Seven Pirates H is a flawed but enjoyable game. An extremely unique system of leveling up, a light-hearted plot, and a cast of adorable characters somehow manages to mix charming and lewd in a surprisingly effective way. Unfortunately, the game is hampered by uninspired dungeons, combat that eventually grows repetitive (especially considering enemies tend to be far, far weaker than boss fights, which can be a slog), and an over-reliance on the booby training gimmick. Perhaps the game’s most damning flaw is my least favorite design choice ever: forcing players to revisit every single dungeon to fight a new boss as part of the story. Still, even with the obvious flaws, if you’re looking for a silly RPG with over-the-top fanservice, Seven Pirates H is very, very likely to scratch that itch.

So, Lost Epic didn’t quite live up to the standards that I had set for it when I had played it last year… but it was still good! Flaws aside, Lost Epic is an Metroidvania Souls-lite that’s every bit as charming as it is challenging. Sure, there’s still some work to be done here and there, but I’m confident they’ll get there in time.

A nice look and decent pacing aren’t enough for me to recommend a game to pretty much anyone, though. I came in really wanting to like Lifeless Moon, but pretty much everything I enjoyed about it I could see in the screenshots and trailer. There are too many good puzzle games out there nowadays to spend time on one which has so little going for it.

I wanted Kapital: Sparks of Revolution to continue running with the city-survival genre that Frostpunkput into place, and while it is definitely the relaxing, low-stress city-builder of my dreams, it is not the difficult experience it markets itself as. You may struggle for the first hour or two before really settling into a utopian paradise, but you will get to that point of smooth sailing sooner or later. For a game about revolution, the only thing revolutionary here is how chill it is; Kapital: Sparks of Revolution is fun and addicting, but it’s hardly the stressful city-survival simulator it tries to be. I’m more than okay with that, but are you?

Do I like Cultist Simulator: Initiate Edition? Or do I like the idea of it? It’s hard to tell, but one thing’s for sure — I’m going to be playing this one for a very long time. The writing is superb, the atmosphere is spooky, and the gameplay is unlike anything I’ve experienced before. Although I understand the design choice of making players learn competency through experimentation and that it was done well here, I cannot say it’s going to be fun for everyone. I’ve barely scratched the surface with Cultist Simulator: Initiate Edition and I’m certainly not very good at it, but I can’t stop thinking about it. Cultist Simulator: Initiate Edition beckons, and I feel compelled to continue.

With fantastic writing, well-designed levels, great attention to detail, and a surprisingly challenging combat system, Undead Darlingsis a wonderful playthrough if you love zombies, dating sims, or dungeon crawler RPGs. Yet despite all these accomplishments, the game is severely hindered by its sloppy and often frustrating UI.

As Luminous Productions’ first project after being formed from the developers of Final Fantasy XV, Forspoken is a remarkable yet flawed experience. There’s so much potential here, with an outstanding magic parkour system and a beautiful open world. However, it’s clear that the ambition was a little too high for this studio, as there are just too many incomplete (but great) ideas at work here that just don’t come to fruition.

When it comes to presentation, Spirit of the North: Enhanced Edition is a treat and a real step up from the previously released versions of the game. It’s just a shame the visual overhaul doesn’t do much to offset the monotonous gameplay and abundant bugs that plague the experience. I really wish Infuse Studio spent a little more time ironing out the kinks because it would make it easier to recommend to more casual players who may not mind the game’s lack of challenge and unimaginative puzzles. Sadly, at least in its current state, Spirit of the North: Enhanced Edition is a bit like finding yourself trapped in a public bathroom without any toilet paper: it’s a frustrating and lonely situation that you’ll probably want to avoid.

King’s Bounty II is an excellent compromise between new and old and is a great time in general. As I’ve already mentioned, keeping a series going for a long time is difficult, and I’m sure that coming up with a proper sequel almost a decade after the last game was released was a difficult task. Difficult or not, however, 1C Entertainment managed to make it happen—and their final product is pretty great.

Neurodeck has its flaws; there are a few balancing issues that still need to be resolved, and the pacing needs a little fine-tuning. But the good definitely outweighs the bad. There’s something strangely wonderful about facing down phobias with cards like Comfort Food and Grumpy Frown. And with the promise of more improvements to come, Neurodeck can only get better from here.

While this remaster has its share of Kodak moments, unfortunately, the negatives are simply too much to ignore. With Fatal Frame: Maiden of Black Water’s disposable cast of characters and underdeveloped episodes that start to blur together like like an old Polaroid, survival horror fans are better off turning their focus elsewhere to get their fix this Halloween.

I really enjoy the story, look, and feel of Arcadian Atlas. While its core gameplay isn’t breaking any new ground, and its UI is poorly designed, it could be a solid choice for those who are nostalgic for the 32-bit era of strategy RPGs. I quickly learned to work around most of my issues with it to the point where they were more minor annoyances than significant issues. Until its significant performance issues are ironed out though, it’s hard to recommend for even the biggest fans of the genre. The game underneath has its strengths, but it’s certainly not good enough to be worth putting up with them.

No Place Like Home will draw you in with its adorable illustrations and novel premise; for fans of wholesome games, cleaning simulators, and base-building, the allure might actually work like a charm. For everyone else who’s had their eye on this post-apocalyptic farm sim, you may want to give it some time before it’s truly ready for release after a little more polish. I’m confident that, in a few months time, No Place Like Home will be cleaned up and in a much better state to receive players. Until then, keep this on your Wishlist and keep fighting the good fight against climate change to ensure Ellen’s present is as far removed from our future as possible.

