After Grendizer, Microids brings back Space Adventure Cobra, which spotlights a sort of interstellar Lupin III who loves getting into trouble. Unfortunately for him, this time he has to deal with an adventure marred by incomprehensible design choices. What's completely flawed is the control system, which makes many stages of a game that otherwise had the potential to appeal especially to "old teenagers" of the '70s and '80s, unnecessarily difficult and unfun.

Despite a bunch of interesting ideas, Phoenix Point rarely offers a viable alternative to the many other games of the same genre. Greatly unbalanced, unpolished and poorly optimized, the game by the creator of the X-Com series is but a shadow of Gollop’s past.

The game offers simple hack 'n' slash action and a story mode that follows the manga's plot. However, the gameplay experience often becomes dull due to poorly designed boss battles and design limitations. The Temple of Recollection mode adds an interesting variation but doesn't significantly impact character strength. Despite attractive graphics and the inclusion of the entire story, the game lacks refinement and feels like a disappointing tie-in for a brand like Dragon Quest.

Persona 3 Portable is an unconvincing conversion of a game that could have expressed more in 2009, constrained then by limitations that current platforms do not have. It remains an important chapter for the saga with a unique aesthetic that serves as a bridge to its origins, but it is a shame that the adaptation was made without the will to dare.

Immortal: Unchained could have been an original take on the soulslike genre, but it's too buggy and imperfect to be a fully enjoyable mix of action RPG and shooter mechanics.

Behind a sapphic story, Nights of Azure hides a pretty standard hack'n'slash. Not too good, not too bad, definitely not something you'll remember over the years. Gust should've had the guts to try something bolder.

Generation Zero is based on an interesting concept, but its empty open world leads to an overall boring experience.

Biomutant on the PS5 is, for better and for worse, the same game published a year ago on other platforms. Its enhanced graphics are a nice addition, but the flaws of this action RPG still reside in its outdated gameplay formula.

Overkill’s The Walking Dead is deeply flawed and bland. Its gameplay feels generic, sometimes bringing out anomalous and umpleasant situations.

Onimusha: Warlords is a lazy remaster of an honourable but anachronistic video game. The new control system is a nice addition but we simply expected something more.

Jagged Alliance: Rage! has a bunch of interesting ideas, but it’s flawed by many technical issues.

Bandai Namco and CyberConnect2 tried really hard to create something new. Despite the good fan service, JoJo’s Bizarre Adventure: Eyes of Heaven doesn't manage to emerge from the many anime tie-ins released in these past few years. Good for a fun evening with friends, bound to be forgotten as soon as the last guest leaves the house.

Sonic Boom: Fire & Ice is too easy and suffers of a lack of inspiration for what concerns the level design. Buy it if you are interested in the TV series, otherwise you should spend your money for something better.

TT Isle of Man: Ride on the Edge could have been the chance of a lifetime for all the motorbike fans. The Snaefell Mountain Course is glorious, the lights are great and wind blows like in an epic tale, but game itself is quite a wasted opportunity. The simcade racing gameplay is harsh and unforgiving, and sometimes you just don’t feel the motorbike. A part from the handling issues, the game lacks of contents beside the Snaefell, and the career mode is flat and emotionless.

Biomutant is a boring, repetitive and simply anachronistic video game with a lot of problems in the quests and world design departments.

Fable Fortune doesn't reinvent the wheel, and the few new things it brings to the table (pun intended) are not that good. It's unlikely that it will find a spot in the crowded arena of CCGs, even with cross-play between Xbox One and PC. Well, it's free, anyway, so if you're a fan of the genre, it may be worth a try.

Unfortunately, Bossa Studios lost sight of what made the first Surgeon Simulator brilliant, transforming this direct sequel into a puzzle game ill-suited not only to the deliberately inaccurate control system, but also to the overall tone of the experience.

The one thing not lacking in this Definitive Edition of Dead Island is the content. Unfortunately, it's the same as some years ago, and if you already played it, there's no real reason to do so again.

The LEGO Movie 2 Videogame is clearly inspired by LEGO Worlds. It’s easy to play and with a good amount of content, but it lacks variety and it’s way too easy.

When it comes to art direction ad writing, The Way of Life is full of interesting and intriguing elements. The same is not true for gameplay, with a lot of repetitive mechanics and routines that ruin the flow of the game and sometimes break the attention of the player. Nonetheless, a bold first effort.

Technosphere Reload could have been a challenging and addictive puzzle platformer. However, a problematic camera and all the hidden obstacles and traps make the experience too frustrating.

