Neva: Prologue is a decent addition to Neva. Decent, in fact: it does its job, it's not at all bad, and it's even cheap, but it doesn't quite live up to the core game's promise, and feels less inspired and compelling compared to it.

Legacy of Kain: Defiance Remastered does a good job overall of modernizing a video game from over twenty years ago. The narrative charm of the saga remains intact, and the "quality of life" options—most notably the fully 3D camera—help to at least partially freshen up a gameplay afflicted by severe repetitiveness. It is a pity about some overly invasive aesthetic tweaks, primarily regarding the lighting, which ruin the decadent gothic atmosphere of the original. An original that, fortunately, is always right there: you just need to press two buttons to switch to the 2003 release, which has remained almost entirely intact, for better or worse.

Weedcraft Inc. is a good business sim for a weed empire and speaks to the prejudices and the contradictions around this world.

Some technical issues prevent the Switch version of Dragon Ball Xenoverse 2 from letting the player live the same experience seen on other platforms. Despite this, the game is fun and is what a Dragon Ball fan should consider buying.

The 2016 edition of Pro Cycling Manager picks up where the previous chapters left off, for better or worse, with the complete simulation of competitive cycling and a realistic depiction of the races. If you're a fan of this sport, there's nothing not to be liked here.

A peculiar FPS that will appeal to those who love H.P. Lovecraft, to those who miss the legendary DOOM of the past and to those who are ready to ignore some flaws in the name of old-fashioned fun.

Detective Gallo is a graphic adventure that clearly show off its sources of inspiration, such as the LucasArts titles. The studio is small, the production limits quite obvious, but it's still and enjoyable game.

Except for some small nuances, which are not able to meet today's triple A standards, such as audio imperfections - which cause some lines of dialogue (regardless of the language used) to overlap in an unnatural way or use different volume levels - or the sudden teleportation of some NPCs from one scene to another, is pure gameplay where the weight of the years makes itself felt most.

Deck of Haunts is fun for its mechanics and the reversal of perspective, but it lacks a real narrative bite and a crescendo of tension: it is interesting from a conceptual point of view, but it lacks that extra spark that makes the difference.

Oddworld: Soulstorm is an imperfect game, like many other, but unlike most of them it accepts the idea of taking risks to achieve something different. Unfortunately, it only sometimes happens, but it was worth trying. As Abe knows well, there’s no way other than fighting (or jumping, or chanting…) to achieve what you want.

In Sound Mind is a well-done psychological horror, fun and stimulating from start to finish. It’s less scary than expected and could be improved from a technical standpoint, but the mix of gameplay elements knows how to stimulate the player by offering them a new element to use in each level.

Malicious Fallen could've been a really fun and engaging experience, but it falls short because of all its small flaws. The combat system is good, but everything else would have benefited from more polish. At the end of the day, it's a quirk that will please fans of action games, such as Bayonetta and Devil May Cry.

The first Mass Effect trilogy is probably not a masterpiece, but, like basically everybody else, we become very fond of it, and we loved the unique experience it offered. The main problem with Mass Effect Andromeda is that the main flaws of the first trilogy are still here, and that's not merely the animations and the graphic quirks. Despite an open world that is sometimes visually majestic, the game lacks the boldness you need in order to go where no man has gone before.

Nier Replicant Ver. 1.22474487139 is not a remake but neither is it a simple remaster. It's an enhanced version that fixes some of the original game’s issues and delivers a bunch of new content, but does nothing to refresh its dated approach to world and quest design.

A classic beat ‘em up lacking any particular flare of originality, but enjoyable to play and quite rich in content. The combat system is simple but sufficiently articulated to make the fights varied and appropriately challenging. What is missing for now is an online co-op mode, promised in future updates by the development team, and some intervention is urgently needed to correct a few technical issues.

Ghostwire: Tokyo is a game that fails to live up to its potential, trapped by a lack of ambition and an uninspiring old-school open world. The audiovisual presentation is good, if flawed, but on its own it can't elevate a short and monotonous game. A pity.

Milky Way Prince - The Vampire Star is unconventional, adult, bold, and aims quite high, maybe even too high for the first experiment of a one-man studio. Many elements of the plot are just sketched, so sometimes it's hard to feel involved with the two young lovers. The sections where the player choose the sense to interact with are interesting, but unfortunately followed by slow paced moments with not that much to do. If you are not afraid to be more of an onlooker than a player, this game is easy to recommend. And it’s short, so you’ll have no excuse not to finish it.