If you’re a fan of Made in Abyss, then Made in Abyss: Binary Star Falling into Darkness will certainly interest you; however, those unfamiliar with the story should wait for an update or two before taking the plunge. The premise is amazing, the story is intriguing, and the dark emotional depths it delves into genuinely shocked me on multiple occasions, but the going is slow, and the execution is clunky. There’s a fantastic survival game here unlike any other that presents well on the surface, but dive deeper, and you’ll find a whole slew of balancing issues that desperately need sorting.

TY the Tasmanian Tiger 4: Bush Rescue Returns is a fun adventure on Nintendo Switch, albeit a flawed and inconsistent one. It took me 5 to 6 hours to beat, and there’s plenty more bonus content to unlock, including a ton of silly optional costumes. While I enjoyed my time with the game, the wonky platforming, simplified combat and annoying boss battles all held it back from more. That said, if you’re a fan of platformers and want to check out a silly, Aussie story, then it’s still worth picking the game up.

Felix the Cat is certainly a mixed bag; both literally and metaphorically. If you’re a diehard fan of Pat Sullivan and Otto Messmer’s iconic anthropomorphic cat or just want to settle down for the afternoon with some easy retro platforming, you’ll probably enjoy Felix the Cat. Its repetitive tendencies, dull level design, and overall lack of challenge may put most others off, however. I’m not totally sure who wanted Felix the Cat ported to modern consoles if I’m being honest. But, it’s like I’ve already said—I’m always in favor of saving old games from obscurity.

While there are genuine moments of excitement and mystery to be found in Alone in the Dark, they simply aren’t enough to offset the mountain of issues that plague the game, at least in its current state. With clunky and unsatisfying combat and more bugs than an Ekbom Syndrome convention, Alone in the Dark is a game that’s best left in the shadows—at least until some serious updates have been done to sort out its most glaring issues.

Aztech Forgotten Gods is a game that undoubtedly comes with issues in general feel when playing, and the questionable design choice in going with an open world. Having said all that, Aztech Forgotten Gods is also an experience that is loaded with such heart and ambition that it’s impossible not to enjoy your time spent in this world with this fantastic cast of characters. If you’re someone who can look past the rough edges that likely resulted from a modest budget, then I would definitely recommend joining Achtli in her conflict that not only pits her against the titular Forgotten Gods, but also her own inner demons in a way that will resonate with many.

Bright Memory: Infinite is a shining example of the power of development tools when placed in the hands of someone who truly knows how to get the most out of them. With its AAA production values and polished gameplay, it provides an evening’s worth of action that entertained me in a way that the genre has struggled to do since Respawn’s underappreciated Titanfall 2. If you’re comfortable with dropping twenty dollars on an experience that you know will be over in a couple of hours and are willing to overlook the messy narrative in favour of the excellent gameplay loops, then Bright Memory: Infinite is absolutely worth supporting.

Curved Space tries new things in the twin-stick genre. I appreciate the attempt, but most of those new things don’t work out. Playing it is often uncomfortable, and too many of its weapons are duds. At times the fast-paced shooting can be enjoyable, but even that is too often broken up by pacing issues. I’m all for destroying spiders, but I’d rather do so without feeling sick to my stomach.

When it comes down to it, Astria Ascending is a charming blend of new and old, and a very enjoyable RPG experience overall. I'm always happy when I see a game successfully emulate the spirit of the ever-sacred old-school RPG, and I can happily say that Artisan Studios really outdid themselves with this one.

I’m still glad I got the chance to cover Clid the Snail. It may not have fully lived up to my hype, but it’s still a solid and creative twin-stick adventure. Sure, there are things that Weird Beluga Studio could have done better, but I think the game is still worthwhile. Especially as a first effort. This is a fascinating world, and one I’d be happy to return to in a sequel. But as far as a successful first outing, it was a bit mixed in execution.

So once again, I’ve tried another deckbuilder, only to come out disappointed. Three Kingdom: The Journey isn’t a terrible game, and there’s kernels of greatness that could grow into something much better. That will just depend on Senmu Studio putting in the time to fix the translation and tweak the game balance. Until that happens, this is just one of many frustrating deckbuilder experiences.

Playing The Sundew is much like eating at a fancy boutique restaurant. You’ll be served something that’s beautifully presented only to then find the meal isn’t nearly substantial enough to fill your belly, and you’ll be aghast at the bill for it. The story flies by before it’s even had a chance to begin, and even though there are multiple endings, they only add a little sliver of extra playtime. Though there’s a little fun to be had in exploring the lovingly rendered pixel art scenery, this cyberpunk outing is sadly destined to wash away from your memory – like tears in The Sundew.

Speaking purely in terms of dress-up sims, Fashion Dreamer is excellent. While I would have liked a bit more customization in terms of your actual Muses, there’s very little to dislike about the borderline-unlimited number of outfits that the game offers you. As an entire experience, however, I couldn’t help but find the game lacking. While Fashion Dreamer doesn’t disappoint when it comes to letting players express their inner fashionistas, the fact that there’s so little to do outside of creating outfits for people makes it hard to stay motivated for long periods of time. Sure, I’m happy to spend hours creating outfits… but I need something to do afterward, you know?

