Overall, the experience of Port Royale 4 ends up feeling stretched a little thin.

Pecaminosa – A Pixel Noir Game hits all the right notes in both the pixel-art style and noir genre. It has fun fights, challenging bosses, interesting art, and even some entertaining mini-games to break the routine. It’s easy to recommend but difficult to master; expect more action and less mystery with this police action RPG. If you want something that feels new yet simultaneously possesses retro vibes, take a deep, long draft of Pecaminosa – A Pixel Noir Game.

Honestly, I struggle to find criticism for Haven Park. Is it the most stunning, groundbreaking game you’ll ever play? No, but it doesn’t need to be. While it feels like it draws some inspiration from the Animal Crossing series, it remains its own separate entity with its own identity. For a game about walking and fixing up campsites, it’s short, sweet, beautiful, and even at times, moving. It left me wishing for more, but in the best way possible.

Despite feeling like a bit of a plot dump, First Ones is another solid episode of The Expanse: A Telltale Series. It features excellent atmosphere, exciting choices that build upon what came before, and some character development. While I’ve definitely started to question if the game would have better served by releasing as one complete package, I’m still looking forward to seeing what comes next for Camina Drummer.

I enjoyed revisiting the world and characters of Tales of Arise. Seeing how they’re doing a year later and how this world is finding a way to come together is interesting, and the early hours of Beyond the Dawn are mostly a good experience. Once again, though, the further things go, the less satisfying the overall experience is, and some strange design choices make this content feel strangely isolated. Big fans of Tales of Arise should certainly give this a shot, but it’s far from mandatory even for them.

Even though I managed to return Kuon to the world of the living and her loving owner, I found myself a bit disappointed with Umbraclaw. While it’s a novel and fascinating adventure, it’s also held back by some poorly utilized systems, frustrating save functionality, and often inconsistent and overwhelming difficulty. While I enjoyed it overall, it failed to stand out from recent spectacular entries from Inti Creates.

The Tribe Must Survive feels like a missed opportunity. It has a promising premise and a few interesting ideas, but its execution is marred by frustrating gameplay, artificial difficulty, a repetitive structure, and a lack of meaningful choices. If you’re a fan of unforgiving roguelikes and don’t mind repetitive gameplay, you might find something to enjoy here. But for most players, The Tribe Must Survive will likely prove to be more of an exercise in frustration than a truly satisfying survival experience.

If you’re someone who doesn’t mind investing in a product on the promise of what it might become, then I say go for it, jump on in. The core gameplay is so well refined that I have no doubt that fans of shooters and team-based shooters will find merit in what Capcom has produced and be able to overlook its rougher edges in the way I have. Whether that enthusiasm lingers long after the launch period remains to be seen. As highlighted, Exoprimal has core issues that need resolving to ensure it doesn’t become another live service casualty.

Overall, I thoroughly enjoyed Synthetik: Ultimate. The gameplay kept drawing me in again and again, the customization options kept me playing, and the difficulty, while brutal, was adjustable and made the game feel more rewarding overall. I really think there’s a little something for everybody in this game with the insane customization options. If you’re looking for something difficult that you can pick up and play whenever, definitely give Synthetik: Ultimate a shot. I don’t think you’ll be disappointed.

Wonder Boy: Asha in Monster World does a wonderful job of rekindling my love of the Monster World franchise and reminding me exactly why I fell in love with it in the first place. While the remaster doesn’t bring any new ideas to the table, it does put a wonderfully charming new coat of paint onto a game that deserves to be seen and enjoyed by a new audience. Old fans of this game should be pleased with the treatment it received, while newcomers can expect a classically crafted platformer adventure that’s short in duration but massive in charm.

If you’re expecting Destroy All Humans 2! – Reprobed to be more of a remaster of the original game than a remake, you’ll likely be happy with the results. The game looks great and feels extremely faithful to the time it was released. Those with nostalgia for the original will get what they need out of it. After finally spending some time with it, though, I can say confidently that this was only ever an okay game, featuring the same lack of content and empty areas that open-world games of that era were known for. Today's open-world games are better at creating an overall experience worth your time.

Session: Skate Sim is a game of two halves at the moment. It presents a daunting, yet rewarding challenge that genuinely tries to move the genre forward through its dedication to being an authentic sim, but at the same time lacks the character and anarchy that the genre and skateboarding, in general, are synonymous with. Add onto that a healthy serving of jank and bugs, and Session: Skate Sim becomes a hard sell. However, if you can look past its flaws and are down for a challenge, it’s worth giving a shot as the innovations it does present are worth experiencing, and the highs you will receive from mastering the complex controls are unlike anything else the genre has to offer.

Edge of Eternity has not only met, but surpassed my expectations in every way imaginable. It goes beyond simply being a "love letter to the classics" and has the potential to eventually become one itself someday, given that it gets a little bit of polish here and there (which I've already heard that it will be receiving, at least in part). In a gaming landscape that seems to have largely given up on many of the more traditional JRPGs, it's nice to see that there are others out there who insist on keeping it alive—and it's encouraging to see that they have the means to see things through.

Despite its issues, Somerville manages to offer a mostly enjoyable experience. The family bond forged in an opening scene, which is easily the highlight of Somerville, simply works and drove me through the game. I wanted to figure out what happened to my character’s family and see them together again, and that kept me going through a relatively short game. 

