The most important thing about EA Sports WRC is that I’m pretty sure I’ll get addicted to the moments its recreation of rallying can provide across its plethora of modes. As with Dirt Rally 2.0, it’s those simple, brief moments when you get into a perfect adrenaline-fuelled flow and feel - just for a second - like you are as good as Colin McRae, that’ll keep me coming back for more, no matter how many trees I hit in between them. I'm pleased and relieved to report that post-acquisition Codemasters still understands what makes a good rally game tick.

While it failed to grab me the first time around, the second time has been a charm: Pac-Man Championship Edition 2 Plus is a great, brave effort to do more with this classic gaming icon than simply rehash and rerelease emulated versions of its heyday. With its quick-fire modes it’s also an absolutely perfect fit for the Switch – and well worth it’s downloadable-only price of entry.

That simplicity is overridden by originality and vigor, then – but I also know all too well that some fans of the older Paper Mario games will once again walk away a little disappointed. This is still undoubtedly no Thousand Year Door. Perhaps the next outing can bring back a little of that RPG depth – but regardless of that, this is still the best Paper Mario game in years.

Warzone is, like its skull-masked, kevlar-tucking “operators”, entirely solid. It bloody well should be, given its pedigree. But there is remarkably little interesting here – aside from flourishes like the sinister gulag section – to command our attention. It’s not particularly beautiful, and makes up for that with enormity. Sure, this is a CoD game we’re talking about, so fantastical theme park aesthetics were never an option, but nevertheless there’s a lack of character here that is in no short supply in other games of this genre.

In an industry slowly and often clumsily stomping towards some nebulous washed out esports future where it feels as though all games must be perfectly balanced with big bucks competitive gaming in mind, I’m happy that some developers like Eighting and Arc System Works remain willing to make games that are still a little jank, still a little busted. DNF Duel is unapologetic - and a lot of fun. For Dungeon Fighter fans this is obviously a great purchase, for fans of the genre the same thing goes.

The original Oblivion’s a great game, and this remaster’s a good re-packaging of it. It’s an excuse to fire up an Elder Scrolls title that doesn’t feel a million miles from contemporary yet again, but I’m still not sure we needed one.

It’s illustrative of the broader conflict Far Cry 6 finds itself facing with, well… itself. It wants to spin a more involved narrative, but steps back before things get too serious. Yaran Stories hint at deeper worldbuilding, though adhering to the standard Far Cry and open world structure means staleness creeps into exploration and guerrilla activities. Juan Cortez was more accurate than he realized when he recruited Dani to Libertad. Far Cry 6 prefers playing guerrilla over more serious reflection because “blowing up shit is fun,” and Ubisoft just isn’t quite ready to give that up yet.

Squadrons feels like more than the sum of its parts. Most importantly, it does exactly what it set out to do – and does it very well indeed. It’s EA’s smallest-scale console Star Wars title yet – but also its best. Fleet Battles feel a little long and sometimes listless, and some will no doubt pine for a little more content – I personally would’ve really liked to see a 20-player (or more) deathmatch mode. But it’s nevertheless difficult to really criticize such a tightly-wound, complete package. As such, it’s an easy recommendation.

Little Nightmares 2 is a superb sequel that carries on the impressive tone of the original, but improves in all key areas. This isn’t explosive horror, there’s no gore or torture, and for the most part you’re jumping onto levers, solving puzzles, and climbing up furniture, but that doesn’t mean Tarsier hasn’t created a standout horror experience.

It’s a leisurely, relaxing adventure that is absolutely confident in its abilities – and for those happy to have such an experience, a very easy recommendation. It’s the best Yoshi game in years.

If you’re the sort of player who got really mad about the national Pokedex in Sword & Shield, you might also bemoan the level of content here. But I think this is plenty, delivering far more than the original and with a whole lot of replay value – it’s just a shame the developers felt the need to stretch it out artificially to justify what they’ve managed to build. Even with the grind, I do adore this game, though. It’s a video game safari that manages to evoke the sense of wonder of the real thing. It’s a worthy successor to the beloved original; a comforting, gorgeous, lovely little thing that soars when it just basks in its core conceit and lets you at its content.

