With its final balance patch and the addition of rollback netcode, SEGA is making a clear statement—Virtua Fighter is back, and it’s here to stay.

Despite being heralded as one of the more underrated games in the Mega Man franchise, Capcom did absolutely everything in its power to showcase the best version of the Star Force trilogy, and it shows. From added quality-of-life features, restored content, and adjusted gameplay mechanics from the old touch-screen only controls, on top of how great these games already were, they have delivered their arguably best remaster collection to date.

With its immersive visuals, fantastic audio, and surprisingly low price, AI LIMIT is an easy recommendation despite a few rough spots. It throws you into a bleak, tragic world where the struggles of its inhabitants take center stage long before your own story unfolds. Its stamina-free combat adds a fresh twist to the souls-like formula, though some mechanics—stealth in particular—could use serious improvement.

FragPunk is solid—mostly. Ditching ultimates was a bold (read: questionable) move, but Shard Cards bring enough chaos to keep things interesting. What really sells it is the swagger. In a sea of same-y shooters, FragPunk kicks the door down with something fresh and flashy. It won’t dethrone the genre’s giants, but it’s no flop either.

It’s hard not to feel conflicted about Yakuza Kiwami 3 & Dark Ties, because while it plays smoother and looks cleaner, many of its story changes and cut content weaken what originally worked. The remake still has solid moments, especially with Dad Kiryu, but combat, pacing, and Dark Ties often feel shallow or stretched out. It’s not a bad time, just a messy step forward that doesn’t fully honor what makes the Yakuza series work.

Yes, Your Grace 2: Snowfall wears the weight of its crown with dignity, even if its footing isn’t always steady. There’s beauty in gloom and routine and the moments where the burden of leadership hits just right—but they’re often buried under bugs, shallow choices, and a story that doesn’t quite find its teeth. It’s not a fall from grace, exactly, but more like a stumble in the snow that's hard to not take notice of.

Crisol: Theater of Idols is an ambitious game with moments of creativity and style, but its execution consistently holds it back. The story fails to engage, combat is frustrating, and the character design often breaks immersion. At the same time, it offers one of the more compelling first-person horror settings in recent years, and its environmental and thematic work are impressive. It’s a game with strong ideas that never fully coalesce into a consistently satisfying experience, making it interesting but flawed overall.

Super Robot Wars Y is a crossover that works more often than it doesn’t. It thrives less on its tactical RPG mechanics and more on the joy of watching decades of mecha anime crash together in one giant spectacle. The story is good if a little dry in its delivery, but the crossover event and battle animations more than make up for it. For every stretch of jargon-filled dialogue I zoned out to, there was an explosive robot finisher waiting to pull me right back in. It’s a little uneven, but it never stopped being fun.

I’ve played more Touhou fangames than I can count, and Marisa of Liartop Mountain still stands out as one of the best in years. Its runtime may be short and its navigation a little frustrating, but the stunning visuals, immersive voice work, evolving gameplay, and surprisingly deep themes make it unforgettable. If you’re already a Touhou fan, passing on this one would be a huge mistake.

More than twenty years later, the Switch re-release of Pokémon FireRed arrives keeping everything intact, even its more frustrating quirks. It doesn’t have the smoother systems and quality-of-life updates found in newer entries, and I wish there were more tweaks to its gameplay and presentation on modern hardware, but the journey through the routes of Kanto remains as structurally sound and addictive as it was when we were playing it on our 32-bit handhelds.

NTE is a game that feels like it’s constantly pulling you in different directions, yet somehow still holds together as a cohesive experience. It wants to be a gacha RPG, a city life simulator, a driving game, a management sandbox, and a narrative-driven anomaly hunter all at once. And instead of collapsing under that weight, it actually becomes a strong foundation to support how its systems interact and flow with each other. Of course, that ambition isn’t perfectly refined yet. Some systems still lean a bit too simple and story pacing can break immersion when level locks interrupt momentum. But even with those rough edges, the important part is that NTE never feels aimless. It commits to what it is trying to be—a multi-layered city RPG where everyday life and anomaly-driven chaos coexist.