Re:Turn never really gets anywhere close to feeling conclusive. Rather than making its story into a proper “hill,” where there are both ups and downs, this game’s story is more akin to an endless upward slope; you want to know what’s on the other side, but climbing for so long with no end in sight is also tiresome.

I had a blast during my time spent with Destropolis. However, chances are it’s probably not the type of game that will keep you glued to your Switch for hours. With only one mode available, things do get repetitive fairly quickly. Still, the game features co-op for up to three players. So if you have a handful of friends to bust some blocks with, it’s a delightfully chaotic way to kill a half-hour or so. But after that, you’ll probably want to move onto something a bit more substantive.

The Almost Gone tries something advanced — digging deep into memories while keeping a clean aesthetic — and it does a fine job of it. If you’re just looking for a different kind of puzzle game, you’ll find plenty of enjoyment here; however, if you prioritize story over mechanics, you might feel a little discouraged. Regardless of why you’re interested in playing The Almost Gone, I’d still recommend picking it up for an interesting indie that is worth the price of admission. Will you uncover the secrets that led to your fate?

NERVE is a great little blast if you enjoy little bursts of fun. It’s also a good time if you commit more effort and experience to get good. Either way, if you’re up for a new adrenaline rush with tons of bright colors and a brilliant electronic soundtrack, then NERVE needs to race to the very top of your new gaming list.

Even though it wasn’t quite a perfect experience, I’m never someone to let perfection be the enemy of the good. People of Note is a stellar adventure, with an engrossing story, nuanced characters, deep combat and incredible music. While the puzzles can be a little frustrating, the combat could be a bit more compelling and I encountered some gameplay quirks, overall this is an adventure that’s incredibly easy to recommend. Here’s looking forward to Iridium Studios’ next performance!

If Double Dragon IV left a bitter taste in your mouth and you’ve been waiting for the franchise to return to its former glory, it’s time to celebrate because the Lee boys are back and fighting fit. With its furious fisticuffs and a wealth of smart evolutions to the series’ established formula, Double Dragon Gaiden: Rise of the Dragons is a must-play for fans of the beat-’em-up genre.

Marvel’s Avengers turns a childhood dream into a reality by letting us fight as our favorite Marvel superheroes. Like candy, the game is an incredibly fun treat best consumed over time and in small doses. Its only drawback is in the game’s own midlife crisis as it can’t seem to focus on what it is: a single-player campaign or a multiplayer ultimate inventory alliance.

When it comes to the launch games for Microsoft and Sony’s shiny new boxes, Warhammer: Chaosbane Slayer Edition seems like an odd choice. After all, it’s a port of a game that was released just over a year ago. Still, it’s hard to argue that it’s not a welcome addition to the PS5 and Xbox Series X|S libraries that are largely lacking proper co-op adventures. It’s nothing revolutionary. But with a dash of next-gen polish and a mountain of content to explore, Warhammer: Chaosbane Slayer Edition should keep fans of the genre busy for quite some time.

Fallen City Brawl has its strengths, with its crunchy combat, a solid variety of weapons, and a fantastic soundtrack. But those high points are often dragged down by inconsistent visuals, a lack of polish, and some frustrating design decisions. With more time and refinement, it could’ve stood alongside the genre’s modern greats like Streets of Rage 4 or TMNT: Shredder’s Revenge. As it is, it’s a decent but uneven experience that genre fans might still enjoy, especially in co-op, provided they go in with tempered expectations.

City of Gangsters provides a brilliantly free-form gangsta’s paradise, where countless options are available to weave intricate criminal schemes. It can get repetitive during certain stages of expansion as you have the same interactions over and over, but if you can get over that then it’s pretty compelling. There’s an irresistible one-more-turn appeal that’ll keep you greasing palms and bootlegging hooch long into the night.

Despite issues with repetition, Aliens: Fireteam Elite delivers where it counts; in its core gameplay. When you’re in the moment, obliterating hundreds of enemies using iconic weapons, against the backdrop of stunning locations that tap into the amazing cinematography the Alien franchise is known for, any shortcomings almost seem irrelevant. And, with the promise of free playable content to come across the next year, the rock-solid foundation which Cold Iron Studios has built could turn into something truly special.

As a fan of the Shantae games, I was delighted to play this sports-themed adventure by the same team. It’s not perfect, featuring some occasionally irritating controls and hard-to-read instructions. But with a bit of patience, you’ll find a solid adventure that reminds you not just why WayForward is such a great company, but why the Game Boy Color was such a classic system. If you’re at all a fan of retro or just want to play a simple and fun collection of mini-games, I’d definitely check Xtreme Sports out.

If you fancy a jaunty mail-centered platformer you can do much worse than Mail Time. It’s not quite priority mail, but manages to avoid being returned to sender. So open this envelope up and you might find something appealing inside.

It’s hard to see players who want an arcade experience enjoying the rigidity of Hot Lap Racing’srules, yet I can’t see those looking for a more sim experience enjoying its somewhat floaty controls and lack of any real depth. Throw in performance issues, and I have a hard time recommending Hot Lap Racing to anyone. It’s perfectly playable, and once you get used to it, you can find fun at times, but there are simply better options no matter which side of the sim or arcade racing game divide you prefer.

