If you love that pastel paradise, magical girl aesthetic, you absolutely must grab Calico. I had a hard time putting this one down even after I had completed everything, and I’m honestly tempted to start a new game just to experience the magic all over again. Seriously, if you’re still reading this, just go buy Calico and get that serotonin injection you deserve. Your brain will thank you.

Postal Redux is a great definitive version of a subversive late nineties classic that men of a certain age can wistfully look back on as a naughty pleasure from adolescence. Still, returning veterans and new players alike will notice that this 24 year old game can only be polished so far and there’s a janky lack of refinement in the core gameplay. There’s enjoyment to be had in Postal Redux, but it’s best enjoyed if you’re able to set your mind and expectations back to 1997.

To The Rescue! isn’t without its flaws, but like a cute yet shy dog tucked away in a shelter kennel’s corner, it’s still worthy of any dog lover’s attention. It may have had a rocky start to life, but the developers have been hard at work tackling bugs and fixing issues, so it’s safe to say that any perceived problems will soon be a thing of the past. If you’re ready to roll up your sleeves and find fur-ever homes for pixelated pups, To The Rescue! just might be the most doggone fun dog shelter simulator out there.

As a massive fan of the original game, I had high hopes for The House of the Dead Remake. Unfortunately, this one mostly misses the mark as far as updates go due to its constant performance issues and control schemes that range from merely unsatisfying to downright frustrating. While extras like the Horde mode and in-game achievements are welcome, it’s hard to imagine many players will want to trudge through the experience all over again after wrapping up the main story once or twice. If you’re dying for an arcade-style shooter to plow through with a friend, The House of the Dead Remake might keep you busy for an evening. Anyone else would be better off letting the dead rest.

Despite Griefhelm’s issues, if you’re a Nidhogg fan who’s dying for something new to sink your sword into, it’ll probably scratch that itch.

I played Gungrave G.O.R.E with zero knowledge of the franchise, and I reckon that is for the better. I would be infinitely more disappointed going into this game as a diehard fan of the series and seeing what a disservice G.O.R.E does to the Gungrave name. It’s astonishing to see Iggymob charging $50 for a low-budget, niche game riddled with unoriginal gameplay, multiple soft-locks, atrocious level design, and laughable voice acting.

I have never equally loved and hated a game as much as Cyberpunk 2077. When it works, it’s definitely a fun game of sorts, but when it breaks, which it does too often in every sense of the word, it immediately saps any sort of fun from the experience. Worst of all, it wastes tens of hours of your time due to bugs and game-breaking errors. As it stands right now, I wouldn’t recommend playing it for anyone on the base PS4. I did, and I regret absolutely everything.

I wish I could end on a high note, but Lila’s Sky Ark was more creative than it was memorable. While you can beat the game in less than a dozen hours, you’ll probably spend more just trying to fulfill the final mission. And while I did enjoy wandering around this weird world, ultimately some bad combat decisions and a lack of balance hurt my immersion. If you’re a big fan of action adventure and like games just for the sake of weirdness, I’d still give this a shot. For everybody else, this probably isn’t your game.

And, I think that word perhaps best sums up Nimbus Infinity as an overall experience. Unremarkable. There’s fun to be had for sure in the frantically paced and enemy-packed combat encounters, but when you take into consideration the fact that you never feel as though you’re piloting an almighty mech and the entirely forgettable nature of the art design and the narrative, it’s hard to make a case as to why Nimbus Infinity is worth spending time with. If you’re okay with playing through a short, breezy five-hour campaign that provides an evening’s worth of decent aerial combat, you might want to dive in, especially considering the budget price point. However, those who are seeking out a meaningful mech experience that succeeds in letting you live out one of the ultimate power fantasies may want to look elsewhere for their thrills.

Test Drive Unlimited: Solar Crown sits in a bit of an unfortunate spot on the road. It wants so badly to be like its older brothers, Forza Horizon and The Crew. Yet it misses its mark due to a laundry list of immersion-wrecking faults and bugs, a lack of technical details, and an unremarkable collection of cars. To Test Drive Unlimited: Solar Crown’s credit, Hong Kong can be an absolutely gorgeous sandbox with its impressive mix of urban and natural environments. Despite these shortcomings and its occasionally spotty steering and quirky rearview mirrors, there’s something worthwhile trapped under the hood. Buried somewhere underneath the attempts at realism, you can almost catch a glimpse of the fun arcade racer Test Drive Unlimited: Solar Crown is better suited to be.

It isn’t really very often that I’m so negative about a game, but Neptunia Virtual Stars does so many things wrong that I just couldn’t ignore it. Normally, this would be the part where I would say, “only get this game if you’re a fan of the series,” but I’d be wary even then. As little as I’ve talked about it within this review, this game is obviously little more than an attempt to pander to the Vtuber fandom. I don’t say that with any disrespect—if you like Vtubers, then more power to you. But, Idea Factory, next time you make some sort of crossover titles, keep in mind that you’re capable of making quality crossovers—like Superdimension Neptunia VS Sega Hard Girls—and maybe don’t try to patch up a lack of content by slapping Vtubers everywhere like they’re bandages.

