Forza Horizon 6 isn’t trying to revolutionize the series. The game modes, customization, and even UI have a close resemblance to the franchise’s recent entries. Instead, Playground Games finds freshness in its Japanese setting, which paves the way for stunning new regions, dope cars, and an overall slickness to everything you do.

When I finished Directive 8020, I immediately wanted to replay it. I was content with the ending I got, but was fascinated by all of the other possible endings and diverging paths that led to them. There are so many permutations of the storyline and secrets to uncover; I know for sure that I’ve got a couple more playthroughs in my future. It’s the mark of a great choice-based game.

Memories of Celceta isn’t my favorite Ys game, but if you have a Switch 2, Ys Memoire: Revelations in Celceta is probably the best way to play it. It’s a Vita game very much of its time, with some growing pains as a Ys entry, but the extra juice you get from Nintendo’s new platform helps realize the original vision as a 3D Ys delivering a higher fidelity experience on a handheld. Playing on a TV or monitor just isn’t the same, as these handheld-oriented RPGs don’t hit as well when you’re locked in at your desk or on your couch. If you’re still using a Switch 1 this is harder to recommend, as you’ll still encounter performance snags that don’t exist on other versions. Regardless, if you’re looking to check out the whole series, it’s now easier than ever to play Ys 4. Hopefully we can say the same for Ys 5 sooner rather than later.

When I rolled credits on Mixtape, I was sad that it was over so soon. But then, I was immediately excited at the prospect of multiple future playthroughs where I could toy with all of the quirky minigames and their outcomes en route to seeing everything the game had to offer. It’s how I knew that I truly love a video game. Like with many of the coming-of-age films it takes inspiration from and the timeless artists featured on its soundtrack, I know I won’t be able to resist the urge to come back to Mixtape again and again.

Kiln is the latest example of one of gaming’s most creative studios executing well on a fresh idea. There may be a couple of aspects that could’ve used more time in the oven, but Double Fine’s Kiln is a cool and quirky addition to Xbox’s 2026 lineup.

Invincible VS is a satisfying fighter when you learn its tricks, and while a few caveats keep it from being a perfect start for Quarter Up, I’m excited to see how it grows over time.

Coming into 2026, I knew that few games were a surer bet than Saros. Housemarque’s 2021 breakout is still one of the PS5’s best games, and Saros will now stand alongside it. I could see some players lamenting just how similar it feels to Returnal, but Saros was exactly what I needed from a spiritual successor.

Vampire Crawlers is fun. Like, capital-F Fun. I’ve spent many hours with it and will spend more, especially if there’s as much long-term support as we saw with Survivors. But while Survivors felt like a totally fresh kind of experience in a lot of ways, Crawlers steps into territory that has a long and dense history, which means it’s fitting into a framework with plenty of comparison points available. And where Crawlers is weak, it’s weak in the very spot that defines the new space it’s walked into. That’s a bummer. Where it hits is all in how its trademark style and systems translate, the snappy card combat, and of course the banging soundtrack I’m only just mentioning because I’m not great at talking about music. So a thumbs up from me, but one that comes with an acute sadness at how much more Vampire Crawlers could have been if it had true blobber bona fides.

Tomodachi Life: Living the Dream gave me a unique chance to create an ecosystem that would make a 2000s era TV producer weep tears of joy. I can’t say I ever expected a game to give me this kind of experience, but I guess that’s just what it’s like when you’re Living the Dream.

Set in a gritty noire story told through rubberhose animated-characters, Mouse: P.I. takes players into the seedy underbelly of Mouseberg, and while I often felt like more of a “Mouse Mercenary” than a P.I., the look and feel of the game had me hooked throughout the twisting and turning adventure.

Pragmata dug its hooks into me in ways I didn’t expect. While I knew from the demo that the gameplay would be something special, it’s the story and characters that I can’t stop thinking about. This could be the birth of a new tentpole IP for Capcom, but even if it isn’t, Pragmata won’t be leaving my mind anytime soon.

In an increasingly digital world, I find myself longing for the days of Blockbuster and Hollywood Video. Unfortunately, I don’t think those days will ever come back, but Retro Rewind is a fulfilling trip down memory lane.

I once again have to point to Minishoot’ Adventures succeeding where it matters most: execution. Genre mashups are plentiful these days, and sometimes the math is off, or there’s something incongruous the developers struggle to overcome. I think of games like TMNT: Tactical Takedown or Pac-Man World 2’s bizarre Sonic DLC as recent examples of mashups going hard in the paint and nailing premises that sound odd on paper. Minishoot’ Adventures definitely stands among them as a new stellar example of presenting a strange-sounding concept and nailing it at a base level.

The beauty of Marathon is that it’s not a game for everyone. It’s a game for a specific niche. Bungie knows this and Marathon excels because of it. Bungie has been intentional, hyper-focused, and utterly conscious of what it has delivered with Marathon. It is a brutal and challenging game with an art style that demands attention. The shooting feels superb, the factions are dripping with personality and meaningful upgrades, and the systems and gameplay converge into an experience that sinks its teeth into your subconscious. I’m thinking about Marathon every waking moment. Bungie has once again shown why it’s the king in the shooter space.

I had much more fun with Last Man Sitting than I ever expected I would. Part of it comes from gameplay systems I’m familiar with. The roguelite elements, character and weapon selection, perks, and other unlockables in and out of a match make Last Man Sitting go from decent game to excellent game. When you hit that perfect assembly of weapons, perks, and upgrades that carry you to a victory, it feels excellent. This might look like a silly game about white collar workers fighting a robot uprising from the comforts of their office chairs, but once you add some fire, poison, lightning, and a large caliber rifle to the mix, Last Man Sitting blooms.

