With an ever stronger emphasis on hard decisions to make that will affect how Alvin Junior turns out in the end, and a strong presence of an old returning character from previous seasons, this episode ramps things up to an exploding cliffhanger that leaves what comes next completely in the dark. This makes this possibly the most gripping episode of the final season (so far), and makes the wait for March 26th even harder. However, this update to the Switch version sadly sticks to the forced shift to a 720p resolution in docked mode introduced at the release of the second episode back in September 2018.

Despite some balance issues, and problems of the game running away from the player very easily, there's actually some good, basic fun here. Playing different factions, trying different weapons, and ultimately, simply trying to be the last person in the solar system is fun. With a friend or two, multiplayer can be a fun romp, and the campaign was oddly alluring despite its ultimately simple premise.

Dragon Marked for Death is a fantastic experience when played with friends - but, only when played with friends. The lack of balance absolutely buries the experience, making single player a horribly flawed one. That could easily have been addressed, or could still be addressed, in a post-release patch. Should this happen, the game would improve massively, and easily stand out as one of the most impressive 2D scrollers in some time. Unless that happens though, this will remain a slog, a wonderful game, horribly marred by foolish design decisions. There are a few DLC chapters in the works, giving an ideal opportunity to make Dragon Marked for Death the best it can be.

While it is annoying that Bloody Palace mode is not available day one, it is coming as a free update on April 1st. Capcom has proved this gen that they are truly the best at 3D action games. They took some bold risks with the style and realistic flavour, and it pays off by taking on this new look that has never been seen before in any videogame. Even spectators are going to be extremely entertained by the spectacle that it Devil May Cry 5. Everything feels so fresh, and the advancements in the controls and fluidity in animation makes playing this refined masterpiece so hard to put down.

Nearly thirty years was a mighty long time, but ToeJam & Earl: Back in the Groove! proves that the wait was worth it. This is an excellent sequel, and it's not just because it captures the spirit of the original. The new features, as well as quality-of-life improvements, really enhance the experience. Each level is filled with things to do, and they all serve a purpose. There aren't any meaningless distractions. Even today, where roguelikes are exponentially more common, this is one that shouldn't be passed up.

Riddled Corpses EX is one of those very satisfying guilty pleasures. It may be simplistic and braindead like the zombies in it, but it does everything so exceptionally that it becomes a full recommendation. Its lacking qualities are more than made up for thanks to the expedited game loop that wastes no time, and constantly challenges the user. The co-op features make it so even when things are at their hairiest, as a chum can still swoop in and give desperately needed back-up.

Although Horizon Shift '81 deliberately models itself after the shoot 'em ups of yore, it never once lets itself get lost in its own homage. Almost immediately, the game design makes it perfectly clear that this is merely borrowing an aesthetic as a base. In taking such a familiar concept, hardcore fans of the genre will be able to appreciate the simple brilliance of shooting at enemies from both sides of the screen. With enemies invading from both top and bottom, the core gameplay loop takes on an even more frantic energy than is typical for the genre. This is one of the most charming takes on the shmup genre yet.

Sure to be one of the final, first-party, big games on 3DS, as it slowly winds down into retirement, but at least it's going out with a bang. As this is definitely the best Kirby game to hit the platform to date, and easily one of the best platformers. Yoshi may be the star of the woolly show at the moment, with Yoshi's Crafted World landing on Switch soon, but Kirby did it first and did it best. This is an utterly charming patchwork that's absolutely impossible not to get tangled up in.

ChronoClock is a decently-written romantic visual novel, with a bit of decent comedy and drama thrown in for good measure, served along some decent audio-visuals. It's hard to recommend it to anyone but genre fans, though, as it doesn't really do anything to stand out from the crowd - despite the existence of a time-bending MacGuffin.

By spending money on I Am The Hero, you are basically getting a retro-inspired beat 'em up that will last for an evening or two. It's enjoyable, but its tiny length and replay value make it feel more like a forgettable rental.

The quest in RemiLore: Lost Girl in the Lands of Lore is inconsequential, and the only reason why anyone would play this is to have a cute hack'n slash with the utter bare minimum of rogue elements. Bringing a friend along will help keep things interesting, but there is just not enough substance to keep most hooked. It is too easy, and one has to play very carelessly in order to feel the rush of walking that razor's edge that comes with the better rogue-likes.

The detail to which you can customise the cities in here is astounding, and Mass Transit is not only adding more to the plethora of options already in Cities skylines, but also tweaks some of the more frustrating elements, easing up the controls, and letting the player really get into the nitty-gritty of the road and traffic networking. While it's not an essential purchase, the additions make a vast difference to the building of roads, and the management of city transport systems. All in all, it's a fantastic feature-full expansion that gets a hearty recommendation for fans of the base game.

Far Cry New Dawn is a ridiculously well-polished and fun to play action game (AI issues aside), with an enjoyable if largely mundane story and villains. It's so hard to negatively criticise too much. It would be unfair to judge this individual game against the wider approach of Ubisoft that some could argue needs to evolve more going into the future. The freedom that this sandbox gives to just shoot things and have fun is clear to see, and on PC the world looks incredible, filled with vivid colours, rich explosions, lush grassland and shimmering blue rivers. The real question following this conclusion to the Hope County arc and all its DLC is where Ubisoft will go next with this franchise. Ultimately it is impossible to separate New Dawn from feeling like an expensive DLC for its predecessor.