Frozenheim is probably the most serene war-mongering game I’ve ever played, with a lot of fun details that truly flesh out the entire experience. Not quite a city-builder but not entirely a full-on RTS, Frozenheim toes a themed line between the two genres in a fascinating, relaxing way. It has the potential to be a much more in-depth challenge, but for now, it’s a somewhat casual romp through Scandinavian lands (until a neighboring Nord horde burns your village down, of course). If you’re ready to plunder and pillage, then build up your village, Frozenheim awaits those with a lust for blood (and an eye for Viking carpentry).

After three playthroughs, I’m still having fun trying to decide the proper choices for every situation. I’d say that’s a true testament to the quality of the game’s story. Hindsight 20/20: Wrath of The Raakshasa is fantastic, with fun mechanics and a surprisingly great narrative that’ll leave you questioning what you believe in.

In the sake of fairness, I’ll admit that I genuinely enjoyed playing through Malgam Lord, and I think that it definitely has a niche fanbase that will enjoy it just as much—if not more than—I did. Despite any personal enjoyment, however, I can’t help but feel as though it’s ultimately a very middling game. While Maglam Lord does have some decent high points in terms of its story and setup, its bland level design, repetitive combat, and compressed crafting system weigh it down to an unfortunate degree.

Killing Floor 3 is a decent night with friends and a weak successor. It chases trends that do not fit the series, ships with a campaign that does not shape the action, and leans on grind to stretch content that should have been deeper instead of longer. Fans will find flashes to enjoy. Most players will bounce to other co‑op shooters that respect their time.

All in all, would I recommend this dip into the ocean blue? Absolutely, but only if you consider what you’re getting into. There’s no denying this game is eye-candy of the sweetest caliber, with rarely any part of the vine-strangled world lacking vividly colored details. That said, you have to go in knowing that this is a perfect example of peaceful gaming, with no death or combat in sight. Exploration is the name of the game here, and it’s best to go into Submerged: Hidden Depths with low tension, an open mind, and a good pair of headphones. Admittedly, it’s on the short side, but if you’re eager to uncover the secret of these decaying cities, you’ll find the perfect game to scratch that urban exploration itch.

River City Saga: Three Kingdoms offers solid brawler gameplay and an open world that you can get around conveniently. Combat feels impactful, and the story even has its moments. Unnecessary complexity, slippery platforming, and a tone that never quite hits make this a game primarily for the series’ faithful and big-time brawler fans who have played most of the genre’s more successful recent releases.

There’s still room for a big snowboarding game in today’s video game landscape, but Shredders isn’t able to fill it. While it looks nice when you’re not moving, issues with performance, controls, mission design, voice acting, story, nearly every aspect of this game is flawed. So value your time and wait for the next title in the genre.

Elex II presents a world and narrative of immeasurable depth in terms of the freedom you have to play your way and the choices you’re presented with as a player. Couple that with an extremely gratifying sense of progression, and you have a world that begs to be visited for repeat playthroughs. If you can look past the inevitable lack of polish, and archaic presentation issues, do yourself a favor and don't let this absolute gem pass you by.

A Memoir Blue is like a mother’s love for her daughter — quiet at times, turbulent at others, but all-encompassing and soothing when our hearts are heavy. It is a powerful reminder of how far our mothers will go to keep us whole, to give us more, and to do the best with the cards they’ve been dealt. A Memoir Blue is the best game focusing on mother/daughter relationships ever made, and if you love interactive storybooks and have tissues at the ready, I’m sure you’ll agree. Now, if you’ll excuse me, I have to go call my mom.

Call of Duty: Black Ops 7 represents Treyarch doing what Treyarch does best: crafting rock-solid multiplayer and inventive zombies experiences. Coming just one year after Black Ops 6, there were legitimate concerns about franchise fatigue, but the game manages to be both familiar and fresh enough to justify its existence.

Maneater: Truth Quest isn’t without its issues. At times, the lack of mission variety can make you feel like you’re treading water. And while the new setting and commentary on the ridiculousness of internet conspiracy theories work well, the gameplay doesn’t feel like a cohesive part of the narrative. In Maneater, you had a tried-and-true tale of revenge with exciting twists and a satisfying conclusion. Truth Quest certainly offers witty writing and flawless narration. It’s just a shame that they almost feel wasted without meaningful missions to support them. Despite these issues, Maneater: Truth Quest still manages to dredge up more of what kept the base game so addicting. Upgrading your shark into a radioactive killing machine is hugely entertaining. And the new bounty hunter missions and apex hunts are fun and deliver a meaty challenge to those eager to dip their fins back in the water.

Paradise Lost is a grim alternate history lesson that asks tough philosophical questions about humanity and sacrifice. With a fascinating story and a genuinely engaging setting, it’s a game that’s easy to recommend to fans of the adventure genre. If you don’t mind the game’s lack of puzzles and plodding pacing, then be sure to make your way underground to uncover the bunker’s dark secrets. You won’t be disappointed.

