If you are a fan of horde-like games then Warhammer 40,000: Darktide will no doubt scratch that itch. Whilst the gameplay can become repetitive and the grind seems to offer little value at this stage, I cannot deny that I had a blast playing it with a group of friends. Some incredible “oh crap” moments occurred during combat when we were overrun by a horde of enemies and had to work together to stay alive. It’s moments like these that keep you coming back for more. As this is a games-as-a-service title, we expect many more improvements and features to be added with time to enhance the experience and features. [Review in Progress]

Princess Peach: Showtime! finally gives our first Nintendo Diva the spotlight she has long deserved, and almost shockingly, once again brings us a Nintendo experience that feels both comfortably familiar and thrillingly different. Despite some weird frame-rate issues and a few costume changes that are less memorable than others, the amount of charm and satisfying simplicity oozing out of Princess Peach: Showtime! makes it a stage performance worthy of applause and adoration. Let's hope this first true starring role for Peach isn't her last.

Dosa Divas is another concise and wonderful RPG from Outerloop Games that may be simplistic, but in turn offers adventurous storytelling and themes. With a diverse cast of characters with strong voice acting, emotional beats that hit and a love of all things food and South Asian culture, it’s an incredibly impactful and resonant experience that is a damn great jaunt for the genre. Filled with striking vibes, the entire adventure melts in your mouth and goes down well, lingering within your brain like that one childhood dish you just can’t get enough of. There’s good eatin’ here, folks.

Dice Legacy brings a refreshing and challenging strategy format to the table. The dice mechanics will force you to think on your feet and adapt your strategy along the way, making Dice Legacy’s core gameplay more energetic and dynamic compared to other titles in the genre. While this gameplay format comes with a level of unpredictability which may not be for everyone, it dishes up classic strategy format with a unique twist. For newcomers, Dice Legacy may take a little while to crack, but for gamers with a soft spot for strategy, it’s worth every minute of your time.

Windjammers 2 is a great update to a nostalgic arcade wonder that many will welcome with open arms, just like they would a frisbee. Definitely take this one for a spin if you love air hockey-style games but crave that bit of extra button mashing. The characters, arenas, and soundtrack all hit the mark brilliantly. It’s not an easy game to master, allowing dedicated fans to hone their skills and improve. There’s a missed opportunity for better tutorialisation and a lack of a structured tournament/career mode is disappointing, though the game overall still feels like a nostalgic romp.

Highwater is a fun little strategy game about the end of the world, and the struggle of a small group of people trying to survive. The strategy gameplay has some rather creative ideas, albeit ones arguably not exploited to their fullest. Some of the game’s elements, primarily the long, largely uneventful boat trips between combat encounters, may be polarising to those seeking a more densely-packed and fast-paced experience. However, if you can get on its level, sit back and enjoy the music and engaging narrative, you’ll likely have a good time with Highwater.

Slime Heroes is a magical kids’ game with a hint of the Soulslike genre sprinkled onto it. While it’s not an exact replica of the genre, there are elements of it that make it a great way to introduce the genre to a younger audience. Even if you try to set the game to easy mode, it will still challenge you regardless of whether that would be the environment or the boss’ move sets. While there is not much to do in the overworld, it’s still such a colourful game with a great story to tell, and your skills will be tested if you’re willing to challenge yourself.

Craftlings lets you turn a small team into an efficient workforce that constructs amazing things. By guiding your team, you work your long-term planning muscles and see your vision become a reality. It’s not easy to master and you will make several mistakes along the way. But if automated building is something you like, don’t pass this game up.

With a strong setting, nice visuals and authentic performances, Still Wakes the Deep has all the tools to create a memorable experience, but stumbles in providing anything innovative. Its dishevelled oil rig full of mutants is always creepy but never truly scary, and while it’s not a poorly made game by any means, it’s never really exciting, either. I don’t regret my brief visit to a dangerous 1975 oil rig; but when horror as a genre is moving in some seriously impressive and unique directions, Still Wakes the Deep feels a little bit stuck in the past.

Potion Permit is a game I can sink my teeth in and play for hours, not realising that it’s actually 5am. The days are quick, so it’s tough to do everything in one go, but the game also doesn’t pressure you to complete things in a timeframe very often. There are annoying bugs that can limit access to side-quests and mini-games, which is disappointing to see. Though with loads of things to do, you never feel that dreaded sense of aimlessness. Potion Permit is a cozy game that makes me excited to get back into it.

The Ascent proves why the cyberpunk genre is so popular right now. There isn’t anything exactly different or unique about its story, but it perfects the atmosphere with terrific environment art and an otherworldly soundtrack. Combine that with outstanding twin-stick shooter gameplay and elements of wall cover, cool-down management, and role-playing to deepen the experience. Blasting through crews of Rojins with a rocket-firing gun, the Astrosmasher, being among my personal highlights. It may have accessibility and minor performance concerns, but it’s still sensational, action-packed, and so much fun. The Ascent may be the best cyberpunk game in the last year.

Sonic Colours Ultimate serves as a sad reminder that even the 3D Sonic games that are ‘one of the good ones’ don’t hold up very well. The updated visuals, soundtrack, and gameplay tweaks at least make it a better experience than the original, and some quality of life upgrades make the worst parts marginally less painful. Sonic fans nostalgic for this game will likely still value having this remaster in their collection, but the new customisable options and Rival Rush Mode are simply not enough to make up for what Sonic Colours lacks. It’s hardly what we were hoping to get from Sonic’s 30th anniversary.

