Commandos 2 / Praetorians HD Remaster Double Pack contains two excellent videogame productions with a glorious past, but the treatment reserved for at least one half of the package (Commandos 2) leaves something to be desired.

Attack on Titan 2: Final Battle is basically a GOTY Edition of the game published a year ago, now with a couple a new modes and weapons.

ARK is an ambitious project that, at the moment, lacks in optimisation: bugs, glitches and crashes happen too often and affect the gamer experience. The potential is enormous, but the devs should concentrate their work to solve all the issues and to fix what is already done, instead to produce new contents. Beware: the PvP servers are full of awful people, that's why you should buy the game if you are oriented to a PvE experience only.

It might seem like a classic case of quantity overshadowing quality, but in reality Samurai Warriors 4 DX is a decent conversion of one of the most popular chapters among Musou fans, enhanced by a hefty dose of DLC. It shows its age in several respects but retains an exciting and entertaining soul, which will finally delight those who have been longing for the game's arrival on PC since 2014.

A highly atmospheric text adventure, with well-characterized characters despite some clichés and a plot that we can shape, one choice at a time. Cooper's development doesn't involve much furthermore, between rhythm and gameplay, there are several ups and downs which, together with the bugs, don't allow the game to shine like the neon lights of Terrahive.

The Signifier is an ambitious game that is also aware of its limits. Unfortunately, that is not enough to elevate it among the greats. It offers a great, alienating and at times disturbing atmosphere, but its strongest suit is tackling issues that force the player out of his comfort zone. Unfortunately, mechanics are not as strong as the atmosphere, which makes the short duration (about six hours) a good choice. The ending is a bit fuzzy, however – and probably a setup for a sequel.

Little Nightmares is just blowing smoke. A wonderful and charming smoke, since the mood and the aesthetics are awesome, both for style and inspiration, but the gameplay lacks depth and the game is nothing more than a far-too-simple and linear platformer with some stealth and puzzle elements.

Journey to Foundation is a game that is greater than the sum of its parts: the absolute merit of the original work is set against the backdrop of mechanics and ideas that are limited and already seen, but when put together manage to function as pieces in the complex and fascinating mosaic that Foundation has always been. Do not, however, expect a revolutionary or particularly challenging VR experience.

The Last Worker is as much a satire of the work environment in this phase of capitalism as it is of those video games that seem to be more about work than fun. Overall, this is an interesting and artistically sound production that lacks something to leaves its mark.

The Silver Case is a tough one: the first game from Suda51 has an intriguing gameplay, but it hasn't aged too well. At the end of the day, it's a must-have if you're a fan of the Japanese game designer, but most of all if you love the graphic novels.

Even with a mainstream approach, reached through a huge roster and shiny scenarios, Snooker 19 is designed to really satisfy only a small niche of fans of the discipline.

Punch Club is an enjoyable experience, with nice retro graphics and a lot of homages to the action movies of the '80s. The gameplay is captivating but pretty slow, though, and it works best on smartphones and tablets (where it's already available).

King’s Bounty II is a decent turn-based RPG, but it’s also one of the most derivative games out there.

Despite being a jack of all trade (and master of none), Bright Memory: Infinite is still a game both frantic and visually impressive, but it’s also very short. Maybe too short.

Tales of Symphonia returns to the market with a rather lazy remastered. The combat system has aged badly and the polygonal models deserve more, but it still remains one of the most exciting chapters of the Tales of franchise ever.

Another Anniversary Collection which, like the Arcade one released a short time ago, leaves a bitter taste for the choices made by Konami in both quantitative and qualitative terms.

Clockwork Aquario is a miracle of preservation, but that doesn't make it a game for everyone. Arcade fans will welcome it, but others will find it difficult to continue playing after finishing it the first time, and the scoring system isn't particularly creative. In any case, the low price should keep even the merely curious happy.

An ‘on the road’ adventure to rediscover the sense of belonging to a community, of living to share. Some will criticise Caravan SandWitch for the simplicity of its gameplay, the lack of a real challenge and some minor technical issues. It is legitimate, as long as you don't lose sight of its story and what lies behind it, because this is the element that elevates the game above the crowd of mediocrity.

The flaws of Metroid Prime: Federation Force become almost irrelevant if you play with friends, but are impossible to ignore if you play by yourself. The missions are varied enough and offer some unexpected twists, but the level design is rather dull, and some of the most iconic features of the Metroid saga are simply missing. Not a bad game per se, but not a great one either.

