasion is still a great experience that proves once again that Tribute is the best there is at what it does - and what it does best is very nice.

With the sheer number of excellent shooters available this year, it’s difficult to recommend Black Ops 7. It’s undeniably a highly replayable game tailored for fans, but that’s not what this franchise needs. Turning the campaign into another dumping ground of camo challenges and meta grinds really shows the current priorities of Activision. Zombies is the last bastion of innovation left, yet I fear it’s not enough to keep players around. The creativity that once made Call of Duty an industry trailblazer has long been forgotten.

Kirby Air Riders is one of the hardest games I’ve ever had to review. Not because it’s particularly challenging, but because it was clear from the moment I started playing that it’s going to be incredibly hit or miss. If you’re expecting Mario Kart World or Crash Team Racing but with Kirby, you’ll be sorely disappointed. But anyone who’s up for a racer that feels truly fresh, has a lot of hidden depth, and revs to the beat of its own incredibly loud engine is going to find something special here.

Even if Titans of the Tide is a little too short to make that kind of impact, it’s still easily the best SpongeBob game since Battle for Bikini Bottom, and possibly even better if you take off the Jellyfishing nostalgia goggles. I can only hope that Purple Lamp keeps it up, because it finally feels like it’s nearly cracked the Secret Formula.

Deadpool VR isn’t going to change the world of virtual reality or convince many newcomers to give the medium a try, but it is a gruesomely good time with satisfying combat, plenty of parkour, and a surprising amount of variety across its roster of villain-focused levels. Those with a Meta Quest 3 gathering dust in dire need of a new exclusive will have a bloody good time here, even if its occasionally formulaic nature risks holding it back from greatness.

There is a reason this campaign is called Journey, because it feels like you’ve been on a rollercoaster ride of rhythmic emotions that change how you view games like this. Part of me thought Enhance Games couldn't repeat the sublime brilliance of Tetris Effect, but it has done just that and then some.

There are contemplative moments of compassionate beauty throughout that will stick with me for a long time to come, purely because they made me question my own relationships and how I want so badly to love and help my family in spite of their many flaws. Nice Dream has crafted a truly original narrative adventure here that will likely have a nuanced impact on everyone who plays it, and that alone makes it a triumph worth celebrating.

Anno 117 doesn’t reinvent the wheel, but the addition of land combat and the ability to further customize your cities with diagonal roads and decorations brings even more satisfaction to the successful formula of a strategy series with a gameplay formula like no other.

This is still a musou title, and it can only achieve so much within that framework without awkwardly bursting at the seams. With those restrictions in consideration, however, Hyrule Warriors: Age of Imprisonment is a triumphant prequel that Zelda fans are going to adore.

While Europa Universalis 5 is not without its flaws, it is also a resounding success, particularly where its cousin, the ambitious but flawed Imperator: Rome, unfortunately floundered. It takes the best ideas of its Paradoxian peers - such as dynamic populations, a far more detailed map than we’ve ever seen, complex internal factionalism - and integrates them into a stable experience that covers a fantastically rich period of history...Even with so many hours in the review build, I feel like I’ve barely scratched the surface, and I have yet to see a single campaign to the end; it is a Paradox game after all. That, more than anything, is the grandest praise I can attribute to the game. It is absorbing, seemingly infinitely replayable, deeper than the Mariana Trench, and sets a new standard for what grand strategy should mean.

The Outer Worlds 2 shows that Obsidian won’t be left behind as other great RPGs launch to critical success, and that the developer needs to play to its strengths. I only hope that it learns to take itself more seriously, because the setting is brimming with potential that is yet to be realised.

PopCap has brought together the defining elements of each port for the definitive Plants vs. Zombies experience. But it's hard to look past the discredit that Replanted does to the talented devs who brought us this game nearly two decades ago, and the many cut corners.

PowerWash Simulator 2 proves itself a worthy successor, following a strong first game and a wide range of DLC, and offers a whole host of relaxing and enjoyable gameplay. With a few new quirks thrown in to make it more exciting, and a couple of much-needed changes, it’s easy to say that - even with a couple of niggles, some of which are returning frustrations - if you loved the first one, you’ll love the sequel as well.

Jurassic World Evolution 3 doesn’t reinvent the park-building formula, nor does it step leaps and bounds beyond the prior games, but it refines it in meaningful ways. It’s smarter, more visually polished, and management systems are both deep and flexible. Small rough edges, repetitive moments, and occasional AI frustrations keep it from perfection, but there’s a lot here to love, especially for management fans who enjoy tinkering with every system at their disposal.

Even if Ryu doesn’t quite get the attention he deserves after so long, that was nowhere near enough to stop me from falling head over heels with Ninja Gaiden 4 and jumping straight into another playthrough. Platinum clearly understands what makes the series so special and has done an incredible job building on the razor-sharp formula that we’ve all been missing for nearly a decade. It’s good to have you back, Ninja Gaiden, and I pray that this is just the start.