MX vs. ATV Legends is the very definition of a “mixed-bag.” On one hand, it can be a genuinely thrilling racer, especially when you’re throwing an MX bike over insane jumps and barreling around corners at breakneck speed. It’s a pity that level of fun doesn’t carry over to the other disciplines, though, and it’s this discrepancy between the enjoyment on offer in each career track that makes MX vs. ATV Legends a bit of a hard sell at the moment. That’s not to say it should be avoided at all costs, but it may be worth waiting to see what’s down the road in terms of optimization and balance, as with a few tweaks to the physics and performance, this could turn out to be a much more well-rounded package.

My experience with this game was a strange one, I’ll admit. I was intrigued by the premise, despite it wearing its inspiration on its sleeve, and wanted to see where things would end up. Sadly, it left me more confused and disappointed than anything else. While Inescapable: No Rules, No Rescueentices its players with more complex route-building elements and a few wild moments here and there, it never goes as far as it should. I had fun with the game, but, given how close it is to Danganronpa, I’d suggest that you’re better off playing that.

With a little spit and polish or perhaps a bigger budget, Ary and the Secret of Seasons could have been a real standout that no Zelda fan should miss. However, at least in its current state, it’s hard to recommend as the game is anything but sunshine and rainbows at the moment. If Ary and the Secret of Seasons sounds like something you’d enjoy, that’s great. But I’d strongly recommend waiting for the game’s developers to iron out the kinks before plunking down your cash.

I enjoyed Bob Help Them’s wholesome nature and the action/puzzle/time management dynamic is an interesting idea. Unfortunately, the gameplay is too simplistic for its own good. Every action is performed the exact same way, and the gameplay doesn’t evolve over the course of its thirty-five levels. You’ll do the same thing in level one that you do in level thirty-five. There’s just nothing to spice up the gameplay, and the only real challenge is time management. It’s not a bad way to spend a lunch break, but it’s difficult to not want something more from it.

Between the half-baked gameplay loops, repetitive open-world busy work, and shockingly poor optimization, Redfall feels like a title that’s still in alpha, never mind a product that’s supposed to represent a flagship release for Microsoft’s premium subscription service.

I really wanted to rave about how great Nadir: A Grimdark Deckbuilder was. Unfortunately, while there are some genuinely noteworthy elements in the game, such as the unique combat and striking visual style, it’s ultimately held back by some problematic issues. The game is quite unbalanced in its current state, and the developers desperately need to fix some pretty glaring glitches. Until that happens, it’s hard to fully recommend.

All in all, I’d have a very hard time recommending the Jurassic Park: Classic Games Collection to anyone that isn’t a die-hard fan of the series or someone with a lot of nostalgia for these games in particular. Most of the entries are sparse in content and not all that fun to play, with the NES Jurassic Park game and the Game Boy version of Jurassic Park 2 being the only ones I was able to stomach for very long. Sure, it’s kind of cool that there’s save states, a rewind button, and in-game maps now, but it really doesn’t do much in relieving these overall tired and unfun games. Still, if nostalgia is your friend, you might want to check out the Jurassic Park: Classic Games Collection.

Overall, I was left a bit perplexed by my time with Sense. I don’t regret playing it, but I also don’t know that I would go out of my way to play it again. With the story largely told through journal entries and letters that you pick up along the way, and with so many references to folklore I simply had no knowledge of, I was left without a particularly satisfying conclusion.

Even though a new coat of paint can’t cover every imperfection (and creates a couple new ugly streaks in the process), Grand Theft Auto: The Trilogy is still a serviceable update for three absolute classics. With the quality of life improvements and visual upgrades, it’s still a fine way to enjoy three amazing games beloved by so many.

Put simply, Cyber Citizen Shockman is a peculiarity of a retro game. Though I appreciate it being brought to new audiences some 30 years later, I can’t say it holds up very well. My hope is that the series grew over time and got much improved, since I know Ratalaika is bringing other games from the franchise to the West. But if you’re looking for an amazing retro experience, you’ll probably be disappointed with it.

Despite the weaker parts of the game, such as the awkward and unclear control setup and the overly demanding boss battles, I still really enjoyed my time with Dungeon Munchies. It’s a unique game with a truly twisted and delightful sense of humor. Combined with a unique cooking mechanic and tons of ways to customize your experience, I feel it’s a game any fan of the indie scene should check out. I just hope developer maJAJa is able to implement some tweaks to improve the experience, or use what they’ve learned from this game to make their next one even better.

Wave Break is a frantic, over-the-top skateboater with style and moves to burn. Its campaign mode is a welcome addition, and online play and a park editor add variety. All the pieces are here for a sublime tricking experience. The only thing missing is the Steam version’s features, most notably local play. The game is practically screaming for it, and the gameplay perfectly lends itself to local matches.

Between its beautifully hand-drawn artwork, stellar voice acting, and unique battle system, it’s obvious to see that a lot of love went into making Fallen Legion Revenants, and that’s something that I like to see. While there are some unfortunate flaws that present themselves too readily for me to ignore, I still don’t think that that makes this a bad game. A niche game, yes, but not a bad one.