Pumped BMX Pro is a fun BMX platformer - when it wants to be. But, on the Xbox version anyway, the right-stick for tricks is a temperamental control that only sometimes performs the tricks, despite being held in the correct direction. Plus, the "pump" system is extremely specific with when to use it, and Pumped BMX Pro takes no prisoners in miss-timed presses that will basically cause the rider to fail the stage. But once these kinks are worked out, this is definitely a BMX title worth checking out for those who don't want to invest in a heavy sim-based game, and opt for the more arcade-styled versions instead.

Senran Kagura Burst Re:Newal plays it safe with the series' established formula, which is ironic considering these titles are anything but safe. The series has always stuck to its roots and embraced the perverseness that in equal measures repels and attracts gamers, and this entry does little but remind the gaming world that these games exist. Aside from Burst Re:Newal being a ground-up remake, there's surprisingly few innovations to take the series into uncharted territory, but the combat is nevertheless enjoyable, and the story interesting enough to just about support the weaker points of the experience.

Never mind the fact that Thea: The Awakening can frequently feel like a needlessly complicated 4X stategy/survival rogue-like/card battler. If that was its only issue, this would be an easy recommendation. Regrettably, the inconvenience that is its user interface mars what could be something really awesome.

First and foremost, Anthem is not a bad game; it's just forgettable. The constant comparisons to Destiny are utterly fitting, and in more than one way. Anthem may get better; it has a roadmap and since it's another of the… "Games as a Service" style releases, it is planned to develop over an extended period. The problem is, though, that the game has to be looked at now; at how it plays right now… and, right now, it feels unfinished - unpolished; buggy; something that deserved another round of beta testing and another six months. Perhaps it will get better, but whether the audience is still there when it does is questionable. Cool flying mechanics can only keep the interest of the masses for so long.

While the journey is more important than the destination, the fact NAIRI lacks a traditional conclusion - leaving many arcs and themes in a resolution limbo - hurts the narrative considerably. Considering just how much the story focuses on Nairi as a character, a cliff-hanger ending that places emphasis on plot comes off structurally inappropriate at best. That said, the script, atmosphere, and puzzles all warrant at least one playthrough. Tower of Shirin might fall much flatter than it needed to thanks to a poorly realised ending, but NAIRI, as a whole, is a charming point-and-click with plenty of heart.

Quite simply, Metro Exodus is the perfect way to round off this trilogy, and a testament to the powerful evolution that a gaming franchise can make. The open world offers a whole new perspective from which to enjoy Artom's tale. Whilst there are some niggly issues with AI, and maybe an overuse of bespoke animations, the fact remains that it is hard to think of a better example of how to design a single-player survival adventure. Visually stunning and packed with audio detail, this is something that should be experienced by any PC gamer.

Observer could have been more. It has style and exceptional art direction, a creative premise but flaccid and unimaginative gameplay. Maybe this comes with the territory when it comes to walking-sims or first-person adventure games, but there really is no excuse for the lack of imagination because much older games have found ways to keep things fresh while adventuring. There is very little attention to detail when it comes to interaction and player-choice. Observer should have been like playing a pacifist run on the original Deus Ex.

While a bit short on the replayability side, and with visuals that look good, but not as good as they would do so with the use of a VR headset, Battlezone: Gold Edition is a fun tank arena shooter, with a surprisingly strong strategic mindset. Just be sure to enjoy this with a bunch of other players, as solo play might get way too boring, way too soon.

This is mostly an upgraded version of Dead or Alive 5, and not exactly a heavily upgraded one.

The animated segments add a whole new dimension to the way the story is presented, and it is seamlessly pulled off to create a quite brilliant interactive anime of sorts, but the lower quality of the character designs compared to the gorgeous original artwork from the standard version takes a bit away from it all. Not enough to lose the impact and engagement this new interpretation delivers, and it is still a sure-as-heck must-buy for Switch owners that have no other means to play this title, but some players wishing to see the fuller endings and with superior art may want to opt for the PS Vita version if they can.

Black the Fall is... okay. Not the worst atmospheric puzzle-adventure out there, but also very far from the top steps of the podium. A strong, oppressive atmosphere can get you places, but a game of this kind still needs a good plot, and some gameplay mechanics that are more than decent.

This really feels like the end of Etrian Odyssey. The series has felt indelibly linked to the 3DS (and Nintendo DS before it) by way of the dual screen mechanics. That, combined with the wonderful send-off of a game here that revisits so many aspects and elements of previous entries in the series, feels like Etrian Odyssey Nexus really is a farewell. Atlus has already hinted at a future for the series, and if it can reach anything close to what has come before, it will be something truly special. While this entry is clearly made for long-time fans, and they will get the most out of it, this is also completely viable for people to enter right here and find a new series to get obsessed over. This is wonderfully old-school, in all the right ways, insanely addictive, and a perfect swan song.

Each of the Disney worlds completely captures the magic of the movies, plucking the heartstrings and embracing the nostalgia. This is exactly what fans of the series wanted and, best of all, somehow, someway, all the crazy plot threads are dragged together, kicking and screaming, into an utterly satisfying conclusion. The prospect of Kingdom Hearts III being the end of the road is a sad one. Sora's tale may be over, but there are so many other Disney worlds left to explore. The world needs a Moana level with Mau'i helping to take on a huge Tamatoa boss. Wreck it Ralph deserved its own levels, as did The Incredibles, and so many more. Here's hoping, one day, Kingdom Hearts will return.

Arson and Plunder: Unleashed is just another beat 'em up of no importance. It's simplistic, it's repetitive, and, it looks and feels amateurish. Fans of the genre as advised to keep on playing the classics that got them into brawlers in the first place, and just avoid this.

InnerSpace is beautiful... and that's all there is to say about it, because, as much as exploration games go, there are far better alternatives out there - with none of them feeling as disorienting as this one.