Xenonauts 2 is quite impressive in its faithfulness to the oldest form of X-Com. I appreciate how far it goes to capture those old-school vibes, and I can very easily see what Goldhawk Interactive improved upon from the first game. This is a shamelessly difficult alien invasion tactical strategy, where every success or failure rely on careful, timely decisions and a bit of luck. I wish the aircraft game was a better piece of the overall puzzle, but it’s hard to be too sore about that when I’m just outright relieved to get all of my squaddies home in one piece and ready to prep for the next contact.

As a new entry in an old-school racing series, Screamer hardly bears resemblance to its origins. But at the same time, it shoots for a similar target. This is an over the top spectacle of a racer that needles in an interest in sim-adjacent car physics and handling. The target just looks a lot different these days, as the definition of “over the top” is subject to inflation here in the video game world. Three decades later, a realistic setting with cool, intense animations has translated to realistic physics in an epic-length anime story with similar production values and style to something like Dispatch. It’s absurd, but that absurdity is executed with such confidence that it sells the whole package, warts and all. Prospective fans who are more on the casual side will struggle, but in this case that struggle has an excellent reward system in the form of a storytelling strength you almost never see in this genre.

I dig how Monster Hunter Stories’ monster collecting spinoff has evolved over the years. Twisted Reflection has enough juice to be a good RPG for most players between its charming story, interesting characters, and engaging combat. And then when you get to the monster management, it opens up like never before with a wide variety of improvements, discoveries, and stat swapping to make your party as cracked as you want them to be. This game’s hairiest encounters put your party management and pattern recognition to the test in big ways. I wish more of the weapon classes had made it over, and that monster collection didn’t feel so tedious once you’re deep in it, but Monster Hunter Stories 3: Twisted Reflection is a fine benchmark for how far these spinoffs have come, and whether you’re returning from previous games or cracking a Stories game for the first time, there’s a lot to love here for stat-loving RPG fans.

I enjoyed WWE 2K24 and WWE 2K25, especially the Bloodline-driven Showcase mode in last year’s entry. But WWE 2K26 stands tall over them. Even though some elements are recycled from last year’s (and the year before that, and the year before that), 2K26’s fun Showcase mode, compelling MyRise story, and strong presentation and gameplay systems make this my new favorite installment.

I’m sad CiNG isn’t around anymore, but I’m glad Arc System Works makes more than just fighting games, and is willing to take risks and greenlight projects like this. The spirit of visual novels that find beauty in the mundane CiNG captured in titles like Hotel Dusk is very much alive in Dear Me, I Was… and I’m grateful for that. In many ways, this experience has made me feel kind of uncomfortable, but I don’t think that’s a bad thing. A lot happens during a life, and when it’s my turn to look back like this, I hope the colors are just as vibrant.

The Scott Pilgrim universe has a naturally good vibe that captures the urban brawling and traversal of a River City brawler better than most of them. It’s a nonstop gauntlet of funny little refrerences and in-jokes, but it’s carried by such a solid cast, fun moves, and ridiculous fights that it’s easy to appreciate whether you know much about Scott Pilgrim or just want to punch goons.

If you haven’t played the original version, Tales of Berseria Remastered is a must-play. It tackles revenge in a way you don’t see often, especially in games that look like this. Violet is an all-timer of an anti-hero protagonist, and the supporting crew of misfits are great to spend time with as well. The combat system is fun too, although it’s not as strict or expressive as others in the series. If you already know Berseria well, there isn’t really a great reason to show up outside of convenience and a new set of trophies if you’re not already hankering for a replay. I’d love to see older Tales games get the re-release treatment instead, but I can’t deny Berseria’s banger status, either. An enthusiastic but slightly confused thumbs up from me, then.

Resident Evil Requiem is a crown jewel in Capcom’s survival horror crown. Its characters develop realistically, its rhythm between action and horror should more than satisfy fans of both styles, and its story gripped me from beginning to end. This is Resident Evil at its finest, and I can’t wait to see where Capcom takes the series next.

There’s nothing out there in video games quite like multiplayer Bomberman. And with the Super Bomberman Collection, we’ve righted a historical wrong, with over half this series previously unavailable in North America without importing carts that wouldn’t fit in a Super Nintendo without taking a pair of pliers to the poor thing. This is a respectable collection that includes multiple new localizations, high quality museum assets, and a dope, new unboxing feature. It doesn’t have the same production value as Konami’s other collections, and it’s a bummer the big sign of that is no online play. But if you can get your friends together in a room, I guarantee you’ll have a megaton blast.

If you’re someone who finds themselves complaining about the state of modern games, you owe it to yourself to play Love Eternal. Even if platformers aren’t your go-to genre, the story is a strong enough motivator to see it through. If you do like platformers, well, you’re in for a treat. There are some major swings here, and while they’re not all home runs, I know one thing for sure: I won’t be able to shake Love Eternal for a long time.

BlazBlue Entropy Effect X is one of those “pure gameplay” roller coasters that offer you tons of value just in terms of how awesome it feels to press buttons and really dive into what you can do. If you like BlazBlue already, great! Pick your favorite (hopefully they’re here) and dive until you want to throw up from the excess. If you aren’t into BlazBlue, it doesn’t matter - if you just like dope combat systems in 2D action games, that’s what’s on the table here and in heaping piles. Even the roguelikey build-crafting stuff takes a backseat in terms of relevance once you get your first few upgrades. It’s really just all about Ragna the Bloodedge fighting ninjas with his demonic blood powers. And that’s plenty.

