If you miss Dead Cells and are sad that its developers moved on to work on other projects, Dunjungle does a lot to fill that void. The game does plenty to satisfy fans of fast-paced roguelike platformers, with a cathartic and diverse combat and upgrade system bursting with customisation options to mix up each run. While Dunjungle won’t satisfy anyone looking for a deep narrative, its pleasing pixel art did enough to charm me. It may take a while to unlock most of its content, but once you’re past those slow early hours, Dunjungle is a load of fun and brims with variety. I had a great time with Dunjungle, and if you like roguelike platformers, you likely will as well.

Overcoming a lacklustre start to its story mode with some bugs and other minor issues, UNBEATABLE manages to become an incredibly memorable and poignant journey. Eloquently exploring themes of community and the blood, sweat and tears that come with creating art, it winds up being a stylish adventure with a lot of heart and a fantastic celebration of all things music and rhythm games. Playing it almost feels like you’re in the middle of a mosh pit, receiving blows and elbows to the face as you watch your favourite band. You’re getting knocked about, and your footing isn’t always stable and able to keep up with the noise, but damn if it isn’t some of the best and most passionate things worth living for.

Skate Story is a sensory feast of crystalline visuals, psychedelic sounds and rapturous movement. Its story may get in its own way a few too many times to be a completely propelling experience, but the audacity of its meditations on vulnerability and drive through both its premise and style nonetheless make Skate Story feel like a love letter to skateboarding as a craft. This is a very special skateboarding game that, in those moments when its style, mechanics and ideas all click into place, shines brighter than a diamond under moonlight.

Call of Duty: Black Ops 7 is polished enough to function, familiar enough to feel safe, and dull enough to be skippable. There are a few nice surprises in here with fan-favourite returning maps and an interesting direction the co-op campaign goes into if you’re already invested, but little reason for anyone else to jump in.

Octopath Traveler 0 is a fascinatingly unique RPG, taking the skeleton of a free-to-play mobile RPG and adding enough substance through a detailed town-building feature and deep party and skill customisation to make it the most mechanically engaging Octopath Traveler game yet. While the plot isn’t the most compelling, it was good enough for me to want to see where each arc was leading. Whether you’re an Octopath Traveler fan or a series newbie, Octopath Traveler 0 manages the balancing act of being a great jumping-on point while also providing enough fan service that just about any RPG fan will have a great time with it.

Tingus Goose is an unforgettable psychological horror that succeeds because it is bizarre without being too gory. You can’t help but wonder what’s coming next as you progress through each level. There is a slight learning curve, and the bizarre imagery can make you feel nauseous at times. However, Tingus Goose succeeds because it’s a game that you can’t forget after seeing it once and is worth playing to the end.

SLEEP AWAKE is an experience that doesn’t allow itself enough time to become the piece of art it desperately wants to be. It features all the elements of a beautifully intense and unique audio and visual experience, and has a decent story it’s trying to tell, but feels diluted overall by its short runtime. It almost feels like a game that was playing it a bit too safe, even in its experimental style, and it would have benefited from heavier auditory exploration and more content to properly develop its intriguing narrative.

ROUTINE is a frightful time on the lunar surface. While the narrative doesn’t entirely hit due to a lack of memorable characters, the sense of immersion and beautiful visuals carry the scares. ROUTINE is a game for horror aficionados who don’t mind basic gameplay and the occasional puzzle, even if some clues might be hidden slightly too well.

It’s so good to know that the long wait for Metroid Prime 4: Beyond was worth it. Retro Studios knows what’s important to their flagship series and sticks to it, bringing us a classic Metroid adventure featuring fantastical alien worlds full of creatures to fight and upgrades to find. The combat is tight, the bosses are epic, and the Galactic Federation characters are only mildly annoying. It’s been a long time coming, but our favourite bounty hunter is back just how we remember her, and better than ever.

Sadly, She’s Leaving‘s trite plot, absence of compelling characters, and lacklustre gameplay elements mar it, leaving very little to actually recommend. It is a short, play-it-and-forget kind of game, so much so that by the end of my playthrough, I felt nothing towards it but the indifference of knowing I could have spent my time doing anything else. It is a completely mediocre experience, but one that Blue Hat Studio can, and should, learn from.

If you want to go on a magical misadventure in a charming, hand-drawn world about a wizard, then this is the game for you. Scrabdackle somehow pulls off having such an unserious and fun aesthetic while also having challenging boss fights that are tough but fair once you take the time to learn the mechanics. With simple controls and flexible difficulty, anyone can learn to become the master wizard Blue aspires to be in future acts to come.

Overall, Project Motor Racing feels like it lends more toward an arcade-style experience than the initial hype suggested. Whilst it does feature an impressive curated library of vehicles to drive (and they all sound fantastic by the way) and a decent enough career mode, it lets itself down in several ways. The AI drives on rails and is not friendly; they do not like being put two wide through a corner and will defend their line at all costs. There is also no radar or effective spotter, which makes driving in cockpit or hood view pretty dangerous when things are getting tight on track. Whilst it is a playable game on a controller, it just is not the benchmark simulation racer that it was touted to be.

Ultimately, Rue Valley is a frustrating experience, with too many loose ends and unresolved arcs at the end of the game. It’s unable to make the most of its excellent setup, faltering in the mid and late game stages as you’re forced between slow montages and extremely specific puzzle sequences. It’s a game with great writing and some truly fantastic ways of exploring depression and mental health, but it mechanically falls flat.

As an interactive archive of gaming experiences, Simogo Legacy Collection sets a new bar for quality. Presenting a variety of fun, cleverly designed games in a gorgeously polished package, it’s a delightful way to enjoy the development team’s earliest works and piece together the DNA of their more recent masterpieces. Year Walk and Device 6 alone are well worth the price of admission – a must-play for indie game lovers.

