Earthblood does just what it’s supposed to — the developers have done a great job of making a ‘play it your way’ action-RPG that lives up to the player’s werewolf-associated expectations. It lacks any extra spark to make it feel essential, though — sneaking and brutalizing my way through the levels was enjoyable enough, but I wasn’t at all interested in why I was doing it.

While I wish the developers would give their awful UI a top-to-bottom revamp, anyone who makes it past the initial mess and manages to dig in will find a challenging, persuasive roguelike actioner that delivers an unexpectedly sophisticated good time. The exterior needs a fair amount of elbow grease, but the engine underneath is purring.

It may not be different enough to justify a replay for those who’ve already experienced the original version, but for those wanting something crisp and clean on new consoles, or for those intrigued by Bloober Team’s work but put off by tense horror, >Observer_ is a great choice.

It’s been a long time since I’ve enjoyed a retro-inspired title as much as I’ve enjoyed Cyber Shadow. It’s just that good, and players in the mood for this kind of content should consider it a must-buy.

Hero-U is an imperfect experience that it is difficult to recommend, even to fans of these devs’ previous work. It might be an interesting proposal to those looking for something far outside RPG norms, but there are too many other choices out there to give this one a general recommendation — if nothing else, I’d suggest tracking down the original Quest for Glory titles instead!

Overall, Scott Pilgrim vs. The World: The Game – Complete Edition is a difficult, grindy play that ends up being ultimately enjoyable thanks to its combat and style. Fans of the source material have no doubt already bought it and are enjoying the hell out of it, and anyone else who enjoys a good old-fashioned brawler with plenty of style should check it out as well.

Habroxia 2 certainly looks like an ’80s shmup with its the space theme and retro-style graphics, but it fails to capture the thrill and challenge of those titles. It’s an enjoyable ride for the three or so hours it takes to finish, but it will fade from a player’s memory soon after.

El Hijo is a tough sell for me. I appreciate the aesthetics and was charmed by the hero, but the campaign was simply too long due to excessive backtracking, unclear level design and some rough edges that often made sneaking and hiding frustrating. A tighter, more streamlined campaign would have made for a more enjoyable experience overall.

I’m sure Cultist Simulator makes perfect sense to the people who created it, but they don’t seem particularly interested in letting anyone else in – it’s an intensely insular experience that almost demands someone track down a wiki to find a way in, and there’s little incentive to invest that much time and effort on a title that gives newcomers nothing but an indifferent shrug.

The Stirring Abyss is creepy, inventive, and short enough that it doesn’t wear out its welcome. The secrets of the depths are intriguing, and the setpiece battles and boss fights were satisfying. The developers have even included a roguelike endless battle mode for anyone who wants to keep grinding away once they’ve finished the game — if it was a bit less boardgamey and a little more immersive, I’d be able to endorse it wholeheartedly.

Bonkies is cute and I found its ’90s cartoon aesthetic appealing, but the unbalanced difficulty swings make it hard to enjoy alone or in co-op. It’s possible that the optimal experience is with four players and the game does support remote play as well as couch co-op, so the best idea might be to find three friends before jumping into this monkey business.

Breath of the Wild succeeded because it instilled a sense of wonder in the player and inspired them to explore every inch of its landscape. While Age of Calamity doesn’t follow in those same footsteps, that sense of wonder and need to explore is present. This prequel is a love-letter to one of the greatest games of all time, and while it might not have been exactly what fans were expecting, it is a worthy addition to this storied franchise and a must-play for anyone itching to return to Hyrule.

While it was irritating, my frustrations with the light’s lack of precision are certainly no dealbreaker. Projection: First Light is a greatly innovative title with a sympathetic premise and there’s certainly something poetic – artistic, even — in its design. I definitely recommend it, and I’m curious to see what the developers cook up next.

Overall, The Medium is a fantastic experience. It’s a troubling, emotional, and wrenching nightmare packed into a compact running time, and while its ending may be a little too ambiguous for some, I’m happy to say that The Medium offers a dark mystery that is absolutely worth solving.

