Part of my interest in independent titles involves viewing the art form without the overwhelming gloss. Eternights has that gloss, which is an accomplishment in its own right, but when you peel that away, you just find something that seems a bit bland and lifeless. Certainly, not a night you’ll remember. You’d probably be better off just keeping your hand.

Samba de Amigo: Party Central is an entertaining music-rhythm game in theory, but it slips on banana peels that Sega threw on the ground constantly. The controls are certainly an improvement from the Wii game, but the game still suffers from a lack of input when you move sideways. The roulette system is a nuisance — especially in the single-player mode where you can’t turn it off — and the song list is a little disappointing with some overused pop tracks that have been featured in other games...Despite all that, I still find enjoyment in this game as the concept of shaking a Joy-Con to the beat never gets old to me. That’s despite Amigo’s smile haunting my nightmares tonight.

Despite this game’s flaws with repetitive combat and an awkward beginning to the story, I hope there’s a sequel on the way. The combat’s thrillingly fast-paced, and the storyline actually grabbed me during its final hours. If a sequel adds way more enemy variety and improves the MCU-like script, Immortals of Aveum 2 could be a hit.

It has a few games I’m already well acquainted with, alongside a few other obscure titles that I might not have tried on their own. It gives me the comfort of familiarity and the thrill of exploration. Sure, some of the games aren’t very good, but they’re at least bad in an almost impressive way. It’s a lot like Taito and Hamster put together a mix tape specifically for me and left it in my locker.

I wasn't sure if it could be done, but Bethesda has managed to raise the bar for sandbox games even higher.

Larian Studios has made something truly incredible, and even as the studio continues to fine-tune and polish with post-launch patches, Baldur’s Gate 3 feels like something absolutely worth playing now, and even more in the future. Baldur’s Gate 3 is a legendary RPG, and one that anyone with a love of storytelling, strategizing, or just thirsty for a few fantasy companions should take the time to experience.

The Making of Karateka feels like a huge step in documenting the history of video games. There have been plenty of titles that have packed in making of details, but I can’t really name another that has gone to this much effort of establishing context for the games it’s spotlighting. Aside from Atari 50, I mean. Digital Eclipse has put together a masterful formula that speaks to retro explorers such as myself, and this is the perfect test of it. It’s absolute gold, and I can’t wait to see what they dive into next.

It neither disappointed nor exceeded expectations. I doubt I’ll be doing an annual playthrough, but I’ll still be there for Feverdream Softworks’ next game. It’s not that expensive, and it’s maybe healthier for you than eating an entire bucket of ice cream by yourself. Hold on, I can do better. Here’s a good box quote: “Orbo’s Odyssey is an adequate reason to put your fingers all over your mouse and keyboard.”

While I think that the roguelite format is a hindrance on Draft of Darkness overall and will probably be the breaking point for a lot of people, I can’t get past my fascination for the game. While writing this review, I made the mistake of starting the game to make sure I had a few facts straight and started a new run. One hour later, I realized I was supposed to be writing, and had to quite painfully tear myself away. Even right now, Draft of Darkness is just minimized onto my taskbar, lurking and waiting for me to finish my job so it can capture my attention again.

I was a bit skeptical that From Software would find a way to make Armored Core relevant again after a lengthy hiatus, but they figured it out.

Quantum: Recharged didn’t set my world on fire, nor do I think it was really expected to. It’s a revival of an old formula intended to sit alongside the rest of the Recharged series. If you’ve already been following the series, you probably already know you’ll enjoy it. Otherwise, you can skip over it and not really miss much, but it’s definitely worth trying out. You might find yourself getting sucked in, at least for a little while.

Anyone who likes Metroidvanias should absolutely make time for Blasphemous 2. Aside from an underwhelming final act, I had nearly consistent fun with this one from start to finish. From the gorgeous visuals to the customizable combat, your journey as the Penitent One will be filled with steady highs and only occasional lows. It’s a great sequel, a great game, and just a great time in general. If you were a fan of Blasphemous, you’re in for a treat with Blasphemous 2.

Vampire Survivors is well worth checking out, whether you’re playing it on Switch or any other platform. Its simple gameplay hides an irresistible depth. Just keep in mind that once you’re in its clutches, it can be a struggle to get free.