Rise of the Ronin is a sort of amusement park for samurai, an open world adventure with an excellent combat system, in which the abundance of activities could distract you from a compelling and well-told plot. It's closer to an Assassin's Creed than a Souls-like or one of Team Ninja's previous games and could have been even better if it had been less technically problematic.

Peril on Gorgon further expands the background of The Outer Worlds and the colony of Alcyon, but focuses too much on the action parts of the game rather than on its narrative and role-playing sides.

Monark is a turn based JRPG that brings to the table a lot of longevity and fun, especially for anime lovers, but unfortunately fails to reach its potential due to a technical department that is simply too dated.

An Hades-style roguelike action game with the immortal Ninja Turtles... what could possibly go wrong? Nothing, in fact Super Evil Megacorp's take on the genre is definitely fun and accessible, with with an unmissable 4-players couch-coop mode. Splinter Fate reiterates (almost) all the right formulas already seen in similar titles, without daring anything new and proposing a tech compartment that could have been decidedly more ‘pushed’.

Ys Memoire: The Oath in Felghana is a solid but unremarkable remaster. While the core gameplay remains engaging and fast-paced, the visual upgrades feel minimal compared to the PC version, and the new features—like high-speed mode—don't justify the full price for returning players. The soundtrack is still fantastic, and quality-of-life additions help accessibility, but this release lacks meaningful enhancements. If you’re new to the game, it’s a great way to experience one of Ys' best entries. However, veterans may find little reason to revisit this edition unless they specifically want it on Switch or PlayStation

It takes a good amount of recklessness to develop a video game similar in every way to Ratchet & Clank, knowing what kind of production you are up against. Akimbot, in no uncertain terms, comes out in stitches; not because of not being fun, actually it is, but because of the compulsive urge to be a clone of the Insomniac masterpiece. Ironically, the most interesting sections are those with their own personality, without trying at all costs to insert nods to other parties' intellectual properties. This is a pity, because technically it is well crafted and offers a good level of challenge, but it suffers in the unforgiving comparison.

We Were Here Forever is essentially a Non-Fungible-Escape Room. Playing with a friend means trying to explain what is happening to you, while at the same time you have to deduce from his (or her) words hints and clues that might help you find your freedom. Words are your only weapon, and your only way out, so make sure you play this with the right person (or the wrong one, for potentially hilarious outcomes).

The Hand of Glory overflows with ideas. Not all of them are spot on, but that’s a risk you have to take when you want to do something that goes a little out of the classic schemes. The first impact is alienating because everything is not very homogeneous, from the graphics to the continuous change of register in the narration, but in the long run this strange alchemical formula works, thanks to a plot that turns towards decidedly unexpected territories and leaves the player with a giant cliffhanger, raising the hype for the second part of the game.

Patapon 1+2 Replay is the remaster of the first two games in the famous rhythm strategy series that was born on the PSP. As the Drum God, we lead a mini tribal army by giving orders only through sequences of four beats, to be executed with metronomic precision to advance, attack or defend. The system combines musical skills, tactics, unit management, material gathering, crafting and evolutions with the typical role-playing game system. Faithful and smooth re-release, ideal for those seeking a unique musical strategy experience, although the final third chapter is missing.

Despite what you may think, The Surge is not a Dark Souls little brother, nor does it want to be. Sometimes the AI can be disappointing (or too difficult to beat), but it has its own personality, a good industrial level design, and a pretty deep narrative.

Albedo is basically a one-man game, a clever and funny arcade adventure, filled with good puzzles and a delightful atmosphere of a sci-fi movie of the '60s. An overall enjoyable experience, partially ruined by a stiff control system.

Through the Darkest of Times is a game worth trying if you are willing to forgive a slow paced and repetitive gameplay, in exchange for an exciting and very detailed history lesson. Those who prefer to get rid of the Nazis with a BFG 9000 should definitively look for something else.

An action-adventure that repeatedly quotes the old Resident Evil games and uses their mechanics to offer the more nostalgic audience an experience very close to the survival horror of the PS1-N64 era. A hint of modernity in the controls makes it palatable even to less veteran gamers, but a few balancing problems and a fairly short longevity take it away from the pinnacle of the genre.

Another old-school survival horror game, for better or worse. If you love fixed camera angles, pre-rendered backgrounds, limited saves, and constant tension, you can safely add half a point to the final rating. Technically, it's a step up from the previous installment, with excellent, detailed locations, atmospheric and crystal-clear sound, and responsive controls. Animations and poly-models aren't top-notch, but you can't have everything.

