Ken's Rage ruins a solid game-structure with a gameplay that lacks depth. And furthermore the graphics is really poor. A game only for addicted fans.

Giving up the winning features boasted by licensed musou launched between 2020 and 2021, Touken Ranbu Warriors was lacking in every respect. The reduced longevity of the bone, the absence of secondary modes and mechanics capable of differentiating the offer to a minimum, without forgetting a non-existent level of difficulty, make it a product that is absolutely not up to the current Omega Force standards. Therefore, for the most hardcore fans of the genre, we suggest that you be patient and jump straight into Fire Emblem Warriors: Three Hopes, which will take us back to the unforgettable continent of Fódlan in just a month.

Ken's Rage ruins a solid game-structure with a gameplay that lacks depth. And furthermore the graphics is really poor. A game only for addicted fans.

Technical engine is creepy, enemy A.I. fails, and the multiplayer option is boring and badly developed.

Warface Breakout suffers from a "lightness" of content that tires quickly.

Superficial both from a playful and technical point of view.

This is, by all means, an Xbox360 game. And it could have been good, if the control scheme wasn't messed up and the scene so full and hard to read.

Sniper 2: Ghost Warrior cannot get over its predecessor, despite a graphics engine with great potential and a better interpretation of the sniping dynamics.

It seems like an episodic game, but it isn't. Everything, from gameplay to narrative, feels like setting ground for something to come. Let's hope it does.

This updated version of X-Blades has some interesting twists and a new mechanics that work well. But even leaving alone the awful multiplayer mode, a lumpish control scheme and major graphical issues (bad collision over all) spoil the global experience.

Dangerous Golf is able to entertain for a determined amount of time, that starts when we understand how the sequence of shots work, and ends when we realize that levels are way too similar to each other, and scores are totally random. During these few hours, Dangerous Golf tries to impress and involve the player with explosions and destruction, but it never totally convinces.

Although rich in content and resting on solid foundations, the Switch version of MotoGP 18 disappoints expectations with a poor technical conversion and without the now-essential online mode.

The PS4 version of Necropolis is spoilt by the lazy conversion of the PC edition, with a weak combat system and a bad optimization.

Black Legend certainly starts from an interesting idea. The problem is that it remains an idea.

Stormling tells a story with undoubted potential, without however supporting it with a careful management of textual narrative and good game design.

Although Generation Zero seemed to have a lot of potential, it failed every expectation.

We were very sorry not to give at least the sufficiency to The Lord of the Rings: Gollum. But the limits are too many. The unpublished portion of the story is not up to Tolkien's saga and the playful phases are imprecise and obsolete. A thicker graphic rendering would have at least allowed fans to better enjoy some flashes of the pleasant artistic direction. In short, we hope that future patches will solve, if nothing else, the technical stumbling blocks. In any case, even if the stability of the game will improve in the future, Daedalic Entertainment's one is unfortunately not the treasure we wanted it to be.

A challenging action game, that requires an excellent mastery of its simple control scheme. A roguelike experience interesting on the short run, but too tedious and boring to grant a sufficient replay value. The charming cyberpunk style is not enough to overcome these issues.

Inquisitor - Martyr is unfortunately a failed attempt to create a worthy RPG action set in the fascinating world of Warhammer 40,000.

Crossfire Legion marks a misstep for BlackBird Interactive, a software house that has its fair share of experience in the field of RTS. Precisely for this reason we were negatively surprised to experience a product of this kind, all in all valid from a technical or artistic point of view, but rather monotonous and uninspired in the tactical-strategic components. Ours is not a complete rejection, but in essence we find it difficult to recommend the purchase of Crossfire Legion to anyone who is not already a diehard fan of the franchise.

It remains - it is true - an intense, enigmatic and fascinating work that fits perfectly with the portability of the console and enjoys the pleasure of the HD Rumble. But, overall, lower graphics yields and so many (too many) frame rate drops impoverish the emotional reach of a game that, by virtue of its artistic extravaganza, would surely have deserved better treatment.

PowerStar Golf is a casual game developed without ambition, that just retrieves the model, the color and style of many other colleagues.

It's still a great puzzle game, but the PC porting didn't turn out very well, especially when it comes to controls.

The humour is still there and works fine, but when it comes to gameplay, the shift in the formula from team based multiplayer to cooperative hack'n'slash doesn't fully work.

As its main character, it tries to hide its real nature, but sooner or later you'll grasp it anyway. It's not for the impatient gamer, and some design choices ultimately spoil the fun.

After the interesting Grey Goo, Petroglyph delivers an old-school strategy game with a retro look. Don't expect the complexity of the masterpieces you played in the 90's, though: 8-Bit Armies has a poor strategic value and all the matches looks the same.

Yar's Revenge has nothing that doesn't work. It's simply a videogame that offers too little.

In the current state of affairs, WWE 2K20 is in fact a faded copy of its predecessor.

It's almost pure fan service, and there are far better platforming experiences out there.

A good scripting and some humour aren't enough.

