Xenon Racer is rewarding, fun and well thought out.

Gloomy and enigmatic like few other virtual reality titles, Last Labyrinth is a unique and original experience.

It's primarily a multiplayer experience, and that's where it really shines: played by yourself, it won't show enough lasting appeal.

A really nice indie game, which will let you discover ancient legends with an adventure that certainly does not shine for longevity (collecting all the collectibles we arrive to a duration of about 15 hours) but that is able to offer the right dose of epic.

Same old Pro Cycling Manager: the great managing experience is counterbalanced by a mediocre technical realization that, once again, stresses the team's inability to renew its creature.

The arrival of the renewed PRO physics is a helping hand towards their community, as well as all the detractors who complained - sometimes even rightly - of a simpler at times too bland and of a little reactive and scrubbing management of the scrub and whip.

Chasing Aurora is a Competitive Party Game that does not work. The weakness of the gameplay structure and a not involving single player made every effort useful. A bad game to stay away from.

Suffering from the passing of time and from a poor porting, Jojo's Bizarre Adventure HD is a title difficult to recommend even to the manga's die-hard fans.

The new SimCity is a rich and fun computer video game, definitely a must-have, already on the list for best PC game of 2013: it's good, however, but it's not a massive game or a title with the fundamental component online, despite the need to be constantly connected to the network.

More an experiment than a videogame per se, it mixes puzzles and micromanaging in an original way. It's frustrating though, and generally quite slow. It's a good choice if you're looking for something entirely different from traditional experiences, but not for everyone.

The game has an interesting storyline and the setting is quite evocative, but the battle system is boring and there is no freedom at all during the progression.

Ultimately, Vampire the Masquerade: Swansong only partially honors the name it bears.

Kona VR works, but it is clear that developers have had to sacrifice something to adapt the game for the Sony viewer.

The premises were interesting for a different horror experience, but the slow pace and the frustrating gameplay often spoil the good time.

Every Sid Meyer production should speak to a very specific audience, but Starships is way to simplified to engage strategy veterans.

Quotation forthcoming.

Thrilling pursuits are the only focus of the game, because the free roaming aspect and the on-foot sections are not enjoyable. You can save Wheelman if you like Vin Diesel. Otherwise, save your money.

The starting point is not bad.

Quotation forthcoming.

Resident Evil: Resistance is an honest appendix of Resident Evil 3, able to give a few hours of fun to all fans of the series curious to try its asymmetric multiplayer.

Despite the very quick playthrough (around 3 hrs), he plot looses momentum halfway through, and the pace slows down the progression. The idea is sound, but the execution deserved more care.

BlazBlue Continuum Shift II shines in its gameplay but fails in every other aspect, due to the many flaws of a lazy porting.

It remains - it is true - an intense, enigmatic and fascinating work that fits perfectly with the portability of the console and enjoys the pleasure of the HD Rumble. But, overall, lower graphics yields and so many (too many) frame rate drops impoverish the emotional reach of a game that, by virtue of its artistic extravaganza, would surely have deserved better treatment.

A strange chapter for Command & Conquer. Strategical depth is guarantee, but the pseudo-rpg mechanics could disappoint RTS purists.

Mad Riders is a good arcade title starring the long time inflated quads. The game, however, is ideal for anyone looking for a fast-paced game, easy to understand.

Being a Free-to-Play that does not even require a subscription to PsPlus, and since the Ps4 releases will stand still for a little, Warframe is absolutely worth the try.

Nero tells an interesting story in an original way, and if you're into narrative experiences, you should consider it. On the other hand, many technical aspects have been overlooked but the dev team, and that's a terrible shame.

Beyond any doubt, The Crew had loads of potential. The "single player" experience might be fun at times but the AI and the handling of the vehicles lead to frustration. Where the project really turns into a train wreck, however, is on the multiplayer side where just finding a single PVP game can take ages.

It's partly a walking simulator, but the gameplay delivers some unexpected turns. The young development team clearly lacks experience, but it's still a promising first step.

Control scheme is simply awuful and some technical issues spoil the scene, but the RPG elements are there along with mini games, extra activities and sub quests, to remember how solid the structure of the main series used to be.

Adr1ft is a short, narrative experience that follows the lead of Everybody's Gone to the Rapture, Dear Esther and other so called "walking simulators". The first part of the game has a more elaborate gameplay (asking the player to manage the oxygen reserves), but in the end all that matters is the compelling atmosphere.