Empire of Sin is a competent hybrid that borrows mechanics from tycoon games, turn-based tactics and RPGs. Unfortunately, the game is plagued by numerous bugs and glitches that risk compromising the experience.

Space Hulk: Deathwing is one of the best action monuments ever developed around Warhammer 40K, and yet the unstable framerate, the uncertainties of the AI ​​and the poor structuring of the co-op drag the game a little bit lower than it deserved.

.hack//G.U. Last Recode gives you good bang for your buck, with an original chapter as a bonus. The game has aged a little, technically and gameplay-wise, but the vision of CyberConnect 2 is still fascinating after all these years.

An adventure that blends platforming with puzzle-solving, featuring an extremely likable and versatile protagonist alongside an excellent variety of environments and situations. The special powers of Darwin the octopus inject flair into gameplay that builds upon established conventions, while offering a few creative sparks of its own. Limited longevity—coupled with some control issues and certain gameplay segments that aren't perfectly balanced—ultimately detracts from a final result that, with a little more polish, could have stood toe-to-toe with the very best titles in the genre.

Pro Cycling Manager 2017 is a classic "more of the same" product. Besides some small new features, the game is very similar to the last edition, so the decision to buy it or to wait for the next episode of the series is up to you.

It's clear that Lords of the Fallen starts from good foundations. The problem is that not everything that has been built on these foundations leaves one satisfied, with defects and unconvincing aspects spread like wildfire.

We might define Encodya as a casual adventure. Although it doesn't add anything new to the genre and it’s very easy to complete, we can’t deny that Chaosmonger was brave enough to bring back to life an almost forgotten gameplay, with a good and compelling story. The dark atmosphere of the dystopian world clashes with the innocence of the little protagonist in a game whose lack of complexity could turn out to be a winning move, hooking new players to a genre that has been experiencing a crisis for many years now.

Project Babel: New Tokyo Legacy is basically a big "more of the same", without any noticeable innovation. It's an excellent dungeon crawler if you're a newcomer to the series, or the genre altogether.

A fairly classic Metroidvania in its gameplay formula, but artistically above average and embellished with a cast that wouldn't look out of place in an Anime. Some balance issues don't stop it from being a highly enjoyable title and telling a meaningful story that deserves to be listened to.

Disturbing and outside of any canon: horses is a journey into the loss of innocence.

Oninaki is strange. At first you think you love him, then the feeling changes and in the end you almost can't stand it anymore. The truth is in the middle: it is a good game with some interesting mechanics and others much less well chosen.

A new League of Legends spin-off that tells a story of friendship through well-established gameplay but lacking any particular creative flourishes. The most "Disney-esque" of Riot Forge's products to date, it is a game unsuited to discerning palates or experienced players, but it can become an excellent pastime for younger audiences or for those who crave something well-told but undemanding.

Defying Honor is a DLC that keeps the player on edge, with the steep difficulty we already encountered in the original Nioh. Compared to the first DLC, the amount of new content is basically the same, but the level design is much more intriguing. Unfortunately, the PvP still feels sloppy and unbalanced and sloppy.

While We Wait Here tells a very pleasant story. Despite the absence of a trial and error that I would have found very apt within the title, the parts dedicated to the preparation of dishes are also well integrated. The absolute pro goes to dubbing and atmospheres. I've always dreamed of making puncakes while the world is disintegrating out there.

Rogue Stormers is a frantic shooter with a fun co-op mode and a lot of blasting. Despite all that, it doesn't take too many risks, with a dull bestiary and a veeeery slow sense of progression.

Soccer Story is an adventure capable of entertaining those who love football thanks to many fun challenges, a light atmosphere and the constant promise of new things to come. Some technical problems, easily circumvented AI and an RPG soul only hinted are its limits, but it remains a love letter to football for football lovers.

A light and light-hearted but no less interesting ARPG, Sand Land. It doesn't have deep gameplay nor the slightest revolutionary ambition, several game elements are so canonical that they make it appear flat to those who are more accustomed to it, yet it can still be played with a certain gusto. The vehicles give an extra something to the journey of Beelzebub and his companions, not only from the point of view of traveling in an unfortunately unexciting open world. The rest is taken care of by the pleasant touch of the late artist who many of us, from an early age, have learned to consider as a loved one.

R-Type Final 3 Evolved is an R-Type, as faithful in the canons as in the style of the franchise. The package also includes R-Type 2, an appreciated bonus, but everything about the shop and customization is done badly.