Where Winds Meet stands out as a beautifully crafted RPG with light MMO elements, offering deep character progression, engaging combat, and a living, immersive world. Its minor flaws, like early pacing issues in the story, occasional audio hiccups, and a few technical bugs, don’t overshadow the game’s many strengths.

Much like classic Disney, Bye Sweet Carole exudes a nostalgic charm that’s hard not to admire—its visuals, sound, and story all steeped in vintage flair and period commentary. Sadly, much like Disney today, it’s hard to love despite that beauty. With sluggish pacing, thin gameplay, and only half the heart of a point-and-click adventure, you’re better off rewatching an old Disney classic and experiencing the magic where it still lives.

Scott Pilgrim EX is a great game built for a very specific crowd. Its deliberate arcade-style beat ’em up design limits broad appeal, but fans of the genre, art style, or IP will find little to complain about. It’s cheesy, wacky, unapologetically retro, and simply EXceptional.

Wuchang: Fallen Feathers is a bona fide Soulslike that has deep combat mechanics and unique progression systems that synergize perfectly to create one of more satisfying gameplay loops in the genre. This is further reinforced by giving the player the power to freely experiment with builds and create their own unique way to play. There are some nitpicks here and there, as well as the difficulty spiking in certain areas, but all that is moot with how well packaged everything is.

Homura Hime is a slick hack-and-slash and bullet hell hybrid that naturally forces you to think in both mindsets at once. It’s a game that, beneath its vibrant designs and bright color palette, lies a surprisingly dark story filled with genuine shock value. It may not reinvent the genre, but it executes its ideas with enough confidence to leave a lasting impression.

It’s no surprise this game has been eagerly awaited for its full release. After years as a standout early-access title, it has matured into an RTS experience worth celebrating. With its polished mechanics, diverse playstyles, challenging yet fair difficulty, and a generous dose of stellar art direction and production value, it’s everything an early-access game aspires to become. If you’re ready to rise to the challenge, this game promises one unforgettable ride from start to finish.

Choosing to venture into new territory and try their hand at a new genre, Rebellion has succeeded in delivering an engaging-yet-flawed experience in their most ambitious project yet.

Tomb Raider: Definitive Edition's Switch 2 port is great, especially since being able to play it on the go at 60 FPS and at a higher resolution is a dream come true. However, it could've been the perfect version had it used more of the Switch 2's capabilities.

Atelier Resleriana makes up for its uneven storytelling with surprisingly deep gameplay and strong audiovisuals. But it’s also clear the game cut a few corners to cram in so many returning protagonists, and that comes at the cost of building a new world that feels fresh. What you get instead is a story that leans heavily on nostalgia, which can feel flat if you’re not here for the reunion tour.

All Will Fall proves that being hyperbolic isn’t the play when it comes to showing off your game. Although it does not disappoint in some aspects, namely its faction mechanics, premise, narrative potential, and replayability, it drops the ball on the main attraction. Physics-based city-building is barely implemented and hardly restricting. The game’s title begged that all would fall, and fall short of its own promises, it did.

Escape from Tarkov's world is unforgiving, and is definitely not for casual play. Yet, its the challenge and engaging gameplay that makes it all the better. It's still weighed down by bugs and glitches and connection issues here and there, as well as the disappointing lack of (free) PvE, but it's a solid FPS extraction game for those looking for an extra hard challenge.

Mafia: The Old Country isn’t the longest, flashiest, or most replayable game—but what it offers is clarity. This is a lean, linear mob drams focused on story, atmosphere, and character. It knows exactly what it wants to be, and it doesn’t waste your time getting there. If you’re after a grounded narrative with a clear creative vision, The Old Country delivers something memorable.

Metal Eden just needs a little more to truly stand out. Its intriguing story could use tighter pacing and sharper dialogue, its refreshing gunplay could use more variety, and its strong audio could benefit from a bit more polish. It falls just shy in most areas, though its visuals shine as brightly as its setting, but it’s far from awful, just not quite the best.

John Carpenter’s Toxic Commando is bursting at the seams with how much gameplay depth, artisanal vision, and genre innovation it manages to pack within its very few open-world levels. Had it the scope to contain its quality, it would’ve been the best horde-shooter for everyone out there, though it still may be for some. It’s simply too awesome for its own good.

