TT Isle of Man: Ride on the edge 2 does not know whether to be a simulation or an arcade, becoming an enjoyable, exciting and fast racing without being as memorable as the race it is inspired by.

Void Terrarium 2 with a well-designed dungeon crawler section could have been a great game. Unfortunately, the roguelike is far too simple and the new features added to the first chapter are really few, and mostly concentrated in crafting, making the gap with the rest of the game even clearer: you will really have to love Toriko like a daughter in order not to give too much weight to the shortcomings of everything that is not found inside the Terrarium.

Compared to the first release of The Elder Scrolls Online, Morrowind is far more balanced, the overall quality has improved and it has the right amount of nostalgia. Probably not the best MMO around, but if you ever wanted to give it a try, now is the right moment.

Technical problems and imperfect controls prevent Shinobi Striker from really convincing, despite the mix of single player and multiplayer online could offer an interesting touch to the anime series.

For the time being, No Man's Sky on PC runs slightly better than the console versions, the control system doesn't work very well with the mouse + keyboard combo, and that's about the only differences worthy of being mentioned. All the potential of the game and the disappointment are still there.

The Sexy Brutale is substantially a good game, but the Switch version has many technical problems: unstable frame rate, very long loading times and some major bugs are only a few number of the issues that prevent the game from reaching a higher score.

There's no denying that Ultimate Marvel vs. Capcom 3 is a fighting game with a lot of content, charismatic characters, and tons of special moves and skills. The main problem here is that it's basically a sloppy porting of the original PS Vita version, sealed and delivered as quickly as possible, to benefit from the recent announcement of Marvel vs. Capcom Infinite.

Legend Bowl is a game with some strengths and just as many flaws. Its retro look is exquisite, but the gameplay has some issues that can cause a certain sense of annoyance and frustration.

Narrative tells us a touching story in a proper way, but this is the only good point. Fragments of Him is a walking simulator with poor interaction and with some technical problems that can't be ignored.

Nintendo cares about our health and to prove it brings us a new chapter of the Fitness Boxing series, urging us to get off the couch and follow the workout routines of inflexible virtual trainers. The playful streak of titles like Ring Fit Adventure and Boxing Fist of the North Star disappears in favour of more serious training based on the fundamentals of boxing. Worth considering if you're looking for an excuse to burn off those Christmas calories.

Future Unfolding is a game of love and hate. It could be an interesting concept to explore if you like experimental game design and unique experiences, but at its core, more than once the gameplay mechanics simply don't work.

Bithell Games, what should we do with you? What is this game? As an action game, it is not very in-depth, it is not stimulating. As a narrative, the story is appreciable but does not leave any freedom to the player. Did you look for linearity so as not to alienate those who wanted to fight? Fine, but then you should have developed that part more. And instead the final result remains in a sort of limbo, far from being an excellence in the various souls that compose it. For those who see the glass half full, it remains a well-written story in a super fascinating narrative universe.

God of War: Sons of Sparta attempts to delve into Kratos' past with a promising narrative, but ends up betraying much of the power expected from a title in the saga. The idea of exploring the trauma and nascent fury of the Ghost of Sparta was intriguing, and Deimos is a successful human counterpoint, but the game fails to transform this potential into a memorable experience. The predominant feeling is that of a timid title, almost fearful of its own heritage: the combat lacks bite, the two-dimensional graphics appear uninspired and lacking in character, and the mechanics — although functional — are uninspiring and constantly feel like something we've seen before. Sons of Sparta does not leave its mark, does not surprise, does not embody the epicness and brutality that made Kratos an icon; interesting for the most curious fans, but disappointing for those who expect the fury and emotional impact typical of the saga.

After hours spent in the world of Age of Empires - Definitive Edition, we still don't have the answer to the real question: why should we play this remake? Gameplay-wise, the genre has seen a lot of improvements over the years, and the developers weren't bold enough to give a fresh start to the original title. At the end of the day, this seems more and more like a wasted opportunity.

We're not exactly crazy about the new Ultra Street Fighter II: The Final Challengers: although the fights are well balanced, the "new" characters don't have much personality, and the whole package seems a little sloppy, with dull secondary game modes and some recycling of assets.