The gameplay dynamics of TASTEE are pretty much the same as Frozen Synapse, which is definitely a good thing, together with a cartoonish art direction and a user-friendly UI. The main campaign is a good challenge for everyone, but the best comes with the multiplayer modes.

The Life and Suffering of Sir Brante is an interactive novel in which interaction is reduced to the bare bone, allowing us only to turn the pages of the book and choose our next moves from a list of options. So it should not be evaluated as a game but as a story. And from this point of view it is a brilliant tale, which manages to capture attention from the very first pages, making us suffer for the unfortunate protagonist. Like all products of this kind, however, after the first intense run you will only want to see the multiple endings, skipping most of the rest of the story.

GRID Legends does its job but nothing more. More than ever, it is an arcade experience that promises a lot and delivers some of it, and the result is a franchise that still hasn’t found the quality leap it needs.

Atelier Sophie 2 follows in the same vein of its predecessors, refining the general formula while maintaining it pretty much intact. It’s still a good comfort game, but it could use some work when it comes to combat and story.

Code of Princess EX is pleasantly playable, finally fluid compared to the 3DS version, and the combo fans will find a very flexible game system. Unfortunately, it is also repetitive to the bone, and the visual impact on a big TV screen doesn't look so great.

Scintillatron 4096 seems to have come straight out of an elucubration by Jeff Minter, and this is perhaps the best compliment that I can make. Frantic and fun, at times frustrating, but also endowed with an unexpected strategic depth, this game seems to have come here directly from an arcade of the 80s.

Masters of Anima allows us to control an army of minions to save our princess (and the rest of the world). The most difficult thing about the game is mastering the control system, and there's a notable - and irritating - separation between exploration and fights; nonetheless, the game is a solid and fun experience.

Wanted: Dead has a very entertaining combat system based mainly on the use of white weapons, full of ultra-violence, blood, dismemberments, combos and particularly devastating final techniques, but it limps in everything else: the AI of our team and the enemies is not efficient, the minigames are sometimes a pretext to unlock some collectible, other times an interruption between one mission and another, and the story, however interesting to follow, continuously breaks the action. The final question is: is a triumph of blades enough to justify the purchase? Definitely yes, if you loved the slasher films of the early 2000s, otherwise you might find the offer a bit scarce.

The Gunk is game full of charm, thanks especially to its wonderful art direction and the colorful alien world it created. Unfortunately, despite its short duration The Gunk does not manage to carry this sense of wonder all the way to the end, due to repetitiveness of environments and a gameplay that ends up being far too simplistic. It’s still a valid title, especially for younger players; it just needed a little more to truly shine.

Surviving, nowadays, is hard. It’s DAMN hard. So it’s good to find a survival game like The Wild Eight that does not enjoy punishing the player without reason. I still don’t know if this softer approach is an attempt to offset some design issues (like the combat, or the clunky inventory) or if it was meant to be like this since the beginning. Anyway, The Wild Wight feels like a survival game approachable even by players that usually don’t like survival games so much, and at the end of the day this feels like good news.

Possessor(s) aims to combine action platforming and Metroidvania in a devastated urban world, offering great mobility and a combat system without contact damage, making battles more fair and dynamic. The original visual atmosphere, good writing by the Luca–Rhem duo, and creative level design are somewhat overshadowed by some graphical oversights and a control system that is not always precise. The lack of a grace period when taking damage can be very punishing when there are multiple enemies on screen. A solid game, but with imperfections that limit its impact in one of the most competitive markets.

With no major changes in the game modes, NHL 24 shows some interesting signs of life thanks to some new gameplay features. With convincing graphics and sounds, which manages to immerse the player in the atmosphere of an ice rink, the matches are quite enjoyable, with a good rhythm and a truly well-thought-out renewed control system. There are still some issues, but those who live on bread and hockey will find a way to have fun.

Spiritual successor of the good old Rampage, Terror of Hemasaurus delivers a funny (but short) experience of total arcade carnage and destruction, with a charming pixel-art and hilarious story.

SaGa Frontier Remastered is a 25 years old role-playing game that was never released in Europe. While this remastered doesn’t do much in terms of graphics, it adds a fair amount of content that will certainly make it intriguing for returning players. Novices, on the other hand, might have a harder time adapting to some of its more dated mechanics.

The RPG side of SpellForce 3 works better than the RTS one. Some important bugs and a bunch of balance problems prevent the game from reaching a higher score.

Yooka-Laylee and the Impossible Lair is a work of great courage and respect for the platform genre. It is not revolutionary but manages to be a simple, but refined pastime made with all the trappings of the genre.