Vampire: The Masquerade - Bloodlines 2 is the epitome of wasted potential. It’s one of the most beloved TTRPG franchises of all time, and the original game has become a cult classic over the years. This isn’t the sequel we hoped for, wanted, or even expected. It’s a Vampire: The Masquerade in name only.

All of my little issues aside, this is the most excited I’ve been for a blockbuster shooter in a long, long time. I’ve had such a good time learning the maps, mastering weapons, and discovering quirks of Battlefield 6, and I can’t wait to see how the live-service model rolls out over the next few months.

Absolum’s effort to push its tried and true genre further is an absolute win, my new favourite of the bunch, and the biggest thing for beat ‘em ups since Streets of Rage 4 single-handedly brought them back.

Bye Sweet Carole still needs work, and it shows. Truth be told, though, a few quality-of-life upgrades – controls and hints – would be more than enough to potentially turn this game into one of those titles I come back to over and over again as years go by. Because don’t get me wrong, I am impressed with Bye Sweet Carole as is. But I can’t help imagining what it could be with a few tweaks.

Little Nightmares 3 is fine, but I’d be lying if I said it lived up to the series's namesake or managed to take it anywhere worthwhile. Supermassive never quite hits the mark of what made Little Nightmares so distinct and terrifying. Over a disappointingly short runtime, I feel no desire to return for any collectibles, and not one moment has stuck with me. Instead, I’m only left wondering what could have been done better.

The experience is a constant tug of war between its disparate good and bad qualities. But Digimon Story: Time Stranger thrives on its good, and save for the eyeroll-inducing DLC dilemma, its bad doesn’t feel intrusive so much as uninspired. A colourful cast of characters gradually comes into its own, resulting in one of the most compelling Digimon video games to date.

Nintendo was never going to remake Super Mario Galaxy 1+2, nor do I think it ever should unless it wants to risk diluting two undeniable classics. Despite that, this sadly doesn’t feel like the remastered effort you’d expect for such a steep asking price, with myriad flaws from a bygone era holding it back from true greatness. This is now the definitive means to experience two of the best platformers ever made, it’s just unfortunate that the package is prohibitively expensive and borderline insulting to those who want to enjoy it most.

Though I have issues with certain aspects of Borderlands 4’s pace and progression, it does so much right that those problems aren’t dealbreakers. Far from it. Sixteen years in, this is Gearbox’s cel-shaded shooter series at its best. From a well-calibrated tone, still-satisfying guns, best-in-class traversal, and an inviting open world, Borderlands 4 answers the question I asked when it was announced. How much can the Borderlands series possibly change? Turns out the answer is both not much… and a whole lot.

If you can overcome its tight combat and find beauty in its bizarre world and characters created by SWERY and SUDA51, Hotel Barcelona is a solid roguelite with some innovative additions (I love the Slasher Phantoms) and some very cool moments. If that's something that piques your interest, why don't you check into the hotel and join me?

This is an experience that walks, talks, and carries a customisable sword like every other triple-A game, but it looks damn good doing it, and is a lot of fun. Surely with a game like Ghost of Yotei, that's all you're looking for, and Sucker Punch is only too happy to deliver. It's not the best triple-A game of all time, but it might be the most triple-A game of all time.

While you are experiencing a grand journey across an uncompromising depiction of Greek mythology, it is the small moments in Hades 2 that shine brightest. Intimate conversations between old friends or bittersweet reunions with long-lost family members as the moon of Selene hangs daintily overhead. Putting aside slaughtering demons and becoming a witch so powerful that not even titans can stop you, these are what make Hades 2 so special. If Supergiant is now destined to leave this universe behind, it goes out on the highest note possible.

For new players, this is the perfect entry point. For veterans, it's a nostalgic and thrilling homecoming. This release stands as a testament to the enduring power of both the tactical RPG genre and the unique storytelling of Ivalice, and it has me more hopeful than ever for its future.

Everything Baby Steps does, it executes with excellence, and I can’t think of anything else like it.

While Bloober Team’s remake of the legendary second entry was a positive step in the right direction, Silent Hill f feels like Konami finally cementing the survival horror icon’s return. It is an emotional, unpredictable, and unsettlingly beautiful glimpse into the worst parts of human nature. Hinako Shimizu’s journey is one designed to make the player ask uncomfortable yet necessary questions with no guarantees that you’ll enjoy the answers. But it’s through that bravery that Silent Hill f is able to achieve greatness.

Dying Light: The Beast might repeat some of the mistakes of previous games, but it also brings back everything that worked and focuses on them while delivering a more interesting story set in the series’ most unique location yet. The Beast might have started as DLC for the more ambitious Dying Light 2, but its contained success ends up being closer to the sequel we all asked for than that game ever was.

While I may have been left a little wanting when it comes to what CrossWorlds doesn’t do, everything itdoesdo is tweaked to perfection. This latest generation proves that the Blue Blur is back in the big leagues, finally giving him the fantastic racing game he’s always deserved. With Sonic’s resurgence going strong, CrossWorlds is a well-earned victory lap.