For me, it was a great introduction to Quake II. The PC version, I mean. It’s an oppressively brown shooter, but it still carries the speedy, lightweight combat that makes older FPS games still pop today. The changes that Nightdive brought in for the remaster make it even more enjoyable and accessible. It may not have the same experimental charm as Rise of the Triad: Ludicrous Edition, but it more than makes up for it with its tight and gory gunfights.

Turbo Overkill loses itself in its constant push for escalation. It’s often not as clever as it thinks it is, and there’s a real sense of quantity over quality. Packing in more mechanics is certainly a type of progress, but a better focus on fewer concepts probably would have elevated the game as a whole. As it is, it’s still a perfectly fun time, and I’d be completely willing to revisit it in a sequel, but it just doesn’t quite climb to the lofty top of the retro-inspired scrap heap.

Perhaps the best words to summarize Atlas Fallen is this: I can’t wait to see what Deck13 does next.

There is nothing like Stray Gods at all. The daunting task of creating an entire interactive musical is an admirable one. Even if the songs were mostly a miss for me, I’d like to see it tried again...After all, you’ll find some of the most engaging characters around since Gaider’s previous stint at BioWare, and a worthwhile story in this sleeper hit. I know I have my eyes on Summerfall Studios moving forward.

Venba is an exercise in brevity. I greatly enjoyed my peek into the lives of strangers who exposed me to a culture different than mine. I just wish I could have got a longer look at it.

If you are already a fan, Rise of the Triad: Ludicrous Edition is a fantastic way to play it again. It’s not too much different than the old DOS version but includes cut features and all the content you could want. The new episode is a quality continuation that feel right at home with the rest of the game while still providing something new. It’s a great package all around.

Disney Illusion Island won’t go down in history like the best Disney platformer classics have. But it’s still a fun, if not forgettable, romp starring Mickey and friends. Those who are newer to platformers or want to get someone in on the genre will be primed to enjoy this title. Also, while I don’t think the exploratory angle does the game any favors, it may appeal to collect-athon fans. Otherwise, Illusion Island is just a reliable game for a rainy day. A perfect seven if there ever was one.

It doesn’t really feel like it’s trying to be revolutionary in any way, nor does it seem like it wants to present you with a glut of content. It serves more as a tribute to the Double Dragon series but more in an aesthetic sense, as the combat system is unlike any of the previous games. You can tell that a lot of love went into making the game, but that doesn’t necessarily result in something indisposable or memorable. It’s less a rise and more of a bow.

Was that the goal of the developers? Probably not. It could, after all, be a problem with my brain worms and not with The Banished Vault at all. On the other hand, it’s such a deeply unfriendly title that marries simple concepts with a demand for particular skills. Putting myself aside, I don’t really see it connecting with a wide audience. I absolutely respect The Banished Vault for its unique approach and its wonderful choice of aesthetic. I just wish it wasn’t so aloof.

At times it can be an extremely challenging experience, even on the easiest difficulty. But that's also what makes it so rewarding when you finally kill that boss and obtain its loot.

As I was playing through Pikmin 4 and things really started to click, I thought to myself (with a smile on my face) - "I just want to play this forever."

With this, we have just one wave of tracks to come. That’s eight more chances for some of the best tracks in series history to still make an appearance. If they don’t, I can always take solace in the fact that Mario Kart 9 is probably on the horizon at this point for whatever the successor to the Switch will be.

Where it succeeds best, however, is in being a terrific introductory horror game. Whether or not you’re a youth whose parents disapprove of gore or if you’re just one to hide beneath a blanket when a zombie appears on screen, My Friendly Neighborhood provides the depth of the Resident Evil experience without any of the violence. Not only does it fill an important niche, it proves that this sort of horror game can stand on its own without any of the blood.

Overall, Exoprimal is a bit more interesting than I’d thought it be. It’s not anything to shout from the rooftops about, but it’s got a little more charm and more enjoyable combat than I was expecting. But that’s just day one. [Day One Impressions]

Oxenfree II feels like Night School returning to its roots in a way, and I think the confidence with which they do so is laudable. There’s enough here that keeps true to its creepy, radio-static origins while expanding out the possibilities. The studio’s style has clearly evolved in the years since, and seeing that come together back in the coastal town of Camena is exciting. It might not be the out-of-left-field surprise it was then, but Oxenfree II: Lost Signals is a solid adventure for those who can’t get enough of strange frequencies and existential dread.