Restless Soul looks great and can be genuinely funny, at least in small doses. Its various parts aren’t badly designed, they just don’t fit together well, and its insistence on never letting up on the humor prevents any chance of it connecting with players on anything but a surface level. If this style of humor is up your alley, you could have a fun, if forgettable, weekend with it, but everyone else should stay away.

While the minigames in Nintendo Switch 2 Welcome Tour are the highlight of the experience and do offer some brief fun, the rest of this package too often feels like busywork to give it a strong recommendation. It’s certainly a relatively cheap entry point, and in a vacuum, there’s enough content here to be worth the cost. If you really need to be convinced of the Switch 2’s unique features, it may even be worth your time. In an age where there are hundreds of excellent games available on the system at this same price due to backwards compatibility, however, it becomes harder to recommend picking this one up for most players.

And so it’s unfortunate, then, that every positive I just mentioned comes undone at the hands of that dreaded localization. There were stretches of gameplay where I was just grinding, or exploring, and for a moment I’d forget what a mess the translation was, immersed in Xuan-Yuan Sword’s perfectly serviceable gameplay loops. But, this is an RPG, and to this player, world-building, deep characterization, and dense lore that I can immerse myself in is just as important to my enjoyment of an RPG as gameplay is. There will likely be a portion of players who will be able to look past this issue, simply content at being able to play a game that had been out of the reach of Western audiences for so long, and that’s perfectly fine. As I’ve indicated, there’s a solid RPG here somewhere and I have no doubt that this would be a fantastic experience had the port been shown the love and care it deserves. As it stands, though, Xuan-Yuan Sword: Mists Beyond the Mountains is such a compromised experience that it’s impossible to recommend in its current state.

SkateBIRD is a fun, if flawed, experience. Charming, with a light-hearted story and a good sense of humor, there’s plenty to enjoy, even with the overly floaty feeling that hampers the controls. While it’s likely not the best skater you’ll ever play, it’s probably one of the more unique ones. I don’t think I’d really recommend it to hardcore fans of skater games, but for people looking for a casual experience you can pick up anytime and not feel too invested in, it might be worth a look.

Werewolf: The Apocalypse – Earthblood isn't a terrible game, but it's most likely not one that's going to stick with you long after the credits roll. It's mindless and repetitive, but if you're a fan of World of Darkness and feel like channeling your inner wolfman for the weekend, it just might scratch that primal itch. However, if you're on the hunt for an action-RPG with some meat on its bones, you're much better off sinking your claws into something else.

Overall, Blackwind is a regrettably forgettable game. Unable to decide if it’s a twin-stick shooter or a hack-and-slash, with repetitive (and sometimes downright boring) level design, and cringe-inducing voice-acting, there’s little to recommend here. Honestly, the best way I can describe this game is in terms of food: Blackwind would be unflavored, plain oatmeal. Sure, it’s edible, but do you really want to eat it?

Unless you have the patience of a saint, I would steer clear of In Nightmare. It really is a shame, as there’s an interesting story being told from Bill’s eyes and a really vibrant and vivid world with a unique style to explore, but any semblance of gameplay is horribly hampered by a nightmare of poor gameplay designs. I’ll keep dreaming of how much I’d enjoy this game once it sees some quality of life improvements show up to fix the plethora of lackluster stealth gameplay and frustrating “puzzles”.

The problem, ultimately, is that this is a collection of really lackluster titles. Even the best game here isn’t worth your time. It’s hard to recommend to anyone because they’re not even bad in an interesting way; they’re just poorly designed. If you are somehow the rare person who has spent the last 30 years holding a torch for this annoying bobcat, then this is the collection for you, but everyone else should stay away.

Everything about Space Jam: A New Legacy – The Game feels as cheap as its price. What’s here isn’t really bad, but it isn’t good either, and it’s over before you know it. If you’re desperate for something to play and need to kill a half-hour, you can do worse. Free is definitely a competitive enough price. Otherwise, if there’s anything in your library or on Game Pass for subscribers that you’ve been meaning to get to, you’ll do a lot better to spend your time playing that.

If the digital brick and mortars have charmed you and you love the idea of playing a city-builder that builds itself, I would absolutely keep your eye on this adorably innovative gem. Buildings Have Feelings Too! is not without its faults, but the concept is too good to ignore for long.

Airplane Mode is the very definition of “you knew what you were getting yourself into.” It simulates a very mundane experience and captures the essence of commercial flight quite well. There might even be some benefit when applied in cognitive behavioral therapy to help people get over their fear of airplanes. As I stated before, I’m someone who loves flying because I’m allowed to unrepentantly waste time, but this isn’t going to be for everyone. I genuinely loved Airplane Mode and think it’s an art piece worth playing, and as long as you really love flying and have two to five consecutive hours to spare, it may be your complimentary cup of soda water.