Cities: Skylines II is a city-building experience of epic proportions, filled with complexity and creativity. Its immense ambition in city design is complemented by an intricate web of services and an intelligent population. It may stumble under the weight of technical performance and a few bugs but the series still continues to redefine urban strategy in games. Colossal Order have truly delivered a living, breathing, dynamic city management game.

Narita Boy is a surprisingly melancholic experience that puts forth a narrative exploring the power fantasy that video games provide people. Or rather more accurately, it gives the player power over their own journey as well as the skills necessary to overcome obstacles. It contrasts the beautiful and fantastical pixel world it’s created, with a very human story of hardship and grief.

Atomfall is a departure and a triumph for Rebellion Developments. A showcase of narrative freedom that allows players to discover their own story within a tightly designed puzzle sandbox. While the strict mechanics have been seen before, the depth of the world and strength of the central mystery are the secrets behind Atomfall’s true success.

Wall World is a challenging roguelite with superb gameplay. Mining through varied and engaging environments is satisfying and pushes players to find out what’s just beyond the next layer. Procedurally generated levels and a vast range of upgrades keep each run feeling fresh, enhancing the robospider to inch closer and closer to the end. However, that end doesn’t meet expectations and annoyingly relies on luck for a few elements to align. Still, Wall World is a fulfilling mining-crawler with an addicting gameplay loop.

Harvestella is a game with a very addictive loop. With each dungeon leading you to a new plot revelation, and each season giving you new crops to grow it’s like the game is begging for “just one more day” and it can be hard to say no. While I wish that there was more depth to the characters, especially in the voice acting department, and the game doesn’t make any major strides, it is still a decently fresh take on the genre. It is important to know that Harvestella really is a JRPG before it is a farming sim; even though farming is a lot of fun, it is not the main thing you will be doing. Even though both farming and combat are simple, the combination of both manages to make Harvestella feel deeper than it actually is. So if you are on the lookout for a new RPG farming adventure to play after finishing Rune Factory 5, this might be it.

The Stone of Madness feels like an admirable gamble of a new direction for The Game Kitchen, and one that mostly pays off. Besides the frustrations with the stealth, sanity system and inconsistent tone, its core prison break loop remains a satisfying one, and the monastery’s environmental design and artistic direction make it a compelling playground to explore.

Trinity Trigger is an enjoyable action RPG that successfully calls back to classics like Trials of Mana. Switching between 8 customisable weapons, and the worldbuilding and narrative, are all wonderful concepts executed well. It’s dragged down by inelegant systems, like item management, having to switch characters perhaps more than intended, and those awful barks. But if you’re a fan of 90s RPGs, or if you want to see what they were like, Trinity Trigger is a decent place to start.

Fans are in good hands with One Piece: Odyssey. In fact, more anime games should be following in strides made here. On offer is a wonderful adventure that feels like a theme park visit to the series lands, old and new. Characters shine and bounce off each other well both in and out of cutscenes as colourfully as they should. Some areas need better story pacing and quality of life improvements such as better checkpointing and save states, and going more all-in on different story timelines would’ve also gone a long way. And it’s testing to see manga artist Eiichiro Oda’s troublesome female character design. However, it’s a blast of an RPG. Flaws are more than made up for in a thoroughly enjoyable anime affair along with an unexpected and very welcome spin on the known turn-based RPG formula. Smooth sailing lies ahead with One Piece: Odyssey.

Storyteller makes the player a would-be narrator, with a focus on finding the correct story under the guise of narrative independence. It’s a polished experience that’s very interactive and easy to pick up. The levels pad the game’s length out nicely to create an experience that can be played in a single sitting if you don’t get stuck. It’s just a shame the replayability suffers when the player realises there isn’t room for agency in a prewritten story.

At first, Mafia: The Old Country swept me up straight away. Its stunning world, compelling story, and rich sense of place felt like an Italian holiday. As I played on, the simplicity of its combat and stealth stood out more, but that’s not what I valued most. Not the most inventive action game, but one of the most immersive you’ll play this year. This is a leaner and more focused Mafia game that trades scale for storytelling and worldbuilding, and in doing so, delivers something quietly special.

A renewal of the monster-collection genre, Coromon takes the well-loved gameplay formulas of its genre predecessors and polishes them for the modern era. By providing unique twists on traditional turn-based combat, a delightful presentation, and a slew of quality-of-life enhancements, Coromon delivers a nostalgic adventure filled with wonder. While it may occasionally stick a little too faithfully to its RPG roots for the less patient creature-collectors, there’s a whole heap of juicy monster content here for any budding trainer looking for a refreshing take on a classic style of game.

LEGO 2K Drive is an exciting, colourful romp through the endearing world of BrickLandia where everything is breakable, colourful and the good vibes are turned up to 11. The game shows how LEGO is for everyone no matter your age as I was “oohing” and “ahhing” throughout my playthrough at the care that was put into developing a world not made from LEGO but also interesting to explore and race around in. Though the game does have some issues, such as the not-so-enticing Garage vehicle building mechanics, I had a pretty fun time cruising round’ an open world where everything is awesome.

What was once the pinnacle of its genre has become a bit of a joke as it releases again and again and again. The Elder Scrolls V: Skyrim Anniversary Edition adds very little that can’t be found in the 2016 Special Edition or is already free with Creation Club content. There is enjoyment to be had out of playing the game in the new survival mode and I still adore the base game. However, Skyrim just isn’t as strong when held up to modern standards, and it is the fault of Bethesda that this tired horse is now running a race with so many others that are leagues faster.