At times it can be fun, but it's still incomplete and flawed. Coop mode could make it shine, but the netcode isn't even nearly stable enough to offer a good time. For the third chapter of the saga, we would've expected a bit more effort.

A completely ordinary platformer.

There was a moment in which we really feared for the success of Fospoken, which, due to a not exactly crystal clear communication from the publisher, often ended up making us feel mixed sensations. Confirming the impressions gained on the occasion of previous direct contacts with the product, however, the new creature of Luminous Productions convinces in every respect, without excelling in any field. While the staid pace of the isekai matrix plot is counterbalanced by surprising twists and turns that leave a love flavor, the albeit chaotic combat system and the exorbitant number of optional activities offered by an open world that is anything but empty compensate for a surrender visual not quite state of the art.

Dynasty Warriors 9 Empires is a title that, if taken in small doses, is absolutely capable of pampering and entertaining the admirers of the saga and of the strategic drift undertaken by the Empires vein. However, its combat system is still too immature and repetitive, especially when compared to the achievements of the licensed musou that Omega Force and Koei Tecmo Games have given us in recent years. Thanks to the dated technical sector and the questionable recycling of equally obsolete assets, we find no reason that can justify the publisher's decision to offer it at full price.

Storm is a classic puzzle game, which starts from good ideas without really exploiting anyone.

Where the title could have opened up to a more heterogeneous audience, it chose to give up on any guides or tutorials, making learning much slower and tiring to the less experienced, in some ways even frustrating.

Killer is Dead is a hymn to the multifaceted creativity of a game designer still capable of enhancing the vision of the Japanese video game industry.

Purchase is recommended, in short, to those looking for a retro role-playing game, and especially to true fans of the genre.

Dull as one of worst Dynasty Warriors, ugly to see, repetitious and disheartening. There's plenty of better games to play co-op, so don't let the standard variation of horde game mode lure you.

It's just an HD remaster without new content, but the original experience still works.

Despite the shallow graphics, the new Supreme Ruler is a solid and incredibly depth strategy game that will appeal to every fan. On the other hand the new players will be overwhelmed by its complexity due to the complete lack of a tutorial.

Able to entertain lovers of the genre.

Destiny 2: Destiny's Edge isn't exactly what fans expected from the debut of what was previously called Frontiers. All the enthusiasm and desire to experiment that emerged when it was announced has unfortunately been lost on this expansion, which introduces weak mechanics and adds very little replayable, albeit valuable, content. We truly hope that fan feedback can somehow help the Seattle team straighten out the situation and catch up with upcoming expansions or, perhaps, with the update coming in September that will introduce a new activity on Earth. In the meantime, we can only say we're minimally satisfied and, above all, concerned about the game's future.

Can be enjoyed in small doses and without commitment.

Wastelanders represents a small revolution for the general enjoyment of Fallout 76, a return to the classic canons of the saga that opens up new and interesting perspectives on the future of the title. A year and a half after the game's release, Bethesda has finally followed up on the audience's demands by implementing a long series of substantial changes that significantly alter the game's narrative balance.

A nice spy story locked in a clumsy action game. Too old to impress, and really ugly to see.

It's a step further from its predecessor, as it adds a bit of replay value to the formula. On the other hand, the main gameplay issues are still there.

King's Bounty II is composed of many traditional elements fused together in an unconventional way. Rather than melted it would be better to say stuck on top of each other. The amalgam of characteristics and genres is completely disorganized, confused, as if it were the mixture of randomly selected market trends. Taken individually, not all the constituent elements of the game are mediocre, indeed it is quite possible to be captured by the settings or by the combat system. But what is missing is the connection work: the most important operation in a complex product such as a video game. What distinguishes a good video game from a bad one is not the sum of the parts, it is how these parts interact with each other, how they contribute to the realization of a common goal.

Quotation forthcoming.

The more strategic gameplay might please a part of the audience, but the basics remain the same of old, and that doesn't make for an overly interesting mix.

A good action game, with a lot of puzzle solving and exploration.

One of the clearest impressions is that Project Motor Racing is currently a work in progress. It has excellent intentions, a foundation that could grow, and an "old school" philosophy that could appeal to a wide audience. But this requires time, updates, refinements, and a clear creative direction. The game isn't broken, it's not a failed product: it's simply very immature, still far from being a benchmark title, but with enough potential to get there if adequately supported. A release in early access at a budget price would probably have been more consistent with the current offering, because quantitatively speaking, the game offers a lot, but suffers from evident shortcomings in key areas: AI, penalties, driving system, and the overall cohesion of its ecosystem. Some aspects are already very good, and we are confident that in the future the game could become a benchmark for racing game enthusiasts, if only for the uniqueness of its car roster and the good career mode.