Let’s Go is trapped between fans hungry for more of what they already love and those keen to see the series really do new and different things. I’ve fallen firmly into the latter category for a while now, but Let’s Go ended up being something really unexpectedly needed for me: a nice nostalgic palette cleanser before a hopefully significantly changed Pokemon experience next year.

More importantly, while not explicitly marketed towards children, I worry how those who do end up playing it are going to come away from this. Bugsnax has PEGI and ESBR ratings of 7 for mild violence, which I simply don’t agree with for its ending alone, and isn’t that a strange thing to have to say. Bugsnax is a pleasant little gem of a game, but I don’t think I’ve ever encountered another title that came so close to ruining it all for me so close to the finish line.

Metal: Hellsinger is a good time, if not a short time. Hard as nails, rewarding as they come, and fuelled by some of the best names in heavy music, The Outsider and Funcom have made a game that’s worth every second of your time it takes up – even if that’s only about the length of one of the more epic prog albums out there.

Sackboy: A Big Adventure isn’t the most attention-grabbing PS5 launch title. It’s fair to say it’s been completely overshadowed by Demon’s Souls and Spider-Man: Miles Morales, but it offers a wonderfully crafted alternative to what are more mature titles. Sony is on a roll with the PS5, with Sackboy: A Big Adventure being yet another title PS5 buyers should seriously consider adding to their collection.

RGG’s also embraced visual customisation in a more in-depth manner than it ever has before here – not just with your ship, but with putting together custom outfits for Majima that’re mix-and-matchable, rather than rigidly set. You’ll spend most of your time in your getup of choice, ticking off suitably piratey sub-stories and goals in order to recruit new crewmates, as well as hunting down bounty targets pulled from IW’s array of different enemy categories to beef up your bank balance in refreshingly ungrindy chunks.

The Quarry is not without its flaws, but by no means is it a bad game. It’s fun, it’s immersive, and the fate of Hackett’s Quarry truly lies in your hands. As with most games developed by Supermassive, The Quarry is best played with plenty of blankets to hide under, and possibly a friend to adventure through couch co-op mode with you. Tread carefully.

I cannot help but to love Elden Ring Nightreign. It's a strange beast, kitbashed from parts of Elden Ring that feel clunky in places (god, the vaulting system can be frustrating at times). It has bugs, and it has blemishes. It's not a traditional Soulslike experience and as such will surely turn away fresh faces and diehard veterans alike. But it's also a celebration of you, the massive community of Soulslike players, and, specifically Elden Ring players. It's a game and a story about you, and all the weirdos you've met along the way. If this is a send off to Elden Ring and The Lands Between, it's a perfect one.

It’s still worth playing, but Resident Evil 3 Remake is a step backwards for Capcom, coming off the back of one of the best games of last year. It’s gorgeous to look at, the jump scares will get you, and it’s like stepping into a comfy pair of slippers. But even though your feet are cosy, it never feels like home.

Doom 2016 is still utterly fantastic, the sort of thumping, compelling shooting experience that gets the blood pumping. In a time when so many shooters can feel like rote shooting galleries, Doom feels like something more – and it remains a firm recommendation for anyone who’s yet to play it on whatever platform they can get their hands on.

I’m a big fan of Dirt 5. It’s not going to garner the praise of a Gran Turismo or a Forza, but it’s exactly the kind of game I was after. It’s fun, easy to get into, full of variety, looks pretty, and features cars that slide beautifully around corners. Dirt 5 is a feel-good game at feel-bad time, which is about the best time for it to exist.

It’s undoubtedly the most spectacular VR game I’ve ever played, it’s got plenty of cool gameplay moments that show off the controllers, and it’s a full-on game to play through, but it’s also a bit tedious at times, and boring at others.

Although the core gameplay isn’t mind-blowingly different, it’s still the best football game, and the addition of VOLTA is a whole new way to play.