Death Noodle Delivery is a fascinating project in theory but the magic ends after a couple of hours of completing the game. Few mechanics, a constant vulgarity in the script and a general feeling of having an incomplete game in your hands.

RPGs have been an ever-evolving genre for years, and while most developers strive to introduce some new details to innovate, Dungeon Encounters follows the path of hardcore minimalism. The result is a game that looks outdated and with rusty game mechanichs, sold at a price that is everything but minimal. It offers a couple of interesting details but also wild grinding, very repetitive gameplay, and poor graphics. We should expect more than that from Square Enix.

Vertigo's main problem, probably, is its ambition. When you choose such a cumbersome source of inspiration, the risk of ending up crushed by it is real. The Pendulo game wisely chooses not to retrace the path traced by Hitchcock, but to borrow the main theme. Unfortunately, however, it manages to keep the interest high only in the initial stages, then a under-the-bar acting and questionable narrative choices prevail over originality. You could appreciate the attempt, not so much the outcome.

Castle of Venia smells of good old games of the past, but too many technical limitations and the lack of content irredeemably limit all the good things it can give.

Pokémon Scarlet and Violet jump between future and past, like their cover monsters. A freely explorable Open World but unable to performing well and killing all the new good ideas. It’s a classic from Game Freak, a place where every step forward is followed by some steps backward. And maybe is not enough anymore, it’s time to force the best-selling franchise in the world to grow up.

Pokémon Scarlet and Violet jump between future and past, like their cover monsters. A freely explorable Open World but unable to performing well and killing all the new good ideas. It’s a classic from Game Freak, a place where every step forward is followed by some steps backward. And maybe is not enough anymore, it’s time to force the best-selling franchise in the world to grow up.

In a different year, Airplane Mode would be a nothing more than a nice joke, a strange experiment forgotten in a couple of days. In this strange 2020, AMC’s first game is instead a sort of relief from the lockdown we are living in. If you miss being stuck in an uncomfortable chair, bored to death for hours, this is the game for you.

Brave New World keeps on telling the events "before the storm" on Arcadia Bay in a puerile way, exceeding in talking about drugs and homosexuality without going deep in the facts. Let's hope for a change in the next, last episode of the series.

Despite the introduction of a well-written new character like Lodi and the presence of the Nine, the gameplay in The Edge of Fate proves to be extremely repetitive, with dull puzzles and fetch quests that slow down the action. The Desert Perpetual raid offers a few interesting ideas, but the campaign feels shallow and lacking in narrative momentum, leaving the impression of filler content.

Predator Hunting Grounds could have been a good product, thanks to the franchise from which it draws inspiration, staging an engaging show capable of bringing to the field one of the most fascinating alien in the Hollywood history. Unfortunately, the realization of this title, as its brother Friday 13: The Game, makes it hard to be bought at full price, leaving us only the hope a good post launch support to save it from auto-destruction.

At first, NBA Playgrounds may seem like a wonderful title, but at the end of the day it's an unfinished product. Fun and engaging to play, it's the perfect filler for a night with friends, but there's not much else.

The Legend of Legacy HD returns with a nostalgic nod to its 3DS origins, now on PS4, PS5, and Switch. Remastered visuals preserve its charm, while Masashi Hamauzu's score shines. Yet, its unconventional turn-based RPG mechanics demand relentless grinding, testing even the most patient. Character growth relies on repetitive battles, lacking traditional experience points. Narrative depth takes a backseat to experimental gameplay, leaving some feeling detached. Despite its cult status and nods to SaGa series, Legacy's HD revival lacks modern refinements. While it caters to hardcore RPG enthusiasts, its unchanged nature may deter newcomers seeking accessibility and guidance.

Re: Legend tries to keep pace in the sector panorama and it seems to succeed at first, diminishing shortly proceeding in the story.

This new release of The Witch and the Hundred Knight is just a mere porting of the PS3 version, with no discernible improvement, neither for graphics nor for gameplay. It could have been a good opportunity to revive the series, but unfortunately it is not.

Besides a graphics engine that is not aging too gracefully, and gameplay even more limited than in the past, this first episode of the new The Walking Dead miniseries isn’t as good as other Telltale’s productions. The storytelling is always great: the problem here is the story itself, pretty ordinary and based around events we saw too many times in The Walking Dead universe.

Eiyuden Chronicles: Hundred Heroes is a good, deliberately old-fashioned JRPG with all the pros and cons. As a love letter to Suikoden it hits the mark despite some uncertainties, but the biggest problem at the moment are the bugs we encountered during the review, some very serious and impossible to ignore. Wait patiently for the bugfixes.