Tides of Tomorrow is a textbook example of mechanics that would be better served in a stronger game. Its story-link system is compellingly eerie and smartly iterates on the social aspects of choice-based adventure games, and its resource management shapes player choices in clever ways, but neither can fully escape the leaking ship of flat writing, characters and setting. While I hope that games on future tides can better capitalise on these ideas, for now, Tides of Tomorrow doesn’t deserve much more than a day trip to its rusty water park attractions.

FAR: Changing Tides is a stunning atmospheric adventure that makes you feel the ups and downs of sailing through a world that has been destroyed by unknown reasons. It excels at making you feel a connection to your vessel as it develops into something bigger, faster, and stronger throughout your time with it. However, opportunities for a deeper narrative and more rewarding exploration weren’t taken, so this intriguing world never felt fully realised. The tranquil atmosphere and art of FAR: Changing Tides is superb, it’s just a shame the somewhat repetitive gameplay loop wasn’t able to match those same standards.

KeyWe is a charming and loveable two player experience that will have you coming back for more. If the small Kiwi bird protagonists don’t already have you sold, then the chaotic puzzle platforming levels will. It’s a postal post-office adventure worth taking along with a friend. You can also choose to play it alone, but two player is where it shines the most. With very little to complain about, KeyWe is a fun and joyful title worth your attention.

The Mortuary Assistant is a great game that can only be made better down the line with patches and quality of life fixes. Interruptive but brief bugs did not deter from the wondrous and horrific experience to be had. Deep, bone-chilling moments are aplenty, offering some of the biggest spooks I’ve experienced in a game ever. Narrative moments provide haunting and memorable imagery, making The Mortuary Assistant a must-play horror experience this year. So get dissecting, investigating, and hunting.

Seemingly made by a single person, Protodroid DeLTA is a riveting action platformer clearly inspired by the Mega Man franchise, but easily able to stand as its own title. Brilliant level design and mechanics pair with impressive writing to deliver a title that’s difficult without being frustrating. At roughly 6 hours, it doesn’t overstay its welcome and raises hopes for future titles from the developer.

STALKER 2: Heart of Chornobyl is an anomaly. It dazzles with stunning visuals, an eerie atmosphere, and gameplay that captures the soul of the original series. Yet, like The Zone itself, it's plagued by technical glitches, inconsistent performance, and design missteps that get in the way of its lofty ambitions. Despite its flaws, STALKER 2 has a strange magnetic force, and once you’re in, it’s hard to look away.

Call of Duty: Vanguard is As Expected: The Video Game. You get the polish, the excitement, the rush the series always delivers within the stylised World War 2 setting. This year, the single-player campaign is undoubtedly the standout action blockbuster, with the Multiplayer serving chaotic fun and Zombies mode failing to try something different. Pick it up if you’re already a fan.

Outriders is not a perfect game by any means. Its narrative, while containing some fun characters, feels somewhat underdeveloped. The conflict between the intended aggressive style of play and the omnipresent walls for cover lead to a strange kind of dissonance where the level design feels at odds with the most fun way of playing the game. The server issues are ongoing and can occasionally make the game inaccessible. The endgame is a lot of fun, but only if you’re playing in a group. When the experience is working well, it is a ton of fun shooting your way through hordes of enemies and marvelling at the latest rare gear. However, while the flaws do not ruin the experience, they are notable.

Eternal Threads, at its core, is a story of six people sharing a home and experiencing pretty day to day problems. However, with the added element of time travel and the game’s emphasis on nothing being insignificant, you become invested in the way the characters’ lives play out and the choices you make for them. I found myself cringing when the characters made a mistake, feeling bad when I chose a path that hurt them, and rejoicing when they finally found peace. Due to the way these characters are given believable backstories and personalities, I took the power of having their lives in my hands seriously and made sure that my six new friends received the past and future that they rightfully deserved.

Bread & Fred is a delightfully enraging cooperative physics puzzle that combines charming pixel art, adorable animations, and a challenging platformer experience. The game’s world, filled with cute penguins and vibrant environments, will bring smiles to faces. The chaotic gameplay and repeating failure might bring frustration but will be followed by big laughs and lots of fun with your penguin partner. Still, for solo players without someone to play with local co-op, this game won’t be for you.

Amnesia: The Bunker packs in all the scares of its lineage and leans into modern survival game tropes. I would’ve liked to see this one rely more on controls and interactive moments that allow the player to feel like they have more agency over the game, including its story. At the end of the day, if you’re here to be spooked, you’ll have fun, but don’t expect to be replaying this one until the next series installment.

Life is Strange: Double Exposure is a huge fumble for an otherwise fantastic series. What began with a promising opener only really leads to a great big pile of disappointment and heartbreak. It’s filled with visual and audio bugs and a mystery that turns baffling and misdirecting in abominable ways while also being downright disrespectful to its lore, canon and cast. It is a painful thing to watch my favourite franchise destroyed in front of my very own eyes. Worst of all, the game teases that follow-up ventures are only going to follow suit even more. Not even the adorable Max Caulfield and her sapphic ventures could save me from having a good time in the snowy, miserable Midwest. Like many media you can point to today; just because you can bring something back, doesn’t mean you should. Like our superpowered best friend in her endless searches across timelines, I’m left wondering where the hell it all went wrong.

Metal Eden is short, sweet and fundamentally quite enjoyable. The plot isn’t much to write home about, and it’s mostly a grey experience as far as the visuals are concerned, but the fun mobility options, innovative Core-ripping gameplay and varied arsenal of weapons make Metal Eden worth checking out for sci-fi shooter fans.

A joyful, unapologetically silly celebration of being different, To a T offers up a chaotic series of adventures that the right player will find absolutely delightful. On top of this, it explores themes of disability inclusion, bullying, and loss in a positive and uniquely accessible way. Despite some moments of tedium and a little too much repetition, To a T is a jolly great time and a perfect treat for younger or cosy gamers.