A love letter to all our favourite mystery series of the past, Detective Instinct: Farewell My Beloved is easy to get engrossed in. With expressive characters and a gorgeously rendered environment, fans of mystery games will love letting the tale unravel with intuitive ‘talk and search’ gameplay. It tackles tricky societal themes with moderate success, only falling short in the later chapters with some missing emotional stakes, but otherwise wraps up its bite-sized revelation with thoughtful grace.

Dispatch is a fun and visually appealing narrative adventure. Its dialogue is razor sharp, coming out of characters’ mouths that have a lot of personality and, most importantly, heart. It’s a game with characters that I enjoyed hanging out with and getting to know, with a management system that needed me to know the ins and outs of the strengths and weaknesses of each villain in my care. AdHoc have a very strong IP with Dispatch, and I hope that this is just the start for Robert Robertston and his merry group of villains, whose work turns them into the heroes they never thought they could become.

A.I.L.A is a solid horror experience with a bunch of great ideas that, unfortunately, falters towards the end as it becomes what it was designed to parody. Though the story may fall short, A.I.L.A provides a strong gameplay experience for fans across the whole horror genre. With direct references to genre classics like Layers of Fear, Silent Hill and Resident Evil, there’s something to enjoy for all.

Behind the technical state of Of Ash and Steel, you can occasionally see glimpses of what could have been. A throwback RPG for those nostalgic for the games of the early 2000s. As it stands, the game is barely functional due to a plague of bugs, unplayable performance issues, and systems that barely hold together. Accompanied by myriad smaller issues, Of Ash and Steel feels closer to a first draft than a final launch. Some people might get lucky and manage to thread the needle of poor performance and buggy gameplay and have a serviceable time with Of Ash and Steel. I was, sadly, not one of those people.

Constance is a solid metroidvania and painterly palette cleanser. While its narrative framing left me wanting, it also imbues Constance with a detailed canvas of smart mechanical touches and stunning stylistic flourishes. It may not paint outside the lines very much, and its difficulty comes with odd peaks and troughs, but this is still an easy recommendation to genre fans.

Complex in some ways and relaxed in others, Anno 117: Pax Romana is a satisfying and creative citybuilder that is easy to spend hours on. I loved my time donning the toga of a Roman governor. While some might miss a deep combat system, I find very little to dislike about Anno 117: Pax Romana that couldn’t be fixed by switching to the PC version with the benefit of a keyboard and mouse. Maybe just wait until they’ve patched that AI art out.

Winter Burrow is positively blanketed in charm and whimsy, but looking below the surface reveals survival gameplay at its most basic. Interesting characters and the aesthetic appeal can’t fully compensate for the repetitive gameplay and oddly lacking mechanics. Dressing up mice in little outfits is fun, but ultimately can’t save a game so torn between two core concepts.

Kirby Air Riders is a surprise contender for kart racer of the year. Excelling well beyond its cult predecessor, the pink blob’s latest adventure is filled with some excellent and surprisingly deep racing where your skill, expertise and management are what put you ahead of the pack. Its courses are gorgeous and intricate, City Trial is aptly chaotic, and the brand new Road Trip mode is a thoroughly enjoyable adventure filled with strategy and risk vs reward events. With a lot to see, tick off and do, along with accessibility options to refine your experience, Kirby Air Riders is crafted to be the kart racing event of the year. Eat its dust, Mario Kart World.

The Berlin Apartment is certainly a nice tribute to the history of the titular city. With gorgeous scenery evolving through time that tells the tales of its residents, the apartment is a delight to explore. However, a more intriguing main narrative or engaging gameplay mechanics would’ve been a massive boon for the game. A gorgeous art style and heartwarming sentimentality make The Berlin Apartment an enjoyable experience, albeit one that struggles to stand against the genre’s best.

Demonschool gets high marks for its inventive and tightly designed combat system, but what really sets it apart from the rest of the class is how assured and cohesive its overall design and presentation are. While its attempts at variety and RPG depth come up a little short, Demonschool is nonetheless a vivid, stylistic mesh of Argento and Persona that, alongside strong writing and a fun cast, was a great companion over a semester of time. Come for fun innovations in turn-based tactic design, but stay for the humour, aesthetics and characters.

News Tower is a game that takes you back to a time when journalism was a bustling career. You will micromanage your newsroom to ensure you’re the best in all of New York, while also covering real-life stories, avoiding bankruptcy, lawsuits, and the mob. The automation system is pretty finicky, and restructuring the office might hinder your progress. Still, with enough practice and learning the kinks, you’re able to build a thriving, well-oiled machine newsroom that feels reminiscent of the good old days.

Possessor(s) is hauntingly beautiful. It’s a stunning world that begs to be delved into with curiosity. Luca and Rhem’s dynamic is an absolute standout, with an excellent balance of snark and heart between the two. It’s almost to the game’s detriment, as every other NPC (besides the antagonist and one of the eye holders) falls flat in comparison. Movement feels great, as does combat, for the most part. Some unfair enemy design and stun issues drag the experience down, alongside moments where progression stalls, especially if you miss the unclear whip skill interaction. Despite this, though, Possessor(s) still manages to shine with genuine merit and contains a beautiful story well worth seeing through to the end.

Lumines Arise takes a now-iconic formula and revamps it in a way that truly stimulates the senses. When you’re in a flow-state, headphones in, matching blocks, vibing with the gorgeous soundtrack and being mesmerised by the dazzling visuals, time simply melts away. It’s the most diverse and interesting the series has ever been, punctuated by a killer tracklist from its talented composers. Sure to be a regular puzzler to pick up in anybody’s library, there’s simply nothing else quite like Lumines Arise.