Pokémon Legends: Z-A is fun, but it's clearly light-years behind industry standards and what one would expect from the most profitable franchise in video game history. The good ideas are completely drowned out by shoddy graphics and dialogue that still believes children need to be banal and simple, ruining a plot that works at its best and finally gives dignity to the characters and the plot holes that Game Freak missed in the sixth generation.

The new Need for Speed has some serious problems that need to be addressed: mainly, the over-use of loot boxes (and microtransactions) and a broken progression system that relies too much on randomness and grinding. The story is cringe-worthy, full of bi-dimensional characters and annoying catch-phrases. All that being said, the arcade driving model is accessible and extremely fun as always, and the open world is pretty big and full of activities that can keep the player engaged for a long while. Oh, and you're going to spend plenty of time in the garage pimping your ride.

A short, boring, useless game, Kirby's Blowout Blast could be addictive for some younger players only.

Before the Storm shouldn't have been done. It doesn't add anything to the original work from DONTNOD, to the point where sometimes it seems just another game with the same characters, and a much less inspired soundtrack.

Hunting Simulator 2 is not a game for everyone. Its slow pace makes it potentially interesting only for those who are looking for a game experience that reproduces hunting in all its phases, including extra long boring intervals.

JETT: The Far Shore has so much potential wasted due to its abysmal gameplay, the same gameplay that hinders the overall experience and undermines what good has been done on the artistic and narrative sides of the game.

GODS Remastered shows just how nostalgia can be deceitful, by re-proposing a badly aged game acclaimed in its time thanks to a truly unparalleled artistic direction.

Aliens, armored knights, mechs, mutants and dinosaurs with laser beams, spells and machine guns: whatever you saw or played in a videogame, just name it, and you'll probably find it in ELEX. A potpourri so weird it could have been amazing, ruined by an uninspired main quest and the usual, flawed combat system by Piranha Bytes.

A brave outdoor life simulator in which you have to explore, hunt, and carry out repetitive tasks and missions completely devoid of appeal. The result is a game that is beautiful to look at (for its price) but rather boring to play; only recommended to the most motivated players.

A game based on such tacky and cheap premises that it could have been awesome. Unfortunately, behind the fairly good visuals lie a repetitive gameplay, dull characters, dumb AIs and bad design choices.

Kursk isn’t a bad video game, but its many flaws keep us from recommending it.

A ‘puzzle platformer’ with a strong personality, an excellent cast and an intriguing story. In terms of gameplay, there is no shortage of ideas, but the game's potential is almost totally destroyed by a large number of bugs and glitches that ‘dirty’ the gaming experience, making it MUCH more complicated than it should have been.

Synduality: Echo of Ada is an extraction shooter poor in content and plagued by a pay to win system. The slow progression make a frustrating experience.

Mato Anomalies is a video game with an interesting premise, but with an execution that is barely capable of keeping up with other turn-based RPGs. Its noir atmospheres mixed with a cyberpunk setting are extremely seductive, but under the bonnet of an interesting vintage car there is an engine whose roar really fails to impress.

This The 25th Ward remake is something that "had to be done", even just to preserve the memory of an almost lost videogame. Despite a catching plot, the rest of the experience is unfortunately imbued with slow and boring mechanics. You should consider the purchase if you are a Suda 51 fan only.

Babylon’s Fall is the first console GaaS developed by Platinum Games and it shows. Technically anchored to the past and artistically uninspired, the action game developed by the creators of Bayonetta hides its best features behind an abysmal story mode that lets the gameplay breath only after more than 10 hours of mandatory tutorials. Post-game content is interesting and the gameplay loop might be engaging after a good amount of updates to fix the rough edges, but will players keep faith in the developers after being welcomed in that way?

Redfall is an indecipherable mess. Many technical problems destroy its playability, making it still fun when played with friends, but otherwise it is clearly an incomplete game.

Assigning a bad rating to Virtua Fighter 5 R.E.V.O. is a dirty job, but someone had to do it. Reduced to the bone content and one of the most feeble rollbacks I've ever seen condemn to insufficiency an extraordinary but outdated game, unable in its current state to offer an online infrastructure that guarantees the development of a healthy community. We hope that the new chapter in such a prestigious series will not suffer from such neglect.

An overpriced collection of tech demos that isn't worth the money Sony is asking for: at least a couple of them should have been developed as full games to justify the outlay.

Dynasty Warriors 9 is a game that can be recommended only to hardcore fans of the genre: the formula is absolutely the same, with its inherent boredom, further stressed by a subpar open-world experience. There are some new elements here and there, but the gameplay is basically the same.