Unfortunately, despite all of its ambition, it feels like some areas still need work. I hope the developers keep polishing this title or at least carry some of these learnings into a sequel — despite the problems, it’s often as intoxicating as the bootleg hooch the characters sell.

Ultimately, the new JRPG gameplay in the Rhythm Adventure Pack doesn’t change much about the Taiko no Tatsujin series — at its core, it caters to a very specific drum-loving audience, although I’d guess that kids would also have a blast with the percussive gameplay and songs from anime and game IPs.

It’s charming, it’s pretty, and it clearly sets out to provide players with a good time. It doesn’t quite nail every aspect of its design, but it’s easily one of the better open-world games on the market right now, and for my money is the freshest and most enjoyable release from Ubisoft in years.

There’s a lot to like about Shiren. There are plenty of places to explore, there are intricate puzzle rooms that provide extra challenge, and the loot flows freely and generously. I’m just not sure I’ll get back to a place mentally where I’ll see Shiren’s travels through to the end — I became weary of the repeating gameplay loop much earlier than I thought I would.

I hate to say it, but Super Meat Boy Forever is a bummer. Its design and execution as an auto-runner is sound, but as a sequel to one of the most noteworthy and important indie games ever, it’s substantially lacking. Maybe that isn’t fair to say as much of the original team isn’t present, but I strongly disagree on the direction Team Meat took here. The original Super Meat Boy was brimming with panache and personality, and seemingly all of its magic has been lost in the decade since.

Tanuki Justice ended up being more frustrating than enjoyable. It’s not quite the bullet-hell platformer I was expecting, but its difficulty curve will likely have many giving up before reaching the end.

Anyone who’s after a colorful and quirky puzzle-platformer that just oozes personality, charm and cuteness will probably have a blast with Phogs!, and if there are kids around, then it’s absolutely recommended. Those who give it a shot will find inventive puzzles and charm galore — it’s an exquisite canine treat for humans to enjoy!

Shady Part of Me is a bold and challenging title that uses style and story to complement its gameplay, and I walked away from this adventure reflecting on my own fears. If nothing else, it’s noteworthy for that.

After wrapping Godfall, I was left with the feeling that it’s going to be a one-and-done. I can’t see myself doing its endless trials or repeating the endgame boss fights — it just doesn’t feel like there’s anything more to work towards. The graphics are great and the combat is enjoyable, but it gets samey too quickly and ends up as a typical next-generation launch game that will be soon forgotten.

Regardless of the bizarre lip movements, Twin Mirror is an excellent adventure game. Not only was I enthralled by its mystery, I was absolutely enamored with the presentation. I wasn’t expecting something so filmlike and cinematic, but I walked away delighted and I can say that some of its powerful scenes will stay with me for a while.

When all was said and done, it was a great journey — I just don’t understand why the developers went to such great lengths to make taking that journey as irritating and inconvenient as possible.

Unto the End first appears to be an attractive cinematic platformer that gets a lot right with rich atmosphere and simple graphics. However, it’s ultimately let down by the darkness of its environments, irritating trial-and-error gameplay and an overcomplicated combat system.

I knew Melody of Memory was a rhythm spin-off before I started it, so I kept my expectations fairly low, but it didn’t even clear that bar. The music isn’t awful and the visuals are beautiful, but it gives players almost nothing substantial in the main story. In light of this, I can only recommend it to those who really love rhythm games or the music from Kingdom Hearts.

It’s great to see the return of Sam & Max Save the World, now looking fresh and ready to meet a new audience.

When friends are available, Octafight offers quick matches with fast and fluid action, and a variety of modes, stages, and weapons that add an unexpected amount of variety and freshness. However, potential buyers should beware — this added lifespan is only relevant to those who have someone to play with.