The Last Stand: Aftermath is an engaging zombie-themed roguelike that unfortunately runs out of ideas too fast. The steady voyage across the zombie-infested post-apocalypse whilst scavenging for scarce resources is a tense and fairly enjoyable experience, but only for a while. As a game built around repetition and short playthroughs, The Last Stand: Aftermath recycles enemies and environments too frequently for the amount of time you replay them. The addition of mutations and new player equipment load-outs are a nice touch, but ultimately don’t do enough to mix up the experience. Rewarding progression and an engaging premise mean the game is certainly worth checking out for fans of roguelikes and zombie games, although it might not hold your attention for very long.

Crabmeat is a solid experience overall, nailing the feeling of isolation one might feel while stuck in the open ocean all alone. The unique point-and-click mechanic, while an interesting choice, does leave room for some difficulties navigating in stressful situations. Sound design is nailed in this short, two to three hour experience, and while I enjoyed it for what it was, I think a little more length and some deeper mysteries to uncover would have added a nice layer of depth. Fans of titles such as Iron Lung and Loan Shark will definitely find enjoyment out of Crabmeat.

Floodland has a lot of great ideas and an addicting gameplay loop, but its Clan mechanics quickly suck any fun out of a game as soon it rears its ugly head. With only one scenario to play and no customisation options for these clans, it’s all too easy to suffer a slow decline for reasons that don’t feel like your fault. With such a major mechanic feeling so flawed, it’s hard not to feel like Floodland has taken a wrong turn at the last minute. For such a solid base, it’s a real shame.

Disney Illusion Island may be striving to be a flashy and exciting 2D Metroidvania experience, but its depth remains one-dimensional. It starts at a snail’s pace with its drip-feeding of basic and essential abilities and from there it never really picks up. This is unfortunately thanks to floaty platforming that will disinterest most along with the most uninspired Metroidvania-level design I’ve seen in some time. Though there are classic and picturesque Disney flourishes aplenty, it’s not enough to make the game an enjoyable experience to investigate every nook and cranny for secrets. Be warned, this is an island voyage not all that worth taking.

Strange Scaffold have done it again and has made another wonderful romp that is well worth your time, this time adapting the Teenage Mutant Ninja Turtles name and world. Dispel any doubt: the indie studio’s writing chops and style transfer well to the universe of the team of amphibian martial artists, bringing over so much charm and pizazz from the IP in its first-ever turn-based affair. With plenty of visual and audio flourishes and delights, you’re transported to the franchise’s heyday and better yet, while you’re at it, you’re engaging in some good old-fashioned tactics fun, using the turtle brother’s skillsets to take down wave after wave of thugs. It might not be the most mechanically deep or hardest of the genre, but it’s all worth it to see those lovable crime-fighting teens back in action.

#BLUD is a hack-and-slash game that is overflowing with style. With its colourful cast of characters and gorgeous animation, it would certainly be nice to see more of Becky and her friends, even in another medium, such as what Cuphead received with The Cuphead Show! on Netflix. If you’re the sort of gamer who can look past the release’s occasional lack of polish and simple combat, and values unique and charming aesthetics, then #BLUD is definitely worth checking out.

Pokémon Brilliant Diamond and Pokémon Shining Pearl are faithful recreations of the classic DS titles, updated with plenty of small, ease-of-life changes. While some fans might feel alienated by the features that have been added to make the game easier, the changes are a net positive that make the game a smoother experience all-round. The upgraded Underground and Super Contest Show are both more involved and offer more things to do, and the remade music tracks sound beautiful. Although a lot more could have been done to make these remakes truly special, what's here will make Brilliant Diamond and Shining Pearl a worthwhile experience for returning fans and new ones alike.

Layers of Fear is a great finale to a frightful series, tying together all loose ends and scaring you at every turn. The staggered story structure is confusing at first, but pays off when the game finally ends. Unexpected jump scares and a dark environment terrify even the most experienced horror veterans. Learning the backstories of each character and choosing different endings gives you control of the narrative. It’s also easy to replay stories if you want to see different endings. The note-based storytelling and navigation difficulty can turn away players looking for a simpler experience. But for a psychological game that chills you to the bone, it’s hard to find something as good as this.

Chessarama delivers some great puzzle design, with delightful visuals and inventive ways of teaching you chess concepts as you play. It’s missing the attention to detail that could make it really shine, but it’s a charming package that’s easy to recommend for anyone who enjoys chess puzzles or who is interested in learning more about the game. Just don’t expect it to replace your chess.com subscription.

Tyrant’s Realm charms with its PS1-inspired visuals and creative level design but falls short on challenge and polish. The combat and boss battles show promise, but a lack of difficulty and clunky elements like the HUD hold it back. Fun for a nostalgic dungeon crawl, but not a true Soulslike contender.

Bounty Star: The Morose Tale of Graveyard Clem is deftly written Western, lovingly delivering on the conventions of the genre to weave a tale of judgment and redemption. The mission-based mech combat gameplay loop is supported by interesting and meaningful customisation when it comes to weapons, gadgets and addons for the Desert Raptor MKII, but non-combat systems are somewhat lacking, with limited farming mechanics that don’t feel impactful or necessary to gameplay. Bounty Star is not exceptional, but is thoroughly enjoyable when taken for what it is – a classic Western, as told from the cockpit of a kickass robot dispensing frontier justice.