It's a wasted chance, since the level design is almost never able to deliver what a 2D platform fan usually asks for.

The playful component is also ludicrous, which has proved boring and devoid of intriguing tricks, especially for a shooting component made too roughly.

Quotation forthcoming.

Override 2: Super Mech League has failed to expand the good ideas of its predecessor, because the absence of the single-player campaign adds a limited play offer on several fronts.

It remains a product mainly directed towards a very young audience, which is not very familiar with our favorite medium and prefers a few matches hit and run.

The gameplay delivers its best traits only sometimes, when everything clicks together. But that doesn't always happen, spoiling the fun.

The idea is sound, albeit not original, but the mix doesn't work as it should.

It's the lack of humour that kills this game, and that's really unforgivable.

The resurrection of a saga that already failed to win the hearts of players twenty years ago turns out to be a bit empty, like the coffin that Grave carries on his shoulders: the developers of Iggymob offer an extremely simple experience through a shooter third-person shooter with basic mechanics, fixated on repeating shooting to mow down wave after wave of helpless enemies. The long and always identical corridors that form the backdrop to the carnage of the resurrected gunslinger frame an all too meager playful recipe, weakened by a spartan technical realization and by a basic repetitiveness that is revealed within a few hours. The artistic direction of Yasuhiro Nightow is evident in a character design very close to the lines admired in Trigun, but it is not enough to elevate what remains an unambitious product.

Press any key. Repeat. That's all.

The Collider 2 is a sci-fi endless runner that tries to stand out thanks to the VR Support, but doesn't have the content of the quality to keep the player engaged for a long time.

A lover of Miami-like games can safely acquire it, aware of finding a series of playful patterns not easily pursued in other genres, but as regards the various elements of the work (from history to aesthetic choices, through the variety of enemies and possible interactions), we are faced with a concentration of banality.

The idea is interesting, the execution much less so. This is just the first act, but it's not a great start, since gameplay mechanics do not connect with the good art direction.

One wonders if it is worthwhile to enjoy a few minutes of nice parodic slings at the cost of enduring very insignificant hours of play.

Driver: San Francisco fails in every aspects. Bad graphics and a terrible lack of variety sink its gameplay, making of it a title that can't be recommended.

Pokemon Rumble is definitely not a title with a strong appeal. Banal background that leads inexorably to a repetitive gameplay, combined with the simplification or the absence of some key aspects of this genre of games, such as the growth of the Pokemon, makes Pokemon Rumble a disappointing WiiWare.

A missed opportunity to exploit the videogame medium to talk about something important, relevant and extremely current.

The game structure seems too simplistic for those who would like to approach the dungeon crawler's tight action for the first time, unable to engage the player with engaging progression and stratified and rewarding gameplay.

Completely useless for those who have played one of the other 2 versions, quite futile for other players. Just for Pocket Monsters fans.

Even if characters and events are charming and thrilling, gameplay mechanics are dull and a bit flat.

Noob: The Factionless is a production afflicted by too many problems for it to be valid entertainment even for the young audience to which it is addressed. Under its surface of appreciable simplicity, which partially forgives a little challenging and little wriggling gameplay, it hides a banality and even discouraging neglect. The operation of trying to take intellectual property outside its borders through a video game certainly made sense, but it crashes loudly on the rocks of mediocrity.

Nier is a complete mess. To mix up action rpg and 2d scrolling shooter is a weird idea, and the results are very disappointing. The clumsy plot and the ugly graphics do the rest.

Net of the charm of the protagonists and an overall enjoyable combat system, Devil May Cry Peak of Combat is a product totally devoid of original ideas which limits itself to replicating what has been done by other free to play games, however obtaining results which are not even vaguely comparable in terms of effectiveness. So if you appreciate the formula, you'd better divert your attention to Honkai Impact 3rd and other free action games for mobile.

Monkey King: Hero is Back is a game that you should consider only if you are an avid fan of the Chinese movie of the same name, eventually relying on a strong post launch discount.

It's good to see a shooter on Nintendo's handheld, but, on the other hand, Ironfall Invasion reminds us why so few made their way to the double screen: controls feels awkward. What's more, the game is not a great shooter per se, so you'd better consider sticking to other genres.

Dungeon Hunter: Alliance is too much of a classic production with the poorest combat system on the portable market. Graphics lacks in definition and gameplay in precision, so the game is absolutely not an investment.

A clear example of how not to develop a tie-in. The plot is convincing, but everything else, from the gameplay to the technical department, does not deserve your attention.

The Drowning amazes users for a few minutes, making them breathe a catching atmosphere, crafted and enhanced by first class graphics.

Naughty Bear should burn in the flames of videogame hell. The funny-but-trivial idea of a sociopath teddy bear is spoiled by a noxious gameplay and an evil look. Don't buy it.

Michael Jackson The Experience is probably the weakest title in the Vita lineup. It appears a desperate effort from Ubisoft to ride the wave of Michael's post mortem popularity, giving players a bad porting of the console version.