Kingdom of Arcadia unfortunately does little to elevate itself above the scores of other action platforming games just like it. It fails to take advantage of its setting, which could have resulted in a unique experience or at least something a little less predictable. It’s mildly amusing at best but derivative of everything that has come before it.

Overall, I had a good time with Skyforge. The combat and the missions were enough to make me want to return to it, and the story was passably entertaining, if not exactly riveting. While it’s got some issues, I think that if it gets a little polish, it’ll be a pretty solid game. Pending the necessary currency clarity and a bit of cleaning up, it could fill an enormous void on the Switch and give us an MMO we need.

Unholy is a mish-mash of interesting but underdeveloped ideas, with an intriguing aesthetic style. There are scares to be had but they’re often undermined by clunky design and a somewhat goofy dramatic delivery. Unholy is one of those games that I’m painfully ambivalent about; I love and hate parts of it. I can see the promise of a brilliant horror game here, but like the Prophet’s false promise of an eternal paradise, it’s one that goes unfulfilled.

Underneath the intriguing concept and gorgeous graphics, The Waylanders has a somewhat meaty tactical experience wrapped around the bare bones of an RPG. And while it may be light on the actual role-playing elements, there’s enough of a unique spin in terms of story, setting, and battle system that those who prefer mechanics above anything else might have a good time. This is by no means Baldur’s Gate nor Dragon’s Age: like King Ith’s Tuatha de Danaan, those gods aren’t here. I can recommend The Waylanders, but only if expectations are managed accordingly.

While Balan Wonderworld has a few interesting ideas tucked up its costumed sleeves, none of them are executed particularly well, which makes the game feel like a real chore to play. From its dozens of forgettable costumes and frustrating mechanics to its uninspired visuals, it’s hard to recommend adding this one to your PS5 library, especially when there are much better platformers like Astro’s Playroom and Sackboy: A Big Adventure already available.

The Good Life can be summed up as one of the more polished SWERY experiences. For some, that explains all they need to know; for everyone else, it’s like a fun, repetitive, sweet and sour mixture between Little Dragons Cafe, Animal Crossing, Harvest Moon, Pokemon Snap, No More Heroes III, and Katamari Damacy. So few games leave me at a loss for words like The Good Life did, yet this is somehow one of my longest articles. As a gamedev and reviewer, I’m confused. As a gamer, I’m content.

Picklock’s journey ends after thirteen levels, which is unfortunate because I enjoyed my time with him. He might not have…stolen…my heart, but he did keep me busy for a few fun hours. If you enjoy strategy or heist games, or amorality, then Picklock is certainly worth your time.

The amateur-hour writing and uneven combat are just too difficult to overlook, especially considering just how stuffed the genre is with competing titles that do just about everything The Last Oricru does, only better. Sure there is fun to be hand in exploring Wanderia and its intricate level design, but every “wow” moment is typically followed by a facepalm, as Silver says something that is tonally deaf or falls to yet another attack that should have had no business hitting him. If you’re after another slice of Soulslike action in 2022, then your $40 can absolutely be spent better elsewhere, with The Last Oricru serving as little more than a pale imitation that struggles to even nail the Soulslike fundamentals.

There are faint glimpses at what could have been in the ship combat sections and the breezy narrative, and the short runtime does help mask some of the frustrations that plague the experience, but on the whole, it’s difficult to argue that Captain Blood wouldn’t have been better left in the depths it was salvaged from.

With its interesting premise that blends time-looping mechanics and extensive relationship-building into Persona's familiar formula, I went into Loop8: Summer of Gods expecting a summer to remember. It's just a shame that none of these elements come together as cohesively as they could have, making for an uneven experience. With repetitive dialogue choices that feel mostly weightless, a quirky combat system, dungeon-crawling that comes across as mostly tacked-on, and a severe lack of variety, don't go canceling your summer plans for this one.

Some games are only going to appeal to a very specific audience. That’s great, I’m all for niche games, and SuperPower 3 should have been one of those titles. With the number of issues, it has, though, including systems that simply don’t seem to work, performance problems, and a complete lack of direction, it’s hard to see even the players who it should be for getting much enjoyment out of it.

There's something great in Saint Kotar, but I can't exactly tell you what. It feels like a great game is, well, kind of stuck inside of a "just okay" game at the present. The atmosphere, premise, and voice acting are stellar, but are ultimately brought down by pacing that doesn't quite feel all too thought out. I spent the entire game feeling like I was working toward something special—only to still feel like I was "working my way up" by the time I got to the end.

Necromunda: Hired Gun had the potential to be a great little romp into the delightfully dreary world of Warhammer 40k, but it missed the mark on getting there. If you really, really like Warhammer and want to scoop up every little piece of lore that you can, then there are worse things that you can buy than this. Unfortunately, unless the developers decide to dedicate some time to get things running properly, Hired Gun isn’t going anywhere good any time soon.