MLB The Show 26 provides a decent baseball experience, but it’s not easy to learn compared to previous entries. It also doesn’t feel like much has changed since the previous release, giving you an almost identical experience. That makes it harder to recommend since you could just play previous entries and have more fun. Instead, you get a more gruelling and difficult experience that does resemble baseball but isn’t enjoyable to play through.

Nintendo World Championships: NES Edition lets you re-experience the classics in challenges that test your speedrunning skills. With quick mini-games that are easy to dive into, there’s something for casual players and aspiring speedrunners. However, this game won’t let you re-experience the classics in their glory; it’s all about speedrunning. If you aren’t into practicing well into the night to shave milliseconds off your record, the appeal quickly dwindles.

A number of cool cephalopod-themed abilities and a focus on stealth set Darwin’s Paradox apart from other linear platformers, though it’s let down by imprecise controls and sluggish loading states between deaths that lead to much of its gameplay feeling frustrating. Its focus on a satirical hyper-capitalist world is engaging, but its bleak environmental design leaves its dystopian world feeling bland rather than enticing to explore. Despite this, some neat puzzles that make clever use of the unique traits of the octopus still make this a decent adventure for mollusc-maniacs.

It's unmistakable that Disgaea continues to be genuinely unique – there really isn't anything else like it. Nothing really comes close with such a zany story, beyond ridiculous levelling, and an extreme amount of systems within the game. Every entry tries to change enough to warrant its existence, making improvements but creating new flaws. The 3D modelled characters will be hit or miss, and the current level balancing issues and lack of classes will certainly annoy fans. Yet the chaotic isometric tactical gameplay will always reign supreme over these issues, providing hours upon hours of complex mechanics and charming characters to tinker with. Disgaea 6: Defiance of Destiny is a delightfully addictive game packed with personality and content.

Studio Fizbin have crafted a wonderful experience that achieves exactly what it sets out to do. It’s set in an intriguing world and tells an emotional story that explores a specific type of sadness, and how it affects relationships between loved ones. I can’t remember the last time a game affected me so much that I yelled at my screen due to something a character said. Despite my pedantry, I had a brilliant time with Minute of Islands and look forward to playing it again some day.

Cassette Boy is a quaint and at times interesting in its nostalgic recreations and core mechanical hook, but I just wish it offered more substance beyond pastiche. It’s one thing to faithfully recreate the atmosphere, aesthetics and mechanics of bygone platforms and games, but it’s another to make a cohesive, interesting and thoughtfully designed game in its own right, and it feels like Cassette Boy got its headphone wires tangled at the first step. If you have a gut positive reaction looking at the trailers and screenshots, then by all means, revisit this little Walkman to your heart’s desire, but for anyone looking for slightly more substantial puzzle or adventure systems, it might be worth waiting till this particular boy gets a CD player.

Oddworld: Soulstorm is undoubtedly the best-looking entry in the series yet, with dazzling cutscenes and beautiful environments. However, when it comes to gameplay, Oddworld: Soulstorm comes with a lot of bugs, and clunky and confusing controls. This made the overall gameplay more sluggish and cumbersome than it ought to be, and, in turn, made tricky levels frustrating and tedious rather than pleasantly challenging.

While the Croc: Legend of the Gobbos remaster is a love letter to the original, packed with passionate behind-the-scenes features and a beautiful visual update, it’s hard to ignore that platforming has come a long way since 1997. The gameplay is clunky and simplistic compared to the experiences we’ve come to expect today. But for those who remember the days of tail-whipping, saving Gobbos, and hopping around the colourful worlds of Croc, this remaster is pure nostalgia gold.

Overall, The Valiant offers an engaging strategy experience that, while not offering anything ground-breaking, will keep RTS fans entertained. While the single-player campaign is presented in a traditional run-of-the-mill format, its multiplayer modes are sure to delight both old and new strategy fans. For that reason alone, the game is worth picking up.

The Crush House might not be the perfect production players were hoping for but what’s there is a really good time and at least always fun. The nature of working and grinding to line up the perfect shot to watch the numbers tick up as you satisfy weird audiences from all walks of life is novel and never gets old. Yes, this means you’re not always authentically re-creating the filming of reality TV as you instead focus on props and the environment in the interest of points, hurting the spotlight on its cast. Though when you can focus on its characters they’re all irreverent, queer and delightfully heinous. I found myself always ready to drop everything for them at the drop of a hat as I tended to their ridiculous tasks, slowly working to an enticing sinister narrative that was hiding underneath. If all else, I could never accuse The Crush House’s beauty of being skin-deep. It is weird, extra, juicy and unapologetic as all hell. It’s exactly what it should be.

Remaking an older series that never got much limelight is always a good thing, and Another Code: Recollection has gone above and beyond updating its look and feel for the modern day. The problem is that those updates have removed everything that made the original games unique, and have re-invented the story in a way that is not to its benefit. It might still be a nice time if you're in the mood for something simple and slow-paced, but it's certainly no replacement for the originals.

Sonic Superstars is packed with classic sonic charm, gorgeous visuals, and fun, fast-paced levels that we love from all 2D Sonic games. But the two big ticket selling points, the chaos emerald abilities and battle mode, are sadly its weakest links. The story mode is still largely enjoyable, and some better implementations of the new abilities but make a sequel to this game legitimately great. If you’re a fan of classic Sonic, you’ll likely still enjoy this title.

Misc. A Tiny Tale is a classic ‘we’re going on an adventure’ mixed with ‘little guy in a big world’ type of game, that’s downright adorable. With such personal storytelling, it’s easy to get attached to Buddy and his mate, Bag Boy. The overt themes of environmentalism and reusing items are something that a lot of us know about; these combine well with the more personal themes about obsessive thoughts or depression, which really get to the heart of the story. Some better visual accessibility when picking up rubbish would help, and it’s weird how characters chastise players who ask for help. But all in all, Misc. A Tiny Tale is an adorable romp that fans of Pikmin or Chibi-Robo will get a kick out of. It’ll be exciting to watch what Tinyware Games does next.