Necropolis is a mix of action-oriented dungeon crawler and souls-like's combat. The game is intriguing as we thought, but the variety and depth of settings and enemies paradoxically remain confined to a small range of creativity.

Days of Doom tries to do something new by fusing together turn-based strategy and roguelite. The end result, however, can only be said to be partially successful. Both the battles and the growth are characterized by slow times that end up diluting the fun: in the short run you have fun, but the risk of getting tired soon is real. The art direction is nice, though derivative at times. Overall a good pastime, but one that risks slipping away without leaving a trace.

Atelier Shallie Plus: Alchemists of the Dusk Sea is a nice RPG, not too difficult nor too complex. This title has the best alchemy and combat systems in the series, and it's a perfect fit for the newcomers.

The gameplay of this action RPG is very basic, almost oversimplified (it's available for iOS devices as well), but at the end of the day it could be a pretty fun and entertaining experience. The Italian localization is excellent, and it's full of kittens.

Terrifier: The ARTcade Game is a side-scrolling beat 'em up inspired by the Double Dragon arcade cabinet, featuring four playable characters from Damien Leone's horror franchise. It offers good pixel art, a chiptune soundtrack, convincing CRT/VHS filters, and six modes, including Arcade, Story, and Boss Rush. The combat system is basic, based on two attacks and a special move, with gory finishers and collectible weapons. However, imprecise hitboxes, chaotic priorities, and broken pacing detract from the experience, making the title appealing only to the most die-hard fans.

At first it is exciting to unleash the destructive fury of the Red Demon on the unfortunate enemies in the realms of the Wyrd, the first clashes are brutal and pyrotechnic to the point of predicting great things. The truth is that one punch at a time the enthusiasm wanes until it shows, under the skin of a stylish aesthetic that adheres to the original, a roguelite structure that is not very courageous and a gameplay that fails to convince.

Layers of Fear 2 retains many of the features of its predecessor while varying the setting greatly. Wandering in solitude on the Icarus in search of the truth is undoubtedly a claustrophobic experience, however, the continuous use of the more classic clichés of the horror genre makes the final result too predictable and inevitably much less terrifying than expected.

Bleeding Edge is a decent multiplayer action game lacking enough content to keep the players engaged in the long term.

Tennis World Tour 2 improves upon its disastrous predecessor, but cannot completely make us forget its flaws because it’s based on the same creaky structure. It can be fun, but you shouldn’t expect perfection.

Extinction is a rather unpretentious blend of Shadow of the Colossus, Assassin’s Creed and God of War. There's some parkour action, some humans to rescue and many giant monsters to decapitate. The main quest is pretty thin, gameplay and story wise, and you'll end up enjoying the various and challenging secondary objectives of every mission much more.

Yu-Gi-Oh! Rush Duel: Dawn of Battle Royale modernizes the formula by changing some of the core mechanics of the card game, and the result is a quicker, faster-paced gameplay that is fun to play. Unfortunately, under the technical aspect the game is not as exciting, with frequent and inexplicable frame drops and a drab open world.

Death by Scrolling is a top-down roguelite by Ron Gilbert that combines instant action with ongoing progression: each run makes your character a little stronger, pushing you toward the classic "last playthrough." The simple yet tactical gameplay offers automatic combat and limited equipment options, with procedurally generated environments and a constant wall of flames hounding you. However, it suffers from a lack of variety, a sometimes unclear level design, and an often unfair difficulty. It's fun for short sessions, but far from the brilliance of the best casual roguelites.

God Eater 2 is a sort of Monster Hunter with a permanent easy mode activated, drenched in a j-rpg sauce. Technically it's a poor porting from the PS Vita version, but it can provide enough fun to lovers of the genre.

An aesthetically fine action roguelite that does not offer any particular gameplay cues but allows itself to be enjoyed. It lacks a bit of optimization that materializes in a few too many stumbles both at the technical level and in usability.

RPG Maker FES has a lot of potential, but it's bound to be (at least partially) wasted. There's no tutorial, and it's impossible to edit the predefined (and limited) assets; the UI is simple and accessible to everyone, but the PC version is much more complete.