World to the West is a shining example of the "good intentions, bad execution" genre. Too much backtracking, the overall lack of polish and the bad, mandatory use of all the characters almost destroy everything good the game has to offer.

We all love Michonne, and it hurts to see her in a modest game like this one. She surely deserved better: a more engaging and less predictable story, a cast of characters you could really care about, and a less sloppy production. Definitely a misstep for Telltale.

Matchpoint: Tennis Championships shows all its limits after just a few matches. There are some interesting ideas but, considering the poor A.I and the lack of game modes, there is no reason to play this game for more than a few hours.

Dated graphics, obsolete gaming mechanics and various technical issues are only some of the problems. There's some charm in the game, within the genre, but this is not enough to allow White Day to reach a good score.

Carmageddon: Max Damage tries really hard to bring back the memories of the weird, yet successful Stainless Games series. Unfortunately, it reaches the goal: the gameplay is almost identical to the original (with very few fresh ideas), the AI is as bad as before, and the technical quality is definitely subpar. A mediocre game that will probably please the fans of Max Damage, and just them.

Terminator Resistance is a mediocre title. Gunplay in not so bad, but the game looks old and never offers engaging or exciting moments. Fun for a couple of hours and nothing more.

Sword Art Online: Alicization Lycoris is a mediocre game, ambitious but incapable of realizing its vision, plagued by an inadequate and lazy realization. Only for the most dedicated fans of Sword Art Online.

Immortal Realms: Vampire Wars is one of the most shallow strategy games I have played in years, both narratively and mechanically: few units, weak AI and uninteresting maps do not make for an enjoyable package. A pity, considering the premise is interesting and tactical combat isn’t too bad. But it’s not enough.

Samurai Riot lacks personality and charm; the combat system doesn't offer anything more than mimicking the classic side-scrolling beat'em ups. As it is, the game could be a starting point for something new and interesting, but Wako Factory has a long way ahead.

An adventure with basic stealth elements and a teen-horror atmosphere that also winks at more recent genre series. The atmosphere is good but the all too basic gameplay seems to be aimed at a fairly young and unweaned audience. Technically it does not leave great memories but the porting job could have been better.

A third chapter that sticks to its predecessor in every possible way. While Revenants does not lack interesting aspects, it also painfully shows its low budget nature. In particular, confusing combat and poorly delivered story are its most significant flaws.

Vampire - The Masquerade: Reckoning of New York is the worst chapter of the visual novel version of the franchise. Listless, without bite and with an uninteresting protagonist. The trilogy ends with a chapter below expectations.

Micro Machines World Series could have been a great game, but it simply isn’t. Codemasters worked for the bare minimum, and it’s a shame. The formula still works and entertains, but the game has a saddening lack of content, an absurd online system, and it won’t be saved by some new, interesting game modes.

Process of Elimination is a videogame with ideas poorly exploited and hastily managed. Despite of interesting an interesting context, it quickly loses interest. A missed opportunity.

A clumsy attempt by Square Enix to reach the heights of the first three chapters, but the lack of personality and boldness, together with some technical issues and slightly flawed gameplay, make this fifth installment a game for hardcore fans only.

The real problem with 1-2-Switch is the steep price: 50 bucks is a lot of money for a bunch of cute minigames (half of which are meh). There are some occasions when 1-2-Switch shows the great potential of the new Nintendo console, but it's not enough to justify the buy.

The game offers nothing more than some good animal visuals. What remains is a management game without any challenge and spoiled by an awful UI.

The Funko Pop phenomenon finally arrives in the world of videogames and, taking its cue from LEGO titles, tries to reach a similar audience with simple and immediate gameplay. Unfortunately the result is not what was hoped for due to some questionable design choices and several small bugs that spoil rhythm and enjoyment. Also almost totally missing is the ‘collectibles factor’ that we hoped would be a staple of this production.

An horror adventure dull, boring, and technically modest. It manages to create a bit of suspense, but the gameplay is too repetitive to really captivate the player.

With Renegades, Bungie tries an ambitious crossover, but it ends up making Destiny 2 lose its uniqueness. The inspiration from the Star Wars saga feels forced, with a weak story, unconvincing characters, and a universe that ends up being corrupted by alien elements. The campaign is short, the activities are repetitive, and new features are virtually nonexistent. It's only saved from complete disaster by its solid gameplay and a few flashes of brilliance here and there. Definitely not enough to revitalize a struggling live service suffering from an obvious identity crisis.

Mount and Blade is a game we loved (and still love nowadays), and that's exactly why we mourn for this console version, that adds absolutely nothing to the PC version, and lacks important stuff like Mods and 64-player multiplayer.