Tandem: A Tale of Shadows marries surreal graphics and unique gameplay to create a truly immersive and visually compelling game. Switching between a top-down and side-scroller view, Tandem is sure to keep you interested with its plethora of interesting ideas and mechanics. If you’re looking for a narrative-driven game, you might want to give Tandem a miss, but if you were after a unique and fresh puzzle platformer that won’t force you into a fit of frustration, then Tandem: A tale of Shadows is perfect for you.

As a bachelor project, [I] Doesn’t Exist certainly demonstrates the technical competency of its developers, but as a game in its own right, it doesn’t particularly offer anything unique or worthwhile. Using parser controls to tell an unconventional narrative is an interesting concept, but the actual conversations to be had are vague, unhelpful, and don’t tell a decipherable narrative. Check it out if you’re jonesing for a hit of retro parser gameplay, but there’s otherwise not much here that makes it stand out.

The core gameplay of Mario Strikers: Battle League is fast and frenetic, keeping your palms sweaty as you battle with your Nintendo favourites in an intense game of soccer. It’s flashy and well animated in all the best ways, with that trademark personality and charm carrying it a long way. It's also a wonderful example of "easy to learn, difficult to master", that starts simple but has some reasonable depth, even within the confines of its short matches. It’s a shame then that there just isn’t much more meat on the bone; with offline modes extremely limited with only quick play and tournaments, you’re going to have to truly love the mechanics to justify spending a lot of your time in competitive multiplayer. For those with a lot of mates to kick around with, that might be enough, but for everybody else, it’s a yellow card.

Best Served Cold is a digestif. A perfect palate cleanser to play after a larger more involved experience. Some elements don’t quite compliment one another, and there is certainly work here to improve the recipe. But these characters and world are strong enough to carry those shortcomings. While it isn’t a perfect cocktail, the writing and world elevate a mechanically simple experience into something narratively fulfilling. If you enjoy murder mysteries, and 1920s vibes, pull up a stool at the Nightcap — stay a while, and soak in the ambiance.

Astronaut: The Best is a challenging space simulator with a dark sense of humour. Sending astronauts with varying personalities to space is a challenge even in the best of times, and you must make tough decisions. The humour keeps the game entertaining as you struggle to grasp the game’s unpredictability. There’s a steep learning curve since unforeseeable events can turn even the greatest successes into colossal failures. But it keeps gameplay fresh and motivates you to learn everything. Soon you will masterfully send crews to space and even achieve objectives, something that continually stays fun even after the story ends.

A fun little party puzzler, Big Brain Academy: Brain vs. Brain gives the ol’ neurons a thorough workout in a jolly, well-presented package. While its single-player mode lacks longevity and will only keep the most dedicated brainiacs engaged, the sheer maddening joy of trying to compete in its frantic multiplayer offering is delightful and sure to keep your grey matter nice and juicy. Between its smooth touchscreen controls, charming presentation, and customisable difficulty options, Big Brain Academy provides a solid party experience for the whole family.

Evil West’s gameplay focuses around progression. It loves to introduce new elements like weapons, combat and enemies and then proceed to absolutely smash the player with an assortment of everything they have learnt by the end of each chapter. The constant change in how you play the game is overall satisfying, but its rinse and repeat formula of enemies and mini bosses became annoying the more time I spent with it. The location art and narrative is exciting, but I longed to be given more opportunities to explore and be rewarded for my endeavours based on the enticing nature of each area. Evil West is an exciting ride that will test your reflexes and ability to take on swarms of monsters which will either leave you feeling exhilarated, frustrated or like me, somewhere in between.

The Dark Pictures Anthology: House of Ashes is an utter disappointment and not the redeeming game developer Supermassive so desperately needed it to be. Where its accessibility options offer to draw more players in, just as many will be repelled by its poor and offensive political themes, shoddy camera handling, uninspiring cast and buggy nature. Hoping to be a thrilling ride with some political intrigue, it's instead a sloppy affair that'll leave players feeling like they're going through the motions. Supermassive fans deserve better. The horror genre as a whole deserves better. No recommendation can be provided for this dark plunge.

Ten Dates highlights the unspoken “rules” of dating and discusses what is needed in order for a date to go well. Though it does tend to follow a stereotypical heteronormative rom-com storyline, it gives the player enough autonomy to choose exactly what their character wants and doesn’t want from their love life through each selection of dialogue. It’s disappointing that the devs weren’t forward thinking enough to allow players to decide on their character’s sexuality and therefore force your Misha or Ryan to play as heterosexual. The way the game includes a chance flirty encounter with the same sex isn’t realistic and makes same sex relationships seem lesser than heterosexual relationships, or an afterthought. Overall, Ten Dates is a good adventure to embark on if you like your choices to matter, your dialogue to be witty and your romance to be somewhat predictable.

While it may not appear as glamorous as Scientology, Honey, I Joined a Cult is deceptively addictive. Its alluring capacity to let you micro-manage down to the tiniest detail, its swathe of customisable components, and its cheeky writing will leave you obsessed and indoctrinated (if only for a few hours). It takes a fair amount of grinding to build up a cult worth following, but those with the patience to stick around will find a decent amount of management-sim goodness to worship here.