Trials of Mana is a lacklustre remake of a masterpiece from another era. It's nothing special, but old-fashioned JRPG fans might appreciate it if you turn a blind eye.

MXGP3 is a transitional chapter in the motocross saga from Milestone. The potential is huge, but the debut of the Unreal Engine 4 in the game is quite disappointing. The new handling model is largely amendable, and the AI is worse than the previous chapters. Overall MXGP3 is a fun game, but surely not the best in the series.

John Wick Hex is a game made for the franchise lovers. Since this is a minor production, there are pros and cons: there are indeed good gameplay and a good idea, but also a lack of progression and a feeling of repetition that makes you lose a little the desire to continue further.

Wizard with a Gun is a half-successful hybrid: the survival mechanics don't go well with the roguelite nature of the game.

Refreshing idea: you are asked to take control over your troops, but you have no direct control; developers want you to feel in the middle of the action, but they remove you from it. Brilliant on paper, but players remain prisoners of the limitation the game designers set for themselves, leaving us with shallow combat and unnecessarily too little feedback from what's going on in the battlefield.

Hellpoint is a recommended game, even if not for everyone. If you are not a soulslike fan, spending about twenty hours in a less refined game than a "Souls-Borne" is certainly not a wise choice. If, on the other hand, you are a big fan of the genre, give it a chance as long as you are willing to ignore small but numerous bugs.

Poison Control has some good ideas, but executed very superficially. An appealing but extremely simple game, its best merits are a good art direction and the hilarious writing. The rest is quite forgettable.

Minecraft Dungeons is a good entry point into the world of the hack & slash games tailored for a younger audience. Too bad the loot system is abysmal and there’s no endgame whatsoever.

Nippon Marathon is a positively wacky, completely deranged party game, but it’s also very repetitive.

This is not the game that will bring instant glory to Too Kyo Games, as World's End Club is rather mediocre. The narrative is intriguing, but the arcade sequences are visually very basic and offer little to no challenge. A half faux pas, considering the developers behind it.

Follia: Dear Father is a simple but intriguing survival horror made by small Italian software house. As many other indie titles, it is full of nice ideas but crippled by lots of imperfections. Its VR nature makes it hard to be enjoyed from a normal screen.

Blood Bowl is a beautiful game and Cyanide replicates it in every detail in its latest videogame version. Too bad the single player is ruined by terrible AI and multiplayer is plagued by incomprehensible restrictions. At least developers seem to be addressing the hottest topics raised by the community.

Good writing but the rest is sub-par. In particular, the tiny size of combat arenas makes any attempt of strategizing utterly irrelevant.

Stygian: Reign of the Old Ones has an interesting art direction and a good Lovecraftian inspiration, but seems to be split in half between its nice all-around RPG mechanics and a slow and not very engaging turn-based strategic combat.

Summertime Madness is like a young artist, basking in his talent and quickly getting tired of his own brilliant insights, letting them fade away, while trying to set the tone with hermetic and indecipherable claims. Although there is a certain amount of brilliance under the surface, it is clouded beneath a layer of confusion. But of course not everyone gets to create The Witness at their first try, so if you are in withdrawal from puzzle games, Summertime Madness should be a partial relief.

Pathway can count on an outstanding art direction, but there are many issues preventing the players from fully enjoying the game.

Hello Games created something truly new and unique: No Man's Sky manages to be the best videogaming experience in the recent years, and at the same time a huge disappointment for what it could have been. The first hours are simply amazing, and will probably be stuck in your memory for the rest of your life. After that, the supposedly thriving and procedural universe transforms into a cold and soulless repetition of landscapes and concepts. The videogames universe still has a lot to say, and probably this is the misstep we needed to understand that.

A puzzle game concealed inside a god game, with good ideas, though repetitive, and with an awkward control system via joypad.

A series of interesting boss fights clashes with the general treatment of the Chinese indie game, lowering the quality to the point of not doing it justice. Nevertheless the challenge offered brings with it great intuitions.

Cruis'n Blast is a fun game in the short term, but lacks the depth of many other arcade racers and doesn’t offer a particularly exciting multiplayer, with just a few local 4-players modes.