Mario Tennis Fever is a strong rebound from an era of Mario Sports games that left plenty to be desired, even if there are still some glaring shortcomings. The actual on-court gameplay, wide character roster, and abundance of Fever Rackets were enough to keep me experimenting every time I fired the game up. I’m itching to jump into Ranked and see what I’ve really got once the rest of the world can join in on the fun.

Between a vast open world and new combat styles, Nioh 3 is the series' most ambitious title yet, even if the changes don't always strike true.

Perhaps it’s okay that Dragon Quest 7 is a bit of an odd duck. It’s because of that struggle that Dragon Quest found itself more in later entries, and became a series that could thrive and stand out as more than the funny, old school RPG with the goofy monsters. Perhaps this is a case of trying to cram a square peg into a round hole, making Dragon Quest 7 Reimagined feel “forced” in some ways. While it’s a gorgeous and fun adventure that feels quite good to play in a mechanical sense, it’s not one that’s leaving an impact on my soul the same way other entries have. It’s been nice to see these characters again in such a fascinating visual style, and some of the new additions are cool, but there’s a palpable Cliff Notes energy to the scenario that I can’t see resonating well with newcomers. I can’t speak for what actually happens when people play it of course, but my curiosity to see how that plays out is stronger than my actual emotional response to playing it myself.

Dungeon Antiqua’s mixture of Wizardry mechanics with Final Fantasy visuals and combat is a novel concept, and one that clearly has enough appeal to develop a new series in the indie RPG space. Dungeon Antiqua 2 was something I’ve been looking forward to for months, especially because adding a Final Fantasy 5-style emphasis on a job system sounds like a perfect way to add a new twist for a sequel. As fun as the experience is overall, though, there’s a bit too much overcorrection on the Wizardry side, one that I’m not sure was asked for by anyone who enjoyed the first game. Without the friction the game feels a little more generic, losing a piece of its strong identity. It’s still a great time, however, especially for fans of games like Bravely Default or Etrian Odyssey. Here’s to part 3 getting another chance to nail that sweet spot part 2 is clearly aiming for.

Cairn is a phenomenal climbing game. There were times where I wanted to throw in the towel because of some minor animation hiccup, but, like Aava, I couldn’t stop. There’s this intriguing parallel at play here, one that I found myself thinking about in those moments where I needed to rest my sweaty palms and Aava needed to recharge her stamina. Neither of us could stop. We had to see it through to the end, in whatever form that took. By the time the credits rolled, I knew that Cairn would stick with me for a long time. This is a game you absolutely have to experience.

Code Vein 2 is here, and it carries on much of the goodness from the original, while expanding into an open world design that becomes even more complex with the layering of time travel and eras set on the same map. It doesn’t hit on every level, but Code Vein 2 is still a solid sequel with a story that pulled me in and made me care, just like the first.

Mario Kart World features the most detailed gameplay mechanics ever featured in series history. The game embraces Mario’s platforming roots with a new moveset for racers to reach new heights in tracks by jumping, grinding, barrel rolling, and wall riding to multiple pathways and shortcuts.

Studio Folly and Toot Games have dealt players a good hand with Dogpile. Tetris dreaming is one thing, but it's another to see falling dogs in your sleep. It's a good problem to have, especially since they're all such good boys.

Ultimately, what do I score a game like Unbeatable that has such observable problems but some of the most heart-pumping emotional resonance I’ve experienced in games throughout this entire year? What cute, little video game review cliche can I lean on to help me out of this predicament? D-Cell itself offered a cheeky, little take at how review scores can be perceived, and I figure why not send that ball back over the net? I was thinking a seven at first, but Sonic Adventure 2’s problems are way more frustrating than Unbeatable’s. And I am a little shy as a person. So let’s go with that.

Skate Story is an insane love letter to the sport of skateboarding and the many cultures surrounding it. The game feels like an interactive street skating music video from the 1990s with a camera that creates epic and cinematic moments on every level, and a soundtrack from Blood Cultures that perfectly fits every moment from ambient chill spots to chaotic rhythms for boss battles. The visuals are accentuated by truly unique character models, wild art styles, a beautiful contrast of light and dark, and stunning set pieces.

When you find a village for the first time and it’s been completely destroyed, with no visible context on what happened or what you could have done to prevent it. When you go to grind a little to get stronger and the monsters are suddenly different and stretch you like a slinky. When you open the menu and the clock menacingly moves forward. Each hurdle is a part of a chaotic whole such that even figuring it out is part of the journey. Except for the cutscene subtitles. That part’s just a bummer.

It's honestly a shame that the story quality takes such a dip compared to previous games and can't complement the combat improvements. This is a game that trades in eight captivating character arcs for one mediocre one, and quality-of-life improvements like "The Story So Far" recaps at the start of each chapter can only help so much. There are very few exceptions in this game where you feel like a companion Traveler character has a satisfying storyline, but the rest of them feel faceless and interchangeable. Honestly, this series deserves better than that, especially given how much I enjoyed the game's town-building component. It's one step forward, one step back for Octopath Traveler 0. Or maybe that's eight steps forward and eight steps back? Really, who's counting?