Whether it was through lack of resources or lack of effort, Syberia – Remastered woefully falls short of the modernised experience it promises. Beyond the improved 3D environment that brings justice to Benoît Sokal’s imaginative world, there’s very little to recommend to returning Syberia fans and new players alike. Awkward controls and bare-bones UI makes it difficult to see what made the game so beloved to so many in the first place.

Foolish Mortals is for the 90s point-and-click kids; the kids who loved Telltale and LucasArts games, the kids who would, before the internet, call their friends and excitedly tell them they’d cracked the puzzle they’d both been stuck on. With its gorgeous backdrops, spooky vibes and a narrative filled with twists and turns, this is a point-and-click adventure that fans of the genre would be foolish to miss.

Bittersweet Birthday is a mix of elements that I wish had more room to breathe. It features a compelling narrative that quickly becomes confusing and a cast of charming characters that I wish we spent more time getting to learn about. Some puzzle rooms, especially those with time-based puzzles, can feel unfair rather than actually challenging, which slows the pacing down in a negative way. While Bittersweet Birthday has its flaws, it definitely has strengths too, with an in-depth Souls-like combat system and boss rush mode allowing players to customise battles with collected memories to change up each fight, offering a strong level of replayability.

As an action game and a roguelike, Forestrike is a satisfying, if challenging, experience. By allowing the player to foresee fights and predict their foes’ next moves, it turns what would be a by-the-numbers 2D fighting game into a more thoughtful experience built around memorisation, timing and strategy. While it drags anytime you have to claw yourself back following a game over, Forestrike makes up for it with its varied combat system and appealing aesthetics. If you’re a roguelike fan or an action fan, there’s a lot to like about Forestrike, and it’s certainly worth jumping into.

Hyrule Warriors: Age of Imprisonment is the best feeling Musou yet, with a plethora of satisfying hack and slash combat, character synergy and chaos to revel in. It’s not without its issues (namely, its narrative and content variety), but it’s worth it for the power-trip of taking on thousands of enemies and mooks with almost two dozen playable characters. It’s dazzling with its flashy combat and particles that erupt across the screen. It’s a beautiful dream of goals and refinement to chase for the completionist freaks out there, with plenty to upgrade, see and do. Crucially, it’s Hyrule Warriors, with Zelda in the limelight. Do I really need to spend any more time convincing you how much of a delight it is?

Jurassic World Evolution 3 brings new ways to view the dinosaurs you bring to life. Crafting your own island and building your park on top of it is an immersive experience that’s hard to match. That said, the constant worry about something going wrong got old after a while. If taking pictures of dinosaurs and creating the perfect exhibits is something you enjoy, this is the game for you. But like every Jurassic movie tells us, something can go wrong when you least expect it.

Goodnight Universe is an incredibly immersive, masterfully told, and cathartic game that left me bawling my eyes out on multiple occasions. Accompanied by a soundtrack that beautifully expresses each emotional moment, a vivid animated art style, and a mechanic that directly ties the player’s actions to what is an undeniably moving, human story about love and family, it is perhaps one of the most truly evocative experiences I’ve had playing games this year.

The Sacred 2 Remaster is quite lacklustre, feeling like it could have simply been a toggleable update to the original game. With performance issues being addressed, an overhaul of some unbalanced combat builds, a visual UI change and updated graphics being the main updates, it made me wonder what the point of this remaster actually was. In an attempt to ‘respect the original’, they’ve refused to bring the game into this new world of gaming, alienating a whole group of gamers by not adding any accessibility options, removing multiplayer from the console editions, and with no plans to add any new language translations. Overall, it just doesn’t offer enough to feel more than the original plus a community patch.

Bandai Namco Entertainment proves that it wasn’t just first-time luck successfully bringing back classic Tales of games. Tales of Xillia Remastered delivers a thoroughly enjoyable experience from start to finish. And despite some of the structural faults that remain from when it was stuck on the PS3 for the last 14 years, and the new errors of overrelying on AI upscaling, it remains an excellent and faithful remaster. Newcomers and fans alike will find themselves enamoured with its engaging battle system, captivating cast of characters, and the sheer charm that it is packed with from top to bottom. What little faults there are do not hold this game back from being a great entry in the Tales Remastered Project.

The journey is often more important than the destination, but Dead Static Drive fails to live up to its premise across the board. From unbearable driving and combat mechanics to a wasted chance to build a truly unique world, there isn’t anything to propel you to journey across this iteration of 1980s Americana. A disappointing end to years of promising development updates, Dead Static Drive feels like an early access release 11 years in the making. I looked forward to finally getting in the driver’s seat, but looks can be deceiving.

Bounty Star: The Morose Tale of Graveyard Clem is deftly written Western, lovingly delivering on the conventions of the genre to weave a tale of judgment and redemption. The mission-based mech combat gameplay loop is supported by interesting and meaningful customisation when it comes to weapons, gadgets and addons for the Desert Raptor MKII, but non-combat systems are somewhat lacking, with limited farming mechanics that don’t feel impactful or necessary to gameplay. Bounty Star is not exceptional, but is thoroughly enjoyable when taken for what it is – a classic Western, as told from the cockpit of a kickass robot dispensing frontier justice.

David Gaider and Summerfall Studios have crafted an immersive world of humans and demons in Malys that is easy to get invested in, even if the story’s delivery could benefit from more animation or voice acting. Its unique gameplay, built around sacrificing cards to power up your hand, is intuitive and fun to play around with. While the lengthy runs and lack of meta-progression systems make getting a game over an hour into a run highly frustrating, it was never enough to deter me from further playthroughs to uncover all that Malys had to offer. If you like roguelikes, deckbuilders and/or detailed narratives, you’ll find a lot to love about Malys.