The new port of Pikmin 2 is a fine way to experience this game, but whether or not you think it’s trash or treasure is going to depend on your preferences. It’s at least cheap enough that you aren’t going to be too out of pocket to give it a try. It’s probably worth it just for the first few hours when it’s at its prime. But just beware that after introductions are made, it’s going to throw you in a hole.

In a lot of ways, Garbage Pail Kids: Mad Mike and the Quest for Stale Gum demonstrates how far the homebrew market has come. Here we have a licensed game released nearly 30 years after the end of the NES lifespan. It contains all the graphical trickery and polished gameplay of a latter-day title, and you could almost believe that it really is a lost prototype brought back to life. It may be gross, but if you’re a fan of the console or the Garbage Pail Kids, you should definitely find some way to rub it all over yourself.

Ray’z Arcade Chronology is really good. It’s a great collection of great ports of great games. That’s it. No notes (aside from the ones already provided). If you haven’t played any of these games, you definitely owe it to yourself to check out the collection. If you have played them, this is just a great way to get all the titles together with some bells and whistles. I could scarcely ask for more.

A Long Journey to an Uncertain End is just such a well-intentioned game that it’s a shame that it’s so limp where it counts. You rarely see its sensitive approach to difficult topics in video games. Yet, when it’s time to engage with it as a player, it falls into a heap on the floor. The cast of characters and narrative themes help elevate it above simply being average, but it’s hard to get over the nauseating sting of disappointment when you discover that A Long Journey to an Uncertain End isn’t quite where it could or should be.

All in all, Ghost Trick: Phantom Detective is a fine remaster of a wonderful title far too many people missed out on.

I absolutely recommend you check out Pikmin 1 if you haven’t already.

It’s difficult to judge a Final Fantasy against the crystalline legacy of its predecessors. But Final Fantasy XVI takes a confident step into new territory and doesn’t slip.

It's hard to predict how Crash Team Rumble ends up in six months, but I hope it's still around, and the team is able to just facilitate what is working without corporate meddling. Whether or not enough people feel like spending $30 minimum to stick around and find out is up in the air.

Story of Seasons: A Wonderful Life is a remarkable experience. It takes the classic farming formula and gives it a purpose beyond just seeing how many S-ranked tomatoes you can grow. With its focus on family, legacy, and living a good life, this is a farming sim where what you do away from the fields is as important as what you do when you’re tilling that land. It’s a game that encourages a healthy work-life balance, and there is no better lesson we need in our modern era than that.

Fuga: Melodies of Steel 2 is complacent. It’s great, but we’ve already seen its greatness.

However, there’s a thoughtful earnestness to Fuga: Melodies of Steel that should really connect with anyone whose soul hasn’t been used as ammunition.

We Love Katamari is still a timeless and terrific game. A spit shine is really all that it needed to get me excited to play it again. If you’ve never played it before, you definitely should. If you have, it’s everything you loved about the PS2 release but less blurry. It’s one of the few games that allows you to weaponize a sumo wrestler to absorb bystanders on the street, and that’s very important.

When it comes down to it, Super Mega Baseball 4 is improved, but not that improved. I’m not looking to downgrade, and I kind of wish I was playing it right now instead of writing this. However, I still have a wishlist for the next installment. This one feels like such an unneeded upgrade. Most of it feels like it could have just been in a patch. The more appreciable additions weren’t must-haves, and some elements feel more rickety. I guess what I’m saying is that Super Mega Baseball 4 gets on base, but it’s definitely not a home run.

As a game, Slayers X isn’t that great. It’s not bad enough to be repulsive, but you constantly bump up against problems that, while probably being deliberate, are still problems. Its flow isn’t great, it’s incredibly short, and there aren’t a lot of enemies or weapons. But it still manages to be innocuously enjoyable. However, as a piece of fiction, Slayers X is something both indispensable and unique. It gives me goosebumps that someone could convey such a detailed narrative by indirectly telling it through a character’s unrelated creation. It’s an elaborate lie that feels completely honest. But with lots of poop jokes.