My favorite thing about Sleep Awake is how it plays with its form as a video game to portray a conflict that isn’t a bad guy or a monster. You can’t just hit “falling asleep will kill you” with a pipe and move on to the next slobbering, gory metaphor for crimes you’ve committed, or zombie, or whatever. This is an internal fight for most of the story, and one that has no visible end. You and Katja start the game fully prepared to just kick the can down the road as long as possible, until the runway’s out and there’s nothing else you can do. That’s no way to live, but at the same time, what can you do in that scenario but live? The death cults are silly, but at the same time, ruminations on how humanity’s self-perceived resilience could work against it. That’s where Sleep Awake really hits. When the monsters do show up it stumbles, and feels more like a normal video game the longer it wades into the Whys and Hows. Not bad for a five-hour rollercoaster.

Despite the fact that Metroid Prime 4: Beyond is also launching on the original Switch, it truly feels like the proper showpiece for the Switch 2. The supreme gameplay design is beautifully complemented by the different input options, all of which are suitable ways to play through this adventure. The experience is bolstered by gorgeous visuals and spectacular performance regardless of how you choose to play.

ARC Raiders might be a casual take on the extraction shooter genre, but it’s not a lesser experience because of it, quite the opposite. The defeats sting, but the pain of losing all your gear is softened by the approachable combat, player interaction, and the ARC enemies. And despite this approachability, the game has a gnarled edge. There’s texture to the world, a visceral tang and depth to the weaponry, and engrossing foundational systems that make the whole thing hurt so good. With ARC Raiders, Embark Studios has proved, once again, it knows how to deliver the goods.

If it isn’t broken, don’t fix it. I respect Tribute Games’ approach with Marvel Cosmic Invasion because it’s very much an extension of nearly everything Teenage Mutant Ninja Turtles: Shredder’s Revenge did right with just a bit of improvement and additions along the way. This big character pool makes the tag feature a delight, giving us more chances to experience some oddball and safe picks as we go. Meanwhile, with up-to-four player online and local gameplay on solidly working systems, it feels like another fun option for folks that want to get together and have an entertaining time with friends in a universe we love. Marvel Cosmic Invasion didn’t have much need to reinvent the wheel. It’s a well-tuned Tribute Games brawler that will fit nicely into game nights.

Constance is a game about confronting your inner darkness. Its hand-drawn cartoony art style won me over initially. Its challenging platforming puzzles and boss fights that required me to fully utilize the plethora of techniques I’d learned throughout the journey kept me engaged and always felt satisfying to complete. This fluid and extremely rewarding gameplay loop alone solidifies Constance as a must-play platformer. The heartfelt story at the core of it all is a welcome added bonus.

Total Chaos is a game of extremes for me. I really like its combat and survival elements, but the action of melee and gunplay against the lesser enemies is less enjoyable than I would have hoped. There is also some noticeable jankiness that pulls away from its best elements. However, I was almost always enamored with Total Chaos’ set pieces, environment, and sound. The bigger scares in this game and the build-ups to them are great. It’s not often we see such a thematic change between games like the move from Turbo Overkill to Total Chaos, but I think Trigger Happy Interactive has built something quite fun with this game. It might not always be consistent, but when Total Chaos hits, it hits like a sledgehammer crushing a twisted figment of our warping sanity.

Kirby Air Riders is a beefy Switch 2 racer that’s constantly shifting gears, and it’s a damn good time behind the wheel.

An old dub track sounding like an old dub track isn’t so bad, as far as what’s taking up the “biggest problem” slot for a release like this. Tales of Xillia Remastered is a totally competent, if not intriguing or surprising in some way, refresh of a niche PlayStation 3 RPG that was cool enough to get a direct sequel, even in the middle of its series niche era. Xillia’s base holds up, from its fighting game-like combat language to its colorful characters and focused story. Veteran fans don’t have a lot to show up for unless they’ve already been jonesing for a replay, but anyone who’s become a Tales fan in the years since have a new, easy way to play a game worth catching up on, and that’s worth celebrating.

What I’ll remember about Demonschool are the little things: the jokes, the quiet character moments, when a fight clicks and what had seemed impossible becomes routine, the bliss of a plan well-executed. When I beat ol’ skeleton face from the opening paragraph, he and his minions barely touched me. Namako survived the whole thing with barely a scratch, and my whole team ended the fight feeling like they could lasso the moon. I came, I saw, I conquered. And you’d best believe I got that A rank. And then we did some karaoke. It was a good day.

Dispatch is my most pleasant surprise this year. In a pop culture landscape that’s littered with superhero parodies and deconstructions, Dispatch manages to carve its own unique path. The message that anyone is capable of doing good, regardless of where they came from or the mistakes they've made in the past, truly resonated with me. I’d be lying if I said I didn’t get a little emotional during the final credit roll...On top of that, it’s a hilarious superhero romp with satisfying storylines and characters that I am practically begging to see again. If this is the standard of quality that we can expect from AdHoc Studio, the interactive narrative genre is in good hands.

Ultimately, the Atelier Ryza Secret Trilogy Deluxe series is a treat for fans, and a brilliant new way for possible newcomers to jump into the best the Atelier series currently has to offer. It’s a perfect way to try Atelier for the first time, especially since you don’t even have to buy the whole trilogy upfront if you don’t want to. But it’s an excellent deal between the new content and upgrades, and even if the Switch 2 version isn’t the perfect edition I had in my head, it’s still a great chunk of RPG goodness for the new console. Regardless of the platform, Ryza’s three-part adventure was a big deal the first time around for real reasons, and the DX version only serves as a reinforcement.