Players looking for a cheery Legend of Zelda-style title will find it in Oceanhorn 2, and with a much smaller pricetag. It may have a few issues, but it’s worth the price of admission to see what this talented team has put together.

Replica was likely fine as a 2016 mobile title, but it’s hard to recommend something that’s little more than a one-hour collection of simple puzzles and a basic story. Its heart is surely in the right place, but that’s about all I can say for it.

I commend the developers for keeping true to Orwell’s work, depressing endings and all, but unfortunately what we have here is a worst-of-both-worlds situation — as a visual novel, it’s a slog to get through the repetitive mundane, choices, and the gameplay isn’t refined or engaging enough to be a solid management sim. Simply reading the book might be a better option.

Wet Dreams Dry Twice is an okay sequel to the reboot of a genre-classic series and its faithfulness to old-school sensibilities is both a strength and a weakness. While the humor is a bit too juvenile for my taste, it does manage to elicit some laughs every now and then. On the other hand, players wanting a fresher take on design and writing might want to look elsewhere.

Reservations aside, my love for indie RPGs pulled me through and I did have an appreciation for Orangeblood‘s pixel art and catchy soundtrack. It definitely has some personality and it’s worth a look as an oddity, but it’s just a shame that the combat doesn’t support the experience.

Is Accident an impressive game? Not particularly. There are just nine accidents, and each one is a puzzle that needs to be solved the same way each time. However, the educational value is off the charts. Accident may not catch on as something to enjoy casually, but it’s the kind of thing that every new driver should spend some time with. I don’t know if I’d go so far as to call it an ‘important’ game, but I can confidently state that by having played it, I’m more prepared to help at the scene of an accident than I was before, and that’s worth something.

In the end, Aquanox: Deep Descent does everything it has to, but it doesn’t stand out from the crowd. The combat is thrilling, but the story and quests fail to intrigue, the environments don’t have much variety, and there just generally isn’t much to it — it’s a solid 3D shooter set underwater, and not much else.

Ultimately, Pure Pool is exactly what its name suggests, for better and for worse. Players that buy into its fascinating shot presentation may find it enough to overlook the otherwise-flat experience. For everybody else, it will likely be an all-too-quick scratch off the eight ball.

In a year full of massive, story-driven and crunch-produced experiences, it’s refreshing to spend time with something so straightforward. Puyo Puyo Tetris 2 does something simple but does it right, and when I’m dropping blocks or matching puyos, I just can’t seem to put my Switch down.

For newcomers to the Oddworld series, New ’n’ Tasty is a good place to start and the anti–capitalism and anti–consumerism messages in Oddysee still feel (sadly) as fresh and important as they did back then. However, there’s no real reason to grab the Switch version if one already owns any of the others. It’s still tasty enough, but a little short on the new.

Watch Dogs: Legion is far from perfect. It tries to tell a story about resisting oppression via the power of the people, but the concept of making any character in the world a viable choice means that the experience ends up being too broad and vague. I was able to spice things up by bringing my own roleplay to characters and used items that weren’t necessary, but this was my way of compensating for the ways in which Watch Dogs: Legion falls short of what I want from a triple-A adventure.

Even if the last decade and a half came and went without bringing any substantial change to the original Katamari Damacy formula, that doesn’t hurt this remastered version – the rotating mix of jazzy tunes and catchy J-Pop choruses provide encouragement for the prince’s reckless consumption, and it remains now, as it was then, a purely good time.

Those looking for an intriguing sci-fi tech thriller could do worse than The Signifier – it’s competent and intriguing until the second half. That said, with a more fleshed–out plot, more interesting puzzles and a stronger finish, Playmestudio could have had something special on their hands.

Embracelet is a brief experience, but the journey is a satisfying one and this charming idyll is absolutely worth visiting.

Grading yearly releases is tricky. Axis Footbal 2020 has made some great strides compared to last year’s title, and it’s much easier to recommend this year’s installment. The franchise mode is just about perfect and should only require minor tinkering in order to keep fans happy, but the on-field play and presentation definitely need to be addressed if this series is going to ever be considered a contender to the Madden throne.