Crazy, frenetic, fun: with this action RPG you cannot really go wrong. Fans of the genre will find their teeth, with a bizarre story, a level of challenge that's never banal and excellent possibilities for customization of skills.

It has been a while since we saw such a weak adaptation: if you are passionate about the genre it is better to focus on other products; Fortunately, there has recently been no shortage of much more valid proposals than Cobra Kai.

Ultimately, the revival of Maiden of Black Water on modern hardware is a welcome operation but which is partly a wasted opportunity. The remaster will allow fans of the genre to rediscover an interesting experiment among survival horror, but greater care in realization would have made the last episode of Project Zero usable by a much wider audience. Despite the years that have passed since the first release and the absence of the technical limits imposed by exclusivity on Wii U, no additional effort has been made to improve a title with not properly refined mechanics. If over the years the Project Zero series has struggled to renew itself and has gradually crystallized into an aging playful formula, this new edition does nothing to remove Maiden of Black Water from the ancient spectrum of its roots.

The Power of Magic is a platform game with some interesting ideas, placed in a structure that seems to squeeze more often an eye to younger gamers.

The Lord of the Rings: War in the North is a good game. Unable to achieve excellence because of limits of the gameplay, it is still a title recommended to fans of the genre and of The Lord of the Rings.

There are few aspects of the game that really intrigue the player (the soundtrack, for example), while the embarrassing battle system and a dull story make Sands of Destruction inexorably sink.

More content, especially for a game that is in desperate need of new things to do and places to explore, would've been much more appreciated. On the other hand, what this DLC has to offer is some of the best strikes Destiny has ever seen, and a compelling raid.

Namco Museum: Virtual Arcade will probably find a place in the hearts of old gen players. With 25 classic games and 9 live arcade this game could be a good choice for players that wants to revive the golden age of the videogames: the glorious '80!

Although with obvious limits, due primarily to the modest means of a production that is anything but AAA, Panzer Dragoon: Remake is a re-release that will make fans of an unforgettable SEGA icon happy anyway.

Obscuritas is a mediocre horror adventure. The story is weak, and the impressive amount of backtracking is frustrating. Technically speaking, the game doesn't stand a chance against other eminent competitors (like Outlast and SOMA). The game is not a complete failure, however: it has a good variety of puzzles and a perceptible tension.

In evaluating All-Stars Fruit Racing we have to underline a certain disappointment not so much for what the product is, but for what it could have been.

Perhaps Metal Wolf Chaos would have been more suitable for a documentary on its troubled history than for a remastered HD.

It's the best chapter of a saga that has had quality issues since its very inception. Still, it'll please hardcore fans of the sport, even if it's not really entertaining in most of its aspects.

Split/Second: Velocity is a godd arcade racing game. Inheriting the gameplay mechanics of the chapter directed to the home console, the PSP's version looks good. Certainly it isn't a perfect game: technical glitches make some races more frustrating than it should, but fun is always guaranteed.

Recore is a game constantly looking for a balance between its many souls. Developers had obviously aimed high but were forced to downsize along the way. The result is a title still enjoyable, an obvious homage to an old way of creating action-adventure games, with all the pros and cons of the case. Here and there one can see touches of modernity, but the adventure is a basic old school structure which draws liberally from the tradition, not always with satisfactory results.

There's still fun to be had with the good and ole Lemmings, but the control system could really do with an upgrade.

Turning a blind eye to some uncertainties, the one to discover the past of Nicole and Rachel remains a journey that is still worth taking.

It's perfect for the mobile platforms, as the quick matches can really be a relief while waiting for the next bus.

Space Junkies is a solid and fun arena shooter, with all the essential ingredients in the right place.

Quotation forthcoming.

Chocobo GP takes up the speech abandoned by SquareSoft in the late 90s and brings to light the official kart racer dedicated to the Final Fantasy franchise. It revives the concept of Story Mode, expands its roster of characters and makes some changes to the basic idea - introducing an interesting variation of online multiplayer. This, however, is not enough, because the real limits of Chocobo GP are the scarcity of its offer (which will expand in the future) and the sufficiency with which the available circuits have been created. It's okay to be a title aimed primarily at an extremely young audience, but the few and boring tracks are an obvious obstacle to fun and cripple the personality of a game that, at least on paper, could have had its say.