Let’s Sing 2020 has a good selection of songs, a series of fun challenges and good evaluation skills. However, the game has crashed repeatedly and its music videos seem to come from a VHS.

How to Survive 2 is a watered-down survival, and that's not necessarily a bad thing; it also means that the game will please mostly someone who approaches to the genre for the first time. The gameplay is a little shallow and repetitive, but the coop mode can put a Band-Aid on things.

The main concept of Mario Sports Superstars is not a bad one: five intriguing sports (some of them already played in their stand-alone versions), for a title specifically designed for multiplayer. Unfortunately, there's not too much content to go on, and the multiplayer itself could have been handled much, much better.

Miitopia has nice graphics and a pretty decent soundtrack (sometimes disturbed by the annoying gibberish of the Miis). All in all, it's a fun experience, surely not a challenging one. A good game for a younger audience.

As a typical "video game" The Tomorrow Children fails in its purpose to entertain the players for more than a couple of evenings, but if you look at it as a sociological experiment, than you could find more than a source of interest. It's a free to play game, so you can give it a chance without spending a single penny.

Mixing games and movies is hard, and The Complex still hasn’t found the magic formula. At least, it doesn’t take the matter so seriously as Until Dawn, but it just delivers what it promised: 6-8 hours of an interactive movie, set in a direct-to-video sci-fi context. Not a mastepiece, but still better than the beginning of 2020.

The story is splendid and so is the music, photography is always on point... but on the technical side we’re far from the sufficience. Despite all the flaws, I have become attached to Sean and Daniel and I want to "help" them reach the Mexican border.

Re-Legion is based on some interesting ideas and has a nice cyberpunk setting. Sadly there’s only one game mode (the single player campaign), and overall the game feels very easy due to a lackluster AI.

The main problem of Beyond Blue is that, in the end, it doesn't do enough to fulfill its main task: to inspire curiosity about the beautiful Blue world of the ocean and make you want to watch all the documentaries of the same name.

Twin Mirror is a good adventure, albeit with its flaws. Even without infusing its new IP with the same depth of character development shown in past works, DONTNOD still managed to create a well done self-contained story and enrich it with interesting additional mechanics. But despite all this, Twin Mirror’s story feels like it could have used a few more hours.

Ruffy and the Riverside is an adventure-platform that seems to have come straight out of the 64-bit golden age, but the “swap system” integrated into its gameplay manages to make it quite unique in its genre and to give life to truly unique and fun puzzle elements. The perhaps excessive “richness” of some levels makes orientation more difficult than it should be and some performance issues on Switch 2 (in backward compatibility) would require prompt intervention by the development team.

Even if The Last Guardian can sometimes get straight to our hearts, we cannot turn a blind eye to the frustrating gameplay. Its narrative fails to truly immerse the player, as the game mechanics lack to convey emphasis and empathy.

Sniper Ghost Warrior Contracts can be appreciated for what it is: a sniping game far from perfect but ready to engage the player without exceeding, which can be taken home at an affordable price.

High on Life 2 tries to be more of a videogame than High on Life ever was — and to be fair, it actually succeeds. The problem is that nobody really asked for that, especially since, when you strip it down, it’s still an average shooter that in this second iteration loses much of the meta‑ironic charge that defined the first game.

Ninja Gaiden: Master Collection offers three high-adrenaline action games that are still splendid today. This is the only, partial redemption for a collection incapable of convincing, lazy in implementation and technically inconsistent, especially on Switch.

An horror adventure with a strong 'Carpenterian' flavour that delivers some interesting ideas and awakens ancestral fears, but in the end leaves the taste of a missed opportunity. An excessively linear gameplay, limited longevity and some technical issues prevent it from reaching the level of The Chinese Room's best productions.

Despite being one of the best RPGs of recent times, The Outer Worlds for Nintendo Switch is the worst possible version of the game. This port should be taken into consideration only if you don’t possess any other gaming platform, or if you are willing to accept the many compromises made in the name of its portability.

A remake only makes sense when it truly enhances the original game. Guess what? This is not the case. For lack of a better option, it's best played on a Super Nintendo Classic Mini. The best way to describe this remake is "unnecessary", and it could be worth your time only if you don't have any other way to play the original.