Scourgebringer will be manna from heaven for players craving a fluid, smooth roguelite with hair-raising action. While I wasn’t crazy about graphics and the relative lack of freedom in building my character, I kept coming back because of how it all came together when I found a good groove. With a more distinct art style and some tweaks to the controls, this could have been a real classic.

Users won’t see a true next-gen NHL title until late 2021 at the earliest, so it’s refreshing to see the developers making a concerted effort to deliver a strong experience for current gen fans — EA did an admirable job here.

The hours spent uncovering a science experiment gone wrong kept me invested, not to mention the sidestories that were also available — if I needed a break from dangerous drug labs I could track down documents from a reporter, assist a search party, break up an argument in a bar and more. Players who enjoyed The Outer Worlds and are itching for a reason to jump back in will find Peril on Gorgon a perfectly good reason to do so — just try to refresh your memory as best you can first.

Eastern Exorcist is brisk and engaging. Despite a few rough points, the combat is solid, the world is beautifully rendered, and the extremely depressing story is was interesting enough to carry me through to the end. After the credits (which are entirely in Chinese, just FYI) there’s footage promising DLC or a sequel that’s is already in production, and I’m absolutely interested to see how this franchise moves forward.

I won’t say that Umurangi Generation is the best game of 2020, but it’s almost certainly the most relevant, and not just for its most apropos parallels (like an abundance of face masks). This game is a sobering plea of the disaffected youth, and real-world events have given us countless reasons to lose faith in the idiots our parents put in charge. It’s only fitting that the teens at the core of this story never actually speak, because they were deprived a voice by the people who built this terrible future for them.

While Cold War is a part of a series I would have said that I loved, I can’t fully embrace it now knowing that this work is trucking in harmful stereotypes via patriotic-tinged gameplay. A decent CoD multiplayer experience will likely emerge from the currently-underwhelming Cold War, but I’m going to seriously consider whether that gameplay is worth enduring (and supporting) the rest.

It’s been a long time since I could say that I genuinely and deeply enjoyed something in the Adventure genre, but Nine Witches: Family Disruption was a great ride from start to finish. This gem has lots of laughs, plenty of clever situations to solve, and a good dose of rotten Nazis to foil. Plus, zombies! If Krakovitz and Akiro get assigned to another mission, I’m up for that tour of duty.

In the end, Art Sqool feels more like an art project itself, rather than a full-blown game. It’s a rather short experience and it might not be for everyone, but there is genuinely nothing else like it. I may never be an artist, but for the hours that I attended Art Sqool, I truly felt like I was creating something special.

Bugsnax leans heavily on the unique nature of its titular creatures, and it succeeds by doing so. They’re cute, they’re creepy, and their existence makes no logical sense whatsoever. Armed with a bit of design this indelible, the developers could have phoned in the rest and raked in the merchandising money. Instead, they fully committed to delivering a narrative worthy of the creatures starring in it. It was a risky choice, but it was also a daring and clever one, and that’s exactly what it wants to be.

For all intents and purposes, Torchlight 3 seems like it’s an action RPG struggling to find its identity. It feels generic, repetitive and boring, and comparing it to earlier, superior Torchlight titles does it no favors. Pretty colors aren’t enough to save this one from oblivion, especially with so much quality competition out there.

While I wish the combat was more responsive, Chronos: Before the Ashes more than makes up for it with an interesting setting, a marvelous age mechanic and puzzle content that lends it distinct flavor while keeping the entire experience firmly within the soulslike genre. I’m a huge fan of From’s work, but there’s a lot of room to grow the genre they created, and Gunfire Games has done exactly that here.

Gamers looking for a fresh take on puzzle solving adventures will absolutely find it with the map manipulation in Carto.

As a basic introduction to tactical RPGs, there are worse games to choose than Tears of Avia… but there are also so many better. However, with the amount of brokenness present in the content, I just can’t recommend it.