In the end, it all works - it’s just very different. The subtle whiff of compromise in order to launch the game far and wide is there - but compromise is just fine if the end result works. It does. I’m happy. As someone who has somewhere in the region of a thousand hours logged across Civ 4, 5, and 6, I’m ready to add hundreds more to that tally in the seventh entry. Some of that will come in years as the game grows and expands, as is Civilization tradition. But the point is, the foundations here are firm. The legend of one desperate extra turn, over and over again, forever, is secure.

Battle for Azeroth is still good. Great, even. One of the best expansions World of Warcraft has seen. Cinematics are driving the storytelling stronger than ever, and a handy apocalypse providing a nice reset for the decades-old plot. There’s a wider range of ways to play, and what missteps are taken feel more like minor nuisances.

Slicing through mobs to trade up my weapons is fun, and sometimes an amusing line of dialogue makes everything seem great again. Gearbox could’ve done a lot more with the next installment in the Borderlands' series than this. It all got old, too quickly, and it made me just want to boot up Borderlands 2 with my friends again, instead.

The biggest crime a piece of media can make is to be boring and Detroit is as guilty as can be.

The Legend of Zelda: Breath of the Wild isn’t just one of the better entries in this storied series – it’s also one of the greatest games of all time. To this end, the mission of living up to its inspiration is perhaps impossible for Age of Calamity. It is nevertheless successful at what it sets out to do, however – providing a fun, interesting and exciting new adventure that fans of that game will surely enjoy. It won’t stay your appetite for Breath of the Wild 2 – but it’ll keep you occupied happily enough all the same.

Despite the fact Borderlands 3 seemingly wants me to hate it, I really, really like it. Like, a lot. I say this as someone who’s become a bit disenfranchised with the loot shooter. The moronic, sophomoric (sophomoronic?) dialogue masks over one of the most thoughtful, satisfying shooters you can play right now. You just have to learn to tune out the white noise, and to swap your weapon before you open a chest, you idiot.

One of the best multiplayer games of the year.

With its System Shock, Nightdive has built not only the definitive way to experience one of the most foundational works of an incredibly specific and daunting genre, it’s created the definitive entry point for players who want to get into games about crawling through vents and collecting keycards but are unsure of where to begin. Spiritual successors such as the 2017 Prey or Void Bastards may have done an excellent job of carrying the torch, but it’s a true delight to go back to where it all started.

It's certain to make you smile and burst out with laughter with how silly it can get at times, make you feel a sense of achievement and satisfaction when completing objectives, and also make you want to throw your controller out the window when you just can't seem to win a race no matter how hard you try. Just don't expect too much from the Mass races.

Overall, RoadCraft offers a unique enough twist on the established Spintires formula, if a streamlined one, to be worth giving a go. Some series veterans will end up longing for the elements it’s stripped out, especially when the new stuff that’s been drafted in is being more frustrating than fun. But, that central loop of frustration giving way to jubilation as you overcome the environment is still there and regularly just as satisfying.

Tropico 6 isn’t spectacular in terms of breaking the mould. There’s no revolution here, but nor would El Presidente want one – that keeps him in power, after all. It’s a confident game that plays it safe, offering simple iterations and smart tweaks to the already well-trodden and successful styling of the series to offer up an entry that, at the very least, is superior to its direct predecessor.

Repackaged into one of the sharpest Remaster releases I’ve ever seen, it’s a relatively irresistible package - warts and all. The blemishes upon its carefully airbrushed visage are, in many ways, part of the charm. This is a joyous little time capsule of 2000s Square - and perhaps a curious aperitif before Remake part 2. It’s easy to recommend.

Hyrule Warriors Definitive Edition lives up to its name: it’s the best version of this game, and this game is also the best in the Warriors series. Zelda fans should be aware of what they’re getting into, as those who expect the nuance of regular Zelda will be sorely disappointed. If you want to hack, slash and experience an exciting, fan service assisted power trip, however, Hyrule Warriors will fit the bill nicely.