Arise is an absolute triumph. The visuals are some of Enhance's best, utilizing the best of both Unity and its own proprietary Synaesthesia Engine. It's wildly fun and unexpectedly challenging in places, but above all, it's a relaxing pleasure.

I wish the soundtrack had cooked a little hotter, but it’s hard to ask for much more than that out of a sequel that is otherwise improved this much. I don’t know if Nintendo will treat Age of Imprisonment as canon, but if it’s the final ribbon on the Breath of Wild era, it’s a dang good one…Hyrule Warriors: Age of Imprisonment is both an excellent companion to Tears of the Kingdom and another fantastic evolution of the Musou style.

With classic games and a heartfelt documentary, Mortal Kombat: Legacy Kollection continues to show that there's nobody better at this type of compilation than Digital Eclipse. Whether you're an old-school fighter or want to teach your kids what MK looked like in the old days, this is the best way to do it.

My questions at the beginning were answered pretty clearly. Dragon Quest 1 is a game that’s hard to mess with too much, as its simplicity holds most of its lasting appeal. Adding too much makes it top-heavy, although it doesn’t help when what is added feels shallow and poorly balanced. Perhaps there’s another version of this project that’s simply better in my eyes that pulls the effort off more cleanly. In fact, I can see the vision in Dragon Quest 2, which is a more robust, thoughtful, and gracefully implemented set of updates to what is at heart a Famicom game from the earliest days of RPG history. The end result of this package is strangely funny; two sides of a coin I never would have expected. It’s the worst time I’ve ever had with Dragon Quest 1, and the best time I’ve ever had with Dragon Quest 2. If this is your first time with this pair of historically powerful journeys, I almost don’t know what to tell you. But if you enjoyed your time with DQ 3 last year, you owe it to yourself to see the story through to the end. These are classics in every sense of the word, warts and all.

Despite a few qualms here and there, The Other Worlds 2 provides another solid sci-fi RPG experience from Obsidian Entertainment. It probably won’t win over folks who are tired of its corporate comedy act, but those who enjoyed the first will find that most of what they liked is improved in the second. The factional tug-of-war in The Outer Worlds 2 is fun to explore, and the companions you bring with you on the way make the adventure that much more engaging. More than that, this is an exciting adventure you can’t possible explore all of in one go, and whether you make the first one count or go back for another run down an untaken path, The Outer Worlds 2 will provide you with plenty of rewarding experiences for your trouble.

Plants vs. Zombies: Replanted packs in everything fans loved about the original game, plus lots more. It’s a deep strategy game for older players and a whimsical introduction to tower defense gameplay for younger demographics. All of that, plus a price point of only $20, make Replanted a must-buy, and the ultimate version of a classic I’ll be revisiting again and again.

I have a handful of gripes about PowerWash Simulator 2, but they hardly bring down the experience. It feels like a love letter to all of the fans and the things they’ve asked for over the years, and we end up getting a really neat collection of structures to clean up beside it. If the first PowerWash Simulator was any indicator, we can likely look forward to loads of post-launch content as well. If you’re not into these games, I doubt PowerWash Simulator 2 is going to win you over. But if you hanker for more high-PSI water cleaning, this sequel provides a fantastic set of features and improvements to make it about as enjoyable as can be.

Jurassic World Evolution 3 is the series nearly at its full potential. The previous games established an excellent foundation, and the addition of juvenile dinosaurs and improvements to customization have taken things to another level. Any Jurassic fan that’s fantasized about managing their own park will find that dream realized in Jurassic World Evolution 3.

It’s not a perfect game, but Ninja Gaiden 4 hits a lot of the notes that count and ties a fine ribbon on the whole thing by the end. I wouldn’t mind playing Yakumo in more games, but if this is the curtain call on this arc of Ninja Gaiden, it’s a good one.

If you're in the kind of mood to think about the nature of the universe, Keeper is the story to check out. It's hard to imagine a living lighthouse is capable of bringing out emotion in people, but that's what makes this game a Keeper.

Battlefield 6 is a triumph in almost every way. It has problems that need to be ironed out, but nothing that can’t be addressed as time moves on. The good news is that the core of the game, the soul of what makes a great Battlefield experience, is there. The visuals, the sound effects, the destruction raining down on you while you lie prone in the rubble and exhaust the last of your rifle’s ammunition. The tools and details required to give every player, no matter their interest or skill level, the opportunity to create memorable moments. Battlefield is back, baby.

Trails in the Sky 1st Chapter is an ambitious, transformative revisit of a modern classic RPG, one that was a formative experience for a small, but hungry audience that caused a groundswell into one of today’s most absurdly epic storytelling experiments in video games. In a world full of remakes that feel like expensive wastes of time, 1st Chapter feels like it meets a moment in a helpful and genuinely impressive way. It’s mostly a massive presentational overhaul, but one that makes the “breathes new life” cliche feel like a genuine descriptive statement. The way combat is balanced is still annoying, and the weird real time, turn-based hybrid gimmick feels pointless and confused, but even so I found myself getting lost all over again in this game’s absurdly well-executed storytelling ambitions. If you’ve been hearing about Trails for years from the sickos and wanting a cleaner way to give it a shot, this is the moment you’ve been waiting for. And if you’ve been a Trailshead for a long time, you’ve obviously already decided to play this, but it’s a worthwhile excuse to go back to the beginning.

Pokemon Legends: Z-A gave me just about everything I wanted from a new Legends game. It continues the trend of bucking against series norms while maintaining the essence of what makes these games so special for fans.