Harry Potter: Quidditch Champions is not for those looking for fine technicalities, both in graphics and gameplay. It is a decent pastime for the early hours that hides the potential to create its own fan base, but to allow it to do so, more content is needed and a review of the multiplayer section starting with the integration of effective 6VS6 PVP, to allow the most competitive to challenge each other without bots in the way.

Ashen is a souls-like game with a particular focus on the co-op multiplayer. Sadly this feature rarely works as intended, but despite its flaws, the game developed by A44 is still an enjoyable variation to the formula created by Miyazaki and From Software.

Togges makes no secret of his sources of inspiration: Super Mario Galaxy above all, but also Katamari Damacy and Pikmin. While Togges does not have all the qualities of its benchmarks (particularly in controls and cleanliness in design), it knows its strength points and focuses on those: smooth, colourful graphics on which rests a relaxing, carefree gameplay. All in all, Togges is an average-value game that nevertheless took on a huge challenge, confronting himself with the masterpieces of the genre, without being destroyed by the comparison. But ambition and bravery should be appreciated, and rewarded too.

Project Diva X is a good rhythm game, filled with an interesting variety of j-pop music. Unfortunately, the tracklist is limited to 30 songs and the sense of grinding is strong even after a few hours.

The Solus Project is still a fascinating title, albeit on PS4, one that suffers from the same problems of the original release (repetitive, and a disappointing survival). The VR headset adds a nightmarish control system, but at the same time offers an intriguing take on the horror side of the game.

Between a visual novel and a strategic game, Utawarerumono: prelude to the Fallen crosses the boundaries of the oriental market to capture the hearts of western players with a well packed game.

The DioField Chronicle is a partially successful Square enix experiment. Excellent hybrid game mechanics, but everything else is a constant repetition of the same missions, without adding anything new.

Die Young is an escape simulator. Exploration is its strength along with the constant fear of being hunted down and not knowing where to hide. There are several technical problems (to be solved quickly) and some aspects of the gameplay are not perfectly calibrated, but if you can look past there is a good indie game.

Star Trek: Bridge Crew has solid gameplay and offers plenty of variety, thanks to the availability of two ships, two game modes and four very different roles. Trekkies will love it from start to finish, but there's no denying that it could have been better, especially from a graphical standpoint.

On the golf course, PGA Tour 2K21 is a fairly fun game. Unfortunately, the same cannot be said for the game modes. The career is way too simple, and even the online does not offer anything exciting. Graphics and sounds are decent, but could be vastly improved.

It's not the return fans of the series were hoping for, but that doesn't stop it from being a decent cooperative shooter. It does, however, need more content.

Despite a good general quality, it's our duty to report that this remastered is just a direct porting of the cheapest PC version, without any addition: beware before you spend your money on it.

Despite being designed as a cross-over, Tokyo Mirage Sessions #FE is an enjoyable J-RPG with a steady identity, that could have benefited from a more passionate writing and a less stereotyped cast of characters.

Mobile Suit Gundam SEED Battle Destiny Remastered is an adaptation that, while remaining faithful to the original title's portable origins, offers a solid and exciting gaming experience for fans of the SEED saga. Fast and fluid gameplay, coupled with decent Mobile Suit customisation and a large roster of mechs, form the beating heart of a title capable of entertaining for hours. However, the meagre and fragmented narrative, aimed almost exclusively at long-time fans, and above all a frustrating and ill-calibrated lock-on system, severely hamper the game's potential. The good level of challenge is often unfairly constrained by unfortunate design choices, which make the experience less accessible to newcomers. All in all, a flawed but charming product that will mainly satisfy those already familiar with the Gundam SEED universe.

Finally someone who doesn't use pixel art for their nostalgia project! Unfortunately though, SolSeraph is too easy for hardcore players and its tower defense sections are sub-par in their genre. Good boss fights might have saved it, but no luck there.

Based on a simple premise, Nitro Gen Omega’s combat is genuinely very entertaining and well thought out, and the fun animations are a nice added value. Unfortunately, grindy progession, a barebones open world, unexciting characters, and a perplexing system for switching mechas end up dragging the entire game down.

The general idea behind Redeemer is solid, however its realization could have been better. Too bad for some the sparse technical issues.

Grow Up expands the sandbox-like world of Grow Home, giving the players more gameplay possibilities and more room for movement, but the endemic flaws of the predecessor are still there. Despite all that, the experience can be pretty unique and mesmerizing at times.