My big takeaway from Like A Dragon Gaiden is that I really hope RGG does more side stories in the future or at least takes a similar approach to new mainline games. The chance to slow down and experiment with character growth, different storytelling styles, and a more focused approach to narrative building paid off brilliantly with Joryu’s tight tale.

Hopefully Game Freak will continue using the Legends series as a playground (maybe a return to pixel graphics, just a suggestion), but, for now, Lumiose City has been a treat to revisit.

Overall, the release version of Golden Lap, even with those couple of areas where it could be better, is still very much the game I enjoyed in a short burst earlier in the year. It knows exactly what it wants to deliver, and does so in the wonderfully characterful manner that’s come to define Funselektor’s games and help them stand out from the racing crowd. Without giving you an actual whiff of the petrol fumes, properly deafening you with engine roar from behind the wheel or offering you a mouthful of podium bubbly, it manages to capture the spirit of what it depicts, and with a few tweaks, its pull could be even more irresistible.

I can’t really talk about the climax of the game’s narrative without wandering into spoiler territory as before, but it’ll sum it up thusly - Thalassa’s story is something that only gets better as it goes.

Modern Warfare 2’s campaign is a cocktail of modern mechanics, updated characters, and callbacks to classic missions and villains. By the end of it, the campaign ends up saying little of substance. And though that is certainly true of its predecessor, it at least had the gall to try. Despite that, it’s Call of Duty’s most interesting campaign on a purely mechanical level, and bodes well for a future beyond annualised six-hour campaigns. There are far greater heights this could reach if it was allowed to exist as a new STALKER or Fallout – and I hope we get some form of that from Infinity Ward. [Campaign Review = 80]

Before the Storm elevates Life is Strange and compensates for some of its failings. Imperfect as it may be, I consider it absolutely essential to a full understanding of Life is Strange – whatever your own personal reading of it may actually be – and the series as a whole to be one of the highlights of my entire gaming life.

Promise Mascot Agency’s a good time. Uniquely charming enough that it doesn’t fall into the trap of being as dry as Michi’s ideal Saturday night, but with enough rough edges that it’d need to work on itself a bit before it could run for mayor of whichever cursed town all of the truly great games inhabit.

Back 4 Blood takes an old-school approach where it makes sense, and modernises where it doesn’t. It’s heartening to be engaged by a game purely for its gameplay and variety, and not to pad out a progress bar somewhere.

If there’s one thing Expeditions and its terrifying muddy siblings will teach you, it’s that eventually overcoming the perils of picturesque, but unyielding nature through sheer relentlessness will never stop feeling rewarding.

I hope it isn’t lost amongst the PS5’s bigger, noisier releases, as it’s something different and uplifting. It’s rare to find such tension and threat in a game that’s also so peaceful, but Giant Squid has managed it. In truth we could all do with a bit of light in our lives at the moment.

In the end, Still Wakes the Deep is worth the six or seven hours it takes to blast through the story. It’s not scary as such, but it’s tense as hell, and there’s a poignance here that shines brightly through the veneer of soot, and gloop, and toxic masculinity What this game is really about, just like that bronze monument in Eyemouth, is the widows and bairns left behind.

Chimera Squad is an XCOM game with its own identity. But in carving that identity, in adding characters, it loses some of its own character. It hopes to create a more engaging story, but the story it creates is nowhere near as memorable as the ones we create for ourselves when everything turns to shit. Still, XCOM: Chimera Squad is perhaps the best value proposition I’ve seen in video games for a long time. It’s well worth the modest price, it’ll last you a long weekend, and it still delivers some of the best turn-based strategy around. I just wish it had been brave enough to let us live with our mistakes.

As it stands on release, the best parts of Crimson Desert are buried deep under layers of absurdity.

Solar Ash deserves props for its world design, the fluidity of movement when you're in the groove, and the sense of scale on display, so it's somewhat painful to be down on it to the degree I am. It's not far from being a bit special, the kind of indie gem that everyone has to play, but it's unfortunately just not quite there. There's still a great deal of fun to be had here, and your mileage with the mechanics might be better, but for me Solar Ash is so focused on delivering flow, it forgot that you don't want to go on the same walk every day.