God of Rock has some solid ideas with some really cool gameplay elements that will certainly interest the fighting genre fans; however, I fear there wasn’t enough attention given to the rhythm aspect to equally draw the music games crowd. I’d be curious to revisit God of Rock after several rounds of updates to see how it improves over time, but as it stands I don’t think it’s going to be anyone’s favorite game right off the bat. Once God of Rock gains its balance, however, it’s over for us bitches.

It’s difficult to recommend Warhammer Age of Sigmar: Tempestfall. While I’m confident comfort settings will be patched in upcoming releases, and the tracking issues with combat will be resolved, it’s more complicated to address some of my other concerns with the game. A dull and impenetrable plot, coupled with uninspiring combat and limited enemy design, make for a fairly meaningless experience. You’d be better off playing The Wizards or Blade and Sorcery for your fix of fantasy VR hack and slash.

Firegirl: Hack ‘n Splash Rescue has some issues, but it also has its fair share of moments where it really shines. I adore the protagonist and the world she inhabits, their charm and personality untouched by the devastating flames. I enjoy the game’s unique concept and gameplay, a completely new experience in both the 2D platforming and roguelike genres. So while the mechanics might not be the most finely-tuned at the moment and the learning curve perhaps a bit steep, Firegirl: Hack ‘n Splash Rescue has the potential to become better refined in the coming months. Firegirl: Hack ‘n Splash Rescue certainly brings the heat; after a few updates, it might be safe enough to go back into the kitchen.

With Halloween just around the corner, there’s never been a better time to snuggle up with a heart-pounding, fear-inducing, horror-themed video game. And, as far as said games go, Clea stands among my top choices for this year. Though it may be short, Clea delivers a truly satisfying experience, striking a fine balance between traditional gameplay and unique elements that all but ensures that it won’t be forgotten any time soon. Facing your fears can be scary, but it’s games like this one that also ensure that it’ll be fun, too.

Goodbye World is an important game development story for gamers and developers alike. It has interesting characters, fantastic art design, and pacing that kept me engrossed in the narrative from start to finish. Unfortunately, its game within a game will polarize players, who will either love its retro-inspired platforming or loathe its stop-go positioning within the story. Goodbye World is a must-play experience for the story alone, so if you find yourself with an hour or two to kill and $12 to spare, Goodbye World says “hi!”

I’m sure Space Crew will be enjoyable for plenty of people out there, but I spent too much of my time either frustrated with complicated controls or bored by monotonous missions.

Overall, there’s a lot to recommend in Neoverse Trinity Edition. It’s addicting, it’s great in short bursts and long runs, and it’s got characters and decks that are excellently balanced. Really, the only downsides are the lack of tutorial, the small text (it’s very hard to play in handheld mode until you know what the tiny text says), and the slightly wonky controls (it’s very easy to accidentally select the wrong item or card and then use it without realizing it, though you learn to be more careful eventually). There’s plenty of replay value, too, with each character having multiple unlocks for new cards, costumes, skills, and more. There’s also additional modes if you’re looking for a greater challenge.

Given how ambitious and unique the premise of Inifite Guitars is, it pains me to say that what should be a refreshing marriage of RPG and rhythm-based gameplay has turned out to be a bit of an exercise in tedium that is held back massively by issues with input recognition and repetition. It looks beautiful, and, with a few patches aimed at tightening up the gameplay, this may turn into something that is worth experiencing for that fantastic soundtrack alone, but, as it stands today, Infinite Guitars doesn’t feel like it was quite ready to take to the stage.

World’s End Club feels a lot like the child of extremely talented parents. Where the Zero Escape and Danganronpa series aggressively delivered their respective themes and elements that hooked players, World’s End Club inherited their genes but not their experience. The framework is there and shines as strongly as ever, but if you’ve already played its predecessors, it feels less like an equal and more like both franchises dialed down in volume. There’s an exact audience for World’s End Club: teenagers who want to experience what Zero Escape and Danganronpa have to offer but aren’t ready for heavy technical reading or the mental anguish of executing classmates. It’s good, it’s sweet, but it’s immature. And honestly? That’s just fine.

Whether the combat is a deal breaker for the average player is going to depend on how much they value everything that Toyama and his team at Bokeh Studios have got right. For this writer, the answer to that conundrum is that, on the whole, Slitterhead’s positives do outweigh its negatives. It feels like Toyama is untethered again, and while not every design choice has worked out for the best, the fact that we have the horror legend operating independently and willing to create something unlike anything else is something to be celebrated.

Fatal Fury: First Contact isn’t a bad game by any stretch. However, when you compare it to SNK’s more recent NGPC ports to the Switch, its lack of content is hard to ignore. It really shows its age with its slower pace (and frequent slowdown). And with only one single-player mode to experience and a pair of characters to unlock, you’ll likely find yourself burning through everything it has to offer in a single afternoon. Of course, the ability to play against a friend adds a bit of replay value to the package. But given that you can buy the superior Real Bout Fatal Fury 2 for the same price on the eShop, it makes this entry a little tough to recommend to all but the most ardent SNK fans. At the end of the day, Fatal Fury: First Contact isn’t wildly ambitious. But if you’re looking for a quick and dirty 8-bit fighter to add to your Switch library, it gets the job done.