This remastered version is a pure porting from the PC and runs at 1080p/60 without any hesitation. Revelations was an "average" RE title 5 years ago, and still it is today: for 20 bucks it could be a good deal for some of you who didn't play the original version.

Digimon World: Next Order will please old and new fans alike. It offers a curious balance between RPG elements and the breeding of little, nice digital monsters; it's a rather peculiar mix, something that's not within the reach of everyone. If you love the original material and can ignore its flaws, you'll find something to meet your match.

The combat system of Dissidia Final Fantasy NT is the natural evolution of what we played on PSP: exhilarating, impressive to see and fun to play, and it reminds us of how good is Team Ninja in developing action games. All we miss out on is everything else: few interesting game modes, cosmetic-only customisation options, and a truly messy online framework. Our honest advice? Wait and see how things will evolve in the near future.

Virtua Fighter is still a great game, no doubt about it. And Virtua Fighter 5 Ultimate Showdown fully re-proposes the old-but-gold original combat system, enhanced by a Training mode that explains in depth everything there is to know about it. What’s inexplicable in this operation is the poor care paid to the multiplayer, penalized by an old and poorly performing netcode, which heavily limits a game designed to be SEGA’s first step towards esports.

The more I played Romeo is a Dead Man, the more I realized I was in the presence of the quintessential decent video game, nothing more. The game developed by Grasshopper Manufacture is a formally correct action game, without any particular or obvious flaws, but also lacking in interesting sparks and ideas. Beyond the crazy style typical of Suda51's works, what remains is an "old school" video game that can entertain fans of the genre for about fifteen hours, but never truly excels. It's a shame about the optimization, or rather, the lack thereof.

Albeit some polishing issues and some questionable design choices, Salt and Sanctuary is a nice, bidimensional variation of the "souls-like" formula, with influences from Hidetaka Miyazaki and from the metroidvania genre. If you like a challenging, punishing yet rewarding experience, you should definitely give it a try.

Brothers: A Tale of Two Sons for Nintendo Switch is a decent conversion of a game that may not have aged very well, surpassed on several fronts by many other exponents of the same genre.

After over 20 years Sir Daniel Fortesque rise again from his grave to remember us how hard an hero's after-life could be.

Last Flag reworks the CTF formula, transforming it into a game of reading your opponent rather than one of pure skill. When matches click, the experience can be tense and unpredictable; however, the execution leaves much to be desired. The gunplay is merely decent, content is limited, and the player base struggles to sustain the system—not to mention a distinct lack of depth across various gameplay components. As things currently stand, the result is a multiplayer game that entertains for the first few hours but, in the long run, fails to maintain its hold on the player.

While Paradise Lost has everything to be a great game, it ends up being just good. Its background story is strong and intriguing, but you can’t feel it that much in the game. Locations and objects are well crafted, but invisible walls keep you from feeling them as if they were real and alive. Everything is in his place, but by the end nothing leaves you wanting more. This four-hour adventure is worth playing, but it won’t change your life.

Gatekeeper is an isometric roguelike that focuses on straightforwardness: no complex hubs, just choose a character and get started. Missions alternate between simple objectives such as escort, resistance, and activation, and spectacular, well-constructed boss fights. The power-up system is effective, with 10% bonuses that are cumulative and immediately noticeable. However, the progression system is immature: perks are unlocked with a slow “point collection” that does not enhance the character but only the assortment in the shops, and abandonment due to excessive grinding could come very soon.

F1 24 is a definite step backward for the Codemasters and Electronic Arts series. Many of the new features introduced in this new iteration are not only unconvincing, but in fact go to the detriment of a game formula that is admittedly old but at least works. With less content than last year and an outdated graphics compartment, the 2024 edition of the official Formula 1 video game is nothing more than a homework assignment. While waiting for a revolution that may never come, unfortunately this remains the only alternative for fans of the top motorsport championship.

Layton’s Mystery Journey is an entertaining game for fans that did not play the mobile version and newcomers alike, that will approach the series with a much more "pop" main character. Anyway, it's the most weak title in the series, specifically story-wise. A real shame.

Bannermen is the ideal choice for those in search for a pretty straightforward RTS, even if the game might seem a bit vintage in its gameplay and technical aspects.