Game Builder Garage seems to want to showcase just what it’s like to make a game, albeit in a simpler way. It’s sometimes challenging to the point of being headache-inducing. It is unrelentingly complicated. When it clicks, however, it’s fun, magical, and incredibly rewarding.

The presentational and balance problems ultimately don’t take too much from Bravely Default 2. There’s a brilliant game here, with heart, smarts, and an admirable adoration for the classics of the genre. Its charm cannot be denied – and it provides a helpful cushion against those uneven and rough edges. With that said, to embrace a cliché – this is absolutely one for fans of the genre, who want a difficult, system-driven RPG – and aren’t as worried about the visual presentation.

The only thing malfunctioning around here is the economics of game production. And from that struggle, under circumstances that echo those of the original movie’s troubled production, a brilliant piece of work emerges, that somehow nails every part of the brief and finally proves that Robocop can inspire worthy sequels. And if it didn't look a bit ropey sometimes, I doubt it would feel like Robocop: a stop-motion ED-209 falling down some stairs is goofy as hell, after all, but none of the CGI perfect ED-209s in the 2014 remake ever did anything goofy, and it was crap. So. Y'know.

Mirage represents Ubisoft at its best; fuelling historical intrigue with tight, uncomplicated gameplay systems that make puzzles out of environments, that breadcrumb you to fantastic treasures, that sucker punch you out of your false sense of security whenever you get too comfortable. The game comes undone under the pressure of combat, but that’s OK, because the options it gives you to tiptoe around it feel superb in the hands. Assassin’s Creed is a helix, representing Ubisoft’s future and its legacy, and Mirage is at the intersection of both – proving it’s possible for Ubisoft to deliver something focused and fantastic, even without that new-fangled RPG finish.

The cliche with EA Sports games is that they’re always an iterative step. But, outside of the mid-console generation graphical similarity, there’s a lot that EA Sports FC 25 does which isn’t iterative. The big changes brought about by FC IQ, Cranium and Rush make for an interesting gameplay refresh which gives new impetus to both competitive online modes and long-underserved offline careers.

The first episode of The Walking Dead’s final season is an excellent start, but that’s usually the case. It’s always been the middle episodes that Telltale’s weaker seasons have struggled with.

FIFA 23 is still utterly engrossing, wildly frustrating, uncannily realistic and very silly. It’s endlessly playable but, just like real football, the search for the perfect blueprint goes on.

Dragon Age: The Veilguard is full of heart and soul. It’s also got some great ideas. Conversely, many of those ideas feel like they struggle to get out of first gear - and those that do find it harder still to make it to third. Sometimes the cleverest ideas are undermined by other systems or decisions. Simultaneously feeling polished to within an inch of its life in places and utterly half-baked in others, it’s as baffling as it is engaging; as frustrating as it is fascinating.

Dying Light 2 is messy and uneven. It’s also unique, exhilarating, and just plain fun to play, with one of the best settings in recent memory – despite the nagging feeling that the game could, and should, be more than what it is. Techland has made great strides forward with the sequel, but it’s clear the future of Dying Light can’t be just about making a bigger city to climb around in. The sequel has given the series some good breadth – now it just needs some proper depth.

Twelve Minutes ultimately presents a compelling, thrilling experience that feels more than worth the price of entry. It has interesting things to say through its looping core conceit, and it’ll tease your brain more than a few times - sometimes genuinely, sometimes through slightly cheap requirements to progress. I also admit I was less of a fan of where the story went in its later stages - but that doesn’t mean I wasn’t hooked. The journey matters more than the destination, after all - and a gripping journey this is.

Much of what you can experience in Rise of the Ronin has been done better elsewhere. Team Ninja picked the wrong edges to smooth off. Rather than go down the Elden Ring road of allowing freedom of exploration and discovery to balance out the challenge of combat, Rise of the Ronin instead takes a step backwards to the era of rigid open-world games that put players on treadmills, and train them to expect rewards when the bell rings. It's a disappointing change of stance from Team Ninja, and one that could leave them open to an unfortunately mortal blow.

