You’ll feel lost, and you’ll definitely feel frustrated. But if you didn’t, the moment of controller-dropping revelation and last-gasp victory wouldn’t feel so precious. A brave and singular RPG. [Issue#154, p.78]

A brilliant main story and swing mechanic anchor the many Arkham influences, and ensure Marvel’s Spider-Man is yet another blockbuster exclusive release from Sony. The best Spider-Man game yet? Absolutely. [Issue#154, p.72]

More of the same but the familiar formula is polished to an impressive degree, featuring some of the reboot series’ most majestic environments and its best puzzles. [Issue#154, p.82]

A compelling take on the future hampered by a story very much of our time. When I think about it, this is one I’d struggle to recommend that you pay much mind to. [Issue#153, p.87]

Two great retro packages. If you only want one, go for the first: like the Police Academy movies, the quality dips as the series progresses. [Issue#153, p.95]

More of that same set menu you know and love, spiced up with plenty of frantic action, this sequel will see you salivating over its little flourishes. We could take or leave the garnish though. [Issue#153, p.84]

Boasting two exceptional modes in franchise and Longshot, it mightn’t have the cult following of its PS2 years, but this is as good as EA’s veteran NFL series has ever been. [Issue#153, p.88]

A well-put together action platformer with lots of charms, spiced up with colourful graphics, but one that fails to outgrow its influences in any meaningful way. Fun but predictable. [Issue#153, p.92]

Fun in bursts, especially when you’re able to rope in other people, Earthfall is a good choice if you’re desperate for a co-op shooting fix. The lack of polish, however, swarms over the experience. [Issue#153, p.90]

You often learn by dying, yet this somehow never feels unfair. Compelling and endlessly replayable, the quality of Dead Cells is unlikely to cause division among your friends. [Issue#153, p.94]

Perversely, there is a great joy to Train Sim World once you get past all the niggles, chugging along at a clean 125mph, the world zipping past you as you keep an eye on your next stop, easing the throttle, lightly touching the brakes. The engines themselves are on point, but it’s a bit lacking in reason to drive them. [Issue#153, p.89]

It’s an unassuming shooter where the only complexity comes in making your own guns out of bits and bobs you find dotted around on Archivist ships. That provides just enough complexity to keep you moving forwards, while the rest of your grey matter’s simply enjoying the absurd onslaught each fight presents. Simple, effective, cha. [Issue#153, p.89]

The game’s animation and performance are lacking but its art direction is colourful, and the dialogue has the same infectious energy as it does in the show.2 Only die-hard Adventure Time fans should check this out. [Issue#153, p.89]

To make a game based on real events can be difficult, but thanks to the nuanced writing it becomes clear that in such a conflict, there is no black and white. It’s an earnest attempt at tackling real events, teaching you about a foreign culture in the process. [Issue#153, p.86]

A game that is often fiddly. As well as action points, there are fire points – some actions require a mix of both – and an awareness bar, which can be spent on special abilities or held onto, because it acts as a secondary health bar. All of that’s a lot to keep track of, and with a squint-inducing UI, you often end up feeling less like James Bond and more like the poor MI6 bod who has to do his paperwork. [Issue#153, p.86]

While Chasm doesn’t offer anything particularly new to the genre, it does deliver intricate locations and satisfying swordplay in spades. [Issue#153, p.86]

This remake is a welcome and impressive return, but it makes it clearer than ever that next time Yakuza struts into town, it needs a fresh set of threads. [Issue#153, p.81]

The cute visual style of the cutscenes aside, the story mode is just plain ugly...Basic at best, boring at worst. [Issue#152, p.86]

Though its story lacks the same emotional punch as its predecessor, this sequel is certainly still worth getting tangled up in either alone or with a friend. [Issue#152, p.86]

Playing more as a meditative experience that doesn't outstay its welcome, this is an ascent you will make more than once. [Issue#152, p.86]

When the story kicks into gear, it's well worth the time as it's one of the most thrilling visual novels on the system. [Issue#152, p.90]

Played solo, frustration can be the dominant emotion you feel, played with others, it can lead to colorful language in the best possible way. [Issue#152, p.90]

A charming and accessible rhythm game that's easy to pour lots of time into. Fans of Vocaloid music in particular should give this one a look. [Issue#152, p.90]

Zooming around highways, waterways, and skyways is a real blast, despite some wonky vehicle physics. And just soaring through the air is a soothing experience. [Issue#152, p.75]

It's not the best game in the Lego series, but there's still plenty to enjoy here. A great gift for any fan of The Incredibles, even if some elements are below Parr. [Issue#152, p.78]

A fussy but enjoyable slice of strategy that serves up the very best dinosaurs in PlayStation history. Mr. Hammond, consider your park endorsed. [Issue#152, p.83]

Like a puzzle world mini-GTA 2 where failure can be as much fun as success, Mugsters is a shot in the arm of original thinking. All in all, a minor work of genius. [Issue#152, p.80]