It never feels good giving a negative review. I sat on this for a full day, agonizing over scoring such a beautiful game poorly. But what other choice do I have when I had to restart multiple times for even a shimmer of hope to finish what I started? It’s possible Flow Weaver isn’t optimized for the Oculus Rift S despite what the website states, so if you have an Oculus Quest or Oculus Quest 2, perhaps you won’t experience the bugs I did. I do see on the game’s Oculus page that the dev team is working hard at tackling bugs, so if this even remotely interests you (which, for real guys, it has potential), keep an eye on it and check back in a month or two. But as it stands, I regrettably cannot recommend Flow Weaver in its current state.

On the whole, I do think Varlet is worthy of a playthrough for genre die-hards, but it would be best experienced having been snapped up at a heavy discount, which I have very little doubt won’t be far away.

I really want to emphasize that no matter what score I give, respect should be given to any developer striking it out solo, with Alex being no exception. The visuals are damn good-looking for an indie effort, and the core gameplay is shockingly solid for being a blend of FTL and XCOM. I see so much room for a game like this to grow and develop, and I’d even go as far as to say I’d gladly go another round if there were a few fixes for the lack of checkpoints, laggy ship transitions, and a bit more depth added to the gameplay. Sadly, Space Cats Tactics in its current form doesn’t stray much farther from general tactics roots, and the characters, while cute for the first few minutes, don’t evolve much more from there, either. If you can work around that and some rather irksome bugs and glitches, I really do encourage giving this a run for being something rather unique in its field, if not to give some support to a solo dev that really has passion put in his project.

Is it Wrong to Try to Pick Up Girls in a Dungeon? Familia Myth Infinite Combate has a lot of problems, but it’s nowhere near being the worst game that I’ve ever played. If you’re looking for a content-rich dungeon-crawler, then you’ll probably want to pass on this one. There are better dungeon-crawlers out there. However, if you consider yourself to be a fan of the series and really want to experience it in a new and unique way, then picking this up still might be worth your time.

There’s the brutalized skeleton of a good survival horror game buried within Remothered: Broken Porcelain. The story is excellent and will stick with me for years to come. It’s just a shame that for everything the game does right when it comes to its gameplay and storytelling, a severe lack of polish and poor optimization never fail to emerge from the shadows to murder any hopes you had of having a good time.

For everything that goes wrong for it I will admit that there is a lot of promise in The Uncertain: Light At The End if it actually worked right. The frustrations between the game-breaking mechanics and inconsistent saves make it borderline unplayable. But if that could be fixed and optimized, the story might feel more compelling. Especially if they added better facial work into the characters. I will say that the beautiful pixelated backdrops and set pieces are the best things about this game, but with a couple of big improvements, the whole experience might feel salvageable too.

I think there’s a solid game here under all the technical issues, but it’s hard to say. XEL’s combat and time-based puzzles are satisfying, the setting and narrative are engaging, and its aesthetically charming. But until those issues are addressed, XEL is largely unplayable. I’ve spent way more time dealing with those issues than I have playing the game. I’d like to revisit it in the future, assuming it gets fixed.

This dark depiction of Beauty and the Beast works, but only if you recognize what you’re getting into: a musical experience focusing on an abused psyche desperately trying to break free from known shackles, only to fly right into a cage that represents both prison and freedom.

Gleamlight doesn’t feel finished. Had there been even the smallest amount of text or UI, I honestly feel like this would have been a more enjoyable experience despite the other issues; if anything, those issues were heightened simply due to the lack of critical components. I love what the developer had in terms of concept, but as far as execution goes, Gleamlight unfortunately fell flat. You can find far better 2D sidescrollers for less money; unless the developer makes some sorely-needed improvements, it’s probably best to let Gleamlight fall into darkness.

If you really need a new retro-inspired FPS that’ll get your blood pumping, I’d recommend picking up Post Void instead. While it might not offer the same kind of horror that Connection Haunted tries to capture, at least it scratches that classic PC shooter itch while giving you a reason to keeping coming back for more.

Apparition is yet another example of a game being good in concept but bad in execution. I truly wanted to like this game. There are some really neat concepts, the ouiji board is fun to play around with, and the idea of only being able to bring along certain pieces of equipment could make for a grand, albeit nerve-wracking, time. Unfortunately, instead of the game that Apparition could have been, we got what essentially amounts to a slightly more developed Slenderman clone. The moral of the story: don’t’ ever assume that a game will be good just because it sounds like it should be.

Overall, Red Colony is a fun game, but not a great game. I think if the dialogue was polished up, if the weapon system was rebalanced some, and if the puzzles were just a little more challenging, this game could have been something special. Like a house in need of work, it’s got solid bones. It just needs to be spruced up a bit. As it stands, you can beat the game in under 3 hours. I was entertained during my hours with the game, and I got several enjoyable jolts of adrenaline for my troubles. If you can look past the flaws, I think you’ll find an enjoyable experience.

Utterly shambolic in almost every way, The Lord of the Rings: Gollum is an abject failure as a stealth and traversal game, continuously tripping over itself with technical incompetence to such an extent it’s virtually impossible to recommend. Featuring monotonous climbing and sneaking mechanics, cheap deaths from heights akin to a paddling pool, a boring structure, plain and uninteresting characters, a host of technical blemishes, mostly-poor visuals, a woodpecker-quality soundtrack, and an overall dismal and trying experience, The Lord of the Rings: Gollum is absolutely atrocious. Much like its protagonist, it’s a cursed product that should be cast into the smoldering fires of Mount Doom.