Monster Menu: The Scavenger’s Cookbook feels more like a first try on NIS’ part than anything else—a fun first try, but a first try nonetheless. I legitimately enjoyed my time learning the ins and outs of the game and, as a fan of roguelikes and RPGs alike, didn’t mind having the game repeatedly stomp me into the ground. With that being said, however, I’d definitely call this one niche, and I’m not sure that everyone will find its flavor quite as appealing as I did.

Nothing comes easy in Monster Rancher 1 & 2 DX. These are fairly poor ports of two pretty good games, with the best part of them stripped out. I still had fun revisiting these games after so many years, and players able to overlook the poor interface and lack of guidance can still definitely find a good time here, but you’ll need to work for it.

What the Saints Row reboot truly reminds us is that -- whatever situation they may find themselves in -- the Saints do it for each other. 2022's Saints Row is less about reeling it in and more about coming home. And in the house that Santo Ileso's Saints built, "damn, it feels good to be a gangster.

I spent a lot of my time with Sonic Frontiers having a ton of fun, even if there were just as many moments where I was frustrated and ready to be done with it. This isn’t a great game, but it’s one that should satisfy Sonic fans desperate for an interesting game starring their favorite blue blur, and for the first time in a long time, it feels like the series may have a sense of direction. There’s still work to be done to make it more than that, but this is a big step in the right direction.

Nitro Kid offers that slice of synthwave cyberpunk heaven in the form of a turn-based deckbuilding roguelike. It has a solid mechanic and balanced gameplay that proves addicting when you throw the amazing soundtrack into the fray. Although I wish there had been a little more in terms of a storyline — or even just backstory — that’s not a dealbreaker for an otherwise great game. If you’re looking for a fight with plenty of synthwave flair, Nitro Kid is ready to deal you in.

Honestly though, when you take everything into consideration, Seven Knights -Time Wanderer- totally blew me away. I never thought I’d have this much fun with a game inspired by mobile, but here we are. Not only is the game visually luscious, but it plays like a fast-paced dungeon crawler. Sure, it’s a bit repetitive and the plot could be better, but few games are perfect. What’s here is still incredibly solid and fun, and I’d recommend it to any old school RPG fanatic. And when you consider how inexpensive the game is, I can’t recommend it heartily enough.

Poison Control could have been better. The controls weren’t polished enough, and the levels—despite boasting some amazing aesthetics—were fairly same-y. But that doesn’t mean that Poison Control is a bad game. In fact, I really liked it—and I think that a lot of pre-existing NIS fans will, too. If you’re looking for games based on mechanical execution alone, Poison Control might not be your thing. If you want something with a lot of heart, however, and don’t mind the imperfections, then I would absolutely suggest diving headfirst into this little slice of Hell.

White Day 2: The Flower That Tells Lies is far from being the worst horror game I’ve played. But it’s nowhere near the best. Offering little more than truncated stories within self-contained chapters and gameplay mechanics that feel inferior to those within its predecessor, White Day 2: The Flower That Tells Lies – Complete Edition is a disappointing sequel for those of us who have spent years waiting for a White Day sequel.

Ashwalkers toes a fine line between survival and story and does a great job of it. The storytelling is just enough to tease out a unique ashy apocalypse without getting burdened by too many specifics, while the survival aspect is stressful but not impossible to overcome. While playing, I found myself invested in not only the Squad’s survival but the fate of those 250,000 souls back in the Citadel, only satisfied once I got an ending with a hopeful note. If you enjoyed the scouting section of Frostpunk and wanted to see that mechanic expanded upon, look no further than Ashwalkers.

Staxel exemplifies the old saying, “jack of all trades, master of none.” With the stellar competition on offer, a game really needs to excel these days to make an impact in what is becoming a very crowded genre. Unfortunately, Staxel, with its frustrating systems and the uninteresting cast, makes it hard to want to stick around and enjoy the variety of gameplay loops on offer here, and it’s difficult to see anybody but the most dedicated fans of the genre feeling any different.

Panorama Cotton was an incredibly impressive title in 1994, and nobody can take that away from it. Judged in 2021, though, there’s little reason for anyone to play it. It simply doesn’t hold up against similar titles. Clear and colorful visuals and competent shooting mean it isn’t exactly a chore, but nothing about it stands out today. This is a prime example of how some games are best left in the past.

For better or worse, Digimon World: Next Order has all of Bandai’s best ideas mixed together in one complex title. As a game, this can be huge and intimidating, but it can also be someone’s comfort game to melt into at the end of a long day. As a port, Digimon World: Next Order should be praised for its continuous improvement as it jumps from one platform to the next, but its pricetag hasn’t improved in its 7 year run, which can put off some players who have become accustomed to purchasing ports at a lower pricepoint. Digimon World: Next Order was an overwhelming first foray into Digimon, but I’d be lying if I didn’t say I was blown away by the complexity, nuance, and depth the series has to offer. Perhaps Digimon truly are the champions after all!

While not all of the features Battlefield 2042 introduces are a hit, and the lack of a single-player component is a little disappointing, the game still manages to deliver the same spectacular skirmishes fans of the series crave with its explosive 128-player conflicts and satisfying selection of near-future weaponry and gadgets. Add to that the impressive Portal Mode, which has the potential to keep a steady stream of community-created content flowing, and Battlefield 2042 could very well keep your itchy trigger finger soothed for the foreseeable future. Whether you’re a longtime fan of the franchise looking to dominate the leaderboards or a greenhorn ready for your first tour of duty, Battlefield 2042 delivers something worth fighting for.