Freedom Wars Remastered is a faithful but imperfect revival of a cult classic PlayStation Vita game. While it retains the compelling dystopian premise and addictive combat that made the original standout back in 2014, it also carries over some of its shortcomings. The narrative brims with potential, yet falls short in its execution. The visual design is imaginative, but can’t break free of its Vita-era origins. For returning fans, it’s a nostalgic trip worth taking, with the same-old addictive gameplay and just enough improvements to feel fresh. For newcomers, it’s a more challenging sell; its dated structure and design may not resonate with players as strongly today. But in spite of its flaws, Freedom Wars Remastered is a welcome effort to keep its unique world alive, and it leaves hope for a future that will fully realize the potential of its setting.

UNBEATABLE is an unapologetically stylish and vibrant rhythm narrative-adventure game that combines engaging rhythm gameplay, stunning audio-visual presentation, and a colorful cast to meet. However, it's clearly unpolished with its number of technical and visual issues, unfortunately lending itself to a dampened gameplay experience, as well as a painfully slow paced narrative that can scare off other intrigued players. Nevertheless, with a bit more shine, it will become an UNBEATABLE gem in the rhythm scene in its own right.

Tales of Berseria Remake is a welcome release to update the greatest tale of the Tales series to the modern settings. However, unlike the previous Tales remakes, the additions are empty beyond the addition of the DLCs. Still, it's worth purchasing if only to get a higher quality version of one of the greatest Tales titles of the series.

Wildgate feels like what you'd get if you mixed Overwatch with Sea of Thieves—a bold, chaotic fusion of hero-based teamwork and ship-to-ship space battles. It’s not without its flaws, but at its best, it delivers fun, frantic gameplay that thrives on cooperation. Space piracy mayhem at its finest.

MARVEL Cosmic Invasion isn’t quite the blockbuster-level beat 'em up game that rivals the likes of Street of Rage 4 and TMNT: Shredder's Revenge. It has clear flaws in its progression systems and stage design, but it's undeniable that it's presentation is top-notch, it has good variety in its characters, and is fun and simple enough for everyone to play.

Romeo is a Dead Man brings everything you expect from the Suda51 style—and I mean everything, especially when it comes to its visuals. Though it suffers from technical issues and a simple gameplay loop, the unpredictable narrative, paired with its eye-catching visuals and strong audio design, makes it a memorable experience.

Carmen Sandiego’s 2025 rendition is a charming new title that adds on to the beloved series. Full of puzzles, minigames, and fun facts about countries and landmarks all at the palm of your hand in one stunning modern style. Sleuthing has never been this fun and educational—and Carmen Sandiego knows just how to do it. However, its steep price tag, PC optimization issues, and forgettable soundtrack might dampen the experience a bit.

Terminator 2D: NO FATE has stunning 16-bit visuals, a banger soundtrack, and simple yet fun gameplay that makes it one of the better games in the franchise in showcasing how good the franchise is. However, the extremely short runtime and conditional replayability make it an experience that doesn’t match the price it’s asking for.

MOTORSLICE is one of those games that will surprise you, in a good way. The satisfying platforming, combined with its presentation, music, and immersion, makes it a completely different vibe. Certain elements, like its combat and lack of replayability, leave much to be desired, but it’s undeniable that it’s interesting and engaging from the title screen all the way through the end.

RV There Yet? might not be the most intricate or polished co-op game out there, but it’s effortlessly fun. Its mix of teamwork, physics-driven chaos, and laid-back humor strikes that rare balance between laughter and light frustration. With a bit more content or fine-tuning, it could easily become a standout in the genre—but as it stands, it’s a scrappy, endearing road trip that delivers exactly the kind of good time it promises.

MY HERO ACADEMIA: All’s Justice is a solid, if flawed, celebration of everything that made the franchise a pop culture staple. It isn’t going to win over anyone who isn’t already a fan of the series, but the game leverages the hype of the Final War arc to cover up its repetitive combat and uneven story presentation. Regardless, the sheer size of the roster and the authenticity of the voice acting make it hard to totally dislike. It captures the spirit of the series well enough, even if it doesn’t quite go Plus Ultra.