Unless you’re willing to wade through plenty of creepiness and tedious attempts at dating advice to laugh at Richard’s oddball antics, I wouldn’t recommend a purchase here. Richard LaRuina sees himself as a master of the art of pick up, but Super Seducer 3 is a game you’ll probably want to put down.

If Postal 4: No Regerts was released 15 years ago it would just be buggy, ugly and dumb. Since it’s released today, it’s also very dated in its lame scatological humor. With an endless focus on making you do tedious errands, it can take a while before you get to the actual homicidal mania, and when you do, it’s a janky, repetitive letdown. Unless you’re the world’s biggest fan of poop and penis jokes, Postal 4: No Regerts is as much fun as watching someone laugh at their own farts.

As a massive fan of the games that inspired it, it seemed to me like Dead Drop Studios was poised to deliver something special. Unfortunately, the scariest thing about this game is just how unfinished it feels. From its rampant bugs and performance problems to its uninteresting main story, the game is so bad it borders on parody, making it all but impossible to recommend to even the most scare-starved survival horror fans.

Though in some regards it shows its age, mostly by design in the form of unit management and not having much in the way of a story, Herzog Zwei is an overall brilliant RTS. It’s not only fun and engaging to play; it holds a fair amount of historical significance as well in its guiding of the genre overall. M2 and Sega have done a bang-up job of refining this classic for the SEGA AGES line, and though this is apparently the final release in the series, I think it is a great game to end on. If you have a Genesis and a Switch but aren’t too keen on spending 90 USD or more on a copy, I’d consider this release. If you have a 16-bit RTS itch that needs to be scratched, you will be very satisfied with Herzog Zwei.

If you can look past the idea of dating a cat running for the highest political office in the USA and enjoy dad jokes, you’ll definitely want to vote for this little indie gem.

Disgaea 4‘s time as top dog has come and gone, but Disgaea 4 Complete+ ensures that this wonderfully wacky tactical RPG will be anything but forgotten. Between the polished combat, loads of extras packed into the game, and the amazingly well-written story and characters, it’s hard not to fall in love with a game like this.

A realistic narrative that builds a unique yet somehow familiar setting, Home: A Quarantine Story will softly resonate with anyone who can’t decide if their heart is with the home they’ve made for themselves or the home they grew up in. I’ll admit it doesn’t look like games I’m normally drawn to, but it’d be a mistake to judge this visual novel by its graphics.

RPG Maker MV for the PS4 is about what you would expect — quite possibly the best program for non-programmers to make video games with but on a medium clearly not made for it. Granted, the developers did their best, and it shows — truly — but there were limitations the team simply could not get around, like a controller instead of a keyboard and mouse and the inability to sell games that I find to be a let down. I can recommend RPG Maker MV for the PS4, but not over the PC version; still, it’s better than not having the title at all, so if you’ve been curious about trying your hand at game-making, let that curiosity get the best of you. Whether it be on PC or PS4, consider getting RPG Maker MV today (in that order).

Yuppie Psycho Executive Edition may not be the scariest game you’ll play all year, but it’ll probably be one of the most scintillating stories of corporate culture gone rancid ever told. Of all the games I’ve played in 2020, this is the one that most deserves to be turned into a movie, and I would watch it repeatedly even though I’m a massive baby. Young James Spader should also be there, but I digress; Yuppie Psycho Executive Edition deserves to be experienced in any medium, and not picking this title up will haunt you for the rest of your gaming days.

I was genuinely surprised with where Cover Your Eyes went as a story. The pacing escalates rather well and imitates the best of the Silent Hill and Resident Evil series. Challenging as it was initially, I actually grew to actually enjoy the old school 2D shooter gameplay by the game’s end, as the developer did a great job of bringing this all together. The game is definitely a playful take on survival horror, with a surprisingly original ending I don’t think most people will see coming.

Powertris has a solid concept. It does. And playing it on iOS proved that it works. But something got lost in translation when moving to the Nintendo Switch, and unless you’re a diehard Tetris fan who really needs something different to learn how to master, I can’t see the appeal. If you’re remotely interested in the title, grab it on mobile first for a test run; otherwise, it’s best to lay these pipes to rest.

I was genuinely surprised by how engaging Iratus: Lord of the Dead was, and Wrath of the Necromancer expansion only added to the game’s depth. I can honestly say I thoroughly loved the experience all the way through, so much that I took as much time as possible to go through everything that I could. Overall, this strategic, dungeon-crawling rogue-like offers one of the most refreshing protagonists out there. His crude and snarky commentary made my exploration and battles all the more entertaining. After spending hours and hours playing Iratus: Wrath of the Necromancer, I never once found myself bored.

I hope she’s ok is a walking simulator off the beaten path that is a learning experience as much as it is an enjoyable, atmospheric one. I had a great time with I hope she’s ok, playing it three times to completion to ensure I had seen everything there was to offer. This, of course, was followed by googling all the traditional touches I had encountered and learning tons of new things about Finnish culture and folklore.