For all of its rough edges, and there are plenty of them, I still think Loop8: Summer of Gods is one of the most interesting games I’ll play this year.

Very little about it is new or unique, but it’s well-executed, and that’s an accomplishment in its own right. It’s maybe about 4-6 hours long, which means it doesn’t drag out. Unless you get stuck on a puzzle, but that’s your problem.

For series fans, Diablo 4 makes a compelling case to become your next main game. For everyone else, the specter of cosmetic microtransactions and live service elements hang heavy over this refined action-RPG formula.

While not all of the design decisions and ambitious new modes hit their mark, Capcom’s commitment to producing a polished and superlative fighter is readily apparent throughout this stellar release. A compelling roster, exciting visuals, crisp performance, and thrilling mechanics ensure that this prestige sequel is set to champion local, online, and competitive scenes for years to come. Simply put, Street Fighter 6 is one of the very best entries in series history.

I can’t exactly recommend Cyber Citizen Shockman if you’re just looking for a good platformer to play. However, if you know what you’re getting into, you can rest easy knowing that it’s a decent porting job that does exactly what it says on the package. Then again, it doesn’t cost all that much to find out for yourself, and may also encourage Ratalaika to localize more niche titles. So, I guess what I’m saying is: Yes, definitely buy Cyber Citizen Shockman.

Nightdive has proven once again that they fully understand what made the classics so indispensable.

There are some weird localization issues where the text doesn’t match what’s happening on the screen, and the audio could be better at guiding players when their faces are turned away from the screen. But beyond that and the aforementioned tracking issues, Fitness Circuit is a well-rounded package. If you’re looking for your first fitness game on Switch or have tired of all the other ones, consider it an effective way to keep active every day.

Despite multiple graphical and audio issues, Star Trek Resurgence is worth checking out. The experience of the former Telltale employees shows in Dramatic Labs. Somehow, the engine is just as buggy, but the gripping storyline and characters shine bright. It’s also cool how dedicated the studio is to recreating the gadgets from this Star Trek era. If you’re a Trekkie or a casual fan, you should give this game a go.

Despite all its problems, it’s something that needs to be seen and celebrated. There’s a chance that you won’t even notice the problems I outlined, and this will be a big hit with you. You might not even notice the same issues that I do. I think Boltgun deserves its chance, and you should definitely give it one, even if you have no connection with the license.

It’s when I go back into the story mode that I’m reminded these worlds are rather basic, the monetization is questionable, and there just isn’t enough content in it right now.

The real kicker that helps separate Tears from Breath of the Wild is its power set. I felt like I was in control at all times, and had the ability to create my own path. For a series known for sequence-breaking, that's not just a perk; it's a strong argument for why Tears of the Kingdom will be talked about for years on end.

I really spent most of my time playing Redfall thinking about what else Redfall could have been. I like that Arkane tried something new, and I’m bummed it came out like this. It’s a really unique premise and concept in its first bite, but its fangs don’t leave a lasting mark.

Minabo boils life down a bit too far. Life is so unbearably exhausting and complicated, and Minabo is boring and simple. It’s not that I think that it needs to be crushingly depressing or maddeningly frustrating, but there needs to be some sort of conflict or tension. Don’t ask me to walk through life 25 times with only minor differences each time. Once is more than enough.

The DLC is must-play content for any Horizon fan.

There's so much there that I didn't expect in terms of little mechanical tweaks, and it reminded me of when Nintendo would occasionally give other designers (sometimes up-and-coming talent) a go just to see what they could do.

I’ve become somewhat skeptical of the cozy cottage-core fringe of the indie market after being left disappointed by a few titles, but I’m happy to say that Mail Time delivers where I’ve seen others fall short. Trying to be friendly and welcoming doesn’t compromise it as a game. It manages to be compelling while not being challenging. It does this through breezy design, a lightweight world map, and enjoyable writing. It’s an excellent execution on its philosophy.

I only Platinum a few games a year, but I'm considering going the distance for Star Wars Jedi: Survivor — that's how much I liked it.