Artis Impact is a masterfully crafted, imaginative odyssey that paints its post-apocalyptic world with heart and pixel-perfect precision. Though its narrative occasionally wavers, the game’s seamless blend of cozy mechanics, nostalgic JRPG flair, and a sharp-tongued yet endearing protagonist delivers an experience as memorable as it is meaningful. Impactful Indeed.

RoboCop: Rogue City – Unfinished Business is a gritty, action-packed expansion that builds on the brutal satisfaction of the original. While it's a bit easier and has its fair share of bugs, it still powerfully captures what matters most—feeling like RoboCop in all his relentless, law-enforcing glory.

The Weeping Swan is a great linear visual that offers a complete audiovisual and genre experience at a cheap price. And though it does have a set of eyebrow-raising endings, questionable character development, and a number of translation and technical issues on launch, you’ll still be hard-pressed to find a visual novel of its quality without spending more money. So, if you’re the type who values the journey more than the destination, you’ll find that this is a work worth your cash.

Super Meat Boy 3D is much more than just a 3D retelling of a beloved title; it’s an exercise of mastery of platforming design, made in the image of a cube. Though far from accessible (despite its best efforts) and still somewhat similar to its predecessor, the inclusion of Dark World Levels and the design space opened by an entire new dimension of space gives it a platform to stand on. Best you load up on controllers, because Meat Boy’s back on the menu.

BLEACH: Rebirth of Souls is a true love letter to fans, letting them step into the shoes of their favorite characters with exhilarating and distinct playstyles. The combat is deep and rewarding, but the absence of ranked mode, crossplay, and a lackluster story keep it from reaching its full potential. Even so, it stands as the number one BLEACH game, shining bright for everyone.

Commandos: Origins offers gameplay that hits the mark for real-time tactics fans, but everything surrounding it feels like it’s stuck in the past. The visuals and audio are functional at best, with little flair, and the story is exactly what you'd expect—and nothing more. With its $49.99 price tag, it's hard not to feel like you're paying a bit too much for something this straightforward.

Damon and Baby is a bold step for Arc System Works and a solid action-adventure game with a warm, molten core thanks to its lovable cast. It asserts itself as a well-thought-out action title thanks to its emphasis on gunplay, enemy design, and strategy. The creators of Damon and Baby set out to prove that they could make a good action-adventure RPG, and sure enough, Damon and Baby shows that Arc System Works should keep diversifying their catalog.

High on Life 2 is Squanch Games’ second chaotic ride, and it’s as wild as it is messy. Stellar voice acting and striking visuals shine, but middling gameplay and rough optimization hold it back. It’s a mixed bag of highs and lows, and if that chaos appeals to you, we won’t judge, though your guns might.

Life is Strange: Reunion delivers a carefully crafted send-off for longtime fans, full of emotional depth, nuanced character relationships, and a story that rewards attention to the smallest details. While the gameplay can feel limited and technical hiccups occasionally distract, the strength of the narrative, the exceptional audio, and the quiet, intimate moments carry the experience. It may not be flawless, but Reunion is a heartfelt farewell to Max and Chloe.

Abyssus is a thrilling and addictive roguelite FPS that shines brightest when played with friends, as the chaos and challenge ramp up the deeper you venture into the ancient civilization hidden beneath the dark sea.

Tides of Tomorrow is a breath of fresh air. It’s a unique take on a post-apocalyptic future that conveys something deeper to the player through its player-driven narrative and the moral dilemmas you’ll have to face. More than that, the asynchronous multiplayer features and the variety of gameplay allow for a more entertaining interactive adventure. While it may have simplistic gameplay and binary decision trees, it’s definitely not an average adventure game; it's a remarkable experience that excels at what it does.

Nice Day for Fishing is a game with a charmingly absurd premise, surprisingly fun fishing-based combat, and a world that feels handcrafted for laughs and lighthearted discovery. But while the first impression is strong, the pacing falters. Progression can feel like a slow trudge, with repetitive quests and a late-arriving fast travel system that adds unnecessary friction. It’s delightful in bursts, but not consistently engaging throughout.