After years of letting gamers simply play other people’s songs, Harmonix has now decided to let players create new music using those songs. It truly feels like a fully-realized vision of melding music and games in ways that haven’t been done before and feels like the next step in music games. Harmonix is back in fine form, and that’s a tune we can all dance to.

Despite the PS4-specific issues and a main story that isn’t on par with the best of the series, Assassin’s Creed Valhalla remains a solid adventure that I can’t wait to keep playing on better hardware. The focus on exploration coupled with a wealth of secrets to uncover made this adventure a thoroughly-enjoyable timesink, and I can’t wait to continue my domination of England on PS5.

With a fantastic combat system and quality content in all other aspects, Star Renegades is stylish, accessible, and innovative, making it one of the best turn-based roguelikes around.

Pumpkin Jack packs a lot of charm in this breezy adventure. It has flaws for sure, but players who have nostalgia for the specific kind of platformer that it’s paying homage to might find it to be worth their time.

Overall, Five Dates was a joy to experience. It’s a solid rom-com with strong writing and characters that accurately captures the trials and tribulations of living and dating during the COVID-19 era.

Bright Memory looks fantastic and the action is strong, but there’s just not enough actual game here to recommend it. As interested I am in seeing a full-length version, I can’t say this taste is worth the price when all it has to offer is six rooms and a couple of hallways’ worth of content.

I’ve gone on record several times to say that Mortal Kombat 11 is a fantastic game, and this Ultimate package is a fantastic deal. If there’s anyone out there still curious but hasn’t yet taken the plunge, there’s no better time.

The Falconeer is a beautiful game with an intriguing setting that engaged me throughout my playtime, but the dogfighting disappoints and there’s just not much to it otherwise. It was created by a one-man studio so this is quite an accomplishment, but the fact remains that the final experience falls short of greatness.

While the plot interested me and I would have preferred to see it through, The Wild Eight‘s technical and design issues cancel out its charm and atmosphere. Aspiring survivors be warned!

GI Joe: Operation Blackout could have been something special, but it doesn’t capitalize on its nostalgia effectively, and has too many shortcomings to stand out in any meaningful way against the countless action games already available on every platform. It might be worthwhile as co-op fodder with a younger player, but everyone else might want to give this a pass.

Rogue Company wears its influences on its sleeves. Like other Hi-Rez studio releases, I have no doubt it will take off and become a popular staple among multiplayer aficionados — even with generic-looking characters and gameplay that borrows from others in the genre, I can’t pull myself away from it. It may be derivative, but it’s also an addiction, and I that in itself is an impressive feat.

The third-person aiming is clunky and I found myself preferring to hide, rather than taking on soldiers face-to-face. Much of the campaign can be completed solely by sniping enemies from afar, but there are a few parts where close combat becomes a necessity. I was always pleased when these sections were over quickly. My only other complaint about Sniper Elite 4 is that it’s not a complete package. Three years after initial release, the Switch version arrives with numerous DLC options that require additional purchase – none of which appear to be new content. I’m not completely against DLC, but it feels like players are being nickel-and-dimed here. Fortunately, the core experience is enjoyable enough to look past these minor shortcomings, and more often than not, Sniper Elite 4 hits the bullseye.

Disc Room is addicting, precise, and a blast to explore and enjoy. Not every player will enjoy a tough-as-nails title like this one, but there’s a lot to enjoy here for those that do.

Devil May Cry V is still an outstanding title rooted in the tradition of Japanese-style character-action games. The play and content enhancements are both substantial and worthy of a “Special Edition” moniker. There’s enough here for fans of the original to return, and newcomers looking for something to play on their new consoles are in for a whirling-dervish of a good time.

9 Moneys of Shaolin successfully blends my love of old action films and brawlers into one wonderful package, and fans of Shaw Brothers films (and the occasional Wu-Tang album) might be keen to know that this is the best translation of that style in any game I’ve seen. If that sounds appealing, this is a no-brainer.