Dragon Quest I & II HD-2D Remake faithfully recreates the experience of the original titles in this iconic JRPG series, polishing their roughest edges for a modern audience without losing their unique magic. From the simple compelling grind of the original Dragon Quest to its sequel’s broad character-centric adventure, both titles are lovingly realised in a colourful, vibrant art style and brushed up with a number of quality of life enhancements. While not all changes will please the most diehard fans, this is undoubtedly the definitive way to experience these classic titles.

Escape Simulator 2 doesn’t carry over the visual charm of its predecessor, but that doesn’t mean it’s bad. As a stand-alone game, removed from the first, it’s a solid experience. Each room feels like it was designed with a lot of care, and all of the puzzles are unique. Unfortunately, Escape Simulator 2 doesn’t feel like it was designed with co-op in mind, despite boasting the ability to play with up to 8 players. With a lack of content at launch, all the puzzle rooms can be completed in around 10 hours, though player-designed rooms and DLC are sure to come with time. Hopefully, future content will be geared more towards a more refined multiplayer experience.

Simon the Sorcerer Origins is coming out of retirement, and fans couldn’t be happier. There are some great visuals, to the point where the art team truly outdid themselves, and the music is downright fantastic and fits right in with the world. Though the puzzle difficulty isn’t forgiving, and unfortunately, they don’t offer a hint book for those who need it. Chris Barrie, the voice of Simon, voices a bratty kid well, but he’s not believable enough that he could be an eleven-year-old. With all that said, Origins is filled to the brim with a lot of humour and genuine laugh-out-loud moments that made me want to push through the punishing puzzles to find out what Simon would say next. Hopefully, there’s a chance for a remaster of the original two games from Smallthings Studios, and I cannot wait.

Painkiller is a serviceable co-op shooter that doesn’t live up to its namesake. It gets the satisfying gunplay mostly right, but the rest is unremarkable considering its short length, repetitive objectives, grindy upgrade mechanics and lack of any kind of proper engaging narrative or satisfying conclusion. While it’s hard to call Painkiller bad, I’d also struggle to recommend it to anyone aside from hardcore fans of co-op, while DOOM Eternal exists. If you want an excuse to mow through rooms of demons with two friends, then Painkiller will serve you just fine, but fans of the original will probably have more fun with any of the large array of single-player boomer shooters available on the market.

After my time with Pokémon Legends Z-A, the overall impression I am left with is “good, but with room for improvement.” It achieves that addictive urge to explore and catch ’em all, but the world map is small and doesn’t do enough to make up for it. Real-time battle mechanics are a fresh twist and are the game’s stand-out achievement, but it is a little chaotic and cluttered in its current form. The game looks better than previous Pokémon titles, but continued half-hearted attempts to give itself a high-definition look seem to come at the expense of deeper, more complex content. It’s easy to ignore these cracks, complete the satisfying gameplay loop and vibe through Z-A’s Pokémon adventure, but I know Pokémon is capable of more than this.

When the game commits fully to these funnelled environments, it does result in some spectacular set pieces. The mangroves are a charming calm down after a climactic battle, yet still tense thanks to Mangrove Jack. Another frantic escape from flames cemented itself as a highlight of the whole game for me. While I wish the open and linear levels learnt from each other, both still manage to deliver exciting snippets of gameplay.

The Lonesome Guild is one of those games that completely sneaks up on you. It’s a heartfelt journey wrapped in charming art and great writing. Even when combat drags and abilities feel underdeveloped, its sincere core shines through, doing well to make up for its shortcomings. It’s just so easy to fall in love with its characters, their backstories and the way their personalities come alive in conversations. Watching them rely on each other and tackle their feelings together felt genuinely meaningful. It’s a touching reflection on the strength found in friendship, even when things feel bleak. At the end of the day, maybe it was exactly the kind of cosy game I needed.

This sophomore entry in the science fiction series punches above its weight in crafting a wide-ranging story of adventure, choice, and consequence. With a widened scope for their satirical take on society in the space age, deep RPG systems, and a finale that hints at even grander aims for the series, it is hard not to be excited for the future of The Outer Worlds. While some minor issues hold it back, Obsidian has carefully crafted yet another RPG banger.

Minor grievances aside, Once Upon a KATAMARI is a surprise delight and the best the long-running arcade adventure series has ever been. I’m shocked that all it took to innovate the already fantastic series was some apt theming and missions that run the gamut, rolling across Ancient Egypt and the Stone Ages, but they damn well pulled it off this time. Meaningful inclusions like pickups and a higher emphasis on collectables and customisation also help to make missions require all the more strategy and replayability. The charm’s still there, as is the new soundtrack that’ll earworm its way into your heart and soul. 21 years deep into the beloved Japanese franchise that could, and I’m obsessed with rolling up cows, people, houses, skyscrapers and the universe all the same. Katamari is back, baby.

PowerWash Simulator 2 is a refinement of a modern comfort classic. Every addition, from the home base to the abseiling harness, feels thoughtfully designed to deepen the relaxation loop rather than distract. It’s bigger and cleaner, but still surprisingly heartfelt. If the first game helped us survive the chaos of 2022, this one feels perfectly timed to help us slow down again in 2025.