I never saw it coming, but Persona 5: The Phantom X is a gacha spin-off that keeps the rebellious and fun spirit of the Phantom Thieves alive. Its gameplay loop is engaging and meshes well with gacha mechanics, though some features still need polish. Still, with a strong core, steady updates, and a growing story, it’s a spin-off worth diving into.

Blades of Fire is a fun action-adventure game that boasts its unique features well but unintentionally shows off its many flaws.

NORSE: Oath of Blood is a decent Viking-themed turn-based title whose strengths lie in its well-told narrative, gripping voice acting, and interesting characters and dialogue. However, it’s hindered by its plethora of visual and in-game bugs, as well as several unpolished odds and ends here and there that only add to a frustrating experience.

Were it not burdened by the legacy of its predecessor nor limited by its thin RPG systems, Bloodlines 2 would shine as a strong, story-driven action experience set in the haunting world of Seattle’s undead. It’s stylish, immersive, and confident in its own dark identity—flawed, yes, but captivating all the same.

SYNDUALITY Echo of Ada is an extraction shooter where players mine AO Crystals, engage in battles, and try to survive in a hostile environment. The core gameplay loop is engaging, offering strong customization options for both mechs and Magus companions, as well as a world full of environmental hazards that add tactical depth. The game’s replayability is bolstered by the progression system, encouraging players to return for more sorties. However, the narrative is lackluster, with no compelling plot to drive the player forward, and the PvP aspect suffers from unbalanced gameplay where new players are often thrown into the same map as fully equipped veterans, leading to frustration.

Rue Valley is an isometric narrative RPG gem that blends a captivating, emotionally-charged story with memorable characters all in one package. Although it has a few technical weaknesses, it doesn't heavily retract from the overall experience. Eugene Harrow's strange journey into the unknown of his own psyche and other people is an intriguing, even relatable, experience.

Him: the Smile & bloom is a purely narrative-driven experience with occasional dialogue choices that determine the outcome of each storyline. Players can experience four romance archetypes each with multiple endings. The game features anime-inspired visuals, a beautifully crafted opening sequence, and an OST that enhances key emotional moments. However, its limited interactivity and frustrating character writing may not appeal to everyone.

Orcs Must Die! Deathtrap feels like the result of expanding in every direction except forward. While it throws plenty of new elements into the mix, none of them stand out as true innovations over Orcs Must Die! 3. That said, it does have its strengths: a few great ideas, an enjoyable soundtrack, wide-open maps, a skill tree, and even and genuinely engaging gameplay. Just don’t even think about playing solo—you’ll end up suffering twice as much for the effort.

SONOKUNI’s fast-paced combat collides with the raw energy of a hip-hop soundtrack crafted by the DON YASA CREW. Its visuals can sometimes be overwhelming, but the intense action will keep you coming back for more—to take on the same enemies that once bested you, even when your fingers ache. It challenges you, frustrates you, and yet, somehow, always pulls you back in.

Little Nightmares 3 is a beautifully haunting continuation that captures the series’ unsettling charm but hesitates to evolve. Its atmosphere, art direction, and emotional weight are undeniable, pulling you once again into a world of quiet dread and fragile hope. While the new mechanics add layers of cooperation and tension, they’re often underused. Beyond that, several missed opportunities—like local co-op—keep the game from stepping into greatness.

Fia and her band of lovable disasters in Mado Monogatari: Fia and the Wondrous Academy might not cast the deepest spells, but they’ve got just enough magic to keep things moving. The dungeon crawling is light, the combat mildly engaging, and the school life fluff adds just enough variety to break up the loop. Thankfully, it’s all wrapped in a silly, self-aware package that leans into its anime logic and wears it proudly. There’s not much depth to uncover, but you might end up smiling more than you’d expect.

Daemon X Machina: Titanic Scion doubles down on everything that made the first game a cult favorite. It has better mech designs, larger environments, and customization so deep it can blow the brains of those with obsessions on min-maxing their builds. The Switch 2 version struggles to keep up during larger battles, but the spectacle of giant boss fights and the thrill of fine-tuning your Arsenal usually outweigh the technical hiccups. Flawed as it is, it’s still one of the most exciting mech playgrounds you can strap into.