Sylas’ story is a good way to experience something different in the world of Runeterra, whether that’s fresh air for the MOBA fans or a more appealing genre for those new to League. The Mageseeker meets the bar for spin-offs, expanding well and adding more to the world while putting a unique spin that Digital Sun can call its own. This burly mage adventure is definitely worth looking into if you’d prefer a League game with more action, story, and gorgeous art.

I found myself falling in love with the Advance Wars universe for the second time in my life, despite occasionally going back to my still-working GBA copies.

And yet, with Dead Island 2, Dambuster Studios has delivered a sequel that hugely improves upon the maligned original.

I can't recommend anyone play NightCry unless you have a steel resolve, unlimited time on your hands, and a penchant for terrible physics and animations straight out of the PS2 era.

Your enjoyment of Minecraft Legends will come down to three questions. 1: Are you in love with Minecraft and its extended universe? 2: Are you hankering for an RTS-style game playable on a console? 3: Do you have a minimum of three friends who are eager to play this game too? If you answered yes to at least two of those questions, you’ll have a good time with Minecraft Legends. For everyone else, Minecraft Legends offers a fairly unique experience and not much more. Just don’t expect to get any mileage out of the campaign.

There isn’t anything offensively bad about it. It’s not extremely rough-edged like Christmas Massacre or as raunchy as Night at the Gates of Hell. However, both those games presented uniquely memorable moments, whereas Rewind or Die has a video rental shop. Video rental shops are terrific, but they’re just not horrific enough to carry an entire game.

For being a rather unique premise, Flooded offers a very tight and polished experience. It’s the sort of thing where I’m afraid that if you either add something or take it away, it will stop working. Just a terrific execution of its thesis. I’m not certain it will necessarily soak your socks like some more expansive builders might, but your time spent stranded will be worthwhile.

Its focus is rather admirable. There’s no voice acting, the graphics are rather basic, but everything comes together wonderfully to get the job done. Fans of visual novels have been eating great recently, and Tron: Identity is another great morsel to dig your teeth into. Even if it’s not the most transcendental experience, it’s hard not to be charmed by the amount of love that’s been put into it.

When all’s said and done, you leave, and nature remains. It’s a fitting end to Terra Nil. It’s a small-scale, unique city-builder that is short and sweet. It does just what it needs to, and moves on. Maybe that’s not as in-depth or infinitely playable as some strategy heads might want from a city-builder. But I personally loved that even Terra Nil itself is about entering, making a positive impact, and leaving. It’s easy to be pessimistic about our future, but Terra Nil is at least a small slice of hope amidst it all.

Hot Wheels: Rift Rally uses everything the team learned from their prior project to keep you playing a bit longer; which is something you want from a game that costs $100+ and requires a toy to function.

The original GrimGrimoire was envisioned as the first in a franchise before poor sales put the kibosh on that idea. I don’t know if Vanillaware and NIS America will be more successful this time around with GrimGrimoire OnceMore, but I hope they are because this game is a top to bottom delight and I would love to see what lies beyond the halls of Silver Star Tower.

Despite a few issues with the controls, The Last Worker is a riveting 6-to-8-hour narrative experience. Sorting each box as a pseudo-employee is surprisingly entertaining, and the characters are endearing. There are also twists and turns in the storyline that will keep you gripped throughout this journey, at least until the endings start to play out. With the gorgeous visuals by Mick McMahon, fun gameplay, and meaningful script, I’d happily recommend The Last Worker. You just need to struggle through the awkward controls and some confusing game design.

Assault Suit Valken Declassified is an undeniably loving return to the Super Famicom title. It’s plain to see that Rainmaker wanted to do the game justice and give North American fans the ability to enjoy it in the same way as it has in Japan. If you’re a fan of the game, it’s at least worth a look. If you haven’t tried it before, you’re long overdue for this mission. I just wish the price of entry was lower.

I just don’t think Dredge is all that it could be. While the sea-harvesting foundation is solid and well thought out, nothing else around it has much depth. There’s a dearth of imagination surrounding it, which I found disappointing. The plot is lifeless, the gameplay is one-note, and it never really picks up speed. However, if you want a more relaxing take on horror, Dredge might be worth hauling up from the depths.