WarioWare: Get It Together is unabashedly Nintendo, fulfilling its mission statement to the letter with alarming precision, but also not rocking the boat very much at all. The game’s one big change - controlling a cast of characters - didn’t turn out to be that big of a deal after all. The result is a wonderfully infectious game to play alone - while it lasts - but the true value of the package will be in playing it with others.

Wild Hearts often feels like a game that doesn’t want to be played. It’s fussy, it’s janky, and it constantly trips itself up. An erratic gameplay loop, an absolute bastard of a camera, and some ill-conceived weapon gimmicks prevent Koei Tecmo and EA’s experimental hunting joint from ever really succeeding where its genre rivals have. It’s ironic that building is such a core part of this game: if this is the start of a series, Omega Force has laid down some important groundwork, but it needs to do make some serious structural revisions from the foundations up if it ever wants to look eye-to-eye with Capcom’s imposing juggernaut.

Watch Dogs fans and more die-hard anarchists among you might enjoy it more, but between the short storylines, underwhelming tech and mission types and the general “everything is on fire” vibe, it just doesn’t rate highly for me.

Overall, there’s still plenty of fun to be had in NBA 2K25, and I’d still argue it does enough to maintain the series’ place as a market leader - especially now PC’s finally on the next-gen version. However, there are just enough hangups that I don’t think it’s a slam dunk in terms of being a positive step forward, even if you definitely can’t label it just a retread of last year’s game.

Even if Game Pass wasn’t a factor, it would still be worth buying for just how cool it makes you feel, how good it looks in motion – and best of all: how it allows both of those feelings to be accessible to most players.

Murder on Eridanos feels like The Outer Worlds at its best. Roleplay, diverging quest lines, and carefully balanced absurdity have always been at the heart of the game, and this DLC feels like a freer exploration of that core concept. Without having to juggle the high-stakes of the main story across an extended run-time and multiple planets, there’s more leeway to knit a larger cast of more interconnected characters together for a more engaging mystery.

EAFC 24 might go about achieving its goals in a slightly different way to the FIFA series, but it lands at the same end result. The same tempting sticker book collect-a-thon and absorbing gameplay carousel makes EAFC 24 a virtual footballing platform that demands your attention and is difficult to put down. Emulating the signature moves of your sporting heroes with box-office Playstyles is a highlight, but there will always be questions about whether the mechanic can stand up to the test of millions of players probing for overpowered exploits.

For all the savvy tweaks to combat and exploration, Shadow of the Tomb Raider unfortunately feels like an extremely long expansion pack, now with killer fish and face mud.

Ubisoft’s USP is location. Sense of place. Beautiful recreations and restorations of ancient cities, buildings, temples, vibes. The Star Wars galaxy absolutely evokes the same sense of wonder, and has been recreated with just as much love and care here. Mos Eisley is no less real in the public consciousness than Rome in the time of the Caesars. At once familiar, but widely open to interpretation. And probably just as dangerous. Star Wars Outlaws won’t win any GOTY awards. But it’ll definitely win a lot of hearts.

Lego Bricktales is a breath of fresh air, and a tremendous surprise. It’s not the longest experience in the world – but I loved every minute of it, and still feel compelled to go back and improve some of my less satisfying builds. Tricky controls be damned – it’s a low-key game of the year contender.

Everything that made that original game special, and ultimately a cult classic, is faithfully and lovingly reproduced here. It’s a safe reimagining, but simply on merit of all the small modernizing touches, which add up to a lot, it’s also pretty clearly a better game than the original – and considering how much I loved that game, that’s no small feat. I can see many more hours in my lair ahead – and with potential updates and DLC down the line to address some issues, true world domination could still be ahead.