Ninja Gaiden 4 is a successful return to the 3D offshoot of the long-running ninja action adventure series. As is staple with the series, players are delivered challenging, tight and tense combat that requires serious strategy and skill to come out on top as you’re clashing against samurai, ninja and otherworldly beasts. Within are delightful and electric setpieces that feel hallmark for the series. Though the campaign could’ve been a bit more memorable by including a few more high-calibre moments and a better inclusion of their main hero Ryu, what’s within is still a bloody great time with high replayability as you slice, dice and rip apart your foes, bathing in their blood. Ninjas are friggin’ cool.

Battlefield 6 blasts onto the scene, writing the wrongs of the past in the legendary shooter franchise and destroying everything in its path, figuratively and literally. Its All-Out Warfare multiplayer remains an utter standout, offering modes that truly feel epic in scope and scale, with excellent gunplay and a bunch of well-balanced, visually appealing maps. While its single-player offering is a bit of a yawn, Battlefield 6 still manages to offer the most exhilarating multiplayer shooter experience on the market; a fantastic, bombastic sequel that confidently delivers on its many promises for those who like to break stuff.

Whether intentionally or not, Keeper feels like a quiet rebuke to the current games industry and its devaluing of human craft. A towering testament to the joyous, creative and novel search for meaning that games can elicit with a subtle focus on the hands that craft such worlds. Keeper’s surreal journey through abstraction and connection is a wondrous trip through a lighthouse’s looking glass.

BALL x PIT is a fun blend of old-school brick breaker and shoot ’em up games. Its creative ball fusions and frantic gameplay will sell you, but the variety will keep you engaged. It’s still a roguelite with some occasionally exhausting moments and very challenging bosses, but it’s ultimately inventive and full of personality.

Little Nightmares 3 presents gameplay and location design that mimics the style of its predecessors, while maintaining none of the depth or exploration that the horror genre champions so effectively. Till now, Tarsier Studios has steered the Little Nightmares games through caricatural horror to plumb the depths of those life-sized fears. But now Supermassive Games has taken the wheel, and the proverbial ship has veered frighteningly off-course into shallow waters.

EA Sports FC 26 is another confident entry in the long-running series, delivering the essentials with polish and scale. With a staggering amount of licensed teams, players, and global competitions — including women’s leagues — the game remains the definitive virtual football experience. That said, FC26 doesn’t take many risks. Career modes return almost untouched, with some elements even feeling recycled from last year’s release. The absence of a story-driven mode like VOLTA leaves a noticeable gap for players craving something beyond the standard match grind. Still, what FC 26 does, it does very well — and while it may not be a revolution, it’s a finely tuned evolution.

Bye Sweet Carole features a magnetic, magical and also horrific 2D world to explore that takes the conventions of 2D animation and turns them on their head to create a memorable story filled with narrative themes and puzzles that are nailed with pinpoint precision. Without a shadow of a doubt, Lana’s story is one worth experiencing, and it’s a unique horror adventure. However, it’s marred by the sheer scale of a few of its faults, including significant bugs and scarce, unnecessary sequences that take away from the gem that’s there. There’s a magical time to be had here, and I wholly want people to have that… it just hasn’t quite fully found its voice yet.

The new and improved Yooka-Re-Playlee takes cues from other modern platform games like Mario Odyssey, successfully turning a janky and awkwardly designed platformer into a bingeable collectathon that feels more packed with platforming challenges. A full overhaul to the graphics, controls, and UI modernises Yooka-Laylee and makes it appealing to more than just classic Rareware fans, but it comes at the expense of the game’s identity as a spiritual successor to Banjo Kazooie, something that was so central to the game’s original pitch. However, taken as it is, this remake transforms Yooka-Laylee into, if not a masterpiece, at least much less of a mixed bag.

Letters to Arralla adds the thrill of reading someone else’s mail with the joys of being part of a welcoming community. It’s fun to deliver mail with unconventional puzzles while always having help available. This game does need time to truly show its potential, and it does get repetitive after some time. But you won’t find another cozy game that encourages mail crime, and for that, Letters to Arralla has my support.

Dreams of Another is an admirable mess of a game. Its narrative is poorly executed through truly terrible dialogue and performances, it’s incapable of offering a creative alternative to its exploration beyond shooting, and its philosophical musings wouldn’t be out of place on r/im14andthisisdeep. But, for those players who decide to dream this particular dream, Dreams of Another offers an eclectic kaleidoscope of bizarre artistic motifs, a fascinatingly surreal mood and a (possibly entirely unintentional) thematic density that is still worth treasuring amidst the haze of its voxel world.

Creepy Redneck Dinosaur Mansion 1 Re-Raptored will be super fun for those who love quick puzzle games with a bit of a story thrown in. It’s also for those who appreciate quirky meta narratives and moments when games “break the fourth wall.” Though it is short, it packs a lot of laughs and match-3 goodness into a small game run, enough so that I’d recommend it to those who love humorous, self-aware narratives and solid puzzle experiences.

A retro-70s recontextualisation works wonders in Agatha Christie: Death on the Nile, adding a delightful stylistic flair to the classic whodunnit. With a charming cast of bougie suspects, satisfying puzzle-solving, and some thoughtful additions to the narrative, this is a unique and compelling rendition of an iconic tale. Despite some janky controls and the occasional frustrating puzzle, this is a solid mystery adventure for Christie fans and newcomers alike.

Digimon Story: Time Stranger makes big strides for the RPG offshoot of its long-running creature collector series. Despite some small missteps in story and side mission pacing, it’s a vast, colourful and exciting world to visit, filled with all your favourite possible digital monsters. For RPG freaks out there, there’s also a lot of involved systems and mechanics that feed into one another and result in some wicked cool, tactile and punchy combat. You’re in good hands with Time Stranger. Come on in and hang with some adorable monsters. The water’s fine.