Dotemu and Guard Crush Games have not pulled any punches with Absolum. Its fluid, hard-hitting combat system is a blast to play, and piecing together the best build to crush foes with 100-hit combos never gets old. Every runthrough in the fantasy world of Talamn is challenging but fair and replete with new paths to discover. Despite a few minor flaws, Absolum takes a bold step toward modernizing the beat-’em-up genre with an original story and technical prowess.

It’s a thorough re-imagining, and even just sitting down with it to make the comparison is a fun and engaging exercise. I disagree with the way some of the edges have been sanded off, but Yooka-Replaylee is still a great time. And Trowzer the Snake is still hilarious.

Even if two friends can't experience Little Nightmares 3 in the same room, it's still a game worth enjoying. At the end of the day, it's sad that I can't share my awe and wonder to my partner personally in the moment, but at least I can share those feelings on Discord. And this tale of friendship is one that will definitely generate feelings.

EA Sports FC 26 boasts some of the best on-field gameplay the series has ever seen. Casual and veteran players alike will appreciate the split in gameplay presents and just how distinct and responsive each dribble, pass, and shot feels in accordance with each. Monitization has unfortunately poked its ugly head into single-player modes now, too, so be fair warned in that regard. Still, this is the best soccer simulator I've played in years, so it is unlikely to disappoint anyone willing to look past some of its minor faults.

Time Stranger doesn’t always hit the way I was hoping, because I foolishly expected More Cyber Sleuth. I had to get used to a slower, more somber kind of energy, and for all the systemic improvements I found parts I didn’t actually love to engage with. But Time Stranger impressed me with its own vision and ambition to be more than just a sequel to the cult classic a bunch of weirdos love. It’s about time such a long wait between games delivered so cleanly. I’d gladly wait another ten years for the next one if that’s what it takes.

Whether you mastered gravity years ago or are venturing to Mario’s outer space for the first time, you’re in for a treat.

Hades 2 is everything that a gaming sequel should be, and it's one that will keep me coming back, whether it's on PC or Switch 2. (Cross-save works great, by the way.) Because even after conquering Chronos and scaling the surface, there's still so much more to do. Every time I thought I had this game or this story figured out, something else would happen that would turn everything on its head. Like the late "Rowdy" Roddy Piper used to say, when I thought I had the answers, Hades 2 changed the question. Heck, I might still discover something mind-blowing even after this review is posted. I look forward to seeing it. There's always something new to find in the House of Hades, a house that's eternal and yet never gets old.

In Atsu, we have a haunted protagonist, someone trapped between two states of being. On one hand, the warrior who wishes only to feel the splash of blood upon her face as her blade finds its home in the heart of her enemies. On the other, the young girl who cannot help but wonder who she would get to be if the demons and the flames had never devoured her family on that faithful night. Perhaps, somewhere in the tale of the onryō, there is room for both.

Final Fantasy Tactics - The Ivalice Chronicles feels like a massive ship that's undergone a bizarre restoration process, comprising half reasonable repair work and half gaudy attempts to make improvements where they weren’t needed, and sometimes end up making things worse. And there’s a lack of control over the whole thing that feels frustrating compared to simpler, cheaper projects from competitors. It’s not a remaster, a port, or a remake. Instead, it’s the classic video game version of (one of my favorite books) John Dies at the End’s opening. This is the triumphant return of a life-changing experience many young nerds experienced on the PlayStation circa 1997. Is that true? Maybe, maybe not. But Final Fantasy Tactics is brilliant anyway, I reckon.

Was it worth it after eight long years of waiting? Yes, I think so. Hollow Knight: Silksong is beautiful and feels great to play. It’s filled with content and challenges that are fun to overcome. Its characters are delightfully expressive, and despite that charm, there’s a deeply complex and morbid air that compels one to want to save all these bugs from a terrible fate. I could have done without the numerous hours I spent on farming and other padded elements, but Silksong is still an enormously packed journey, and a tremendous payoff on a nearly decade-long wait. Just mind the challenge and don’t rush it. True endings won’t come easy, but that’s part of what makes victory feel beautiful in Hollow Knight: Silksong.

Silent Hill f enjoys getting under your skin. It’s a game that gives you objectives like “go on ahead” and “escape.” Every jump that the game elicited from me was usually followed by a wide grin. I loved the unique challenges that combat posed as I made my way from puzzle to puzzle, and the story’s overarching mystery is one worthy of the Silent Hill name.

Given some of the recent marketing and with the way release windows worked out, CrossWorlds is inevitably going to draw comparisons to Mario Kart World. After spending time with both games, it feels like an apples and oranges (or F1 and NASCAR, if you prefer) comparison. CrossWorlds is good enough to stand on its own and even above previous Sonic racing games. Just put the car in gear and enjoy the ride.

It’s short and sweet, sticking around just as long as it needs to tell its cute, little story and give a pair of buds a nice afternoon of game time together. It’s a kind of experience not unlike taking the time to put a real Lego set together with a friend.

Borderlands 4 is bloody chaotic and pure mayhem. Vault Hunters with dozens of perks across multiple skill trees. Guns raining from the sky with wildly unique perk combinations. Enhancements, Class Mods, set bonuses, and more dramatically feeding into your builds, making numbers go higher and enemy health bars go lower. Each system links arms with the other and grabs hold of you as you dash, grapple, sprint, and shoot your way through battlefields of screaming, rambling psychos that will test your build to its limits. Borderlands 4 is the best the series has been in decades and a testament to Gearbox’s ability to absolutely cook. Are you ready to taste the chaos?

