Card mechanics can falter, but it’s worth weaving a unique path through this poignant coming-of-age narrative. Sombre and beautiful, this is a triumph. [Issue#20, p.90]

A terrific revival of a genre with plenty of life to give. Brilliant, slick controls and funky vibes have you owning the streets, but could use more challenge. [Issue#32, p.69]

A fan-favourite protagonist, clever gameplay options, and cases ranging from very silly to very serious – this collection has it all, and is unmissable for series fans. [Issue#46, p.94]

It’s not much cop as a detective game, but this spin-off from the Yakuza series is still a terrific yarn that’s held up by its charming sense of place and character. [Issue#2, p.86]

The rough edges have been sanded down. This JRPG attracted a cult following, and thanks to Toylogic’s upgrade it’s now easy to see why for yourself. [Issue#1, p.84]

Stray makes the most of its choice of protagonist early on, really allowing you to do all the things a typical cat would do, though it eventually loses sight of that in favour of spotlighting the short story. That’s no cause for hissing, though it does leave the overall experience feeling somewhat like two kittens from different litters forced together. The combination works better than it should, but we’re ultimately left wondering what could’ve resulted if either half of the game had been given enough space to stand alone. [Issue#18, p.70]

Capcom hasn’t messed with greatness, retaining everything that made Dead Rising a classic in the first place while sprinkling in smart changes. [Issue#46, p.96]

The likes of QTE-based brawls and stealth sections are less successful, and some sequences are a little drawn out – but by the end you’ll be hooked emotionally and, yes, may end up teary-eyed. [Issue#25, p.83]

Without drastically altering its comfortable VR setup, Moss: Book II is a more expansive sequel in an enchanting world that’s a pleasure to spend time in again. [Issue#14, p.77]

Lasting just under two hours, A Short Hike is a pocket-sized wholesome adventure. Meandering around Hawk Peak and seeing where each path takes you is always rewarding. It feels very nostalgic, like a call back to summer holidays when there was nothing to do and nowhere to be so you explored for the sake of it. It demands nothing from you, and that’s very special. [Issue#9, p.86]

Accessible enough for strangers to turn- based combat, unique enough for veterans. Designed to ensure you have fun, steam work makes the dream work. [Issue#45, p.88]

It’s a surprisingly physical game, as many solutions involve chucking things across the virtual room. Best use those controller straps, eh? As the fine details of each solution are up to you, and there’s a little physical skill involved, nailing a puzzle is deeply satisfying. A neat payoff at the end for both the story and your previous efforts winds things up perfectly. [Issue#26, p.87]

The Kampaign is the one of the best we’ve seen in years but stripped-back side-content and a barebones online mode hold this reboot back from greatness. [Issue#33, p.82]

A gorgeous remaster, the freelance police have never looked or played better. Psychic powers are a stroke of genius, though detract a tad from other aspects. [Issue#45, p.82]

A frantic co-op shooter that offers an unrelenting challenge. This chaos generator will delight friend groups who enjoy being pushed to the brink of failure. [Issue#39, p.80]

Two Point Studios delivers for its second title, adding the perfect mix of challenge, humour, 8 and customisation to campus. A truly joyful experience at the University Of U. [Issue#18, p.82]

Fans will love another outing with Tak and the gang. Despite improved combat, worse stealth and stripped back exploration can overshadow it. [Issue#7, p.88]

Cosy as ever, Atelier’s crafting makes you feel in control of your quest. Still somewhat budget, improvements nevertheless make Atelier’s future feel bright. [Issue#12, p.88]

An involved, improved story mode and the progression-based F1 World complement the exemplary career. It’s the best year-on- year update since F1 2013. [Issue#30, p.96]

Unfocussed mechanics and not enough Herlock Sholmes means it doesn’t live up to its full potential, though series fans will have a hoot with the mysteries. [Issue#5, p.80]

An essential purchase if you enjoyed Innocence, and an imperfect but gripping starting point if you missed it. Hopefully not the end of the tale. [Issue#21, p.80]

Nothing else on PSVR2 matches this for ambition and player freedom. Just don’t expect a carefully curated experience or you’ll be disappointed. [Issue#27, p.78]

An outstanding homage to PS1 horror that’s no mere tribute act. If this is just the start of an excellent new series, then consider our return ticket already booked. [Issue#42, p.84]

A fun story campaign teaches you everything you need to build a great time in yet another excellent Steamworld game. What genre will Thunderful nail next? [Issue#35, p.95]

It may be a fantasy story filled with legends and monsters, but Röki also has a very human message of grief and loss at its core. It’s an adventure game filled with childlike wonder, with an ending that will give your heartstrings a mighty tug. [Issue#9, p.90]

[Issue#34, p.80]

With such a strong central mechanic, you could forgive Viewfinder for setting it and forgetting it – but it doesn’t, iterating and surprising with each level. [Issue#31, p.82]

A neat enough bonus that squanders its potential with awkward implementation, and a sense of tactility that never quite feels natural enough. [Issue#26, p.74]