A whimsical romp across a colourful world of magic and monsters, Dragon Quest Treasures is a comforting and nostalgia-filled addition to the series. From its recruitable monsters that ooze personality to its collectible trophies, this title is full of charm and is an absolute joy to play – in short sessions. Some frustrating camera issues and a repetitive gameplay loop do get stale when playing for longer periods. Dragon Quest Treasures is best enjoyed in little bites, each of which is sure to bring a smile to your face.

Mahokenshi is a fun deck-building tactics game that prioritises smart gameplay. Coming up with winning strategies and experimenting on the battlefield is enjoyable, and finding card synergies gives you a real feeling of accomplishment. Great care was taken with the visuals and audio to deliver an experience that really immerses you in the welfare of the Celestial Islands. Unfortunately, the characters aren’t properly balanced and there’s a clear favourite in terms of strategy, with not enough in-built incentives to explore the other characters. But if you are alright with a short adventure and are willing to complete every objective you see, you will have a good time with Mahokenshi while it lasts.

Legend of Mana Remastered rounds out the 90s Mana titles to be brought onto modern consoles in a true-to-form remaster. Updated visuals and new features are certainly a nice touch, even if the narrative can be a challenge to earn. While the game shows its age in places, fans of the genre and Mana series as a whole will love returning to the world of Fa’Diel, or experience it for the first time.

Overcoming a lacklustre start to its story mode with some bugs and other minor issues, UNBEATABLE manages to become an incredibly memorable and poignant journey. Eloquently exploring themes of community and the blood, sweat and tears that come with creating art, it winds up being a stylish adventure with a lot of heart and a fantastic celebration of all things music and rhythm games. Playing it almost feels like you’re in the middle of a mosh pit, receiving blows and elbows to the face as you watch your favourite band. You’re getting knocked about, and your footing isn’t always stable and able to keep up with the noise, but damn if it isn’t some of the best and most passionate things worth living for.

Fresh, unique and exciting, Phoenix Springs pulls you through a compelling mystery with excellent writing, impeccable design, and an inventive take on the point-and-click genre. Every aspect of its presentation is considered, culminating in a cinematic experience that is more than the sum of its parts, and worth every second you spend with it.

Backbone is full of potential for greatness and makes a terrific first impression. With its compelling lead and supporting cast, and a fascinating setting full of tantalising lore and mysteries to solve, I spent most of my experience excited to find out where it was all leading. Unfortunately, much of the detective gameplay and plot start to come apart by the end, leading to an oddly inconclusive and unsatisfying conclusion.

The genre of Cyberpunk has been the “in” thing for a while now and I’m not sure why but it seems to get it right. It may be that the world is so complex and filled with so much grey within the black and white that games struggle with adding in the tiny touches that make Cyberpunk worlds really come alive. Gamedec has the lore, but it doesn’t go that extra step further to really incorporate it into the world. Gamedec doesn’t seem to know the benefits of the phrase “less is more” and instead of trusting in the beauty of the world it created, stuck its fingers into too many narrative pies. What is left is a pie full of so many ingredients that it’s hard to tell what the flavour of it actually is; it’s tasty and looks good, but you may be too full to go back for seconds.

Boyfriend Dungeon is a good dating sim held back to being something truly great by its curious choices and lite dungeon-crawler elements. While you may not get the deepest rogue-like experience in-game, you will be satisfied by some of the intense, hot (and maybe even cute) relationships on offer. Just tread careful ground if you’re sensitive to some of the themes that the game is exploring. Regardless, some good and disposable fun can be had smashing some monsters and pashing some cuties. Delve on.

If Capes’ biggest crime is that it isn’t the most original game and that its fights require more thought than some might like, then I’d call Spitfire Interactive’s debut a hearty success. Within its deep tactics gameplay is plenty of exciting and creative party DNA to tool around with. It even has a surprisingly refreshing tone and take on the superhero genre that is the most authentic I’ve seen in a while. So why not go save the world? I promise a super duper good time awaits.

A silky, suave graphic novel art-style and engaging Cyberpunk world can’t save Sunday Gold. With every strength on offer comes some weird design choices or bugs that will ruin your fun at every turn. This game is an experimental risk, blending both the point-and-click genre with turn-based combat, peppering in RPG progression. That mixture shows promise at the start but ultimately ends up being an average net loss. A gamble that’s not worth taking. Don’t place your bets on this one. Go all in elsewhere.

Warhammer 40,000: Battlesector is a solid strategy game and an excellent addition to the Warhammer catalogue. Although the game only comes with two playable factions, its variety of units for each faction and original combat mechanics keep the game’s core gameplay fast-paced, dynamic, and interesting. This, combined with beautiful visuals and an immersive story told in typical Warhammer fashion, makes for a fun strategy romp from beginning to end, no matter whether you’re a die-hard Warhammer fan or a total newcomer to the Warhammer world. If you’re keen on turn-based strategy, Warhammer 40,000: Battlesector will be an excellent addition to your library.

Despite many issues dragging down the experience, I would not say that I had a bad time overall with The Last Faith. The combat is genuinely thrilling and impressively varied when it functions well, and I was impressed with many of the game’s locations, boss fights, puzzles and enemy designs. However, The Last Faith feels like a particularly inelegant mixture of many different elements from popular Metroidvanias and Soulslikes without quite executing them as neatly. With its obtuse-for-the-sake-of-it narrative, occasionally stodgy combat and platforming elements and a lack of its own identity, Metroidvania fans will have an enjoyable enough time with The Last Faith, but there are better examples of what it has attempted to execute out there.