Will: Follow the Light is a frustrating experience because the foundation for something memorable is clearly there. Beneath the repetitive puzzle design, uneven writing, and technical frustrations lies a genuinely interesting premise supported by immersive sailing mechanics and strong atmospheric audio. There are moments where the game briefly captures the emotional and cinematic adventure it wants to be, but it struggles to sustain that momentum for long before falling back into its more exhausting habits. For some players, those stronger moments may still be enough to carry the journey through to the end. For others, the game’s shortcomings will likely overshadow the experience long before Will reaches the light.

All in Abyss: Judge the Fake deals with a wild hand that’s hard not to admire—even if it’s a little flawed. The boss battles and Danganronpa-style executions steal the show with thematic gimmicks that keep each match feeling unique, even when the game’s balance falters. Its visual novel elements are surface-level and the post-game content is thin, but the journey up the gambling ladder is just absurd enough to be worth the ride. It’s not the most honest game at the table, but it sure knows how to put on a show.

Killing Floor 3 is NOTHING like the older games—and while that’s not all bad, it loses much of the chaotic charm in trying to be something new. It takes itself too seriously, trading identity for polish, but without the baggage of its predecessors, there’s still fun to be had.

Mecha BREAK has tons of potential, with fast-paced gameplay, stunning visuals, and diverse mecha classes—though a few systems feel clunky and the audio underdelivers. Its biggest drawback is aggressive, overpriced monetization, but thankfully, none of it is required to enjoy the core experience.

UNFOLLOW is a competent entry in the BrokenLore franchise, delivering solid storytelling and atmosphere while struggling with gameplay and cohesion. It offers moments of genuine psychological complexity, but predictable mechanics, overused jump scares, and underdeveloped plot threads prevent it from being truly memorable. Fans of the series will find enough to engage with, but those looking for groundbreaking horror may find it uninspired.

SplitGate 2 is, at best, a half-baked mix of better games. With a meager selection of classes, weak loadout variety, a forgettable battle royale mode, and even more battle pass slop, it’s a shooter that barely leaves an impression—let alone earns your time.

Shadow Labyrinth is built on a compelling concept—reimagining Pac-Man within a Metroidvania framework—but ultimately struggles to bring that vision to life. Although there are flashes of creativity and thoughtful design, they’re frequently undermined by clunky platforming, uninspired visuals, imprecise combat hitboxes, and a convoluted narrative that fails to captivate. What might have been a bold and refreshing reinvention instead becomes an uneven experience weighed down by its own ambition.

Venus Vacation PRISM arrives just in time for spring break! It offers a getaway filled with sun, sand, and a strikingly polished charm. It delivers exactly what it sets out to, but beneath the glossy presentation, its lack of depth might leave some players wanting more. Still, for those willing to overlook its shortcomings, there’s enjoyment to be found here—but for everyone else, it might not be the paradise it claims to be.

JDM: Japanese Drift Master delivers a stylish and atmospheric drifting experience, wrapped in a crafted open world with solid customization options. But uneven mission design and slippery mechanics keep it from crossing the finish line at full speed. Drift enthusiasts will find fun in its corners, but those craving a deeper, more polished racer may be left wanting more.

Quarantine Zone: The Last Check struggles with technical issues and inconsistent challenges. Glitches, visual drops, and clunky mechanics pull you out of the experience, and the game doesn’t always push you to adapt or think in surprising ways. Though it shines in giving players a real sense of authority, a reactive world, and satisfying systems that reward careful observation and decision-making, its current state is difficult to recommend. However, fans of puzzle-management simulations who enjoy moral ambiguity and quiet tension can still have a compelling and worthwhile experience despite its rough edges.

Rather than delivering a consistently smooth experience, Cthulhu: The Cosmic Abyss is a game that thrives in its investigation systems, atmosphere, and environmental storytelling. At its best, the game makes you feel like you’re actively reconstructing events rather than simply progressing through them. However, the experience is held back by uneven pacing and occasional controller mishaps. The result is a strong but imperfect experience that resonates more as a standout concept than a fully polished execution.