Though I enjoyed the comedy and references in Dungeons & Doomknights, I feel its audience is limited by how inconsistently fun the experience actually is. Not only is it mechanically rough at many times, but the combat itself just doesn’t satisfy. Once I realized all this, I admittedly soured over the adventure. That said, if you’re a hardcore fan of new examples of classic games, you’ll probably find something to justify checking it out.

Front Mission 3 Remake at its best is held back by a weak story and characters, but the best gameplay in the original trilogy means there is absolutely fun to be had by players more focused on the strategic battles and mech customization. The core game mostly holds up after all these years. The awful aesthetic choices, though, make this the sort of remake that is hard to recommend because it’s a worse experience in many ways than the version that came out over a quarter century ago.

PAYDAY 3 isn’t the seismic improvement over PAYDAY 2 many might have been hoping for, but it is a refinement of the formula with a few fun new additions. Though the number of heists is currently at a modest number, they have a decent amount of replayability whether you use meticulous stealth or go in guns blazing. Despite a very troubled opening week, there are firm foundations for lots more heisting content to come here. Chains, Dallas, Wolf and Hoxton have come out of their latest heist with some scars to show for it, but with a few bags full of cash nonetheless.

Gal*Gun Double Peace makes the jump to the Nintendo Switch fully intact and slightly undressed. Whether flinging pheromones at frisky schoolgirls on your TV or in handheld mode, the game runs well and its vibrant visuals, while not particularly detailed, still manage to pop off the screen the same way they did when it was first released in 2015. Solid performance aside, however, just how much enjoyment you’ll get out of this risqué rail shooter depends on what you’re looking for. If you’re already a fan of the franchise and itching for more fanservice-filled firefights, you’ll undoubtedly find those here. However, if you’re looking for a satisfying shooter that will test your reflexes with thrilling boss battles and exciting locales to blast your way through, I’d probably wait for The House of the Dead: Remake to shuffle its way onto the Switch instead.

Neptunia hits a real middle-of-the-road balance with this one. On one side, the combat falls short of frantic ninja battles and the graphics desperately need a touch-up. On the other side though, the character designs are some of the best I’ve seen for a spin-off, it’s a treat to see the Senran Kagura gang interact with our favorite CPUs, and the story brings along the same meta humor and gaming references that Neptunia rarely fails to deliver. While the uninitiated might not find it fleshed out enough, for those who are fans of both series in this crossover, Neptunia x Senran Kagura: Ninja Wars is a beautiful bacchanalia of busty, battling babes.

Despite a few rough spots in the experience, I’m still very happy I was able to review Firegirl DX. It’s a lot of fun playing rogue games on my Switch, since they’re so custom-tailored to a more portable mode of gaming. While there are some minor glitches and design flaws that hold the game back, fans of the rogue genre should enjoy this utterly unique firefighting experience.

Killer Klowns from Outer Space: The Game is an absolute blast and an asymmetrical horror title that leans brilliantly into its ridiculous source material by creating an experience that prioritizes chaos over being overly competitive. The new player experience may not be the most welcoming, but it’s worth preserving through the initial struggle, as what IllFonic has created is an entry to the genre that takes some of the best elements from the studio’s past work while putting an original spin on tried and tested mechanics. In a genre that has arguably become oversaturated, this is a video game that has done the unthinkable by making Killer Klowns from Outer Space seem relevant again in 2024. Here is hoping the relatively niche nature of the IP doesn’t turn new players away, as with the right support, this is a title I cannot wait to dedicate many more hours to going forward.

There are times Hammerwatch II can be a lot of fun. Exploring massive dungeons and taking down hordes of enemies is usually a good time, and Hammerwatch II captures that, at least if you pick one of the right classes. I can see a group of friends with a well-balanced party having an excellent time with it, and that’s really who these games are for, first and foremost. Ultimately though, Hammerwatch II makes too many poor design choices for me to recommend it to most players. There’s a good game in here somewhere, but it’s buried under too many flaws.

The Magnificent Trufflepigs asks players to stop frantically trying to achieve arbitrary goals and instead reflect on why we’ve undertaken them in the first place. It employs an interesting and underutilized mechanic, only to completely change it up once the main character achieves some desperately needed personal growth. It may require a second playthrough to totally understand not only the big reveal but overarching message; luckily, it’s a three hour excursion (at most) across bucolic English countryside, so that extra time is time well spent. If you find yourself exhausted by constantly trying to check things off life’s list, you deserve a breather — grab a metal detector and take a walk with The Magnificent Trufflepigs.

Nostalgic and engaging from start to finish, The Lightbringer is a solid puzzle platformer with a lot of heart that’s easy to recommend. It’s not perfect—the combat element needs a bit of work—but it’s easier to overlook its weaker elements when everything else is so smartly designed. While The Lightbringer ends sooner than I would have liked, it also feels like the prelude to something grander. After all, is the darkness ever truly vanquished?

I had a wonderfully pleasant time playing Before We Leave. While consoles may never be ideal for simulation titles, if I’m going to check one out with a controller, this is exactly the version I’m looking for. A few performance issues and a lack of variety may make this a game to be enjoyed briefly, but the cozy vibe it gives off feels just right. Grab a nice cup of tea, wrap yourself up in a warm blanket, and enjoy.