By focusing on providing a familiar blend of strategy and impeccable combat, Omega Force has delivered an experience that feels like it has the interests of the fans at its core. Where Omega Force goes from here with both the mainline entries and subsequent Empires games remains to be seen, but for now, fans can at least enjoy this return to form.

Despite this, I still recommend The Ramp to almost any player who has interest in it. Its Zen-like simplicity is addicting, and a low price means there’s little room for regret. While you can draw minor comparisons to a wide variety of titles, there’s nothing quite like The Ramp on the market.

Despite my many gripes, I think there is still an audience out there for Curse of the Sea Rats. Sure, it’s packed to the rafters with frustrating design choices that should have been made to walk the plank, but it’s also a title that has clearly had a ton of love and passion poured into its development. That I felt compelled to stick with Curse of the Sea Rats despite the uneven gameplay is a testament to the art direction and light-hearted narrative, both of which instantly brought me back to a happy place; sitting in front of the TV on a Saturday morning, feasting on whatever sugar-laced cereal was trendy at the time, all while enjoying my favorite cartoons. While it’s not an easy sell due to its gameplay fumbles, I do still think Curse of the Sea Rats is worth a playthrough for anyone who can look past its flaws and focus on the product as a whole, which ends up being a serviceable videogame, elevated greatly by a wonderful sense of style and charm.

Mia And The Dragon Princess is another title that can be gorged through like a starving child when he glimpses a box of Celebrations. But unlike Celebrations, it doesn’t have the quantity nor the quality to entice you to keep on feasting, it’ll instead make you feel full all too quickly.

I wish I could say I had fun with Deiland Pocket Planet or found some sort of redeeming quality outside of the aesthetics, but the truth is, I spent too much time tripping over rocks and breaking them out of frustration afterwards to really remember much else about it. I kept missing visitors, I fumbled with farming, and unlocking the fishing rod was an exercise in odd patience. There was a lot of weird friction in the UI and nothing was truly intuitive. I am still wild about the concept and found the chill vibe inviting, but diving back into the game just for a supposedly relaxing mood never had the outcome I was hoping for.

Dai’s video game debut may not feature the same level of robustness as its core series counterparts, but, as an action-based anime spin-off, it’s an absolute delight. Whether you’ve been following the anime or manga, or just consider yourself to be a Dragon Quest fan, Infinity Strash: Dragon Quest The Adventure offers an all-around good time.

Modern Warfare 3 should not exist in its current form. This world, these characters, and modes such as zombies deserved better, especially after Modern Warfare 1 and 2 laid the groundwork for a spectacular third entry with two carefully crafted reboots. If you’re purely in it for the multiplayer, then there may just be enough here in the nostalgia of revisiting old maps to warrant a purchase, but that is the only grounds on which Modern Warfare 3 might prove an acceptable product. For anyone looking for their next action-packed campaign fix or hoping to see the zombies mode return to its former glories, you should absolutely avoid this year’s entry.

Hellboy Web of Wyrd is a title brimming with promise and love for its source material, reflected in its atmospheric visuals and intriguing narrative elements. It effectively encapsulates the grim allure of the Hellboy universe, offering a visually enthralling journey through its stylized, comic-esque realms. Yet, the game decides to tread the roguelike path that ultimately casts a shadow on its narrative strengths, often turning what could have been an engrossing narrative-driven experience into a slog through repetitively structured levels.

Legends of Ethernal is a starting point for an even grander game. All the pieces are in place. The compelling narrative, captivating visuals, and engaging soundtrack all help to create a vivid and living world that’s enjoyable to experience. While the gameplay can lag at times, the aforementioned elements admirably make up for these small deficits.

While I honestly enjoyed some of my time Shadow of the Orient, I feel like it was the wrong genre. There’s so much effort put into making expansive levels that I feel this would have worked better as a small Metroidvania than a lackluster platformer. It’s clear Spacelab Games put a lot of time into the experience, and I strongly suspect they might have some future great game in them. As for this one, fans of retro might enjoy it, but probably not many others.

This game's impressive just by virtue of it being Massive Work Studios' first. But it wouldn't be fair to only give it credit for that reason. Dolmen is a fun, and exciting cosmic horror-themed soulslike whose unique (and successful!) inclusion of ranged combat helps it to stand out from its peers. If this is just the beginning of what Massive Work Studios have to offer, I can't wait to see what's in store for us down the road.

Sheltered 2 is easily one of the most complicated games I’ve ever played. It’s fun if you liked the original Sheltered, or Fallout Shelter, and in many ways, it’s an upgrade of those apocalypse bunker sims. The issue, however, is that despite all of the game’s improvements and complexities, its overambition is also its biggest downfall. The core mechanics of its basic survival necessities of maintaining food and water are at the moment glitched, and any progress is meaningless because it will inevitably lead to a time-wasted end where resources inevitably run out two weeks in. As of right now, there are no ways of replenishing water save for bartering (if you’re lucky enough to find a faction with spare water), and so because of this, I can’t give this broken game a positive review. With some updates to fix the bugs and polish off the post-apocalyptic dirt from this potential jewel, Sheltered 2 might be able to fulfil its lofty ambitions.