Fast and furious fights in a cyberpunk world, this time also on a futuristic bike exploring post-apocalyptic lands – who wouldn’t love that? Too bad a few too many puzzle keep the adrenaline rush at bay and distract from the most exciting parts of the game.

While the series is still far from perfection and the direct competitor is always fierce, NBA Live 19 is another step in the right direction.

Yet another top-view roguelite action-shooter with a sci-fi theme, a genre enjoyed by a large audience who will find in Replikator everything they have loved in dozens of similar games. Originality is not its strong suit, but variety is not lacking and three levels of difficulty make it suitable for a very wide audience. If you can turn a blind eye to a less-than-stellar aesthetic compartment (but the soundtrack deserves applause), we assure you that you will have fun.

A strange mix between a JRPG and a strategic game. Despite the first aspect has not been developed in a proper way, the second one represents the very point of interest of this strange and original product.

Absolver offers a truly unique take on the combat genre, with a peculiar mix between single and multiplayer. Technically solid and visually inspired, it suffers from a sometimes confused level design and the absence of a real, high-level endgame.

Lust from Beyond is a more-than-average first person adventure dealing with difficult topics, such as psychiatric diseases, sexuality and the very idea of a cult based exclusively on physical pleasure. It does so by building an almost convincing narrative structure, without skimping on the crude representation of sex and violence, managing to maintain a difficult balance with all the other components of the game. The technical quality, however, is fluctuating, with 3D models that seem to come out of some game 20 years ago, animations at the limit of decency and sudden "coughs" of the script.

Where the Water Tastes like Wine is an amazing piece of storytelling caged in an unwieldy game structure. The journey through the States is a charming trip about the importance of the stories we share everyday and a great portrait of America form many point of views. On the long run, unfortunately, the lacklustre gameplay simply fails to sustain the sense of wandering and discovery of such an amazing journey.

Fist of the North Star: Lost Paradise recreates the feeling of fighting and the charisma of the characters of Hokuto no Ken quite faithfully. The authors have conceded some creative freedom compared to the original material and this could annoy the fans, but the game developed by the authors of Yakuza manages to entertain the players despite its many flaws.

Disgaea 6: Defiance of Destiny follows closely in the steps of the excellent Disgaea 5 – perhaps too closely, considering it shows a distinct lack of interest into innovating its formula. The new stylistic approach also fails to convince.

Wizardry Proving Grounds of the Mad Overlord is yet another masterstroke from Digital Eclipse, a developer capable of breathing new life into classics with incredible talent. Apart from its fundamental historical value, however, Wizardry is a game that is now rather limited in its mechanics and cadence, classifying itself as an artefact suitable mainly for digital archaeologists eager to rediscover it. It would have been great if it had been accompanied by the wealth of historical notions to which Digital Eclipse has now accustomed us.

Sword Art Online: Last Recollection, has a good track record and an interesting, little communicated and evocative context in game design. In the end I ended up with a single player and a multiplayer, with a non-recurring effect in the Alcun mode of living with one another, presenting a mess that is not particularly effective. The bottom line is that it is only possible to distinguish between the two, but it is only subtle.

The Rise of the Necromancer is a good offering, dedicated to real, hardcore fans of Diablo III: if after five years you still love slaying demons in Tristram, for a fair price you'll find hours of fun and some new stuff.

Jump Force’s gameplay is spectacular and amazing, but too many technical issues get in the way, ruining part of the fun.

The Spirit of the Samurai is a decidedly particular game: it is full of very good ideas which, however, are never fully developed. The stop-motion style is still worth a try.

The Bard’s Tale IV: Director’s Cut defines a further step forward for InXile Entertainment. The flaws are there, but it's worth playing as long as you like this genre.

Scorn is the classic case of a brilliant idea, diligently implemented which then lacks much of the content to be savored and enjoyed. The settings are excellent and cause great anguish, and the adventure around the exploration of these carnal and biomechanical tunnels is fantastic, but the shooting phases are faulty, the puzzles are repetitive and in some cases fillers, for a project with little longevity. Having put the nearly eight years of development on the table, it was reasonable to expect something more.

Guayota is a nice and colorful puzzle game with extremely well constructed gameplay sessions. Too bad about the too much repetitiveness of some puzzles.

The latest adventure of Rico Rodriguez, with its good dose of adrenaline and over-the-top action, forces our hero to embark on a real impossible mission to dismantle the dangerous Project Illapa. Despite the lack of variety and the exaggerated length of the campaign, Just Cause 4 still manages to push the boundaries of players’ imaginations, dragging them once again into a world of destruction, explosions and pure chaos.