For those who want a brutally raw retro-styled shooter where constant carnage is the order of the day, Serious Sam 4 will sate the bloodlust of even the most maniacal gamers. Not only that, but it’s genuinely funny and well-written, and the trials and tragedies Sam experiences tugged at my jaded heartstrings far more than I expected them to. Many would not enjoy Serious Sam 4 because gunning down endless waves of slavering aliens and mutants becomes brutally relentless – but if you’re a hardcore shooter purist, that’s exactly what you’re looking for.

Little Witch Nobeta isn't a Souls-like in the traditional sense, but that's not necessarily a bad thing. Like a cunning crone, developer Pupuya Games have skillfully combined seemingly disparate ingredients to create something magical. Still, genre veterans may find themselves put off by the lack of challenge to be found in the title's beginning hours, and the stark contrast between its whimsical protagonist and the grim world she inhabits can admittedly, at times, be a bit jarring. If these things don't bother you and you're a fan of Souls-likes who's looking for something more forgiving, or perhaps a bit cuter than what you'd usually expect from the genre, Little Witch Nobeta is sure to leave you under its spell.

Best Month Ever! is truly unique in its premise and setting. Stepping into the shoes of a terminally ill single mother was gut-wrenching, and navigating 1969 through the eyes of her biracial son gave me anxiety. Although I do wish my choices had a bigger impact and that more focus was given to preparing Mitch for the future instead of hanging on by my fingernails to what felt like Louise’s wild last ride, Best Month Ever! was different enough to keep me going. If you love narrative-driven games and have plenty of patience, Best Month Ever! is worth the road trip.

As far as rail shooters go, Operation Wolf: First Mission VR is fun but forgettable. Developer VIRTUALLYZ Gaming undoubtedly deserves credit for capturing the feel and flow of the classic shooter series, but tedious boss battles, occasionally cumbersome controls, and an overall lack of polish keep it from ever reaching its full potential. If you’re a die-hard veteran of the series looking to scratch your itchy trigger finger, you’ll probably find a few hours’ worth of enjoyment here, but new recruits will likely want to wait for a sale before enlisting.

Aquanox Deep Descent is a very welcome return for an underrated series. In this era of modern re-imaginings, this game delivers in introducing Aquanox’s world to a new generation of players. The movement may be slightly cumbersome and things may get a bit hard, but it always manages to be engaging and fun. The world and story, combined with the solid multiplayer elements for both PvP and co-op, make this a well-rounded experience and essential purchase for fans of six degrees of freedom-type shooting games. If you’re interesting in dipping your toes in its waters, swim on over here to check it out.

The Legend of Legacy has some visible mechanical hiccups, especially when compared to its successor, The Alliance Alive. Imperfections a bad game does not make, however. Despite its undersized dungeons and overall opaqueness regarding combat mechanic intricacies, The Legend of Legacy HD Remastered is nonetheless a compelling, enjoyable, and incredibly cozy RPG that promises to be worth the time of most who choose to invest their time playing it.

It’s decidedly short but irrefutably sweet. Sure, it’s not perfect, but it’s a great example of why short games can still be worthwhile. And even though there are some awkward design choices, such as not being able to play specific stages at a whim after beating the game, that’s not enough to diminish how fun it is. I honestly hope this is just the first in a long series. Cause I’m curious about who Wally is and why he has such powers. Here’s hoping Neil Jones has more fast-paced stories to tell in the immediate future.

It feels like at some point in development Nao Games decided that Ninja or Die needed more. More to do, more complexity, more than the simple gameplay which makes up its core. That’s a shame because the core of Ninja or Die is its biggest strength, at least when it works. It just needs to work more consistently. There’s definite potential in its core, and I’d be curious to check out an update or follow-up to see if that core could be refined, but the game as it exists today is hard to recommend as more than a curiosity.

Biomotor Unitron is a competent dungeon crawler and mech-building RPG. Little about it is bad, but little is interesting, and it’s very much a game of its time. The biggest issue with recommending it today is that the Switch in 2022 is not the Neo Geo Pocket Color in 1999. That system desperately needed a competent RPG, and Biomotor Unitron was able to fill that hole. The Switch doesn’t need that, though. Between classic releases and new titles, it has one of the strongest RPG lineups any system has ever seen. In that context, it’s hard to recommend it to many players today.

In the Space Invaders Forever collection, Space Invaders Extreme is obviously the star of the show. If you haven’t played it yet, you owe it to yourself to check it out. Arkanoid vs. Space Invaders is a fun inclusion, but its handheld-mode only gameplay isn’t entirely ideal. And while Space Invaders Gigamax 4 SE is an interesting idea on paper, its player requirement and simplistic gameplay make it more appropriate as an occasional party game. You’re unlikely to play this collection forever, but there’s a fair amount of high-quality shooting fun to be had while it lasts.

Golden Force is an enjoyable romp, but its steep difficulty and straightforward design prevent it from rising above the trappings of the games that inspired it. It’s definitely worth a look for anyone who enjoys the run ‘n’ gun style of the games of yore, even if it can be controller-throwingly difficult.