Color us not impressed: despite being delayed numerous times, Mighty no. 9 is a derivative, short and technically mediocre game. Recommended only if you truly miss Mega Man, and if you already played other (and better) tributes like Shovel Knight.

Pixel Piracy is a pirate-themed roguelike, pretty basic in its gameplay dynamics and with a good leveling system. The control system is a little bit messy, and so is the interface. Not as deep or replayable as Faster Than Light, though.

Rune Factory 5 is a good game, but it's hamstrung by a mediocre technical implementation. Fans of the series will be able to find the usual series of bucolic activities to do between dungeons, but those who appreciate nice-looking and fluid graphics will find it hard not to prefer Stardew Valley.

There is no middle ground for BPM: either you love it, or you hate it. Personally, I feel this game crosses the line between challenge and frustration, offering a learning curve that is almost impossible to climb if you are not a true FPS lover. The soundtrack is excellent and the bundle with it is worth your money, but if you're not a very, very patient person with lightning-fast reflexes and an excellent sense of rhythm, you better look somewhere else.

Unfortunately, I can’t say I have had huge amounts of fun with Galactic Civilizations IV. Although all the basics are there for an enjoyable experience, and Stardocks added a good amount of specific systems to make the experience unique, crucial aspects like war management and IA behavior ended up ruining my time with the game.

Source of Madness is a roguelite with a brilliant potential, which unfortunately feels mostly squandered. It’s a fun game mechanically, but repetition kicks in after just a few hours.

Go Vacation has several problems, too many to interest veteran players. That said, it could be a highly recommended purchase if you have little brothers or small children at home, eager to get their hands on your switch.

Total War: ROME II – Empire Divided is a mixed bag. There are some new, intriguing mechanics, some ideas borrowed from previous installments, but at the same time the gameplay still suffers from the same problems of the original ROME II, and there are some notable absences such as the Hordes. At the end of the day, it's a missed opportunity.

Warcraft III is still one of the best RTS ever made, yet this Reforged edition is just a lazy remaster. That’s because many features are missing and the game is plagued by a significant number of technical issues.

A charming game with an astonishing atmosphere, The Way Remastered will surely be a splendid Flashback-like adventure in the near future. Sadly, Sonka's porting is "today" quite unstable tot the point that we had not been able to see the ending because of a sudden crash and a corrupted autosave: beware, if you want to buy the game before a fixing patch.

The underlying gameplay is still so brilliant that it is painful to see it brought it down by obtuse and ancient systems that make the overall experience frustrating.

Let's put aside the controversies about the Metal Gear saga, and talk about the game, and what it can really offer. The idea of mixing the gameplay of Metal Gear Solid V with a survival setting could have really worked, but the truth is that the very foundation of the game is pretty weak and messy. There are some fun and challenging moments, but overall it feels like a wasted opportunity.

There is nothing wrong with Limerick: Cadence Mansion. No bugs to report, no glaring gameplay problems, no frame rate drops, nothing. The entire production does, however, flaw in experience, from the complicated graphics setup menu that made me desist from playing with the settings, to the banality of many puzzles, more appropriate to a Professor Layton series than a survival horror. Textures, 3D models, and lighting are close to amateurish, which should not necessarily be seen as a negative aspect, but unfortunately in this kind of games atmosphere is everything, so it would have deserved more polish.

From a certain point of view Sakura Wars is an anachronistic game, made for a specific audience that has evolved over time. The ease and repetitiveness of the title's gameplay overwhelms the overall quality, despite good art direction.

Tormented Souls tries to capture the magic of the good, old Resident Evil titles. The game delivers a genuine scary atmosphere and decent storytelling, sometimes overwhelmed by poor graphics and some technical issues.

While the effort that went into creating Mars 2120 can certainly be praised, this is not the kind of game that you would easily recommend to friends. It’s never bad or outright awful, mind you, and playing it is a fairly easy-going experience. But at the same time, low enemy variety, poor bosses, generic story and uneven optimization means that this game will stay very far from the top of the charts.

Berzerk is a timeless classic whose gameplay has aged well, in fact it is even more popular now than it was at the time, thanks to progress in hardware. This Recharged edition reintroduces the spirit of the original in a modern guise, but fails to turn it into a more full-fledged game than just a casual score attack. While the effort to maintain some fidelity to the original concept is comprehensible, there has been a real misstep in offering additional content, with only a handful of extra challenges that are everything but challenging. This way it is likely not to be appreciated even by fans of the original game.