Despite the clunky combat, I can say without a doubt you can easily lose track of time while immersed in Raji: An Ancient Epic‘s pleasing aesthetics. As you explore its vibrant world, the spectacle and the splashes of Hindu legends and lore more than make up for the slightly sub-par skirmishes. Taking everything into consideration, I quite enjoyed everything Nodding Heads Games’ action-adventure title had to offer. Drenched in a lavish, mystic experience, this is one grand adventure that is recommended for any fan of the genre.

I did really enjoy my time with Söldner-X 2: Final Prototype Definitive Edition. It’s challenging, engaging, looks great, and is above all else fun. The soundtrack is phenomenally good, the controls are tight, and the dynamic difficulty makes it easy to pick up, but equally tough to master. The variety of ships with quick-changing loadouts and vast amount of secrets coupled with challenges and high score boards offer mountains of replayability. It’s quite the package for a low cost of entry.

I don’t hate Green Hell, but I do lament what it could have been. I went into the game with an open mind and a willingness to try things out. Sadly, the lack of coherent direction and awkward controls made the game overly difficult. While I’m not adverse to challenge, it is a nitpick of mine to get lost due to sloppy design. I honestly hope Creepy Jar takes my notes constructively and uses them to make their next game a masterpiece. Sadly, this particular entry is quite hard to recommend.

Overall the sheer jump in quality has made me genuinely enjoy the game in its entirety. And with one more piece of content set to be released, I can’t wait to see what’s next for Goku and Vegeta as they push further towards godly heights. So if you’re a DRAGON BALL franchise fanatic like me, don’t hesitate to get your hands on A New Power Awakens Part 2.

I wasn’t able to spend as much time as I’d hoped with Let’s Sing 2021 one because I’m not one of the cool kids who knows a lot of current songs, but I can absolutely see this pleasing plenty of people, especially at family parties. I will be on the lookout for any potential DLC in the future, but it’s otherwise got a strong songlist for those who generally enjoy top 40 hits from the past 40 years. If you want to test out your pipes while racking up points, consider snagging Let’s Sing 2021 for the Switch.

Developed and published by Polish team Forestlight Games, Dorian Morris Adventure was ambitious in that it not only sought to provide perplexing puzzles but also act as a coaching game, shedding light on the personality of the player and helping them become their best self. In concept, the team aimed high — like a mix between Professor Layton and the Randumb Studios personal/spooky quiz series — but in execution, they fumbled, largely due to localization and UI issues.

Virtual Cottage may have slipped under your radar this year, and I’m here to tell you that it would be a big mistake to continue to ignore it. Free on Steam, there’s really no reason not to download this wonderful and wonderfully soothing little title. It may feel a little limited to those expecting an interactive game, but for those looking for a chill experience, you’ll absolutely find it here. If you enjoy lofi hip hop radio and want to study/relax to its game counterpart, download Virtual Cottage today for free and watch your productivity go up while your blood pressure drops.

I really wanted to love Ponpu. The zany premise, delicious artwork, and Bomberman-inspired gameplay could have resulted in a triumphant indie classic. Instead, it was held back by glitches, occasionally sloppy game design, and a lack of real progress. But when you consider this was only the second time mobile developer Purple Tree tried their hand at consoles, I can moderate some of my frustration. If you’re a fan of Bomberman looking for something weird, then this still might be the game for you. As for myself, I find myself eagerly awaiting the next game from Purple Tree, and hoping it patches over any annoying imperfections.

It’s always a pleasure to stumble upon a well-crafted game, and even moreso when it’s free. Tree Trunk Brook is a relaxing little title that will lower the blood pressure and allow players to venture into the woods at a time when people can’t really travel. Of course, those woods may be pixelated, but it’s really the thought that counts. So what are you waiting for? Get your cameras and masks ready, and take a hike with Tree Trunk Brook.

Rainy Season isn’t so much a game as it is an experience — one that will soothe the senses and bring peace through childlike wonder. It’s a short and sweet trip down someone else’s memory lane, but it’s a path that will feel familiar to all. If you enjoy slice of life experiences and want a quick palate cleanser between bigger titles, you really cannot go wrong curling up with Rainy Season.

If you want to kick back and relax to a chill retrowave game where the journey is more important than the destination, you simply must pick up Tanuki Sunset. Longboarding has never looked so good, and with so many photo-finish opportunities, I’m pretty positive you’ll agree. So skate fast, eat trash, and enjoy this radical ride on this eye-candy trail of synthwave symphonies.

I have pretty mixed feelings about ROBOTICS;NOTES ELITE & DaSH DOUBLE PACK. On the one hand, the story in both is pretty fascinating and full of great characters. The artwork and music likewise are good. Yet the pacing is so poor that it brings the entire experience down, as does the lack of clarity on the control setup. When placed next to the other Spike Chunsoft published VN series I love, unfortunately, this is diminished. I truly wanted to love the DOUBLE PACK, and was honestly excited to try it. As it is, I can only recommend it to those with a ton of free time and preferably past experience with the STEINS;GATE story. For everybody else, this is a harder sell.