Cardaclysm: Shards of the Four is a complex deckbuilder game with simple presentation featuring RPG elements acting like a roguelike — all wrapped in a very pretty package. While it suffers from some balancing issues and more information on the battlefield would be welcome, there was a lot attempted here with plenty accomplished. It’s pretty criminal that a game that looks this good doesn’t feel truly ready for release yet; given a few more months, Cardaclysm: Shards of the Four should absolutely shine like the diamond in the rough it is. If you’re a fan of this genre and have at least five hours to wait until the game truly blossoms, I daresay Cardaclysm: Shards of the Four might be up your alley.

The PC version is by far the prettiest of the three, but without the original control scheme, it’s hard to recommend over the Switch remaster or even Wii original. If PC is your only option to experience what is otherwise an incredible game, then by all means grab it; just know there are better ways to play No More Heroes.

No, it’s not perfect. With its clumsy dialog, touchy controls, and occasionally broken U.I., Within The Blade sometimes feels like a game that’s designed to work against the player. However, if you can overlook its faults, there’s an exciting and surprisingly deep experience beneath its many bumps and bruises. You just have to be willing to sift through the grime to uncover its finer parts. As for whether or not it’s worth doing so, that’s for you to decide.

Chasing Static dials in a unique spin on the psychological horror genre with its lo-fi visuals and focus on sonic exploration. I only wish there was more substance to go along with its excellent sense of style. With more compelling puzzles to solve and a greater variety of locations to explore, it'd be a lot easier to recommend adding this one to your library. Even though the writing has its moments, the story ends so abruptly that it likely won't stick with you long after the credits roll. If you're a die-hard fan of horror games from the 32-bit era or are looking for a fresh twist on the genre, Chasing Static just might be worth tuning into. However, those in search of more substantial scares would probably be better off changing the station.

Although About an Elf is only a 3 – 4 hour romp that ends in an unexpected-yet-should-have-expected way, it’s an elf-tastic epic worth playing. The writing is guffaw-inducing, the music toe-tappingly addictive, and the visual style unlike any other I’ve seen in gaming before. If you’re looking for a story-telling experience more entertaining than the actual story itself, lots of laughs, and plenty of opportunities to take screenshot after screenshot of glorious models and colors, About an Elf is a must-buy.

Novelty is a steep challenge, and Ebenezer and the Invisible World succeeds admirably at showing us something new and exciting. The game features a cool concept married with challenging and invigorating gameplay. The problem is that it’s still shackled by glitches and occasionally poor game design. While the adventure is expansive and easily could take 10+ hours to get through, it’s a little hard to wholeheartedly recommend until many of the issues mentioned above have been addressed.

Moroi ultimately feels like a game too caught up in its own surrealism, sacrificing cohesive storytelling and gameplay depth for visual spectacle and provocative imagery. While it left me intrigued, it also left me wishing the journey had offered more than just style and unanswered questions.

As a gamer who grew up when so many movies were relegated to shlocky video game adaptations, I can confidently say TRON: Catalyst is not that. But even though this is a faithful and creative game experience, it’s also one that’s not always well balanced and feels a bit too padded out for this gamer. That said, diehard fans of TRON will probably find plenty to enjoy in this neon-hued adventure.

Shadow Labyrinth has some ideas that really connect, but the game they’ve been placed within rarely feels more than serviceable. Once you gain some power-ups and can take advantage of the full suite of abilities you have, it’s fine, but seldom interesting, and, considering how unique its premise is, that’s a problem. There are much worse games in the genre, but there are so many better options available that I expect Shadow Labyrinth will be mostly remembered more for just how weird it is, rather than the journey it offers.

Nickelodeon All-Star Brawl feels incomplete in a lot of ways. It needed more modes, better sound design to provide some personality, a better selection of stages. If the developers take the time to fill the game out further, it could even end up being something pretty special. For now, this is still far better than a Nickelodeon fighting game has any right to be. The most important part of a fighting game is the feel, and the team at Ludosity nailed that. When I was tearing through foes with Reptar online, I had a hard time caring about what was missing. Players coming in with the right expectations will have a ton of fun, just don’t expect a game that is more than it is.

I’m very ambivalent about Tower of Fantasy, but despite seeing quite a few flaws, I also see a lot of potential here. The attempts to riff on Genshin Impact and Honkai Impact 3rd wind up leaving some of the things it attempts to emulate feeling inferior to where it’s drawing inspiration from. That said, what it tries to do differently is help make a functional, stable platform from which Tower of Fantasy could truly start to grow from, and make something entirely fresh and unique from its competition. The exploration features, the Relic system, and even the weapon types are willing to come together and make something fun and unique, but it’s held back by a mostly lackluster world, bad story writing, annoying upgrade systems, and currency overload. I’d say go in strictly on Free-to-Play ideals, temper your expectations and focus on the things it does differently, and you’ll probably find something to like.

After playing Orwell’s Animal Farm, I found myself gobbling up every analysis I could find on the original work and ultimately settling into bed with a copy of the book found online. From the subversion of politics through the subversion of language and logic to reducing complex ideals to meaningless catchphrases, it was truly eye-opening just how Orwellian the past few years have been — although not the way in which the word has been thrown around after January 6th. The team’s unique history with totalitarianism made them competent candidates for the game version of this compelling allegorical tale, and I find myself still trying to wrap my head around the experience with these additional layers of context. If you’re looking for an incredibly memorable and surprisingly emotional refresher on this all-too important story, look no further than Orwell’s Animal Farm.