Little Friends: Dogs & Cats is a bit of a wasted opportunity. Too few content, too little gameplay, for a game that could have become the new Nintendogs.

Providing an environment where you can shoot dozens, hundreds of enemies with glee is one of the most surefire ways in which you can keep gamers entertained. However, that’s also all that Viscera has going for it – weapons are shoddily balanced, the graphics are chaotic and messy, and the game’s poorly optimized. Still moderately fun, but not the kind of game you’d enthusiastically recommend.

Madden 22 is not a huge step forward in a series that needs to shift gears to return to its former glory. There is no shortage of interesting ideas, too bad that there are quite a few gameplay issues and that some game modes (Face to the Franchise, for example) are way too boring and uninteresting.

As a collection, Naruto Ultimate Ninja Storm Trilogy is pretty pointless. If you're a fan of Kishimoto's manga and for some reasons you didn't play Ultimate Ninja Storm 3: Full Burst when it was originally released, you can buy just this one game. In addition, the switch conversion is pretty sloppy.

After 30 years, the original Fire Emblem gets a Western release, an English localization and some new features meant to smoothen the experience. It’s a neat history lesson, but gameplay wise Shadow Dragon & the Blade of Light shows its age.

This porting fails to address many aspects that required VR-focused re-work. In additions, content cuts like the absence of co-op mode essentially make this version of Borderlands 2 sub-par to the original game.

Like a lazy student, King's Quest reaches the end making it homework without any extra effort.

Master of Orion fails as a remake of the classic SimTex title, and as an attempt to renovate the 4X genre: the gameplay is too simple and limited to offer a real challenge to the player, and a variety of the old mechanics are missing. Despite all this, it can be a pretty good starting point for players who want to become familiar with the genre.

Big Rumble Boxing: Creed Champions is like a 90’s game: good for short sessions of play, with only few modes, a cheating AI and a lot of pressing the same button over and over. Despite all that, it manages to be entertaining for a few hours, but you’ll soon get bored of fighting the same boxer but with a different skin. The strange, over the top narrative Arcade is enjoyable, but with just one more mode (Versus), there’s no way to get to the twelve round without getting tired of its basic mechanics.

Anthem is a hymn to laziness, where a great potential is held back by strong repetitiveness, the absence of some basic features and the artificially increased level of difficulty. Moreover, BioWare and Electronic Arts made an incomplete product, a mere idea of a full game with the promise that each patch will bring us closer to what we might call a final product. Still, is it possible to have fun with a group of friends and spend some pleasant time exploring or fighting? Sure, but the experience will quickly turn into an infinite loop devoid of any goal.

WWE Battlegrounds is an excellent idea lost inside way too much repetitiveness. 2K wrestling games needed a fresh new style and approach, but Saber’s game got lost due to an oversimplified fighting system and an excessive use of microtransactions. You need hours to unlock everything, but your wrestling enthusiasm is doomed to expire after the first 2-3 hours of playing WWE Battlegrounds, just when you’re gonna realize its best moments are already gone. Too bad, because I feel the need of a good old arcade wrestling game, but I also would have liked it to focus on entertaining me and not try to strip me of all my money for a useless Undertaker skin.

Endless Ocean Luminous is not the dream sequel I always hoped for to Arika's beloved submarine series. The change of direction has favoured the co-operative component, but has mutilated the original experience of many interesting and distinctive features. The purely educational aspect remains, and the possibility of organising dives together with such a large number of friends is not to be underestimated, but I wouldn't recommend the game to those who are only interested in reliving the fascinating sensations of the original chapters on Wii.

A video game that would have deserved more care and attention from a technical point of view. The Many Pieces of Mr. Coo could have been much more and with more content. Such a pity.

This fifth installment of the Mario & Sonic series is a nice multi-event sports title, although a little too easy for an experienced gamer. It's pretty clear that the targeted audience is younger gamers, and they'll have a lot of fun, thanks to the eye-candy graphics, the local multiplayer (not online, though) and a roster of well-known and loved characters.

