Alteric had the potential to be a good alternative to the difficult platforming genre. However, the various issues that rise up, from "sliding" off during intricate platforming sections, to respawning on top of a boss for another immediate death, can be very annoying. The skill that is normally required for traversing these difficult platformers goes out the window in Alteric, as the controls and level design work together to make things unfair instead of being challenging. The gravity - and plane - switching features are cool mechanics and it is a shame that they were hampered by the controls.

Finally bolting from the Sony Stables, the epic adventure of Cloud and company has lost little of its lustre over the years, retaining the complex narrative elements and magic customisation features that give modern games a run for their money. The sound bug issues are unfortunate, and inexcusable given the age of this version of the game, but what is retained remains as great in 2019 as it was upon release.

Outward isn't so much bad as it is outwardly bland. Bolstered by its genuinely endearing premise, and an emphasis on a more "human" approach to the RPG genre, the title is simultaneously held back by lacklustre presentation, an underwhelming combat system, and a main game that goes on far too long to justify the onslaught of hostility thrown at the player. The survival elements do help to keep the experience engaging, but, more often than not, they hold back what would otherwise be a rather atmospheric and pleasant action-RPG. The hostility on offer is a genuine strength on a conceptual level, but it perhaps goes too far, resulting in an RPG that can't quite overcome its flaws despite its qualities.

A must buy. Case closed. There are so many reasons to pick this up. For those who haven't tried the series out, this debut on other consoles add up to a wonderful incentive. It's amazing that even 20 years on, these still hold up. The only thing that lets this collection down is that there is little extra to elevate this remaster, other than just a graphical overhaul. Regardless of this small bump, these remain some of the very best Visual Novels out there and with no end in sight for the series, this glimpse of them arriving on new platforms is very promising.

Anyone who wants a quality Zelda-style action adventure game on their Switch is going to be better off with Okami HD. Darksiders: Warmastered Edition is a polished and shiny bronze medal. Fighting monsters is as standard can be, and what keeps things stimulating is the variety of the environment, puzzle solving, spectacle, and the exploration to be had. It is satisfying to stumble on a hidden chest and find some upgrade that War could use as it is in most adventures. Often entertaining but not exactly emotionally engaging, Darksiders takes itself too seriously.

Deceptively simple in its concept, Ghostory's form-swapping mechanic provides all this needs to be a neat and challenging puzzle-platformer - and one that happens to provide some pleasantly ghos... ghastly puns. Unfortunately, the fun dissolves due to the subpar level design, which makes this 25+ level adventure feel the same from beginning to end.

SoulCalibur VI tries to go back to its roots and mostly succeeds. It is far from being the game expected after waiting so long for the sixth entry, with low quality visuals, long loading times, and not much improvement over the same old combat, but if the return of old character favourites and that classic gameplay is what is sought after, this will do the job, with plenty to do for the solo player in story modes, although there is a lack of options outside of that.

Not Yoshi's best adventure to date, but it does a sufficient job of being a kid friendly 2D platformer with an appealing visual style that lends itself well to crafting some interesting levels. Sadly, things can get a bit tiresome, and older gamers may find themselves rushing through to the end of stages in no time. Seek challenge elsewhere, because you won't find it with Yoshi's Crafted World. The quality is there, as expected of a Nintendo-developed title, but it is too simple for its own good.

While Dark Devotion is in no way a perfect Souls-like or metroidvania, it's definitely a pleasant mix of those two "genres." Some of the design choices at hand can make the experience feel a bit repetitive, and even annoying at times, but, as a whole, this is a pretty solid recommendation for lovers of challenging action-adventures with a dreadful atmosphere.

Both games still hold up well today, and, at the very least, Final Fantasy X alone can make this compilation worth the purchase, especially now it is portable on Nintendo Switch. Although this edition of Final Fantasy X / X-2 HD Remaster isn't as graphically impressive as other ports and is missing the PC boosters, it remains a highlight of the franchise and shouldn't go missed. Unskippable cut-scenes in this day and age is a huge negative, though!

The combat system has been tweaked just enough to keep things fresh for Dead or Alive 6, but there is this niggling feeling that the budget just wasn't there for this game, which is unfortunate, because there are plenty of modes and great characters to enjoy. A few too many aspects stand out as sub-par, though, leading to disappointment for many that have been waiting so long for the next entry in this franchise. Still a whole lot of fun and worth at least trying the free-to-play version out if curious, but it may be best to wait for the likely Ultimate edition.

Mortal Kombat 11 caters to the hype as far as its combat is concerned, managing to expand on the series' trademark formula and provide an entertaining story mode to boot. In a truly admirable feat of game design, every character manages to feel fresh despite some of them being around since 1992. Long-time fans and newcomers alike will have plenty to enjoy with this title. The only thing holding Mortal Kombat 11 back is its convoluted gear system, but with NetherRealm committed to continually improve upon its creation, that is subject to change. As it stands, this is a great fighting experience.

Sekiro: Shadows Die Twice is the breath of fresh air the "Soulsborne" sub-genre needed. It proves that stats, levelling-up, and equipment, is not what makes this kind of games. Instead, what matters is how death is treated, what sort of consequences there are for choices the player makes, and really big doors that open dramatically slow. The verticality of the level design, grappling hook, jumping and almost Zelda-style progression makes this one stand out in an ever increasing sea of imitators. Ultimately, this is more than just a sum of its parts; it's full of mystery, jaw-dropping spectacle and intense satisfaction.