Despite my gripes, Trinity Trigger is a charming little JRPG that successfully provides a role-playing fix for anyone who may want something a little less intense from the genre. For me, the success of a JRPG is largely based on two factors – the strength of the narrative and how engaging the combat is. On both these fronts, Trinity Trigger is a resounding success, and the fact that it’s playable from start to finish in local co-op, with online soon to follow, is a fantastic touch that should elevate the experience further. With fast-paced combat that manages to stay interesting if you’re willing to dig into the customizable nature of each weapon and a narrative that does a great job of establishing a universe with a complex and storied past, Trinity Trigger is proof that there is absolutely space for these more scaled back experiences, and I hope this is just the beginning of FuRyu tailoring to this particular niche in the market.

Synduality: Echo of Ada had the potential to carve out its own niche by being an accessible extraction shooter available on console. It’s not completely without merit, with its snappy gunplay making for an exciting PvPvE experience and the novel Magus system initially showing a lot of promise. However, a laborious early game grind, and monetization so egregious that I don’t see anyone but the most hardcore of audiences sticking around severely sour the experience. Whether Game Studio can course correct remains to be seen, but early signs point towards yet another live service title that runs the risk of having its lifespan cut short due to excessive grind and greed.

Despite its solid upgrade system and the introduction of a few interesting ideas, like the Frost Grip and enemies that can be resurrected or supercharged by the anomaly, Daymare 1994: Sandcastle’s severe lack of polish and unbelievably frustrating combat execution hold it back from ever realizing its full potential. And, more often than not, make for a game that feels like it’s constantly working against the players’ enjoyment...With a few patches to iron out some of its more glaring kinks, Daymare 1994: Sandcastle could have been a solid survival horror title to snag at a discount. However, at least in its current state, this one’s impossible to recommend to all but the most desperate fans of the genre.

Maneater was worth the wait on Nintendo Switch. It's not a perfect game, but it's a hell of a lot of fun. It's the murderous Ecco the Dolphin I didn't realize I always needed. If you're a stickler for graphics, you might prefer playing it on another console. But for playing a hungry shark on the run, there's nothing better. Here's hoping this isn't the last we see from Tripwire in this delightfully demented new IP.

Despite my issues with the game, The Outbound Ghost is still the best Paper Mario styled game I’ve played in many years. It easily offers a dozen hours of gameplay, and that’s just if you play the main story. For those that like to wander, there’s plenty of hidden secrets to unearth, as well as randomizer effects to mix up your experience. While the game wasn’t as tight or well organized as I would have liked, it’s still a solid turn-based RPG that fans should enjoy.

There are beautiful moments in After Us worth seeing, but they’re buried in poorly directed levels featuring merely adequate gameplay. There’s not enough to consistently grab onto here to really hook most players. After Us has a lot in common with Piccolo Studios’ last narrative platformer but ultimately doesn’t offer the charm or consistently moving story that made that game so memorable.

I can appreciate what Sumo Digital Academy set out to do with Zool Redimensioned. It’s a solid remake of a platformer which, while not as well remembered as the titles from which it takes its inspiration, has its own place in the annals of video game history. The updated mechanics and quality of life features are great. Furthermore, with two modes to master, existing series fans will surely get their money’s worth. But as welcome as these additions are, they don’t do anything to remedy the issues that plagued the original release. With random stage designs and lackluster enemies and bosses, Zool just doesn’t do much to stand out from the crowded platformer pack. Still, if you already have a soft spot for the ninja from the Nth Dimension, don’t hesitate to add this one to your Steam library. If Zool didn’t do it for you before, however, Zool Redimensioned isn’t going to change your mind.

I really wanted to love Kao the Kangaroo. And while I did enjoy parts of it, the severe glitch I encountered kept me from progressing like I had expected to and effectively kept me from actually beating the game. Once Nintendo gets around to implementing the patch, I could potentially recommend the experience. But until version 1.2 goes live, I cannot recommend it to other platformer fans in good conscience.

Just thinking back on the time spent flying around the skies of Nirvalis in my HOVA is getting me all relaxed, and for that feeling alone Cloudpunk is a worthy purchase. If you have a PC I’d definitely recommend that version over any console port purely for the draw distance (it seriously makes a difference), but if that’s not an option for you just go ahead and snag it where possible. Cloudpunk is a joyride worth taking, so if you have 10 or so hours to burn and need a chill experience, be sure to sign for this delivery on the dotted line.

Dragon Star Varnir is a fun JRPG overall, and, while it might be a little on the niche side, I’d still recommend it. Unfortunately, I’m not sure which version to recommend. Sure, the Switch version comes with a bunch of DLC and is entirely uncensored (did I forget to mention that?), but the graphics are, like, really crunchy—and I say that as someone who normally doesn’t care much about graphical quality. If that isn’t enough to drive you away, though, then the Switch version’s probably the way to go. The more content, the better, right?

Big Blue Bubbles’ latest addition to the Metroidvania genre is a really enjoyable game that I had a ton of fun with. While it may be yet another Dead Cells clone, its weighty combat, challenging foes, slick maneuverability, and gorgeous aesthetics do just enough to set Foregone apart from its contemporaries. So if mad-dashing, action-adventure platforming is your niche, then picking this one up will be well worth your time.

