| Paramount Pictures | Release Date (Streaming): May 22, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
15
Negative:
3
|
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Critic Reviews
While it’s not big on declarations of love, comic misunderstandings, or many of the genre trappings, it understands that the best romantic comedies are ones where the two leads are always talking, with each other, at each other, or past each other, constantly trying to sort out their relationship, despite whatever chaos is around them.
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Thanks to the sure-handed, fast-paced work and creative framing by director Michael Showalter (an alum of “The State” who helmed the Nanjiani-starring “The Big Sick”); a clever screenplay by Aaron Abrams and Brendan Gall, and the impeccable comedic timing of Nanjiani and Rae, The Lovebirds is one of the funniest movies of 2020.
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The dynamic between this screwball couple is half affectionate and half exasperated, and there are enough funny lines sprinkled throughout—a personal favorite: “documentaries are just reality shows no one watches”—to keep the laughs coming. But while The Lovebirds are sparkling conversationalists, as the plot gets more convoluted, the champagne starts to go flat
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SlashfilmMay 20, 2020
Unfortunately, The Love Birds just isn’t that funny. Don’t get me wrong – Nanjiani and Rae are funny, and they try really hard to make this material pop. But the jokes fall flat more often than not, and the direction from Michael Showalter (who also directed Nanjiani in The Big Sick) is oddly lax, with scene after scene embracing the unstylish “point and shoot” approach.
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The Film StageMay 20, 2020
The Lovebirds mostly feels algorithmic, a generic composite of romantic comedies and chase thrillers that races to a brisk 86 minutes. That’s more an indictment of the screenwriting than its two leads, Kumail Nanjiani and Issa Rae, who do their best while hopscotching around a nondescript New Orleans.
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