Its arcadey mechanics are just not fun enough, and there are also technical issues to be taken into account. Sadly, not a good experience for Vita owners.

Ds version of Ghostbusters does not entertain like the home console versions.

There's a great way to enjoy the video game version of Blood Bowl: buy the second chapter, which sadly surpasses its successor in every possible way. Blood Bowl 3 manages to give some satisfaction in multiplayer mode but in general we are talking about an unstable experience, plagued by significant bugs and equipped with a single player component that we just can't recommend to fans of the series.

In short, a "small" sin.

Quotation forthcoming.

Third chapter of a saga that desperately tries to follow in the Pokémon footsteps, it doesn't manage to impress, mainly due to silly gameplay mechanics.

Quotation forthcoming.

Five cars and three tracks. It makes no sense to buy now Ridge Racer for PS Life. The advice is to wait for the DLC and thought to its purchase.

Despite some interesting ideas and the same suggestive style of the series, this Journey is, from the beginning to the end, boring.

Blood of the Zombies is the practical demonstration that the Gamebook still have a charm of its own but which the genre, at least in digital, may dare much more.

Without the camera, Eye of Judgment looses its appeal, and becomes a standard game.

Shadwen, unfortunately, has proved to be a messy bunch of ideas, unable to involve the player in its narrative context, which could be interesting, but has been developed too superficially. Same goes for the gameplay mechanics, made of concepts taken from other games and put together almost with no consistency.

Despite the interesting driving model, the lack of content and the creepy visuals make Alive a terrible game.

Quotation forthcoming.

Lord of the Rings: Conquest for Nintendo DS is spoiled by major graphical issues and a short-duration single player. Even if it shows a little variety in the gameplay mechanic (thanks to the three available classes), few players will forgive the bad looking polygonal scene and a offhanded story mode.

A dismal failure. Tedious, slow and repetitious: here is the best way to describe the latest Atari's work.

Few minigames, most of which repetitious and dull, and a coarse style. A good showcasing of touch based control scheme reactivity, but nothing more.

Friday 13th: The Game could have been a great game with a potentially very interesting concept. Not today, not in this life, not in this dimension of the physical universe. It seems that the development team, without clearly paving the way forward, has given the players a still-tough and developing title.

Boring! No online, no exploration, no plot. The Unreal Engine (also not well used) is not enough to guarantee a good game and, in fact, Combat Arms ain't.

The combat system is limited, the control system is inaccurate and augmented reality is detrimental to the gameplay itself. Hard to recommend it to anyone.

All in all fun and able to show the historical characters of the brand from a different point of view, ONE PIECE: Grand Cruise would have won hands down our sympathy (and sufficiency) if it had been proposed not as a game, but as a 'VR experience, maybe free or otherwise at a price consistent with the very few contents offered by the package.

You might find something interesting in the dark fantasy lore, but the background is ultimately wasted. Gameplay is boring, full of issues, and generally underdeveloped. A rushed project, and nothing can save it from mediocrity.

Except for the picturesque landscapes, Super Neptunia RPG is a disaster.

The idea itself didn't seem bad: a mix of rhythm game and platform similar to what we saw in Rayman Legends, with its unforgettable musical levels. The result is instead a mixture that takes the worst of both worlds, between rigid movements and songs on average without bite, and an inexplicable temporal rewinding mechanics that only contributes to interrupting the flow and increasing the annoyance due to the continuous trial & error to which you will be subjected.

Kyotokei lacks everything a shooter should have: rhythm, pace, destruction. Avoidable, as the Virtual Console if packed of games of similar genre and higher quality.

Quotation forthcoming.

A bad Gears of War clone. Without Epic style, and many graphical issues. Worst Cuscenes Ever.

PokePark Wii is everything but interesting. Sure it's aimed to a younger audience but the game's structure, from the minigames to the exploration of the park, is boring and unrewarding.

A painfully wasted opportunity with a package that is currently struggling to justify the price of the ticket.

City Interactive misses the shot.

Rogue Corps is an admittedly arduous and ferocious adventure, but the satisfaction in reaching the credits unfortunately collapses under the weight of frustration.

We should have known: the planet we need to explore in this short and dull adventure, is unequivocally lifeless.

It does not rely on a solid contour such as that of the Netflix series to lighten the weight of these problems on the player, who instead sees himself launched into the fray with banal justifications without bite.

Quotation forthcoming.

MegaTagmension is an extremely niche product, made of pure and simple fanservice, reserved strictly to the fans but without any attention to the design itself, which is necessary to guarantee a real entertaining and interesting game experience.

Despite the great expectations, it all ends in a predictable collection of mini games, sold at a way too expensive price.

Iron Sky: Invasion is a space simulation game with cool and fun gameplay, strongly affected by a lack of technical deficiencies and a very repetitive game structure.

Kill Strain was conceived as an "asymmetric MOBA" with a Twin Stick control scheme. It is an unbalanced battle arena with a sloppy graphic and an impressive scarcity of contents.