Everything in NUTS revolves around discovery. Discovering what these strange, fascinating squirrels are up to; what secrets are hidden in the ancient Melmoth Forest; discovering the past, as well as the future. Short without feeling short, simple without feeling simple, this game is as odd as it is beautiful. Go out on a limb and give it a try. You won’t find anything else like it.

Blanc is certainly cozy, cute, and charming, and it deserves high marks for its aesthetics and ideas, but I can’t deny how frustrated I felt while playing it. There were some high moments where cub and fawn flew through the frozen fields, delicately criss-crossing darkened paths in an otherwise blinding white spendor, but they were often followed by whiplashed lows of missing actionable cues and odd technical difficulties.

In some ways, Front Mission 2: Remake is an improvement on the first game’s remake. It looks better, and the gameplay has a bit more depth and complexity, even if it isn’t a significant upgrade. In the end, though, I actually had more fun with that original title, thanks to a more compelling story and far better localization. It’s nice that Front Mission 2 is finally officially available in English, but this is still much more a remaster than a remake.

Despite the few aforementioned hiccups, Biomutant is an expansive and thoroughly engaging open-world exploration game that fans of Fallout might recognize and enjoy. The game may have some rough edges, but it is especially impressive for an outing by an indie developer with much less resources and manpower than a major studio. Don’t miss this title.

As long as you don’t go in demanding a gigantic roster, an exhaustive list of moves, and plenty of match types, this will be the wrestling videogame you’ve waited a very long time for. Like the tag team of Max Caster and Anthony Bowens, AEW: Fight Forever is The Acclaimed.

At the end of the day, though, that’s not the vision the developers had for Adore and that’s fine, as what they have produced is a damn fine spin on the monster taming genre all the same. Look past the repetition, and you’ll find that early simplicity was a complete red herring, as the complexities of team synergy, hidden passives, and the real-time combat suck you in. The core of what’s here is excellent, and while the narrow scope of the moment-to-moment gameplay loops may feel a little limiting, they allow the excellent core combat and surprising depth to shine through. If, like me, you were a little tired of the genre rehashing the same formula for what feels like forever, then Adore, while not without its flaws, will likely feel like a total breath of fresh air.

Overall, My Time At Sandrock is a great game. There’s tons to do, and it’s got plenty of depth. If I had played it on, say, PC or PS5, I’m sure it would have run fine (or at least serviceable). But I didn’t. I played it on the Switch. And the Nintendo Switch Version of My Time At Sandrock is a crunchy, crusty, stuttering mess that I very much recommend that you stay away from.

I really enjoyed my time with Lunar Lander Beyond. Even if you’re not a huge fan of the original Lunar Lander, this follow-up takes everything to another level. While I was impressed by some of the new systems and rogue elements, the difficulty spikes and sometimes cluttered artwork kept it from a perfect score. But if you don’t mind a challenging and relatively short sci-fi romp, I’d check it out.

There are some truly fun moments in Gotham Knights. Playing with a friend highlights the very best of what the developers set out to do, and I enjoyed both the story and getting to see Gotham’s protectors outside of Batman grab the spotlight. If the developers had built Gotham Knights around its strengths, it could have been an easy recommendation. As is, you spend so much time in its bland open world that only those who plan to explore it with friends should seriously consider it.

Puss! certainly has some things going for it. From its surreal aesthetics to its haunting sound design that evokes the feeling of tuning into a radio station in some strange, far-off land, the game’s presentation is top-tier stuff. And while occasionally a bit unfair with all of the chaos unfolding all at once, the boss battles are always memorable. Still, it’s hard to recommend the game to all but the most patient players at the end of the day. If you’ve got ice water pumping through your veins or are looking for a fun way to torture your friends during your next drunken gaming gathering, Puss! might be worth adding to your Switch library. However, if you don’t find yourself in either of those camps, then this probably isn’t going to be the game for you.

Scars Above is a valiant attempt at providing a fresh spin on the Souls-like genre. Its elemental-based third-person shooting feels genuinely fresh, with its reliance on environmental debuffs and stacking combos representing a genuine innovation within a space that isn’t exactly known for innovating, so it’s just a shame that the progression system feels so at odds with the efforts gone to by the developers in order to make Scars Above stand out.

Hammerting’s level of character detail and large, explorable areas offer promise for those who love resource management and base-building games. The graphics and concept hold up, and the game runs well. Adding combat, trade, exploration, and an overworld mechanic with faction relationships to a colony sim is a major undertaking that will pay off well if the systems can become fully integrated. However, the game is not polished enough to deliver a dependable experience, and despite its scope, it offers few new ideas to make it memorable. Developers promise more quality of life improvements, but being a small team, the modding community may have to take up the slack as they did with RimWorld. Thankfully, modding is encouraged in C++. Time will tell if Hammerting is a diamond in the rough, or whether it becomes buried under its own ambition.

Greak: Memories of Azur has a lot going for it. I just wish that its core concept of controlling three characters at the same time worked better. Too often, instead of being helpful, your siblings just end up getting in the way. If you can look past these sections, though, you’ll find a beautiful game with some great puzzles and a lot of heart.