Once again, I am reminding you that Cats Organized Neatly is an adorable little Tetris-like puzzler available on Steam for $2.99. It’s cute. It’s cheap. It’s charming. Honestly if you’ve made it this far you should probably just go pick it up. Do it for the cats. Do it for the indie devs. Do it for your soul.

For an hour’s worth of emotional, important gameplay at the price of a cup of coffee, What Comes After is a must-play for anyone who needs to be reminded that life is worth living. That they’re not a burden on their loved ones. That others are praying for their health and happiness. That other souls depend on them. That they have redeeming qualities. That it’s okay to not be okay. To just breathe. If you are not currently suicidal, please consider picking up What Comes After to hear these powerfully reaffirming messages — the words we’ve needed to hear after a harrowing year.

I quite enjoyed my peaceful afternoon with The First Friend, seeing life through someone else’s eyes and discovering meaning in both the traumatic and the mundane. The First Friend acts as a lovely palate cleanser in-between longer titles, a wonderful reset button to recharge the spirit. With gorgeous visuals and a calming soundtrack, The First Friend is a beautiful walking simulator that makes wandering around aimlessly an enjoyable experience. If you can relate to the powerful bond between a child and their first pet, be sure to check out The First Friend today.

If you’re looking for a little holiday-themed fun this time of year, I definitely recommend Ho-Ho-Home Invasion. It’s short, it’s sweet, and you’ll be ready to step up should Tim Allen ever meet the fate of his predecessor.

Mir UmarHassan’s heartbreaking words are so eloquently expressed in The Indifferent Wonder Of An Edible Place, and I applaud Studio Oleomingus for their outstanding achievement in ludonarrative harmony. While this experience may be lost on those seeking a typical video game and only looking skin deep into its subject matter, The Indifferent Wonder Of An Edible Place urges players to do their research on the tragic events that inspired the game, begging them not to turn a blind eye to these tragedies. This game may not excite just anyone, but its message is for everyone; The Indifferent Wonder Of An Edible Place’s only cost is 15 minutes of your time.

If games like Tiny Metal and Wargroove are a step away from Advance Wars, then Möbius Front ’83 is a step away from those two. It’s fine in that it’s functional and (mostly) competent, but there are, for lack of a better term, better tactical war games out there. As cheap and easily accessible as this game is, you’re not going to be hurting yourself if you get it. It’s fun in its own way, and the extras that it offers—like mini-games and actual US Military documents and literature (yes, really)—are honestly pretty cool. However, as a tactical war game, it’s not going to be coming out on top any time soon.

Despite my problems with it, I still enjoyed my time with The Wind and Wilting Blossom. It’s very much a mixed experience, but my irritation is softened somewhat by the knowledge that Picklefeet is constantly working on improving the game. I know they’re a small team, which makes their dedication all the more admirable. So if you’re willing to wait for the game to reach its ideal version, it’s not asking too much to buy the game now. Just don’t expect to win very often as you face off against Takiyasha’s monstrous hordes.

Overall, if you’re a fan of old point-and-click adventure games, I definitely recommend Captain Disaster in: Death Has A Million Stomping Boots. The nostalgia factor is huge, the story is a delightful bit of comedic relief from the real world, and the puzzles will give your brain a decent workout.

My genuine review take of Drunken Fist is it’s funny for sure, but it does get old fast. It gave me quite a few quality laughs and I think its proclamation of being a ‘totally accurate beat’em up while drunk’ is genuinely honest. For a $3 dollar price tag on Steam, I absolutely think that’s exactly what this game is worth, but I wouldn’t pay 7.99 for the base PS4 version.

I still think that there's more than Re:ZERO -Starting Life in Another World- The Prophecy of the Throne could have done to help itself stand out a bit more from the original Re:ZERO timeline, but, at the end of the day, it's still a solid spinoff, and I think that fans of the series will like it.

The Space in Between can be completed in less than an hour, but it’s the quality of the writing, the beauty of the aesthetics, and the importance of its message that make it feel like a much longer experience. How the team managed to condense two lifetimes of pain and trauma found within the Asian-American community into a 30-minute experience is beyond me. If you’re looking for a wonderfully sweet depiction of a healthy relationship or want to play more games exploring the Asian-American experience, look no further than The Space in Between — the only cost is 30 minutes of your time (and maybe some tissues).

Project Starship X feels fantastic in every sense of the word. The difficulty is tough but fair, the levels are wildly diverse with recognizable patterns, and there’s replayability for miles. I greatly enjoyed playing in on my PS4, although I think I would have preferred the more personal, mobile Switch version — there’s something about having all these flashing lights and phenomenal chiptunes up close and personal. Regardless, Project Starship X delivers no matter where you play it, which I strongly encourage you do. Whether this is your first shmup or your 400th, Project Starship X does not disappoint, providing an addicting, engaging assault to the eyes and ears you won’t be able to quit.