With more polish and perhaps a bigger budget, FORECLOSED could have been a must-play techno-thriller. As it stands, it's a killer proof of concept that just misses the mark when it comes to nailing the fundamentals. Still, if you like the sound of a neo-noir adventure that hits like a strange fusion of Max Payne and Cyberpunk 2077, you'll certainly find that here.

Alex Kidd in Miracle World DX places me in a bit of a difficult position. On the one hand, I feel fairly confident that fans of the original game will be able to come into this and receive a heaping helping of soul-warming nostalgia. The graphical updates are pleasing to the eye. The updated music may not always carry the game’s tone that it is playing over, but it still sounds great. And there are even a few added levels and slight tweaks to previously existing ones to surprise players. For those people, my numeric rating would be more likened to a 4 out of 5. However, for folks like myself that are experiencing this for the first time for any reason other than a history lesson will be confronted with annoying controls and a somewhat serviceable but unexciting adventure that, in this reviewer’s opinion, didn’t quite stand up to the test of time.

UPPERS was not worth the four-year wait and lengthy localization process. As a beat-‘em-up, it lacks creativity and variety, although it may succeed somewhat as a fanservice game, even if none of the characters have any significant degree of depth. That being said, if you go in with the proper expectations, you’ll likely get some fun out of it, especially if you pick it up on sale since I think the $29.99 USD price point is a bit steep.

Chernobylite is an enjoyable little loot n’ shooter sadly torpedoed by technical issues for the PS4 version. It’s such a shame that the intriguing storyline and the compulsive scavenging fun is completely ruined by bugs. I was looking forward to uncovering the dark mysteries lurking within Pripyat, but until the game-breaking errors are fixed, they will have to remain hidden.

There’s so much good going for Janitor Bleeds, creating plenty of scares with its well-executed main concept of having to play an arcade game while stalked by a mysterious entity. Sadly, there are some flaws. I do wish the ending had a bit more going for it, the main story only lasted about an hour, and the token system is woefully underused. Nonetheless, for the low price tag, fans of old-school horror games shouldn’t miss out on this little cabinet of spooks.

RWBY: Arrowfell is the definition of a mixed bag. Rewarding and fast-paced exploration does provide some satisfaction, but the combat, which makes up the majority of the game, fails to impress through the awkward way in which character progression has been implemented. If you’re willing to overlook that, then RWBY: Arrowfell serves as a perfectly fine distraction that I feel does just enough right with its narrative, presentation, and exploration to make it worth a look for action platformer fans.

With its novel card-battler mechanics, the snappy and accessible combat system, and the refreshingly straightforward take on character and party progression, Mato Anomalies is an easy recommendation for both fans of the genre who want something a little different, and those who are on the lookout for a more newcomer friendly entry point to the genre.

As a fan of the indie and rogue-like scene, I really wanted to enjoy Morsels more. But I also can’t bring myself to say a game is better than it is. My hope is that Furcula finds a way to tweak and dramatically improve the game experience in future content updates. But until then, this is one rogue-like that won’t be making a lot of fans.

While there are five games in the Rose & Camellia Collection, none of them are that long. You can finish the whole series in an afternoon. While the insane tone and style are highly entertaining, the lacking controls hold this collection back from being essential. Still, I’m glad that someone looked at this series and decided to preserve it for future generations. Nobody needs to play the Rose & Camellia Collection, but for the right price, you can have a few entertaining hours with it.

If you’re looking for a retro-style FPS that will kick you in the teeth, Writhe certainly fits the bill. It’s just unfortunate that it doesn’t offer much else apart from its considerable challenge. With only a small smattering of stages to choose from and enemy types to exterminate, it’s tough to recommend adding Writhe to your Switch library, even at its budget-friendly price.

It looks the part of a dystopian robot future, and I wish it had lived up to my hype. Ultimately though, Metal Mind wasn’t the rogue-like I was hoping for, nor the robot builder experience. While there might be a worthwhile adventure here for those willing to push past the punishing lack of balance, I feel many won’t have the patience to delve very far into this robot adventure.

Had more care been given to crafting a more handcrafted campaign that relied less on repetitive busywork and more on the cinematic set-pieces that we know the looter shooter genre is capable of when done right, then this may have been a different story, and the admittedly enjoyable combat would have had the chance to shine more had the activities surrounding it been remotely enjoyable or creative. As it stands, though, this is one of the worst campaigns ever to grace a videogame, never mind a live service, with an endgame that does the unforgivable and asks you to continue grinding out the same content that you’ve just slogged through.

It might not be as groundbreaking as some of DONTNOD Entertainment’s other games, but Twin Mirror really holds up as a replayable adventure. Its Mind Palace mechanics are a lot of fun and each ending was a delightful revelation that made me question my own sense of truth. Overall, the game is an excellent addition to this company’s library of high-quality narrative-driven games. My only complaint is that it’s a tad steep price for its length, so I’d probably wait for a sale.

Liberated is a great comic book turned video game. Dark and dystopian, almost absurdly gorgeous visuals, and a compelling story make this a surprising, but welcome, entry in the Switch library. Although you can beat the game within a few hours, don’t let the short run-time turn you off. There’s a lot of game packed into that those few hours.