Bloober Team took what they learned from combat and survival design on Silent Hill 2, blended it with its expertise in environmental design, and told a story that sinks its hand-claws in and leaves you uncertain of your decisions at pivotal points. It’s not always ticking at a good pace, but Cronos is an intense time-hopping journey that adds frightful new flavor to the horror universe.

Hell is Us initially hooked me with its horror vibe and cool-looking action. After a fifty-hour playthrough, I’m happy to report that the combat is indeed cool and the vibes are indeed horror-adjacent, but Hell is Us is much more than that. It tells a story, rooted in realism, about the effects of war and how people become divided. It’s also a supernatural mystery with extremely elaborate lore and worldbuilding. One that you can spend hours diving into. Hell is Us trusts the player to investigate and uncover the mystery of Hadea without any guidance, and it’s a mystery worth solving.

Being able to simply review a Super Robot Wars game is crazy, after several years of navigating fan translations, imports, and having the first opportunity thrown off by… Work Problems, we’ll say. It was hard not to gush just about how cool this opportunity is. So in a way, I’m thankful to Gundam Seed for being so egregiously mid that I could keep my critic sensors online. Super Robot Wars Y has a slow start with a story hook that misses the gas pedal, but the series’ tried and true foundations and showmanship steer the ship home at the end of the day. Mecha fans are eating good lately, and I hope SRW’s North American console debut is the first step of a new normal. In the meantime, I have to look up SSSS.Dynazenon and see what that crew of weirdos is all about. Walking away with a nugget of something new to look into and discover is the final piece of the SRW puzzle, and a crucial part of the magic.

While I can't speak for this game in comparison to its 16-bit heyday, Shinobi: Art of Vengeance is a thrill that stands on its own. It's a total master class in combat depth, level design, and story moments that leave enough to the imagination without completely halting the action. It's good enough that it'll make people wonder what took so long for this franchise to come back in the first place. It'll also make people wonder, between this and Streets of Rage 4, if there's another classic franchise that could use the Lizardcube touch, because this developer is clearly very good at what it does.

Herdling is a fairly linear game that wraps up in about six hours. Despite its relatively short playtime, Herdling does a decent job at capturing the unspoken bond that forms between a herder and their animals, while showcasing the many facets that come with the role. Although Herdling could certainly stand to be longer, artificial length may not necessarily improve the game. As much as I would have liked more time with my loyal companions, the length is appropriate for the type of story Herdling is trying to tell, and its brevity doesn’t diminish the journey it offers. This is an adventure that will tug at your heartstrings, while leaving you with a handful of bittersweet memories and screenshots to hold on to. If you are willing to spend an afternoon opening yourself to a moving story told through guiding gestures and the steady rumble of hooves, it would behoove you to give Herdling a go.

Did everything here age well? Heck no. Is it still a long-winded exposition bomb at multiple points? Absolutely. But if you’re here because of the original, I want you to know that everything in the OG Snake Eater that might have made you happy, sad, and/or mad, are all still here. All of the action, all of the stealth, all of the cheesy one-liners… For those of you who are jumping in for the first time? Have some patience and try to enjoy the rollercoaster. This one is definitely for the fans.

Off isn’t just a classic. It’s a formative work from a time in which indie game development was taking on a new form, one that has continued to evolve and ripple and shape what the space is like today. Off is a small, strange, and gnarly RPG that may be simple in functionality, but remains special in the story it tells and how it tells it. This new release from Fangamer is a rare opportunity to not only revisit a core moment in history, but for many to experience it for the first time. I have some hang-ups about compromises that had to be made, but the methodology on display in drawing attention to and deliberately not replacing the original is a more than fair answer. If you like RPGs, you owe it to yourself to sit down with Off. The Batter needs your help. You monster.

Is This Seat Taken? is a charming series of logic puzzles with a serene soundtrack and a fun story to follow. It's brilliantly designed for short sessions and adds just enough to keep the experience fresh through the end. It's not a long journey, but it's one that's worth sitting down to appreciate.

There are often no right answers in life, no quick and easy way to tell what someone is really after or see the ripples from your choices until it’s too late to do anything about them. Static Dread understands that, and asks you to do the best you can in an impossible situation. My keeper was defiant and kind, and he didn’t always make the right calls, but he tried to. The story I experienced was the result of those choices. Static Dread isn’t a long game (my playthrough clocked in at about 10 hours), but it kept me compelled throughout its runtime and never overstayed its welcome. Its low-fi, contained horror isn’t going to scare the pants off of you, but it is unsettling, and it will keep you guessing until the end. Just… do yourself a favor: when the night rolls in, stay in the light.

As I expected, your mileage will Killing Floor 3 will likely depend on the friends you bring to the party. Fortunately, crossplay between PC and consoles makes that easier than ever. Unfortunately, if you don’t have some buds on hand, the content here might not keep you hooked in for more than a few hours. The difficulties remain a way to bring the greatest chaos to this fight, where Normal can be handled solo, Hard is good for groups, and Hell on Earth is absurdly hard, but it’s still a limited array of content that feels tough to grind in the later stages by yourself. I’m happy with this starting course. I’m going to play Killing Floor 3 for dozens of hours with my friends. And I look forward to seeing how this game grows as Tripwire adds more to what I consider a very nice start.