Rustler has some obvious technical and structural limitations but it is the first to laugh at them because it knows you should never take yourself too seriously. That's what it does and that's how it goes for the player too, who cannot avoid to be captivated by the absurd medieval setting, by the old style gameplay and by mountains of elegant vulgarity.

A "cozy game" in the wake of Animal Crossing, Stardew Valley and other similar games. Phoenix Labs has drawn heavily from the inevitable sources of inspiration and created an all in all enjoyable and relaxing sim-farm that unfortunately, however, does not sufficiently deepen its fantasy and adventure soul.

Alone in the Dark is, unfortunately, a missed opportunity. Despite an absolutely fascinating aesthetic and artistic structure, the game encounters terrible technical problems, so much so that it affects the performance of the game itself in terms of gameplay mechanics.

We are not at the mythical levels of the first episode, it is evident. Outcast – A New Beginning is a sequel without infamy and without praise, net of a nostalgia effect which inevitably has its weight but cannot justify every shortcoming. Strengths and weaknesses are almost equal when it's time to take stock, appreciating it or not depends a lot on how much importance you give to both. This is one of those cases in which the price doesn't play in the work's favor, however with a discount it might be worth giving it a chance because there is only one Cutter Slade.

Bogos Binted? is a wacky party game based on card games between lazy aliens, where each turn players contribute to a shared sum without exceeding a random target number. Whoever goes over the limit activates a compressor connected to their skull, often with fatal consequences. The gameplay is immediate, just the right amount of mean, and supported by special cards capable of turning the tables at the last second. The bizarre look and super-budget price work in its favor, but the fact that only one of the four planned modes is present in the final release is a significant drawback. Without rankings, tournaments, or leaderboards, interest quickly wanes if you're not playing with friends. Fun, but still incomplete.

If like me you really have a hard time saying no to a soulslike, and you are out of candidates, and the idea of ​​playing with an attractive maiden is a bit unnerving, your best option is to take another look at Elden Ring and look for some templates for the character editor. But if the Interregnum has really really bored you, then I guess AI Limit is not the worst choice you can make, just don't expect a memorable experience.

The debut title from Darjeeling in an ambitious one, but somehow it misses the target. Considered as a pure homage to Philip K. Dick, it's even too didactic; as a first-person interactive adventure, it's pretty basic and repetitive. But if you're a fan of P.K.D., you'll find some interesting and fascinating stuff.

I tried to be objective, I swear. Little Big Adventure – Twinsen's Quest is good at respectfully transposing into the contemporary a French action-adventure that many of us keep in our memories, but it also has to deal with some limits that are partly inevitable since they are children of other times. The pragmatic desire to modernize the initial work trying not to overly distort it is pleasing even if it is not completely convincing in the result, especially if observed with eyes free of the beauty filter known as nostalgia. However, it remains a balsamic dive into the past to return to Twinsun and see old friends who seem rejuvenated, despite a technical sector that, due to a few too many flaws, does not fully do justice to the original masterpiece.

Track design, off-road arcade driving and nice scenarios make V-Rally 4 a game worth trying; unfortunately, asphalt races, career and Buggy/Rally Cross are much less enjoyable.

Emio - the Smiling Man has a good story to tell, held hostage by mechanics from the early days of Japanese interactive fiction that refuse to give way to fresher, more current game design ideas. It's a bit of a trial-and-error fairground and excessive verbiage, but if that doesn't scare you off (there's a demo to try out that might suit you) you'll be rewarded with an investigative tale of unquestionable value.

Godfall is not a title without its charms. The combat system is solid and satisfying, and technically, the game is great proof of PlayStation 5’s potential. But cramming levels full of particles effects and shining lights does not necessarily make for good aesthetic design, and Godfall also suffers from a weak story and repetitive endgame.

Lots of games, but not all stars among Pac-Man's birthday guests. The essential emulation gives a no-frills experience to the old glories in a context tailor-made for chasing the online leaderboards, but the absolute lack of extras is a great disappointment.

Cobra Kai is an entertaining beat ‘em up, colorful and faithful to the original, and also incredibly rewarding in co-op. It does, however, suffer from some annoying technical issues.

When it comes to porting triple A titles to the Switch, Panic Button is an experienced and capable developer, and Apex Legends on Nintendo Switch is an impressive technical feat. This time, however, the challenge might have been too great, and the compromises required of the player too excessive.