Mobile Suit Gundam SEED Battle Destiny Remastered arrives on international shores for the first time with a fresh coat of paint, so lovingly polished for modern eyes. Its roots are unmistakably Vita-era, with all the clunky lock-ons and sterile arenas that implies, but when you’re soaring through the stars, beam saber in hand, it’s easy to forgive the rough edges. The game trusts its audience to know the lore, feel the weight of its Mobile Suits, and embrace its mission-based grind like slipping into an old pilot suit.

Kiln is built on a really fun idea, and for a good while, it’s a blast. Sculpting wearable pots and crashing into other players carries an infectious energy that’s hard not to enjoy with friends. Unfortunately, beneath all that molded clay is a multiplayer experience that still feels too thin, too repetitive, and too unfinished to hold attention for much longer than a few good nights of goofing around.

The Precinct is an engaging and atmospheric neon-noir cop simulator that, while not without its flaws, delivers a unique and satisfying experience. Its combination of immersive city patrols, crime-solving mechanics, and customization options make it a compelling addition to the genre. The game's occasional partner quirks and interruptions in the dispatch system might detract from the experience, but they don't overshadow the overall enjoyment. If you're into gritty crime thrillers with open-world gameplay, it's definitely worth considering.

Devil Jam rocks a killer concept with its rhythm-fueled chaos and hellish style, but clunky progression and a thin roster keep it from truly jamming. It's a fun B-side at best, not a headliner.

Pokemon Champions feels like a title that suddenly had to launch due to chasing a specific quarterly report. While otherwise nearly perfect as a platform, lacking a multitude of very important items on release makes the game feel fundamentally incomplete. The paywalled quality-of-life additions are also a major deterrent, especially for those who expected a way to engage with VGC without owning the mainline games. It's still a wonderful attempt at making competitive Pokemon more accessible, though, and is definitely something that'll only improve in time.

Beneath the outdated visuals, busted audio, and mechanics that seem hellbent on ruining your day, there’s still a goofy, lovable game that shines when shared with friends. It’s messy, it’s flawed, but it’s also oddly charming, as long as you snag it on sale.

DRAGON QUEST Smash/Grow is a serviceable “survivors-style” RPG that looks and sounds just as you’d expect from the historic franchise. Its lackluster roguelite mechanics and lack of mechanical depth anchor its gameplay, ultimately making it a repetitive experience that’s easy to play and drop at a moment’s notice. However, players should be wary of the game’s abhorrent monetization scheme and progression walls, as these are not only worse than most gacha games but also a huge time sink that offers little satisfaction beyond repetition.

Forever Skies stuns with its visuals, score, and storytelling—but its true magic lies in the freedom to build and pilot your own airship through a post-apocalyptic sky. It’s thrilling, thoughtful, and wrapped in a tight gameplay loop with real emotional weight. The launch had a few bumps, but with updates on the horizon, this game’s future is nothing but skyward.

Star Overdrive feels like a seamless fusion of Tony Hawk's Pro Skater and The Legend of Zelda: Breath of the Wild, offering a fresh and exhilarating take on the action adventure genre.

Beyond the Ice Palace 2 is the sequel no one expected—35 years frozen in time, now reborn with nostalgia and a heart of ice. Its stiff controls feel straight out of the ‘80s, but beneath the frost lies gothic charm, slick chain combat, and rewarding exploration.

Aspyr did great in enhancing Lara Croft’s second trilogy, but there’s only so many things you can fix until the past comes back to haunt you.

I summon Pot of Mid to draw 14 mediocre games from Konami’s Yu-Gi-Oh! library! Sure, it’s fun to revisit some of these classic titles, even if some of them don’t quite live up to the hype. Maybe next time Konami will summon a more exciting lineup, but for now, we’re left with a handful of cards that, while decent, don’t offer much beyond a trip down memory lane.

Call of Duty: Black Ops 7 is a refinement of what's already to be expected, crisp gunplay and fun multiplayer content. Outside of that, it loses its luster. The campaign alone singlehandedly sours the experience, with the narrative going so far off the rails that it unintentionally becomes a parody of a different game.

EDENS ZERO sets out to honor the spirit of Mashima’s beloved series but ends up feeling more like an unfinished beta than a fully realized RPG. There are glimmers of enjoyment—janky-but-fun combat and a few heartfelt character moments—but they’re buried beneath outdated visuals, a bland open world, a rushed narrative, a repetitive gameplay loop, and an overall lack of polish.