Despite my shaky feelings on some of the core modes, College Football 26 is a marked improvement over College Football 25. I got a lot out of the smaller changes, like the new Dynamic Substitutions and supplementary Dynasty features. It’s yet to be seen if this franchise will fall into the cynical rinse and repeat pattern that Madden has been on for several years now, but for the time being, it’s more CFB goodness.

Mado Monogatari: Fia and the Wondrous Academy isn’t going to light the world on fire and turn millions of gamers on to a lost RPG franchise of gold, but it is neat that it exists and hasn’t gone through any weird legal filters. Sega heads finally don’t have to be a savvy enough person to be aware of niche-within-a-niche fan translations to get a little slice of history of their favorite puzzle game. Mystery Dungeon sickos may be disappointed with a game that looks like one of those but thoroughly isn’t, but the combat mechanics feel distinct and fun to play with even if their busyness doesn’t always translate to a challenge. Sometimes a dungeon-crawler can just be cute, and that’s okay.

Wuchang: Fallen Feathers is a souls-like game that takes us to a fictional ancient China based on folklore and mythology, but it also puts some spins on the formula that make this an interesting action-RPG in its own right.

One of the best parts of running into a game like Shadow Labyrinth is there’s no telling what kind of audience it has. It’s weird, difficult, janky, ambitious, and did I say weird? Let’s go with bizarre. Absurd. Deranged, even. The announcement was met with confusion, and I think the end product will be met with even more confusion than anticipated. But there’s also some gas here, with an experience that almost never slows down, never lets you rest or breathe, but is always wrenching your brain and making you think. This is an utterly fascinating experience, and a wonderful exercise in a team taking something mundane and being relentlessly creative. Tons of people will probably hate it. But folks who gel with this particular brand of crazy have a potential new cult classic in their libraries.

With the arrival of Donkey Kong: Bananza, Nintendo’s legendary gorilla is finally back in the spotlight for a new 3D platformer. This sprawling journey is rich with challenging platforming sequences, a plethora of unique enemies, and features that will alter the DNA of this franchise moving forward. Top it all off with a story full of heart, and you’ve got an excellent addition to the Switch 2’s young library.

Death Stranding 2 will probably be divisive to players, partially because of the length of its journey (I clocked 100+ hours at an exploratory pace), and partially because it doesn’t solve every issue that speckled the shine of the first. Travel and delivery can still feel awkward and frustrating, but you have so many options for everything that the only thing really holding you back is not exploring them. Meanwhile, Kojima’s writing is still long-winded, and sometimes inappropriately paced, but the overall message, the compelling forces that drive it, and the ultimate conclusion left me breathless by the time the credits rolled. If you care enough to start the journey, I implore you to finish it. It truly is worth the trip.

Everdeep Aurora intrigued me. It moved me. It made me explore. Guided me often without me knowing it. It forced me to learn where things were (there is a map, but it does not mark everything), to backtrack, to explore, to remember, to find what was asked of me and solve what wasn’t, to carve my path in a way that acknowledged I would be back here, wherever that was, again. It took me through a world that felt old and lived in and like it could have been made twenty years ago but is probably only possible today. It introduced me to Shell, who reminded me of the value of being kind and helping others.

THPS 3 is a perfect game in my eyes, and while some design choices made in bringing THPS 4 to this combined remake package didn’t hit me in the nostalgia feelings the same way I can appreciate the overall result. Welcome back to the 9 Club, Tony!

I wish Rematch had more modes, and I’d kick a soccer ball at somebody’s head for some bots and crossplay, which is bafflingly absent, though all that and more is allegedly coming down the line. I can’t deny that when I’m playing Rematch, I’m having a blast, and when I’m not, I’m thinking about playing Rematch, even if that means risking the solo queue. Sloclap is onto something here, and I even found myself sneaking a couple matches when I got stuck writing this review. That’s a hell of an accomplishment. Now all I need to do is find a regular team. Anybody looking to kick a ball around?

So while it’s rough around the edges in some ways, and a little confusing in others, the core of Popucom is a fun, creative, and thoughtful co-op challenge that combines a set of ideas you don’t see put together often. I mean, if I asked for an example of Puzzle Bobble as a shooter, I doubt I’d get many answers. Add the other gimmicks on top (I love that kitty UFO drone so much, folks), and you have a compelling set of challenges that ramps up intelligently and in ways that always feel surprising and fun to solve. I mostly just wish it was easier to pick up and play!

We often judge games for how intricate their systems are, marveling at how developers managed to cram everything into a package and make it all hum. There’s nothing wrong with that, but likewise there’s nothing wrong with celebrating a game that manages to deliver something that doesn’t feel the need to entertain every second of the experience. Fishing itself is relaxing, soothing, and at times exciting. It shouldn’t need to keep you engaged at all times like social media algorithms. Sometimes your line might sit in the water and nothing bites, and sometimes that’s the best part. Wombat Brawler gets this and delivers a thoughtful game where you Cast n Chill. That’s it, that’s the hook. Pun intended.

Dune: Awakening is a big game. Its wide array of content to explore makes the game a perfect one to boot up with a group, but it’s also entirely playable solo as long as you’re prepared for a slow grind. I’d argue taking it slow is what this game wants you to do, though. Dune: Awakening wants you to explore its many nooks and crannies, find the best location for your base of operations, and come into your own as you learn the ins and outs of Arrakis. Its survival systems and world mechanics did a lot to make me feel immersed in the desert planet. Some of those immersive mechanics might go a step too far if you’re not someone who wants to keep logging in consistently, but if you’re in for the long haul, Dune: Awakening has a lot here for pretty much any type of player.