Despite its wonderful art direction, Super Neptunia RPG is obsolete, anachronistic and poor in content.

Warhammer 40,000: Dawn of War – Definitive Edition is an extremely disappointing “definitive” collection: a superficial remaster that doesn’t do justice to the historic first chapter of the RTS saga. The four included titles remain solid in terms of content and replayability, but the remastering work is minimal and incomplete. Given the high price, the remastering feels sloppy and unjustified. Yet another wasted opportunity for Relic Entertainment.

Ufo Robot Goldrake The Feast of Wolves is unfortunately a mediocre game, so much so that I would not recommend it even to the most die-hard fans of the iconic robot, except at a discounted price. Like the original material, it is a product aimed at a young audience, ironically at the antipodes of the old-timers who are supposed to represent the hardcore Actarus fans.

If possible, this second episode is even worse than the previous one. The well-oiled Telltale formula is getting old, but something else must have gone wrong, this time, because the story fails completely to engage the player or make him real anxious, and the "difficult" choices aren't difficult at all.

Short, dull, and technically weak, The Seven Deadly Sins: Knights of Britannia is a mediocre game, that will probably be appreciated only by the younger and more hardcore fans of the saga created by Nakaba Suzuki.

There's no dancing around the fact that Digimon Story: Cyber Sleuth is a disappointment. Despite a pleasant art direction and a good representation of the digital monsters, the gameplay is unbalanced, the challenge for the player is basically non-existent, and the storyline is too verbose and full of clichés.

Another bad porting of a mediocre collection, that definitely doesn't stand the test of time. It's pretty pricey as well, and the only title worth of your money is probably Dante's Awakening. It could – and should – have been better.

Behind its gorgeous and appealing graphics, One Piece: Burning Blood conceals a coarse, unbalanced, slow and unfairly punitive gameplay. Probably it would have been wiser to delay its release to fix the obvious flaws in its design.

Maybe 16 years ago Kamiwaza was a good and engaging action-stealth game but time has not been kind with it and now this remastered version doesn't have a meaning to live in 2022.

My Hero One’s Justice is a game aimed almost exclusively at the fans of the series, which will perhaps be satisfied by the fan-service and the scenic performance of the game. It’s a pity that too many problems prevent it from sitting next to other well-known exponents of his own genre.

Asterix & Obelix XXL: Romastered shows the weight of 17 years in its ancient gameplay structure, plagued by glitches and significant frame rate drops.

Cloudpunk is an original and fascinating game, on PC. This Nintendo Switch port, on the other hand, is a bit of a technical mess.

Whether it’s lack of effort, time or budget, Cyanide Studio does not enough to provide a satisfying combat system, nor an interesting story-telling, nor a decent technical presentation.

The Lord of the Rings Gollum is a game that came out of time. the title almost never convinces in any of its aspects, resulting in many parts frustrating. the game optimization itself never manages to be stable making it difficult to play.

The Caligula Effect 2 is the kind of experience that works on paper, with a good basic idea and potentially intriguing protagonists. The game, however, is a hymn to banality and boredom without any redeeming traits. Fans (?) of the first game, with which it shares a weak narrative link, might find this game interesting. Everyone else should stay away.

Dragon Ball: The Breakers is a crude and poor video game, but it is not lacking in inventiveness. What I’m wondering is if, unlike other similar multiplayer titles, it will have time to evolve and improve over time, or if Bandai Namco will put an end to its service before the game formula is refined and enriched as it needs to be.

Sword Art Online: Hollow Realization Deluxe Edition is based on an engaging premise. However, this clumsy port of a title not exactly excellent fails to realize the potential that has fascinated the public.

Aesthetically faithful to the original, the new TMNT game is a beat'em up that unfortunately falls shorts in every other aspect. We honestly expected more from Platinum Games, but we cannot ignore the chaotic combat system, a ludicrous longevity, and a soporific level design.

The credit Konami has long enjoyed because of its indispensable role in the modern conception of soccer video games has now been exhausted. And you have to recognize eFootball 2024 for what it is, a very slight improvement on the previous version, still plagued by the same, huge problems. The music is still the same: decent gameplay, Dream Team limited by the database, other modes none to be had, cumbersome menus. The time has come for a breakthrough, because the alternative is rather bleak.

Street Power Football is an underwhelming champagne football. Unpolished gameplay and the very high entry price make the game inaccessible, and the lack of a sense of progression, of a well-structured campaign mode and of online matchmaking ensures that there’s little fun to be had.