Super Mario Galaxy and Super Mario Galaxy 2 feel right at home on the Nintendo Switch. While some additional gameplay tweaks may have been desirable, this still remains the definitive package, with a welcome visual upgrade, more accessible difficulty options and updated controls. Whether this is your first time experiencing Mario’s voyages to the stars or you are looking for a spaceship journey down memory lane, there has never been a better time to check out Super Mario Galaxy and Super Mario Galaxy 2, now on the Nintendo Switch.

There is a lot to love in Consume Me; ironically, the game’s main issue is that it doesn’t have enough bite. Even still, the narrative is deeply relatable, the art style engrossing, and the minigames are more than enough fun to keep you entertained throughout the entire runtime.

LEGO Party is a great idea executed really well. It delivers a Mario Party-style experience with its own unique game board mechanics, inventive mini-games, and wonderful presentation. Younger players will love what’s on offer, but there’s plenty of solid fun to be had by all ages and skill levels. It doesn’t shine when played single player, but with a few friends on board, it’s a fantastic addition to your party game nights.

CloverPit does what it does well. It’s very clear how much inspiration Panik Arcade has taken from Balatro and Buckshot Roulette, but it’s taken bits and pieces and created its own unique identity. The low-poly art style lends itself very well to creating an eerie atmosphere, and taking the time to put together charm combinations is fun and incredibly satisfying when it pays off. Though the rougelike element and pure RNG might be frustrating at times, and the simple gameplay loop can feel repetitive, taking what you’ve learned from a previous run and seeing it pay off in another feels very rewarding.

I’ve been waiting for a game like Sonic Racing: CrossWorlds. As the true successor to Sonic & All Stars Racing Transformed, it brings back everything we loved about the fast-paced, chaotic kart racer: epic tracks that get more challenging from lap to lap, satisfying air tricks that reward you with boosts, all whilst adding more of that patented Sonic charm. With a long road of content ahead, it looks like the game will be a good bang for its buck; I just wish it didn’t include Nickelodeon.

Hotel Barcelona is a messy but ambitious experiment that often feels like it’s trying to do too much at once. Its style and inventive ideas, like Slasher Phantoms, branching levels and absurd characters, show flashes of brilliance, but the clunky combat and overstuffed mechanics make many runs more testing than enjoyable. In the end, it’s memorable for its imagination, but not for being a satisfying or polished experience.

Sushi Ben is an unbelievably vibrant and charming game filled with a creative cast of characters and lovely vibes in the seaside city of Kotobuki Town. It’s got a real sense of place about it as you’re engaging in silly shenanigans and meeting its cast that are well-voiced in both English and Japanese. First and foremost, it is a strong ‘vibes’ game. Still, it’s between a rock and a hard place when it comes to its translation to a flatscreen. The tactility and interactivity aren’t there as much. It’s got a new set of bugs, and it still has a bit of an abrupt, dissatisfying ending. If all else, I’m glad I finally got to experience Sushi Ben and its weird cast of freaks. No one can ever take that away from me.

Blippo+ isn’t for those who are drawn to a game solely for its gameplay. It’s more for those who have an interest in popular culture, sci-fi and what potentially playing with our own ideas of science, entertainment, and opinions can create. As a child of the 90s, I found this to be a nostalgic ride through a lot of visual concepts that are now seen as kitschy and dated, but that really come alive, and seem like fresh, new concepts due to the extent the game goes in making every element of Blippo+ feel like a real world. Blippo+ is an amazing example of world-building done well and will be an exciting ride for those who love unique, strange visual experiences.

Atelier Resleriana: The Red Alchemist & the White Guardian never once feels like it was developed beyond the boardroom meeting of its conception. It fails to venture beyond the foundations that the series has set for itself or delve into the world of innovation and experimentation that the series is known for. Superfans of the series may find something to love here, but for those who don’t care to dig that deep, they will find a mish-mash of boring dungeons, a bland story, mind-numbing levels of repetition, and a plethora of design shortcomings in a setting that requires prior knowledge of the world.

Ghost of Yotei is a confident sequel that grows from its predecessor in smart ways, with a bigger, bolder, more beautiful world to explore every nook and cranny of. Atsu is a strong lead, and her journey of vengeance takes some compelling twists and turns, while Edo Japan provides a true bounty of interesting side quests, charming characters, neat distractions, and wonderful secrets across what feels like a truly epic adventure. With entertaining combat and visuals that are among the best seen, Ghost of Yotei balances its violence and beauty delicately, offering a strong experience from the team at Sucker Punch Productions: an entirely memorable journey, and an action-packed, stunning adventure.

Hades II is hard to put down, and is the most fun I've had with a roguelike in years. Supergiant Games' trademark dedication to beautiful art direction, compelling writing and memorable music has come to the forefront in their latest game, combined with engaging gameplay that expands on its predecessor in exactly the ways that a good sequel should. Whether you've played the original Hades or not, Hades II is a truly amazing experience and sets the new standard for roguelike narrative storytelling and gameplay.

Final Fantasy Tactics: The Ivalice Chronicles is a successful revisitation of one of the best tactics adventures and Final Fantasy spin-offs to ever do it. Revisiting the haunting and memorable world of Ivalice, you're on the road with Ramza and company again, depicted in a lush art style that pays respect to the original's name. Quality of life additions make it the most palatable but refined version yet, making battles smoother and as aptly challenging as ever. The grandiosity of it all is also bolstered this time, thanks to the fully voice-acted story from a talented cast that helps paint the Shakespearean script you're subjected to and the deeply political world you're situated in. It's so respectful of the original that you can also say to hell with all of this and just also boot the classic version from the menu. It is a classic revisited and not disrespected. It's joy distilled in a perfect package. Crucially, it's Final Fantasy Tactics, in your hands all over again, for the first time in over a decade. The thought is so beautiful it could make me cry.

