Vince Vaughn’s Wild West Comedy Show chronicles the journey of Vince Vaughn and four stand-up comedians as they traverse the country performing in a live variety show. In the spirit of the Old West variety shows, Vaughn plays host to the ensemble of comedians and performs improvisational sketches with surprise celebrity and musical guests. Vaughn handpicked four national comedians from Los Angeles’ world famous Comedy Store—Ahmed Ahmed, John Caparulo, Bret Ernst and Sebastian Maniscalco—to perform on the tour. The film provides audiences a rare opportunity to experience Vaughn and his team as they travel over 6,000 miles across the heartland of America and perform 30 shows in 30 days. Traveling to cities that don’t ordinarily attract this type of entertainment, Vaughn and his team bring their unique styles and perspectives to regional audiences throughout Western, Southern and Midwestern states. Through rousing onstage performances and behind-the-scenes interviews, this engaging film breaks down the true essence of each comedian’s life-altering experiences and the personal and professional challenges that will unite four comics, one movie star and legions of fans from Hollywood to the Heartland. (Picturehouse)

32-year-old Charlotte (Dryholm) could have it all, but she doesn't want any of it. When she moves away from her boyfriend, she happens to become the upstairs neighbor of the transsexual Veronica (Dencik). Veronica prefers to keep to herself with her little dog and a romantic soap show on TV, while Charlotte gets through the nights with one-night stands. An assault, a new bed, and some white curtains bring the two of them together and they end up as the main characters of their own turbulent "soap opera." (Strand Releasing)

Martin responds to an ad in the paper for a company called Great World of Sound that's setting up shop in a generic office park. After his interview, he's invited to attend a Saturday seminar, explaining what the job entails. There he meets larger-than-life Clarence, and the two hit it off right away. At the seminar, an articulate but somewhat slimy man named Shank explains that the seminar participants have been selected out of a field of 80 applicants to be A&R executives for GWS, seeking out new, untapped musical talent. GWS will put out a record for these artists--all it asks for is a financial commitment from them upfront to show that they're serious, in addition to allaying the costs of studio recording time and marketing. After all, GWS is an independent record company working on a budget. Shank and his cohort go on to talk about how much money the producers stand to make. Then, as if to prove it, Shank dials into his bank account to let the room hear his $13,000-plus balance. Martin is suspicious, but Clarence believes that this is a whole new way of looking at the world, and if they sign someone that hits it big, they'll hit it big with them. Martin, who likes the idea of helping new artists, agrees to sign on with GWS. Clarence and Martin soon prove to be among the best of the GWS crew. But as the veneer falls away from GWS, Clarence and Martin have no choice but to reconcile the excitement and escape that their new jobs have provided them with reality. Have they become scam artists? Or are they victims of the scam themselves? (Magnolia Pictures)

Griff - office worker by day, superhero by night - has his world turned upside down when he meets Melody, a beautiful young scientist who shares his passion for the impossible. Fascinated by Griff's idiosyncrasies, which are equal only to her own, Melody begins to fall for Griff. As Griff is forced to face up to realities of a mundane world, it is up to Melody to rescue Griff the Invisible for the sake of herself, Griff and their love for each other. (Indomina Releasing)

A mother (Helen Hunt) travels cross-country to California to be with her son (Brenton Thwaites) after he decides to drop out of school and become a surfer.