Octopath Traveler 2 isn’t just a great end destination, but a fulfilling journey too. It has a lively world, intricate and engaging combat, fluid progression and builds that reward tinkering, an incredible score, and excellent arcs for all of its protagonists. It somehow has everything I’d want out of an RPG inspired by the old days, but moving forward into new ones too. It took me a long time to get here, but Octopath Traveler 2 is a road worth traveling.

Fortunately, Rakuen on its own justifies the Deluxe Edition. Though a bit uneven, its best moments are spectacular enough to warrant a recommendation for anyone in need of a good cry or two. I do wish Mr. Saitou reached the same emotional heights, but it’s serviceable if viewed strictly as a bonus. That said, if you wanted to save money and get vanilla Rakuen on PC, I wouldn’t stop you.

Building on the reasonably solid gameplay foundation of WWE 2K22, WWE 2K23 manages to finally find a comfortable spot. It is, at its core, the same general game that we get year after year. It kind of sucks that we have to keep paying for small improvements. However, small improvements got us here, and here is a pretty decent place to be.

Tchia might very well be the most ambitious indie game we see in 2023. This open-air and open-sea adventure takes some of the best gameplay elements from The Legend of Zelda: Breath of the Wild and Super Mario Odyssey and combines them into an adventure that’s filled with heart, humor, and compassion across a breathtaking archipelago. If you enjoy games with exceptionally designed worlds that are meant to be explored with a fine-tooth comb, I can’t see any reason why you wouldn’t love what’s on offer in Tchia.

Back in 2005, I liked Resident Evil 4, but I didn’t love it. The remake hasn’t changed that. Unlike the Resident Evil 2 remake, which was revolutionary, Resident Evil 4’s glow-up is more of a faithful recreation rather than an overhaul. It changes just enough that, if you loved the original, I can’t guarantee this will leave you unperturbed. Meanwhile, if you didn’t like its first iteration, it’s not impossible that this will change your mind. The best I can say is that it is an earnest effort at recapturing the magic, and it’s worth checking out. It remains, as it always was, maddeningly inconsistent.

I expect Switchback VR to be similarly polarizing because it caters to a very specific niche, but if you enjoyed Rush of Blood, you'll likely have a good time here as well.

I feel it’s more memorable and interesting than what was done in Space Academy. The flow of the whole experience is altered much more appreciably without requiring you to pick up an entirely new set of skills. It’s definitely not a dramatic shake-up, but it was worth returning to Two Point Campus to experience it. However, if the core experience didn’t click with you, then it’s doubtful that School Spirits will help it rise from the grave.

Before Trails from Zero, I didn’t know anything about the Legend of Heroes series outside of the fact that people really like to complain about how text-heavy its titles are. And while the Crossbell arc could certainly use an editor in my mind, I would be fooling myself if I didn’t admit that, when taken together as one complete experience, Trails from Zero and Trails to Azure are easily one of the best turn-based RPGs I’ve ever played. Here’s to hoping someday I’ll be able to find the time to see the rest of what this series has to offer.

Bayonetta Origins is a really breezy game to play if you're enamored by the storybook look and feel, which does some of the heavy lifting.

And because she’s finally making her debut in Deluxe, this review will be all about Birdo.

Paranormasight makes me feel like the visual novel genre has been held back by largely adhering to a formula first created 40 years ago. It makes its evolutionary steps seem effortless, simple, and long overdue. But more importantly, it tells an excellent story that defies expectations. So, as long as you’re up for some reading and a bit of thinking, Paranormasight is one you shouldn’t miss.

I’m legitimately surprised by how 24 Killers manages to be so closely related to its influences yet still provide a unique experience. A studio’s philosophy is an intangible thing to try and mimic, but Happy Shabby Games seems to have taken 24 Killers protracted development period and nailed it. It feels like a spiritual successor, directly related to Moon. It features the same askew artstyle, a strange but relaxed soundtrack, and an atypical narrative with off-kilter dialogue. Meanwhile, it’s more player-friendly without being overly modernized or sterile. It’s great to see other developers pick up the torch, as the world could use a bit more love in it.

Looking at Figment 2 from any angle other than a strictly aesthetic one makes it seem lacking. But because it executes its sights and sounds so expertly, it’s really hard to identify where it’s lacking. It’s so well-polished and tangible passion has gone into crafting it that, so long as you have a good vector on what to expect, it’s still possibly a good time. I think I just might be too cynical and jaded to connect with its kindness and optimism.