Tower of Fantasy is, at this point, an anomaly among its peers. Beyond its perfectly average music, Hotta Studio keeps steering the game in such bizarre directions that it’s hard to tell whether it’s intentional design or the result of consulting a Magic 8 Ball. And even with the Warp Server, it’s still unmistakably Tower of Fantasy: a janky, charming, and fighting an uphill battle to reinvent itself after years of decline.

Outbound is a cozy exploration game that does well on its basics—exploration, crafting, building—but fails to really keep the magic and entertainment after a few hours due to its taxing gameplay loop that feels like it rewards so little for so much effort. Nevertheless, the game is fun in its own right, although more improvements and changes would make it even more enjoyable for a wider audience.

FBC: Firebreak is a solid idea held back by a premium price and early-access-level polish. At $40 (more on PlayStation), it feels more like a mid-roadmap build than a finished 1.0 release. The core gameplay, story, and production are strong, but missing QoL features, sparse content, and optimization issues drag it down. Remedy may patch things up in time, but right now, Firebreak just isn’t worth the ask.

Even though an 8/10 may sound like a solid score, that's actually lower than it could have gotten if it had been polished even further. Sure, the gameplay is nice and the story's very compelling; but with the backdrop of a horribly dumb enemy AI and its terrible performance issues, Code Vein 2 on release is at its worst.

Mega Dimension adds a lot of content for players who already enjoy Pokémon Legends: Z-A. There are more Pokémon to collect, new Mega Evolutions, and a boost in difficulty that keeps things challenging. Its story and setting don’t offer much that’s new, and many of the base game’s characters don’t get much time in the sun. For players who loved the original, there’s plenty here to enjoy and experiment with, but if the base game didn’t grab you, this DLC isn’t likely to change that.

Deliver At All Costs is a chaotic action game that thrives on unfiltered insanity and destruction, letting you wreak havoc with little to no consequences—all in the name of delivering at all costs. It’s ridiculously fun and silly, complemented by charming retro visuals, while also hiding an interesting story of ambition and the reality of an ever-changing world. The controls and the physics engine may not always be on your side, but Deliver At All Costs definitely delivers a solid gameplay experience.

Aces of Thunder is frustrating and forgettable. Beyond detailed aircraft and decent visuals, there’s little to hold your attention. Clunky controls, shallow campaign progression, unreliable multiplayer, and recurring technical issues make it a mediocre experience at best.

Sons of Sparta feels unnecessary, a prequel few expected and one that adds little to the wider God of War saga. Still, on its own merits it’s polished and impressive, with strong mechanics, striking visuals, and standout voice work. More indulgent side story than essential chapter, but a solid one nonetheless.

On the surface, VARLET seems like it could be one of FURYU’s stronger titles, with striking visuals and solid audio design. Unfortunately, its weak story and steep price drag down what might have otherwise been a decent game, leaving it as another disappointment in the company’s mixed lineup.

Aphelion is easy to admire from a distance, but the closer you get, the emptier it feels. Its story relies on a relationship it never really builds, and the gameplay does little to keep things interesting in between the nice-looking moments. Aside from the performances and the immaculate soundtrack, the game is as distant and impossible to connect with as its namesake.

Post Trauma offers a nostalgic journey through classic survival horror, but doesn’t quite manage to recapture the magic of its inspirations. The atmosphere and sound design provide an immersive experience, but the gameplay often feels cumbersome, and the story leaves much to be desired. While it hits the right notes for horror enthusiasts, it occasionally stumbles in execution. It’s an enjoyable ride for those seeking a taste of PS2-era horror, but it’s far from perfect.

Destiny 2’s decline has been a long time coming, and The Edge of Fate only speeds it along. A dull epilogue paired with frustrating mechanics does little to justify its existence. The real improvements came from the free updates, not the expansion itself, not that it saves that much, anyway.

It might not live up to its lofty title, but Yasha: Legends of the Demon Blade still delivers a captivating journey through a twisted Edo Japan—where striking visuals and frenetic yokai battles unfold across the paths of three unforgettable warriors.