The humour is still there and works fine, but when it comes to gameplay, the shift in the formula from team based multiplayer to cooperative hack'n'slash doesn't fully work.

Republique's "new course" isn't as original, deep and interesting as we saw in the first "season". It's a true shame, but the old concept was indeed much more interesting.

An intriguing game, dedicated to nature lovers and photographer would-be. Unfortunately, some graphical issues spoil the atmosphere.

Override 2: Super Mech League has failed to expand the good ideas of its predecessor, because the absence of the single-player campaign adds a limited play offer on several fronts.

Scarygirl is a beautiful platform that push style over the limits leaving sometimes gameplay behind.

We therefore recommend a purchase to old fans, and to all those who want to discover a title now entered in the legends of the JRPG, as long as they approach it with the awareness of having to eventually deal with the heavy limitations imposed by the weight of years.

It's a weak brawler game, that tries desperately to monetize on the Kung Fu Panda license, but does so in a very lazy fashion.

We Were Here fits into the PlayStation ecosystem with extreme ease: one more reason to give it a chance, in case you haven't already done so on other platforms.

King of Seas entertains enough, and also knows how to relax a bit, like a nice drink. She has her limits, she doesn't have huge ambitions, and here and there she brings out pretty good ideas, especially in combat. And, for the bodies of a thousand whales, it works. It's very repetitive, but it works. It doesn't exalt, but it works. When taken in small sips, it goes down which is a pleasure. So bullshit the sails: may Davy Jones never hug you. What are you saying? Should a vote be given? Aye. A nice 7, it goes. Like the seas.

An operation to be undertaken with a philological spirit, driven more by the hunger for knowledge and experience than by the desire to be captivated by an adventure. However, you only have a few months left to decide.

Sonic Lost World is the ideal title for those seeking an immediate and funny platform meanwhile waiting for a new Mario.

An unusual product: a little bit of God of War with some drops of Overlord and Pikmin. Still, this game is not brilliant, 'cause of the creepy graphics and the iterative gameplay.

While not giving back the sense of adventure and the unbridled collecting of the games that make up the main series of Game Freak, Pokémon Masters can represent an excellent pastime for those who are never satisfied with struggles between Pocket Monsters: production can indeed entertain with a story long-lived and a fair amount of content.

Though the mechanics on which the entire experience is based is definitely fascinating, it tends to lose its effectiveness quickly despite the short duration of the adventure.

Between the player and the pleasure of the puzzles always remains an obstacle, something that inevitably ruins the gaming experience.

It's a promising opening chapter of what could become a great saga from Ready at Dawn. When credits will roll, you will have the distinct feeling of having witnessed something special and different, the rising of a new and interesting character surrounded by a fascinating background. It's still a shame that gameplay doesn't go beyond what's given for granted, many narrative aspects remain untouched, and the hour count itself remains thin, but that doesn't diminish the value of this debut.

Dynasty Warriors 7: Empires can improve the original formula, proving deeper and more able to attract the attention of a wider audience.

A game with no clear objectives, no edge, and is downright boring.

As crazy as it gets, but there are much better beat'em ups out there.

Loaded with tension and cadenced by the need to survive, Parabole's work tries to change a genre often negligent on the gameplay front, but fails to worthily conclude a story that at first proves interesting.

Arizona Sunshine has the advantage of putting the player at the center of the action, thanks to a control system that fits in to the many devices offered by the PlayStation 4 platform VR, but asks us to overlook the occasional tracking issues.

A truly deserving project, even in the face of the indie nature of the project, which finds its most suitable reference platform especially on mobile.

Edens Zero is a seemingly half-hearted and unconventional undertaking: a title designed for fans already familiar with the story, the characters, and their powers. Getting interested in Mashima's work from the game alone is difficult, as the hyper-fast-paced plot doesn't allow for any attachment or empathy, the stark locations lack the same punch as those drawn in the manga or anime, and the characters are like dolls to be dressed up however we want, only to have them clash with each other, without ever feeling a sense of challenge. If that's enough for you, there are indeed quite a few costumes and "costumes," especially (but not exclusively) for women, with animations that showcase them well, and models of the protagonists that fit them perfectly. As for the game itself, however, there's very little RPG in it, and the action is lazy and overly simple. A real shame.

Bionic Commando Rearmed 2 is a good game, able to entertain. Unfortunately it can't hold a candle to its predecessor because of some lacks in the control system and a clumsy level design.