For players willing to put in the time to learn its subtleties, Onee Chanbara Origin has great combat, and sundering my way through crowds of zombies simply never got old. That said, there’s just not enough here to make it feel like a complete experience. While the game certainly displays everything that made the franchise into such a long-running success, I can’t help but feel that this anniversary celebration should have offered more to its fans.

The Tony Hawk series was never about realism, and whether they’re old enough to have nostalgia for it or not, Pro Skater 1+2 is a fantastic remake offering intuitive and massively enjoyable gameplay that deserves any skate fan’s attention.

Transient had an opportunity to create a unique and exciting experience with its unusual mixture of cyberpunk and H.P. Lovecraft. Sadly, the lack of a coherent story and boring gameplay cause it to fall short of what ultimately might have been. I give it credit for coming to a sort of conclusion after the credits have rolled, but by that point, it was too little, too late.

I hoped The Red Lantern would grow on me with subsequent playthroughs, but, unfortunately the opposite was true due to the technical problems, design issues and repetitive dialogue. Those looking for a trip through Alaska or wanting to revisit bittersweet memories of traveling to Oregon, might want to check it out, but anyone on the hunt for a narrative-driven roguelite should skip it.

Gears 5 is a superb shooter, and the only real survivor of the genre it popularized. The campaign is worth playing all on its own, but the developers have gone to great lengths by taking a chainsaw to the multiplayer and offering new and exciting ways to play.

The uneven storytelling is a shame, because if Amnesia: Rebirth had a narrative as unsettling as its play loop, it might be an all-time great. Frictional’s ability to generate tension and moment-to-moment fear is unparalleled, and SOMA showed that an equally powerful story is within their abilities. Unfortunately, Rebirth doesn’t reach those heights, though it remains a tremendously effective vehicle for scares.

Blair Witch is a successful videogame translation of what made the original film so haunting. It doesn’t move far outside the dev team’s comfort zone, but the warmth of the relationship between a man and his dog almost made it worth fighting through the motion sickness it gave me. Almost.

Re:Turn is a great little gem that easily slots into any horror fan’s collection. The art and atmosphere alone are enough to warrant a look, and the story plays with some interesting themes of love, jealousy, and privilege. As someone who doesn’t normally go for horror games, this one’s hard to pass up.

Ultimately, the climax of the story was driven by the choices I had made along the way, and each stacked upon the other — by the end, I felt happy with where Maia landed, though I could see how other choices could have made a differences. The ending, like the game itself, felt short, but I found its worth replaying and it left me with strong emotions.

By the time the credits rolled, my hand was aching at the base of the pinky finger that operates the Shift key, but I was still sad that there were no more obstacles to overcome. I was in physical pain and still itching to keep going. If that’s not the sign of a damn good action romp, I don’t know what is.

I don’t envy any roguelike unfortunate enough to release immediately after Hades — that game made every run feel distinct and provided a persistent narrative justification for the repetition inherent to the genre. I obviously can’t expect smaller developers to match that effort, but what Hades does well underlines the fact that so many roguelikes let stellar ideas go to waste, lost amid endless monotony. Noita is a spectacular technical showcase in desperate need of a more fully-formed game.

Uppers is a tough game to recommend. As much as I love the settling and style, the gameplay, writing and progression path leave much to be desired. It also becomes repetitive within just a few stages, and even showboating for the girls adds nothing to the package. It’s a shame, really. Uppers gets the style half of the experience right, but it really should have spent more time on the fundamentals.

While it’s easy to nitpick, it’s even easier to rave about how great the rest of the The Ancient Gods is. I’m not sure this is the best place to jump into Doom Eternal given its initial difficulty, but picking up the whole package is absolutely recommended. The Ancient Gods consistently delivers some of the best combat ever seen, and delivers it in spades.