A very well-made motocross game that is disappointingly familiar, but thanks to the new physics and better movement of bikes and riders, it's still a class act. [Issue#152, p.87]

A remaster rather than a new game - a Now That's What I Call Puzzling of classic skins and tracks - this is still one of PS4's premiere puzzlers. [Issue#152, p.93]

This JRPG needs a few more lessons before it'll be concert ready. Lacking the tightness it needs, it's not quite the rising star it hopes to be, but it's still endearing. [Issue#152, p.91]

What's here, while less fully formed in some areas than others, is still an impressive show from a developer working more or less alone. [Issue#152, p.79]

The Walker feels like a first-gen PS VR release compared to where devs are now taking the technology. If you can look past the dated design you'll have some fun. [Issue#152, p.92]

Stuffed with clever, creative ideas and brilliant weapons, this challenging sci-fi horror is structured perfectly for PS VR. If you've got the nerve - and the stomach to match - it's a must. [Issue#152, p.88]

Its necessary backtracking may bug you occasionally but the joyful core of its being will bring a smile to the lips of even the most stoic. [Issue#151, p.85]

Awkward at times, the developer's ambition is obvious but the effort never quite comes to fruition. In other words, it doesn't suck but it lacks bite. [Issue#151, p.81]

As big a letdown as Tim Henman's efforts at Wimbledon, it does a huge disservice to Top Spin's legacy. No amount of Pimm's should sanction you buying this. [Issue#151, p.96]

You may have played them before, but they're still relevant, and being able to play arcade-perfect Street Fighter III: Third Strike, with ranked online play, shouldn't be missed. [Issue#151, p.95]

It's short, but Gorogoa sticks around exactly as long as it needs to. Little else out there has such satisfying eureka moments. [Issue#151, p.97]

A bright, invigorating spin on the arcade racer with a few foundational issues it never quite manages to overcome, Onrush's fizzy free-for-alls are best enjoyed in small doses. [Issue#151, p.91]

It's not a disaster by any means, but the predictable, methodical racing is rather dull, and the new engine simply isn't running as well as the old one. [Issue#151, p.93]

Dark Souls Remastered is more or less the same game from back in 2011, but what's remarkable is just how incredible it still is to play, despite all the later imitators. An essential RPG. [Issue#151, p.86]

Despite its simplicity Cross Tag Battle still delivers finely balanced, fast fights. [Issue#151, p.94]

The colour coding of the environment is phenomenal, meaning a lot can be going on from screen to screen without feeling too busy. [Issue#151, p.94]

It's hard to find a match online, and offline the game shows its age with a stuttering framerate, long load times, and a drop in texture detail when the screen fills with enemies. [Issue#151, p.94]

Mostly enjoyable game that prolongs things by forcing you to revisit levels; levels that aren't compelling enough to withstand repeated visits. [Issue#151, p.88]

Despite a few dodgy accents, Omensight sounds decent and looks even better. [Issue#151, p.88]

While action is thin on the ground and the performances gave me flashback to my Drama GCSE, I enjoyed my time on the OPM sofa staring at Doctor Dekker's couch, refreshed by its willingness to lean in so intently to its own silliness and B-movie aesthetic. [Issue#151, p.88]

An utterly compelling process. [Issue#151, p.84]

While it's a lively and enjoyable adventure, it does take a while to reach its stride in terms of actual challenge. The latter half, however, certainly makes Toromi a worthy contender for your next holiday destination. [Issue#151, p.84]

ON its most basic level, IHRB does what it sets out to do, and any excuse to play couch co-op is appreciated, but it never stretches beyond just being basic. [Issue#151, p.84]

A competent yet ultimately insignificant addition. While the core shooting still delights, the lacklustre campaign is entirely skippable. [Issue#150, p.96]

This fantastic future sport is easy to learn but difficult to put down, and the very agreeable price point makes this a title that you won't want to leave on the bench. Rocket League has a rival. [Issue#150, p.86]

While stiff in some ways, Forgotton Anne is gorgeous, and has one of the freshest and most charming worlds and story we've seen in a long while. It'll definitely linger in the memory. [Issue#150, p.92]

A fantasy brawler mistaking excess for depth. With no new content, there's less incentive to revisit Dragon's Crown, though new players can still find fun with friends. [Issue#150, p.95]

Exiles tries to expand beyond the traditional Conan power fantasy, but has a frustrating lack of polish that affects any enjoyment. It's a missed opportunity. [Issue#150, p.89]

A half-baked novelty. One for the curious but certainly not the powerful story that it could have been. [Issue#150, p.88]

Fans of the show won't won't want to miss the chance to bask in the wonder of Luna Nova. [Issue#150, p.88]

The lack of an engaging drama or choice means this one isn't so much a digital page-turner but best enjoyed at your leisure, ideally with a nice cool drink to hand. [Issue#150, p.88]