Much like the first game, Slime Rancher 2 is a really grand time. The expansive world is filled with gorgeous vistas and really clever level design. Uncovering the secrets of Rainbow Island while building your ranch remains a highly entertaining experience. In this regard, Slime Rancher 2 is a worthy successor to the original. But a bigger world to explore without equal developments to gameplay makes the cracks shine a little brighter. Ranching can still feel a little too shallow and wears thin without new challenges to overcome. Additionally, a heavy late-game grind shines a spotlight on how tedious collecting resources can become. This series of smaller problems highlights just how much Slime Rancher 2 suffers from refusing to evolve its gameplay. But, if you adored the first game, another ranching adventure with loads of exciting new content will more than make up for any shortcomings.

Baby Steps surpassed all my expectations and even small grievances to become a thrilling, trying and memorable journey about being better and learning to ask for help. It’s certainly one of the harder ‘one of those’ types of ragebait climbing games, but each step it makes in tackling this niche is as deliberate as the ones you’re making as the clumsy Nate. What’s within is a refinement of the subgenre, providing a layered and surprisingly poignant world and story to explore. Bennett Foddy and co. have made their opus here, and even with every plummet and misstep I made, I had the best experience that in the space I’ve ever had, uniquely hating, loving, loathing and delighting in it. If the devs are reading this, I hate you guys. But also, I bloody love you.

Arctic Awakening’s intriguing premise is quickly buried under a slushy heap of mediocrity. Its mystery is undercut by poorly conceived writing, the character dynamics and performances leave you colder than its wintry landscapes and whatever visual beauty that can be found in its intermittent spectacle is often dashed by raw survival mechanics and sluggish pacing. In more assured hands, this could have been a familiar yet effective 4-5 hour narrative adventure, but in its current state, you’d best leave it buried in the snow.

All in all, Wobbly Life is a fun time due to the silly physics creating wacky moments. While you can play solo, it does feel better with friends. There’s variety in job types and missions, though most come timed where it’s either too much or too little. While the graphics are admittedly simple, it does offer unique customisation to make your Wobbly unique. The 1.0 update brings more jobs and missions, this time, in space, which lends to the sci-fi genre. It’ll be exciting to see what RubberBandGames expands on next.

Wander Stars is an incredibly cute love letter to the classic anime series. It takes the extreme style of Dragon Ball’s bombastic combat and playfully turns it into a turn-based RPG, fully embracing the camp hyper-stylised nature of its inspirations. It also tells an unexpectedly emotional tale with diversity in its cast of characters. A delightful treat for the Cheez TV kids (and the furries).

House of Tesla lets down a promising premise with boring execution. The narrative is uninteresting with low-quality execution. While puzzles fare slightly better, the most memorable moments of my time with House of Tesla will be the frustration and confusion while I wait for the hint button to give me guidance on where to go next.

Dying Light: The Beast brings back Kyle Crane, the smartass we all know and love, but this time he’s different. Having gone through 13 years of trauma, he’s got anger coursing through his veins, as well as beast blood. The gameplay elements of The Beast, while very similar to Dying Light 2, still feel enjoyable. The combat brings back the visceral dismemberment from Dying Light 1, with unique executions and awesomely high levels of gore. Parkour feels more fluid than before, with sprinting through the city and rooftop traversal feeling super smooth (as long as you don’t get grabbed by an infected). Roger Craig Smith does a stellar job once again as Crane, and it was a blast getting to see his story continue. Unfortunately, a few performance issues and audio bugs lessened the experience, but overall, this is a great new entry to the franchise, and one Dying Light fans will be glad to have waited for.

I’ve played and reviewed a lot of remakes. Many somewhat fall flat on the basis of not saying or doing a damn thing important. Shining out through all that noise in Trails in the Sky 1st Chapter. It’s a hallmark in how it recaptures a JRPG classic, steadfast and headstrong in justifying its existence as it invites returning fans and even newcomers to what they’ve been missing out on all these years. Travelling the great unknown with Estelle and Joshua again has been an unbelievable privilege and delight, following their story and connection as a colourful cast joins in tow. There’s barely a bump on the road on the journey, allowing players to soak in the world of Liberl in all its monster-hunting, government-conspiracy-unravelling glory. Job well done, Nihon, you’ve stuck the landing.

It’s exciting to see such an iconic, loved horror series go in such a different direction with Silent Hill f. But while the combat has some tricks up its sleeve and the setting is distinct, it still inherently nails what makes a Silent Hill game so successful: the terror, the sense of dread, the enticing puzzles and the dark story with twists, turns and violence. Silent Hill f is a wonderful survival horror game that makes some compelling decisions about the future of the franchise, while managing to remember its past. It’s brutally bold and frighteningly great.

Towa and the Guardians of the Sacred Tree brings a unique roguelike experience where you can experiment for hours. It’s not easy to learn the new concepts, and it is tough to adjust in the beginning. But give the game a chance and you will discover what it has to offer as a satisfying and solid adventure, as you spend hours figuring out how to make your characters shine.

Moros Protocol is a decent roguelike FPS with a cool visual aesthetic, but it could have been better, especially as a solo experience. The moment-to-moment combat is enjoyably fast-paced, with a good variety of weapons and upgrades to customise your loadout. However, the sluggish meta-progression and repetition of taking the experience from the top after each death wear down the experience over time. If you’re looking for a fun roguelike co-op shooter, you can certainly do worse than Moros Protocol, as long as you bring a friend.