Diluvion is a wonderful-to-see boring-to-play game, which squanders the chance to emerge from the depths because of its repetition.

Tales of the Neon Sea makes the cyberpunk arguments of Blade Runner its own, embedding them in a valuable work in pixel art, and managing to give us back some of that sound old 1980s science fiction that, for one reason or another, continues to fascinate us. The gameplay, however, is plagued by repetitive mechanics and some puzzles suffer from a bad translation from Chinese into English.

Bloodstained: Ritual of the Night is not a bad game but it is disappointing, a metroidvania all too anchored in the past that doesn't really add anything new to the genre that Koji Igarashi himself contributed. Beyond the bland execution and the continuous plagiarism of Symphony of the Night and Aria of Sorrow, Bloodstained is plagued by too many problems, especially in terms of combat and the hitbox system, preventing an enjoyable gaming experience. It hurts to say this, but there are too many better alternatives to Bloodstained on the market. We expected a lot more than this from Igarashi-san.

Accel World VS Sword Art Online has a decent and enjoyable combat system, but everything else is definitely sub-par: the graphics seems to be coming from the previous PlayStation, and the world is dull and pretty anonymous. Probably slightly more interesting if you're a fan of the series.

Yomawari: Midnight Shadows is a pretty basic horror title, with a creepy and disturbing atmosphere, and an interesting bestiary. The game is not too difficult, the super-deformed art direction is a little bit anticlimactic, but overall it's a good scary ride.

Collector difficult to recommend to all gamers. Excellent for nostalgics, less so for those approaching Yu-Gi-Oh for the first time.

Vader Immortal: a Star Wars VR Series is practically a video game amusement park attraction, and I mean that in terms of length as well. But it’s still an enjoyable experience that will delight every fan of Lucas' opera omnia for a couple of hours.

Samurai Warriors: Spirit of Sanada is not the best musou ever created, but if you're looking for something simple and fun, this new offering from Koei Tecmo might be a good choice. Unless, of course, you have a peculiar dislike for the genre.

Adventures of Mana is a low-budget title that will appease all the fans of vintage RPGs. For a game that should have celebrated the 25th anniversary of Mystic Quest (Game Boy), it could have been much, much better.

The Last Hero of Nostalgaia is the Dark-Soulest of all Soulslikes. The idea of using lore as a game mechanic is interesting, but in the end maybe too easily applied on the experience. Overall Nostalgaia is a Dark Souls child with no regrets about it, but with some over-simplification and some battle-related issues.

What a pity! Impact Winter could have been a great survival game, but it's affected by so many issues that it's impossible to reward Mojo Bones' work with more than a generous sixty-five. Anyhow, you should keep an eye on it: the future patches could fix at least the major bugs and transform a caterpillar in a wonderful butterfly.

A lazy job. The game is quite fun, despite the obvious repetition of the genre, but the porting presents the same problems of the original version. Tons of content is not enough to let the game get more than a modest appreciation.

No empathy and no rhythm are just two of the issues that prevent Before the Storm to reach our hearts in the same way Life is Strange did, two years ago. Let's wait for Episode 2 and let's hope for a deeper friendship between Rachel and Chloe, disconnected from sexual logic only.

Conan Exiles shows some flaws and missing contents that make it still weak and incomplete. The potential of the game, however, is still good.

Freedom Wars Remastered is an operation that fails to restore luster to its former glory. Already narratively it was not something never seen before that could be defined as seminal and, even today, unfortunately the absence of a charismatic character is felt throughout. Not helping are the technical problems, such as a slowdown in the pace due to excessively long loads and an unstimulating work from a gameplay point of view, really old.

Unto The End is able to build an entire universe using almost no words. Every gameplay element is part of its narrative of a wild, brutal and unfair world. Sadly, its combat system feels (and probably is) unfair, making the entire experience sometime unbearable.

Dungeons and Dragons: Dark Alliance is a double-edged sword. The setting and the characters are sure to appeal to an R. A. Salvatore fan, and there are hints of a fun, entertaining game here and there. But they are often overshadowed by the many issues, such as extremely poor enemy AI and questionable design choices.