Frequent death promotes experimentation with an impressive collection of weaponry and party member traits, making this great for a quick trip and less something for lengthy sessions. [Issue#150, p.94]

Boss fights involve light puzzle elements, but once you've figured out the gimmick, victory is quickly mashed out. [Issue#150, p.94]

A gripping story filled with emotional and thrilling moments. Twists and turns in the narrative feel very well done, and may leave you feeling shaken. [Issue#150, p.94]

There's potential here for a devilishly tactical racer, but the reality is dull and unbalanced. [Issue#150, p.90]

While it offers enjoyable and challenging platforming with a delightful visual style, the overall experience is hampered by the frustration at having to repeatedly redo the same gruelling sections. [Issue#150, p.90]

Though Tacoma's crew inhabit a far flung future with problems to match, I found myself believing in their relationships. [Issue#150, p.90]

A more-than-passable first effort from a studio more famous for its cricketing output - yet presentation and longevity issues make it less excellent, more AO-K. [Issue#150, p.91]

Held together by beautifully chromed nuts and bolts, closer inspection reveals questionable lines of code - Detroit fails to be more than the sum of its parts. [July 2018, p.83]

If you like this style of dungeon exploration, then this is a fantastically made one you can play co-op that's essentially endless, and what's not to love about that? [June 2018, p.85]

One of the most unfinished, least fun games of recent years, and almost unplayably jerky on a standard PS4. A total disaster of a game. [June 2018, p.97]

Gripping and entertaining, with an identity all of its own, this is easily one of the best indie adventures you can get. Otus and chums will get you hooked. We're not tawny on the verdict on this one. [June 2018, p.82]

This PS4 exclusive still merits Hall of Fame consideration, but with nothing truly original it will feel underwhelming to the hardcores. For casual players, it's a must-buy. [June 2018, p.89]

A mostly excellent sandbox that delights with its gorgeous world, breadth of activities, and stellar shootouts. It can be a bit grindy, mind.[June 2018, p.93]

By turns mildly irritating and laceratingly dull, Extinction is a hopeless mess with one of the worst third-person cameras you'll ever encounter. Give it a miss, eh? [June 2018, p.86]

Sadly, though, you'll spend more time fighting the controller than the enemies on screen. [June 2018, p.88]

Ultimately it's a sparse game that leaves us quite cold. [June 2018, p.88]

If you can see beyond the horrible graphics, Operation Warcade will scratch that VR shooter itch. [June 2018, p.88]

At just over two hours Crisis is short. [June 2018, p.80]

It's not overly long and the price is right, so if you fancy something different and clever, with just enough characters to keep you going, Minit might well be the one for you. [June 2018, p.80]

It's all too simple, and a little basic, and aside from brief moments of arcade fun brings little new to PS VR. [June 2018, p.80]

A roguelite first-person platformer that demands to be replayed, City of Brass offers a level of freedom few games can match. It never gets old, even on your hundredth run-through. [June 2018, p.90]

Beneath this modest exterior lies an absorbing adventure. Its endearing narrative will draw you in and its superb fusion of action and tactics will keep you hooked. [June 2018, p.96]

Forget any fears you had. Kratos makes a truly triumphant return in what proves to be his best game yet. Every change - the addition of Atreus included - is for the better, while every non-negotiable tradition is perfected. [Issue#149, p.74]

Gradual improvements mean FFXV is in slightly better shape than it was when it launched in December 2016, but it'll take more than a few additional cutscenes to make its story feel complete. [May 2018, p.96]

Too little remade to justify the price? Perhaps. But we've not had a racing game quite like Burnout Paradise since it debuted. Still essential. [May 2018, p.95]

This mysterious mish-mash doesn't always work but nonetheless has my interest piqued and keeps my ears pricked up for the next bit of juicy gossip. [May 2018, p.94]

We're going to have to wait a little longer for a true VR Time Crisis. [May 2018, p.92]

A smart puzzler that builds admirably on the blocks of its predecessor. [May 2018, p.91]

An innovative PS VR shooter that too often puts the political message ahead of the fun. It's destined to become a cult classic, but not an essential experience. [May 2018, p.90]

The action can get dizzying. [May 2018, p.89]

An unexpected gem. [May 2018, p.89]

Clever and charming. [May 2018, p.89]

There's enough ambition here to elevate Mulaka above a disappointment. [May 2018, p.88]

As generic as generic gets. [May 2018, p.86]

A fun and original co-op game, which really satisfies in terms of its action - you'll have a great time with a friend. However, it's story fails to deliver anything worthwhile. [May 2018, p.83]

Enchanting. [May 2018, p.81]

Perhaps this return is 17 years too late. [May 2018, p.80]

Repetitive gameplay, soulless visuals, and uncomfortable fan service. [May 2018, p.80]

It's that need to unlock and level a new historical hero that spurs you on. [May 2018, p.80]

While not one of PS VR's deepest games, this is one of the system's most fun and physically demanding. [May 2018, p.79]