Going into Fatal Frame: Mask of the Lunar Eclipse, you have to be prepared for an uncomfortable experience. The combat is a mire of frustration, and the controls really could have used some tender loving care. However, if you’re looking for some classic Japanese horror with a stack of cryptic narrative lore to dig through and you’re aware of what you might be in for, it’s definitely worth diving into.

Romancelvania feels a lot like an idea too grand, a team too small, and a deadline too short. There is a lot of vision, a great deal of creativity, and no shortage of love, but all of that got crushed under the reality of the workload. The whole combination of two established subgenres is a substantial experiment, and that requires a lot of prototyping, testing, failing, and starting over. Romancelvania feels like it charged ahead without looking back on a lot of things. As such, the end product is a bit of a mess...Like your own favorite hand, it gets the job done. You can accurately say that Romancelvania is both dating sim and Metroidvania. However, also like your hand, it’s ultimately an unsatisfying experience.

Prior to Lightfall, I felt Destiny was at its strongest point ever. The narrative was exceptional, the character development was unrivaled by any other FPS, and the future seemed both terrifying and wildly exciting. After Lightfall, I am still intrigued to see what happens next, but I think that lies solely with my thousands of logged hours and personal emotional investment that may not exist for new players. There is so much potential in Destiny for newcomers, but it isn’t easy to find, and Bungie often doesn’t help them along the way.

What makes Return to Castlevania better is that it essentially allows you to turn Dead Cells into a Castlevania roguelike, and a damned good one. The DLC serves as a fantastic love letter to one of the series that helped inspire Dead Cells, and that love absolutely comes across. I honestly wish that more games would let me just turn them into a Castlevania spin-off. What’s the matter, Mario? Think you’re better than Castlevania? Well, you’re not, so put on this leather cuirass and carry this whip. Wait, that sounded weird.

I want to stress that Wo Long is not going to be for everyone. It can be extremely punishing, especially if you're butting heads with the parry system. But the setting, the aesthetics, and action sensibilities from a learned team made it all worth it to push through and get over that hump.

There’s still some work to do, and I have a laundry list of things I want to see, but I have zero regrets about binging the whole thing over a single weekend. [Early Access Review]

For someone who also works in music journalism, my skills are shaky, to say the least. But, having taken the time to improve these skills, I now feel better equipped to appreciate the game for what it is: a fun, quirky, sometimes weird, and often cheesy critique of capitalism. When I was less focused on how perfectly I was playing, I had a much better time headbanging through each stage. Just give me a wider variety of music next time and I’m sold.

Saint Maker isn’t a new Perfect Gold for me. The two visual novels are different enough that they’re only barely comparable, but I just found it doesn’t demonstrate the same level of skill. Regardless of how the two titles stack up, I still very much enjoyed Saint Maker. Most of that admiration comes from how intricately stacked its themes and characters are. It has a lot to say, and it says it well....I’ll be continuing to keep my eye on Yangyang Mobile. I don’t have any specific expectations for what I want to see from them. I’m mostly just interested in where they go next.

I hope every Resident Evil game from here on out has VR support, because it’s a great long term value add. At this point you kind of know that if you’re buying into an RE project, there’s something cool coming down the line. I can get behind that!

Grim Guardians: Demon Purge is a hearty tribute not only to early ’90s platformers, but to video gaming itself, offering up stress-free thrills, comedic characters, cool co-op action, and even a fistful of secrets and surprises, all visually and aurally punctuated with delightful, nostalgic style. While not as deep, as complex, nor as prestige as its inspirations, Grim Guardians achieves its humble goals handily, offering up a cheerful dose of retro action while sporting a likable personality all of its own.

If you remotely like Kirby and haven't picked any series entries up in a while, it's hard to go wrong with this one.

I admire the gusto with which Mundfish approached its debut game because it’s created one hell of a world to explore. But beyond its pristine setting and ass-kicking soundtrack, it’s largely forgettable. Maybe if the gameplay evolved beyond its basic beginnings or if the story was — I don’t know, good — I might be willing to give it another go. However, given how unlikely such a monumental change like that would be, Atomic Heart is destined to be a one-and-done type of experience.