Despite the clear effort that went into build diversity and satisfying naval combat, Skull and Bones’s core gameplay loops simply aren’t enough to stop this ship from sinking. Mindless grinds, tedious busywork, and a complete lack of any meaningful gameplay hooks outside of the core combat result in an experience that feels incomplete despite the plethora of Ubisoft checklists that there is to work through in your time at sea. If you’re someone who enjoys tinkering with builds and doesn’t mind grinding for materials in a constant pursuit of that next upgrade for hours on end, then you may find something to like here. Otherwise, this is a voyage into tedium-induced insanity that you can definitely afford to miss.

The idea of a Medieval take on the Grand Theft Auto formula is undoubtedly intriguing. That’s why it’s such a shame that Rustler falls short of realizing its full potential. From the game’s unsatisfying combat to its rinse-and-repeat missions, it doesn’t take long before the game starts to wear out its welcome. Add to that near game-breaking technical issues, and you have a title that’s pretty hard to recommend to all but the most desperate fans of the genre. Still, if you’re looking for an unapologetically old-school throwback to the GTA games of old, you might just find some fun to be had with Rustler.

There’s very little to criticize about Super UFO Fighter. It’s a game that’s easy to learn and challenging to master. With campaign mode, a versus mode, and a “hot potato” mode, there’s plenty to keep players entertained. While it may seem simple on the surface, Super UFO Fighter is incredibly entertaining and only gets more challenging the longer you play it. If you’re looking for a new party game to play alone or with a friend, I definitely recommend giving this game a shot. I don’t think you’ll be disappointed.

There are some real fault lines running through Redemption Reapers that are hard to look past. The story and characters just aren’t given enough history to make anything feel particularly meaningful; there’s no real driving force. Early difficulty spikes are extreme and frustrating, and poor stat growth, coupled with extremely low hit points for many characters, makes it feel like the odds just grow increasingly insurmountable – at least until you can go back and grind to obtain experience points, which you won’t be able to do for the first part of the game. While the dark atmosphere, gorgeous visuals, and haunting soundtrack are promising, and while the combat mechanics have some real potential, the balancing issues, difficulty spikes, poor AI, and flat storytelling simply bog Redemption Reapers down too much.

That was actually my general experience with the entirety of Expedition Zero. It does a solid enough job of creating atmosphere and making the player nervous, but playing it just isn’t fun. The seed of a solid idea is here in the game’s various printers, but they don’t do enough to help overcome the slow and awkward movement. Horror fans may find a few hours of scares, but anyone else should steer well clear of this expedition.

After two triumphant video game outings, South Park: Snow Day is a crushingly disappointing effort, with new development team Question leaving behind everything that made the New Kid’s previous two adventures such a success. Bland combat, a distinct lack of humor, and one-dimensional level design come together to create something that I suspect most will bounce off immediately. Not even the mildly interesting rogue-lite card system and persistent upgrades can save this one from disaster. At worst, I expected Snow Day to be something that at least could be recommended to hardcore fans, but with such a disregard for what makes South Park special, this is one even the most die-hard of fans can avoid.

Dragonborne may not be perfect, but, if I’m being honest, its imperfections are kind of a part of its charm. While I obviously can’t say this for certain, it feels like everything in this game—both the bad and the good—was designed specifically to make this game feel like it was released in the early-mid 90s, just like any other Game Boy game out there. So, if you’re in the market for a new Game Boy game (remember, you can actually buy a cart of this!), then Dragonborne‘s probably right up your alley.

I wouldn’t immediately recommend Lost Ruins in the way that I might with other Metroidvanias, but it’s still a fun time overall. If you’re looking for a different kind of Metroidvania and don’t mind intentionally awkward controls, then give Lost Ruins a try. It’s honestly a nice feeling when you get all the way through it.

At the end of the day, Clid the Snail is a fun but flawed first effort for Weird Beluga. I enjoyed the game’s more deliberate approach to its gunplay, and the weapon variety and shell customization options kept the action feeling fresh. Add to that some excellent puzzles and fantastic worldbuilding, and there’s no denying that there’s a lot to love here. That’s why it’s such a shame that things become so frustrating due to the developer’s artistic choices. After all, it’s hard to focus on a firefight when it looks like half of the screen has been slathered in vaseline. Perhaps the developer will add a patch down the road to remedy the muddy visuals. And if they do, Clid the Snail will be a much more playable experience. As for me, I’d probably wait and see if they clean things up before taking the plunge. However, if those issues aren’t enough to dissuade you, escargot ahead and give Clid a shot.

Baldo: The Guardian Owls may have had a rocky launch, but the issues have been cleaned up to such a degree that the low scores earned months prior don’t necessarily apply anymore. I’d recommend caution before jumping into it, however — even in a perfectly playable state, Baldo: The Guardian Owls is still a polarizing title. If you love cozy aesthetics with design choices that feel more suited for the 90s – 00s, Baldo: The Guardian Owls should definitely be on your Wishlist. If not, well… in the worst case, I’ve found it to be a fantastic cure for my insomnia.

Those who have a sense of nostalgia for old-school, turn-based strategy games will likely be able to find some fun with The Dragoness. Despite a lack of personality, bland combat, and a sense of repetition that sets in quickly, something at the core of the game simply works. There are so many other options available to players that offer more, though, that it’s hard to recommend this one to all but the most dedicated devotees of the genre.