Kirby Robobot relies on creativity and a "think out of the box" philosophy, adorned with jolly and light-hearted aesthetics. Unfortunately, it's almost too easy to complete the game, especially if you played your fair share of platformers. It's a game that will probably appeal the younger (and less experienced) player.

Pac-Man World 2 Re-Pac is a fun and light-hearted action platformer full of little surprises and mini-challenges that will delight fans of Namco's popular mascot. The excessive ease and speed with which the main adventure concludes are its most notable flaws, which could deter players looking for a real challenge.

White Shadows does nothing to hide his sources of inspiration: Limbo and Inside. A dark and obscure location is the right place to set a dystopian, anthropomorphic future story which can be read as a hermetic social metaphor. Though fascinating, White Shadows does too little to explain to the players where they are or what exactly it is that they’re doing, and its very simple mechanics don’t help. At the same time though, you often feel like you just can’t leave, like when watching a Lynch movie.

A fluid and dynamic action-platformer with great potential, flawed by a too rigid structure, limited longevity and some annoying bugs that spoil the experience. A metroidvania with these dynamics could give an eventual sequel the breathing room this project needed.

Atelier Sophie represents a new identity for the series. A self-pilot episode, that tries to capture the interest of a new fanbase. Good, but we would have preferred a more challenging game.

An action cop game that winks at Miami Vice, Hill Street and other historical detective series from the 80s. The game structure is interesting, the chases intense and challenging and the tasks to be performed quite varied, but in the long run repetitiveness makes itself felt and a few technical glitches break the magic. Technically we are close to average, but a few corrections are needed to put right the less than perfect fluidity and a few too many glitches.

Secret World Legends simplifies and makes more accessible one of the most intriguing and captivating online worlds ever created. Unfortunately, graphics feel pretty old (which they are), and Funcom never managed to find a good balance between a story-driven experience and the MMO gameplay dynamics. Anyway, a good online action RPG that can be enjoyed with some friends.

A.O.T.: Wings of Freedom raises the bar for the musou genre developed by Omega Force and Koei Tecmo. The game is interesting, albeit with some flaws, and has a unique identity that can be appreciated even if you're not a fan of the anime.

Marvel vs Capcom Infinite is all but infinite, with a skimpy roster and pretty dull aesthetics. Unless you love playing online, you'll miss a true captivating and lasting single player mode. It's not a bad game in itself, but at the same time we can't shake the feeling that it's a missed opportunity to create something really unique.

This new DLC for the post-apocalyptic RPG from Bethesda had a lot of potential, more than it actually proved to have. It's not bad, it's simply a work well done, without anything that truly shines or makes it better than the original game.

Monster Truck Championship finally does justice to the crazy world of monster trucks with a good game, genuine and fun, absolutely standard in its structure but made unique by a control system and physic engine apt for handling steel behemoths, maybe not always perfect but tasty for racing fans looking for different sensations. The freestyle mode is certainly the best part of Teyon's game, with a good number of arenas and a handful of tricks to be chained and controlled with skill. The rest should be played without too many expectations. Technically lackluster, but seeing those wheels spinning in the mud is spectacular.

Nights of Azure 2: Bride of the New Moon improves over the predecessor in every possible way, from the more refined gameplay to a more inspired story and art direction. There are some technical issues, and the game is not available in the Italian language. Other than that, a pretty good RPG-musou.

This remastered edition of PaRappa the Rapper is a nice and lovely trip down memory lane, especially if you lived the golden age of the first PlayStation. Unfortunately, that's all there is.

Sea of Thieves is a game with great potential, but it's undermined by a lack of variety and depth. Meditative alone, fascinating and epic in multiplayer, the navigation experience provided by Rare is truly unique and brilliant. On the other hand, the extreme freedom given to the player cannot be fulfilled because of clumsy boots on the ground mechanics and a quest structure that is far too repetitive.

When I look at Demon Slayer: Kimetsu no Yaiba – The Hinokami Chronicles I keep seeing the usual formula that Cyberconnect2 has been using for years of anime tie-in fighters. It’s still an enjoyable and fun fighting game, if you care enough to get into its more obscure mechanics, but it could have been much better with more emphasis on a proper training mode and a more fleshed out campaign. Nonetheless, it’s also one of the prettiest game ever developed by the software house that created .Hack and a proper celebration of the bombastic action sequences of the original animated series produced by world-known animation studio Ufotable.