| Walt Disney Studios Motion Pictures | Release Date: December 22, 2021 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
8
Mixed:
22
Negative:
10
|
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Critic Reviews
Those willing to embrace this entry’s greater thematic and stylistic ambitions will find much to savor, including the stirring lead performance by Ralph Fiennes. The actor not only manages to give a fully committed dramatic portrayal that doesn’t give a hint of the material’s underlying silliness, but also demonstrates that he could have been a terrific James Bond if given the chance.
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In its best moments, The King’s Man feels like you and your friends have just dumped out your great grandfather’s dusty crate of tin soldiers to create a game that has no rules whatsoever beyond doing something ridiculous. But the movie’s politics? Ugh. They are the cinematic equivalent of your British uncle complaining about cabbies with foreign accents or claiming that Brexit didn’t go nearly far enough.
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After the so-so Kingsman: The Secret Service and the unendurable Kingsman: The Golden Circle, one might reasonably assume that Matthew Vaughn had nowhere else to go with the secret agent pastiche. This everything-but-the-kitchen-sink prequel deflates such pessimism in disreputably enjoyable fashion.
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The GuardianDec 14, 2021
Like a great big playful un-neutered pitbull, Matthew Vaughn’s new Kingsman movie comes crashing into our cinematic lives this Christmas, overturning the furniture and frantically humping everyone’s leg before rolling over on the carpet for you to tickle its tummy or anything else that comes to hand.
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IndieWireDec 14, 2021
The film’s tone is less cheeky and more serious, especially in the first half, but Vaughn and co-screenwriter Karl Gajdusek have their cake and eat it too by doling out standard “Kingsman”-esque thrills in between heady conversations about non-violence, colonialism, and the horrors of war.
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The concept of a supervillain hellbent on Scottish independence is, admittedly, kind of funny (not to mention in keeping with the overall politics of the Kingsman films). But The King’s Man can’t figure out what to do with the idea, apart from having the largely unseen bad guy yell a lot in a Scottish accent. Like so much of the film, it’s trying to have it both ways—to be stupid and clever at the same time, and coming across mostly as the former.
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Careening wildly from the black comedy tone of the aforementioned sequences to deadly serious World War I battle scenes, from somber spy thriller to broad comedy, The King’s Man has little of the wickedly outrageous and subversive style of the original film as it flies this way and that and never sticks the landing.
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So, The King’s Man is a mess, purposeless, pointless, witless. However, it’s not obnoxious. At times, it can even be close to enjoyable watching it squirm and try to make sense of itself. It has a genial idiocy and one genuinely effective sequence, involving mountain climbing. So, to its credit, it’s never actively annoying. It’s just, from start to finish, a disappointment.
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