Forgotten Fields, at first glance, is intriguing, meaningful, and deep. And maybe it is — it certainly has its beautiful moments that make you yearn for tropical beaches. But stunning cinematics and dazzling soundtracks can only carry a game so far, especially when movement sticks, cameras are broken, and gameplay itself just feels overall unfinished. Forgotten Fields is done — it’s playable — but I would love to see a lot more work before I can truly recommend this narrative game about narratives.

Hell Architect makes the macabre somehow a bit more palatable with its devilishly cute art style and relatively lighthearted dark humor. Although fans of similar titles like Oxygen Not Included will likely have their interest piqued, the selling point of Hell Architect isn’t in its gameplay, but in its theme. Players hoping to take their sadistic tendencies out on poor, unfortunate souls — and some deserving familiar faces — will have a gruesomely good time with this one; those looking for a deeper, complex layer of hell to call their own will have to wait for an update or two.

I love the way Recompile looks, and a Metroidvania with this much freedom could definitely work. To do so however, it would need to clean the world design up enough that you can tell where you’re going. A tighter jump or more forgiving platforms would go a long way as well. As is, far too much progress in Recompile feels like it comes down to luck and repetition rather than skill. Game Pass subscribers who love the look may want to give this one a chance, but most players will quickly want to eject from this drive.

LOVE – A Puzzle Box Filled with Stories has such a clever concept implemented in a unique way — who would have thought to make a game focused on a building’s past and present, its windows open for players to peek inside and see how love grows or wanes over time? Unfortunately, this labor of love was a little hard to understand, its stories only sometimes resonating through confusing feedback and cluttered scenes. If you’re here for puzzles, you may want to pass this one up (or at least give it a go on your PC); if you prefer sentimental stories above gameplay, then let love conquer all and give LOVE – A Puzzle Box Filled with Stories a shot.

I like the Neptunia series. It has plenty of potential, and it’s shown itself capable of creating genuinely impressive titles. That’s exactly why its recent string of spinoff mishaps has worried me so much. Still, its most recent iteration has given me some hope. Neptunia Game Maker R:Evolution is far from perfect and feels years behind where it should be, but its dedication to improving various aspects of its long-standing elements, particularly its dungeons, has given me some hope. I’m not sure that I can recommend Neptunia Game Maker R:Evolution to the average JRPG fan, given its questionable quality. If you’re a pre-existing Neptunia fan, however, you’ll probably dig it.

I don’t want to come across as too negative because I still think there’s a lot of good in Shattered Space. While the planet of Va’ruun’kai itself may not offer much unique to the game, it looks great and the core quest line here is worth your time. The amount of content you get for nearly half the price of the original game, though, is wildly underwhelming, and there’s nothing here that is going to change the mind of anyone who doesn’t already like Starfield. Fans of the game should absolutely check Shattered Space out when they get the chance, but I might consider waiting for a sale.

There will be people who like The Suicide of Rachel Foster because they are able to sidestep away from the whole pedophilia aspect, which is only a possibility because the game itself tries to frame it differently. I can’t tell you how much I initially wanted to like The Suicide of Rachel Foster — I played it twice and watched several let’s plays to make sure I wasn’t missing anything. But the developer really needed to handle these topics better, or at least have one character that didn’t sympathize with the sex offender. Ethical issues aside, the environments were great, but everything else fell flat. There is no recommendation here, only concern.

It’s hard to recommend this de-mastered port of Alan Wake on the Nintendo Switch due to how inconsistent the frame rates are and how downgraded and blurry the graphics are. Considering this title is readily available and cheaper on so many different platforms, you are far better off enjoying this classic third-person horror shooter on a PC, PlayStation, or Xbox. If the Switch is your only option or you value portability, then I guess this version is somewhat viable, but just keep your expectations in line. At least it’s not a Cloud port, right?

All in all, Seed of Life has all the tools it needs to sprout a lovely little flower, but it’ll need to take special care to groom and care for itself to get there. There’s a good number of thorns in this garden, so you should approach with caution, knowing this. But you can see where Seed of Life tried its best to shine, so if you’re itching to take a hike through alien lands, Seed of Life is a charming enough indie gem to keep you well-watered for a few hours.

Cowards who love horror games, rejoice! For in TAPE: Unveil The Memories we have a psychological thriller title that offers plenty of eerie ambiance without a total barrage of cheap jumpscares. Oh sure, there’s definitely a haunting tale to be had here, but one that will only raise the blood pressure a little bit. If you’re looking for a standard horror game experience, you’ll have to look elsewhere, but if you’re after a thriller game that offers an interesting puzzle mechanic and a scintillating story full of secrets to uncover, TAPE: Unveil The Memories is just waiting for you to press play.

Star Wars: Battlefront Classic Collection definitely needs some more time to bake in the oven with a few more patches and server updates. At its very core, it’s still a solid choice for Star Warsenthusiasts and those who enjoyed the original Battlefront games to experience a dose of nostalgia, but it’s difficult to look past the technical issues and bugs that currently plague it.

It's been said that good things come in small packages, and WitchSpring3 Re:Fine is about the best JRPG equivalent of that saying that you're going to find. Eirudy's adventure around Derkarr is a full JRPG experience boiled down to a breezy 10 - 20 hours, depending upon how you play and what kinds of things you'd like to do. If you're itching for adventure but don't have much time, or just have an appreciation for cutesy, easily digestible JRPG action, WitchSpring3 Re:Fine is probably worth your while.