Taking each piece of Salt and Sacrifice on its own, the game really should be an incredible ride. Taking the Souls-like gameplay loop, injecting Metroidvania style progression and item use, and stirring in some Monster Hunter elements should make for a delicious, challenging experience. Instead, the game unfortunately boils down to a repetitive, grind-inducing slog through samey areas and against predictable bosses. Ska Studios deserve praise for their attention to detail, striking visual achievement, and the game’s lofty ambitions, but that simply is not enough to stand up against some of the other titans of the genre.

As much fun as Nintendo Switch Sports games are, it’s hard not to feel as if Nintendo didn’t exactly push the boat out on the game. 6 games might have been enough for a new game in 2006, but not these days, and not for a full-priced game. That and the lack of extra modes and options make it feel like it’s a half-game, something that should have been bundled in with Nintendo Switch Online instead of sold at full price. It’s still a fun distraction, perfect for engaging the non-gamers in your family… as long as you’ve spent enough hours unlocking some accessories first.

Avatar: Frontiers of Pandora is a big misstep and feels like Ubisoft's biggest missed opportunity in a while. Not even the fantastical and majestic sights of Pandora and some engaging hunts can cure the buggy, unoptimised product presented to the world. Offering a dull story while it trips and stumbles on delicate themes, it too is simply a confused formula of everything you've seen before from other titles, almost all of it ill-fitting. Two adaptations under their belt and it seems Ubisoft just can't get that voyage of Pandora right.

Toxic Commando is ultimately fine, but there are many better co-operative shooters you could spend your time with. Perfectly competent shooting is brought down by repetitive missions and an absolutely threadbare campaign. If you absolutely must play a new zombie shooter, you might find some fun here, but if you’re looking for something more fulfilling than video game junk food, look elsewhere.

With Stranger of Paradise: Final Fantasy Origin, Team Ninja has produced yet another rather good Final Fantasy action game. With its deep yet more forgiving combat system, it can appeal to those not seeking the challenging experiences of something like Nioh. Furthermore, with its complex mix-and-match Jobs system, it brings a uniquely Final Fantasy flair to the hack-and-slash genre. Unfortunately, its dull protagonist and plot may struggle to keep the attention of anyone curious about the backstory it is trying to create for the original Final Fantasy. The loot system could also do with some overhauls. Still, you can certainly do worse than Stranger of Paradise: Final Fantasy Origin if you’re looking for a new multiplayer action game with some clever Final Fantasy twists.

Romeo is a Dead Man is a loud and inventive action game that prioritises style and spectacle. Its combat may be basic by today’s standards, and its systems occasionally bloated, but the confidence behind its strangeness may carry it for some. It can feel very dated, but it’s unapologetic and unmistakably Suda51, and for the right player (you know who you are), that’s more than enough.

Retro Machina is a game that includes themes that have been explored countless times before, yet brings its own understanding and take of these views to the table. It is the care put into creating the game’s backstory and world that made me fall in love with this title and wonder just how horrible a world without humans would be.

Pupperazzi isn’t difficult or cerebral. This photography simulator doesn’t have the budget or serenity that other games in the genre might provide, but handily makes up for it with charm, personality, and hundreds of dogs being big goofballs. Even playing the same level multiple times will give you a random assortment of dogs and toys to mess around with, so the game doesn’t grow stale easily. It’s a fantastic example of a video game letting you live out a simple real-life fantasy: walking around without a care in the world, taking photos of endless dogs, and their fluffy, scratchable butts.

Bear and Breakfast offers up a delightful world, engaging strategy mechanics, and a heart-warming story. While it may not be an overly complex game compared to classic strategy titles in the genre, it’s an incredibly relaxing and wholesome gameplay experience. If that’s your jam, Bear and Breakfast shouldn’t be missed.

Blippo+ isn’t for those who are drawn to a game solely for its gameplay. It’s more for those who have an interest in popular culture, sci-fi and what potentially playing with our own ideas of science, entertainment, and opinions can create. As a child of the 90s, I found this to be a nostalgic ride through a lot of visual concepts that are now seen as kitschy and dated, but that really come alive, and seem like fresh, new concepts due to the extent the game goes in making every element of Blippo+ feel like a real world. Blippo+ is an amazing example of world-building done well and will be an exciting ride for those who love unique, strange visual experiences.

Never Grave: The Witch and The Curse is a gorgeous-looking roguelike that presents some fun gameplay elements over different stunning backdrops and challenging platforming locations. Some of its elements, like the possession system, are fun, but the devs needed to put more time into making other gameplay elements work and flow throughout. It leaves Never Grave: The Witch and The Curse as a mixed bag, but it’s a fun experience if you don’t care too much about clunky basebuilding or rich environmental lore.

Yurukill: The Calumniation Games is a bit of a mess, but it definitely feels like a mess that someone tried really hard to make. While the gameplay elements sometimes feel at odds, it has a lot of charm in its characters and UI design. Even though the game’s plot can feel unfocused and confusing, it does have some really good moments. The characters especially do a great job of keeping the story engaging, even when it loses itself a little. Yurukill definitely has both hits and misses, but it feels very earnest and I hope to see more games by this team soon.

King Arthur: Legion IX is a decent strategy RPG experience, with an intuitive user interface, as well as cool abilities and gameplay ideas which strategy fans should find appealing. That said, with the game throwing waves of tanky foes at you while restricting the number of allies you can bring along, what starts as a fun and fair challenge begins to feel like an irritating slog before long. Couple that with a fairly unengaging and shallow cast and narrative and you’re left with a fun combat system and some interesting enemy designs, but not a whole lot more to it. If you enjoyed King Arthur: Knight’s Tale, then this Roman-themed additional campaign may be the new content which you have been waiting for. For anyone else, it is more of a tentative recommendation.