Remnant 2 The Awakened King is a solid DLC that follows the path of Remnant 2 success. The additions touch on the longevity of the game, increase the level cap and nothing more. Nothing revolutionary, but everything works perfectly.

Dreams of Another mixes action and adventure in a dreamlike world where you destroy bokeh-like globes of light to reveal environments and objects with souls. The protagonist, Man in Pajamas, guided by Wandering Soldier, alternates between exploration, simple puzzles, and shooting sections. The mechanics revolve around the concept of “No Creation Without Destruction”: you can create only after destroying. The levels, however, are small and fragmented, interrupted by frequent returns to the main menu. Enemies and bosses are harmless, and the dialogue is slow and repetitive. Artistic and original, but suffering from a static pace and lackluster gameplay.

Red Faction: Guerrilla Re-Mars-tered shows a lot of contradictions: we can find the same amazing and never equaled free approach, but also a very old-fashioned game world that results too much empty for today's standards.

Nickelodeon All-Star Brawl tries to be a challenger for Super Smash Bros. and aims for the weak spot of his opponent, showing off a stable and solid netcode. A good multiplayer and tight controls, though, are not enough to reach the stars. The roster is good and varied, but a little scarce right now (maybe DLCs will fill the gap) and characters lack characterization (no pun intended): a pity, because Nickelodeon’s original voices and music would have added a lot of value to the game.

One could easily define Lotus Lantern: Rescue Mother as a reskin of Hades set in Chinese mythology, and trash it upon seeing that it does not touch the qualitative heights reached by Supergiant Games' work. The gameplay, however, is captivating, and the roguelite structure coupled with a good handling of the difficulty curve entices you to jump into another run to field test the newly achieved perks and the new character build. Each enemy has its own movement and attack pattern to learn, and the bosses are challenging enough. It doesn't innovate the genre, but it gets the job done.

Elex II is your usual Piranha Bytes game. Long, classic in the RPG formula and aesthetically clean, but as always plagued with non optimized combat phases and the trademark issues with anything technical. However, it is still a step forward for the future of the franchise and for Piranha Bytes.

The Persistence is still a good roguelite, but it is impossible to ignore to the absence of a fundamental element such as virtual reality in the new versions of the game.

The Dark Crystal: Age of Resistance Tactics is a nice strategic RPG, however its tie-in nature is in fact a limit to its potential. Who knows what it could have been if BonusXP would have poured a bit more of courage in its develpment.

Outriders Worldslayer follows in the same vein of Outriders, quite literally: one year later, both its strengths (tight gameplay, loot management) and flaws (poor enemy variety, lackluster boss design, weak plot) have stayed exactly the same. Very likely you’ll enjoy this expansion if you liked the base game, but if you didn’t this won’t make you change your mind.

At its core, Sworn isn't bad and has all the makings of a fun game to keep you entertained for several hours. Beyond that, however, it stops offering any real enjoyment or gameplay depth. Compared to other behemoths, it's the one that sits closest to its comfort zone, also benefiting from a co-op system for up to four players that could make the difference. Varied in the progression of the four heroes, the biggest obstacle is the pace of the game, which alternates between really slow and fast moments, where, however, the slow pace of our heroes never manages to respond to the game world with any real responsiveness. It takes a bit of practice, at least in the first few hours, which feature a rather steep difficulty curve.

Kill la Kill: IF has a lot of potential, unfortunately the contents are lacking, despite a visually stunning combat system.

WRC 8 has to deal with too many compromises, and it comes out smaller than its potential. It is neither insufficient nor broken but seems to evolve too slowly, without clear objectives.

What's up, Quantum: Recharged? Did you absolutely have to be released in these days without some final tweaks? The game is fast-paced and fun, making it perfect for a score attack, but there are a number of shortcomings that soon end up spoiling the experience. Controlling the spacecraft with the mouse is frustrating, but fortunately the pad does its job very well. The additional challenges are more or less all the same and represent no real added value. With a little more attention to detail it could have become a must-have hyper casual, instead it is little more than a weekend game.

The Forgotten Kingdom is the classic excellent DLC for Remnant II: a budget price for an important amount of content. in the future, however, something more will be needed to keep the game alive for a long time.

The scars of a long and difficult development are clearly visible in the confusing plot and in the poor battle system. The game is spectacular and the open world area is well built, but it's not enough to bring FF XV to the top of JRPGs.