Every aspect of Iris and the Giant is honed to perfection and polished to a blinding sheen. It looks great, it plays great, it has all of the amenities I could ask for in a modern roguelike, and on top of it all, it’s got a touching emotional theme that made the journey more than worthwhile by the end. Iris and the Giant is a masterclass in all aspects, and they just don’t come better than this.

Overall, the keywords for I Am Dead would probably be ‘charming’ and ‘quirky’. It isn’t a horror adventure nor a sad one, even though there are little doses of melancholy here and there. Instead, it’s a light puzzler that features some interesting game mechanics, and others that feel more appropriate to a casual mobile title — an easy recommend to casual players who are short on time and don’t mind a bit of repetition.

I appreciate Kingdoms of Amalur: Re-Reckoning for giving gamers who missed it the first time a chance to see what could have been, but ultimately, it’s a project that should’ve been left to its previous fate.

Tactical movement as conversation and combat is intriguing, and inkle has masterfully incorporated this innovation into a truly wonderful blend of narrative and tactics.

Despite some slight disappointment from thinking about what else this remaster might have offered, the giant grin on my face while playing was impossible to remove. Being able to play on consoles at 60FPS makes it a monumental upgrade over the older versions, and the core experience has aged surprisingly well. Despite the fact that this is a fairly modest remaster package, Need For Speed: Hot Pursuit remains one of the finest arcade racers in recent memory, and anyone with even a slight interest in the genre should jump behind the wheel.

Red Wings is a perfect example of classic mid-tier development — it doesn’t do a lot, but what it delivers is mostly solid. Fans of arcade-style romps will likely get a great deal of enjoyment here, but sim enthusiasts will be better off steering clear.

Foregone is a solid entry in the metroidvania genre, and the limited options in combat are slick enough. It does what it needs to do — the problem is that there are many better examples of this structure that would have to be recommended first.

The story is too short to say more about it, except that its climax hinges on an absurd coincidence and it ends in an act of obvious stupidity. Scarlet’s real purpose, however, is not to tell a story of its own but to introduce the story of another, larger game. In this sense, I suppose Lust from Beyond: Scarlet succeeds. The erotic-grotesque aesthetic it tries to employ (especially combined with the first-person perspective) repulsed me, while the horror components and mechanics seem workaday at best. All this tells me the main event is probably not for me, but if you’ve read this far, then perhaps it’s for you.

While Squadrons has likely already come and gone for those who can’t experience it as its best, I can’t overstate just how vital it is for Star Wars fans fortunate enough to play in VR. This is arguably the first productive thing EA has done with the Star Wars franchise — I don’t know what took them so long, but I hope it’s a sign of things to come.

Difficulty aside, Crash Bandicoot 4: It’s About Time is arguably the manic marsupial’s best adventure yet, and an imaginative, enjoyable and welcome return for one of gaming’s most beloved mascots. It’s by no means a revolution, but it does feel like the game Naughty Dog intended to make over 20 years ago, this time fully realized by the devs at Toys for Bob. Crash fans and platforming fans alike would be N. Sane to miss it.

Despite my problems with the combat and supreme frustration at failing to find the true ending, I remain impressed by Batbarian. The characters are winning, the puzzles are brilliantly constructed, and it looks fantastic. While I can wish that the developers had done a little more to make the secrets a little more accessible, I can’t criticize their craftsmanship.

It strikes a strong balance between difficulty and accessibility, and effortlessly introduces almost every one of its rules without relying on text or obvious tutorials. The quirky humor of the exhibits is charming, but the joy of A Monster’s Expedition lies in the exploration of its mechanics.

While getting up to speed with Rebel Galaxy Outlaw takes more trial and error than it should, the experience ultimately becomes an addicting mix of combat and micromanagement that I never thought would hook me the way it did. In a time where I am seemingly taking on any odd job I can in real life, I never expected bounty hunters/delivery person/space pirates to be some of them. I might never get the chance to live out my dreams of flying into space anytime soon but I’m happy to know Rebel Galaxy Outlaw has my back for the time being.