At first glance, there was little promise here. A movie tie-in to a pretty bad movie, so long after it, and clearly taking more than inspiration from another existing popular franchise? Yet, what at first seems like just another shallow Left 4 Dead clone reveals itself to be so much more, it feels more a true successor to its inspiration, definitely one to pick up for groups of friends looking for a new game to enjoy together, even more so for the Left 4 Dead fans out there. If the stability issues can be resolved, this is going to superb and needs to be on more people's radar.

This final episode of The Walking Dead continues the trend of hard decision making, before finally handing out the results of those decisions through what Alvin Junior ends up being like when the player is finally given control over the little tyke. This result shapes the ending into an emotional climax, no matter what those choices were. While things could have been better if the final moments had been allowed to last a little longer, this ending feels satisfyingly enough because of the emotions it conveys, and that is a commendable effort for a final season that's seen its fair share of development hell.

With another platforming and puzzle area to tackle before the main tomb itself, this could have been something that topped maybe all of the previous DLCs for Shadow of the Tomb Raider. Instead, The Grand Caiman is over too quickly, despite the decent tomb embedded in the volcano.

Nothing special once again for the next in line in Shadow of the Tomb Raider's season pass. A simple battle and a different, but not overly difficult, tomb work to pass the time, with a handful of decent rewards on offer at the end. It still does nothing to light up what has been a very average set of download content, though.

Although the story arc isn't anything to get excited about, this is one of the better DLCs to have come out for Shadow of the Tomb Raider. The Price of Survival features just enough variety with enemies and puzzles to make it worth a chance on its own, but still doesn't quite make the full season pass tempting enough.

A very solid and fun Lego game that tries to undo some of the more tired series trends by offering up a more interesting and varied style of humour, deeper puzzles and fighting mechanics but most importantly being less buggy. It's really a great title, and though some fans may find the gameplay still a bit stale, anyone who gives it a shot should find plenty of fun to be had and lots of value for money.

Game Freak's Giga Wrecker Alt. shows that the developer has a knack for character-driven platformers. Utilizing an array of tools and physics to progress is satisfying. It's especially fun to discover solutions that weren't intended by the developers. Creativity goes a long way in this adventure. However, while the PS4 version adds a few extras over its PC counterpart, the halved frame-rate is really disappointing.

The heart-breaking visual novel known as Empty Horizons is… decent. Definitely far from bad, but, apart from big time genre fans, and, specifically, Ebi-hime fans, most are advised to start with something more meatier, like Asphyxia.

The Messenger is a unique and enjoyable 2D platformer with a strong personality and exciting gameplay, and its fine-tuned appearance on the PS4 is a welcome one. The first half of the game is worthy of unfettered praise, but the experience takes a hefty blow at the halfway point from a failed attempt at expanding the scope. This aside, it remains a lovingly conceived game and is well worth playing through on this basis, but its flaws prevent it from going down as a true classic. In light of the fact that this is the first game by Sabotage, it's fair to say that the studio's future is bright.

Fans of sandbox or crafting games might be pleased with the package, and can bump this score up at least a point or two. For others, this has some serious flaws with its user interface, and simple constructing/crafting is often aggravatingly difficult, which unfortunately drags down what otherwise is an okay, if repetitive title. It is really sad, as at its root, this could be a gem, with some simple patches or design overhauls, and appeal to a far greater audience.

The Wii U was filled with some absolutely wonderful releases, many of which were criminally underrated and missed out on by so many fans. Seeing them return on Switch is wonderful, and the on-the-go functionality of the system allows for even more ways to play. For its current low price, Captain Toad: Treasure Tracker - Special Episode is well worth it. The initial description of recycled levels sounds a little off-putting, feeling that this could be a cheap, low-effort tack-on. It isn't. The new levels are filled with fantastic designs, while the remakes are complete overhauls, almost indistinguishable from their originals.

The Padre is a horror-themed adventure that's not frightening, is filled with pop culture jokes that aren't that humorous, has enemies that are annoying to fight with, and, finally, offers an assortment of puzzles that are a mixed bag. It looks good, and, generally, means well... but you should better play Silent Hill instead.

Fate/Extella Link continues offering the same entertaining blend of musou action and RPG-like progression, in a package that is bigger and better. Still, unless a big fan of the franchise, it's not exactly a must-have, as it mostly feels like an improvement that generally keeps things annoyingly safe.

Evaluated solely by its presentation quality, Dance of Death: Du Lac & Fey is a solid enough point and click adventure, but it is sadly marred by technical issues and by a general lack of engaging puzzle solving. The mere concept of Arthurian characters hunting down Jack the Ripper is interesting in its own right, something the script reflects rather well, but the game design itself simply leaves too much to be desired.

While it may not be of the same quality as the greats of its era, this is a solid and enjoyable title. The puzzle sections are by far the highlight, but the exploration and Zelda-style progression are all good enough to keep the players coming back. Many, many players who have fond memories of the generation missed out on this one, and its resurrection here gives them a chance to experience something new yet nostalgic. Instead of a new game trying to capture the feel of an era, this is a lost relic, a chance to experience a "new" action-platformer from the past.