LEGO Voyagers is a simple adventure co-op game that features a straightforward story that will tug at your emotions. It doesn’t hold your hand, and you and your friend are required to work together to complete this simple game. It executes the “show-don’t-tell” very well. While it does lack the opportunity for expansive exploration, it’s the type of game that makes you want to relax and see how far creativity and teamwork will take you.

Strange Antiquities sticks very close to the premise of the original, Strange Horticulture, while improving on almost every aspect. It offers a dark, atmospheric mystery with multiple endings, but the real entertainment comes in the form of examining the dozens of weird, creepy, and downright unsettling items stocked on your shelves and feeling like a genius when you decipher their hidden clues. Strange Antiquities is an easy recommendation to make for any fan of research-based puzzles.

Everybody’s Golf: Hot Shots is a triumphant return for the long-running arcade golfing series. It strives to be the be-all and end-all for the genre and more than succeeds on that front, providing rewarding mechanics that challenge and excite, always in pursuit of a new little thing. Where it’s aggressively anime and chibi art-style (and the voice acting that comes with that) will no doubt irritate some, they’ll delight twice as many. I’m a simple girl; I see anime girls in anything, and I’m charmed. With so much to see and do, with many little moving parts to make this a deceptively deep experience, the Hot Shots series is back with a blast, and it’s about damn time, too.

Despite what is clearly an earnest effort, Lost Soul Aside fails to do justice to whatever director Yang Bing’s vision was. It never stops feeling hamstrung by its lofty aspirations, but is derivative in its execution and doesn’t do any one thing particularly well. If you’re the type of player who can forgive an average experience in return for genuinely great combat, then it might still be worth your while to grab it on sale.

Gloomy Eyes is a cute game about forbidden companions on a quest to find the sun. The visual aesthetic is clear from the jump, with creative character models and some smart accessibility options. However, a lack of camera controls, unskippable cutscenes, and an underdeveloped story leave quite a bit to be desired. With plenty of passion driving the game’s design and narration, you’ll no doubt have a decent time with Gloomy Eyes, but perhaps consider checking out the VR movie first.

Driven by nostalgia, historic reverence, and a caution to avoid repeating past mistakes, Borderlands 4 is born from many lessons learned. It comes in confidently, understanding what makes this series lovable and matching expectations. A huge and nearly seamless open world is certainly commendable, especially when it still feels densely packed with objectives. This isn’t without its shortcomings, though, as bloated content and performance issues can impact the engaging gameplay loop. However, with friends by your side, Borderlands 4 is a satisfying, if imperfect, lootin’ shootin’ good time.

Dead Reset is a confined, blood-stained, interactive movie with some appealing practical effects and a unique atmosphere. What’s there is a very solid FMV game carried by a story that greatly benefits from its leading characters, as well as its superb sound design. But it suffers from frequent freezes and crashes that drastically ruin its pacing, a lack of weight in player decisions and variations in the story responding to them, and an ensemble cast where half the characters are forgettable, and even worse, forgotten within their own narrative.

I’m an optimistic person. I try to view games as more than the sum of their parts, flaws and all. I’m struggling to maintain that train of thought as I reflect on my time with Daemon X Machina: Titanic Scion. An odd release here or there from a studio is forgivable. They can be viewed as an off-game, one where they weren’t at their best. Two uneven titles down into the mech series, and it’s clear there are problems with this series down to the core. If this is an IP that is to be continued, something fundamentally needs to change. Fans who see that diamond in the rough here deserve better.

Cronos: The New Dawn is a strong new scary entry from Bloober Team, mixing well-worn tropes of the genre with some interesting sci-fi twists and a captivating, if somewhat confusing, narrative tying it all together. Balancing a restricted inventory while tackling waves of disgusting creatures makes for an intense time, and exploring the infected district in Poland is a memorable setting. Cronos: The New Dawn is confident in delivering what it set out to do; it’s a new survival horror IP that has legs – and lots of other limbs – carrying it to spooky success.

Metal Eden is short, sweet and fundamentally quite enjoyable. The plot isn’t much to write home about, and it’s mostly a grey experience as far as the visuals are concerned, but the fun mobility options, innovative Core-ripping gameplay and varied arsenal of weapons make Metal Eden worth checking out for sci-fi shooter fans.

Hirogami is a fantastic little platformer with surprising depth. Its origami world, from every folded tree and piece of wildlife, is a joy to behold, brought further to life with a vibrant soundscape inspired by traditional Japanese instruments. While the combat could perhaps have been a bit more enjoyable, Hirogami’s narrative, layered with subtext about the place of traditional art forms in the modern era and overall fun platforming kept me engaged for its 8-ish hour playtime. If you’re seeking a platforming adventure with a remarkable artistic vision, Hirogami is a great time and an adventure worth unfolding.

Hell is Us is an impressive milestone for a small team of developers, with the player-plattering design resulting in a strong vision. Whilst simple combat and mechanically shallow traversal hold the title back, there’s an undeniable clarity of vision that creates an overall cohesive package. Each of the game’s many elements feeds into one another to elevate the true star of Hell is Us, Hadea. The way themes are handled with such care should also be applauded. Few places in all of video games feel so present and fully realised, especially in a debut entry. So despite Hadea’s ongoing problems, I would highly recommend you consider crossing the border and staying a while.

With Quartet, Something Classic Games LLC has excellently captured what made the golden age of 16-bit turn-based JRPGs great and produced something that feels both authentic to that era but also comfortably modern. With its large, well-developed cast, captivating narrative and fun combat system, I found myself strongly invested in its world and its gameplay. Quartet does enough to establish its own identity and avoids being merely a simple homage to the likes of the old Final Fantasy and Dragon Quest games. If you’re a turn-based RPG fan, Quartet shouldn’t be missed.