If you’re looking to delve into a supernatural story laden with satisfying, tactile puzzles, then Fear the Spotlight is a grand way to spend two to three hours of your time this autumn. Though, if you were hoping for something that would keep you on your toes and have you losing sleep, you might be better off waiting for the other titles that publisher, Blumhouse Games, has up its sleeve.

Your mileage with WarioWare: Move It will inevitably vary. What do you want from this game? If you want the classic microgames experience, it isn’t really here. If you want a killer multiplayer game to play with the family over the holiday season (assuming everyone is able-bodied), it’ll be ideal. I can’t wait to play this more with friends. But I don’t see any reason to boot it on my own again any time soon.

Ghostwire: Tokyo is an impressively bold step in a new director for Tango Gameworks, and it pays off beautifully. Tango’s artists and designers are working wonders with zany and menacing creatures, set against the wonderful backdrop of a colour-struck Shibuya. While its leading pair and open world design stumble at times, Ghostwire’s wonderfully weird side stories and engrossing combat, more than pick up any slack and work in harmony with the game's more zany and offbeat elements to create a world that hasn't just got looks, but one hell of a spirit, too.

Can it tackle some of the greats in the genre? Your Warzones and Fortnites? Absolutely not, but that’s obviously not the goal here. It will, however, surely tempt a portion of players away. Hopefully, the players it can suck away from other games is enough to slowly grow a community here. With that, and a slow drip of new archetypes, weapons, and other significant changes I can totally see Vampire: The Masquerade – Bloodhunt becoming this slow burner you hear about every now and again. A great game to jump in and try right now, and a title you should keep an eye on in the years to come.

Layers of Fear (2023) starts out strong with the story of The Artist, and loses itself amidst its own ambition during the story of The Actor. Bloober Team’s once meaningful exploration of a character’s descent into madness quickly becomes redundant amidst a sea of film references and blurred storytelling. Layers of Fear is certainly a cohesive remake that brings the original games together, and there’s no denying that it looks great, but its second act feels incredibly lost when contrasted against such a strong start. Layers of Fear (2023) is one major case of whiplash, that’s for sure, but it does showcase Bloober Team's potential to do good if it can nail down the focal points of the stories it tells.

Everyone’s going in expecting madcap mayhem, and there’s often no one more stony-faced than someone sitting with their arms folded waiting to laugh. But if nothing else, Grasshopper Manufacture’s latest knows how to make you crack a smile.

A flawed masterpiece is a masterpiece nevertheless, and perhaps the most important reason that modern, quality ports of Shenmue exist is that there truly is nothing else quite like it. It deserves to be experienced.

Dead Island 2 is every bit the head-stomping blast that it promised to be. There are a few creases that Dambuster ought to iron out over the coming weeks, but if you’re hoping for mindless chaos and exceptional entertainment across the grindhouse slaughterhouse that is HELL-A, you’ve got it in spades right here.

I’m not sure I’m yet at the point where I’ll be able to play Ghosts ‘n Goblins with the proficiency that so wowed me to witness as a child. But playing it always gives me a warm and fuzzy feeling that’s entirely at odds with the fiendishly challenging, unforgiving nature of Knight Arthur’s adventure. It’s an all-time classic, and seeing such a game resurrected so lovingly on new platforms is always welcome.

The Master Books are bursting with interesting tidbits that helped me to contextualise each game and the storyline as a whole better than ever before, but there’s relatively little within the games themselves to make this a real must-have if you still have access to previous collections and releases.

Whatever angle you’re coming from, it’s fair to say that PGA Tour 2K21 will likely satisfy your golf game needs. If you’re new to this sort of game, you’ll be gently introduced by well-crafted tutorial mechanics and charmed by the quiet chill of it all. If you’re a lapsed EA Tiger Woods player, you’ll likely be impressed by the systems and mechanics HB Studios has built up over the last four games to differentiate their take. And if you’re a Golf Club veteran, this is another solid entry, iteratively improving on those that came before. It ticks all the boxes, and it’s great to see fully-licensed PGA Tour golf back at the forefront of sports video games once more.

Phoenix Point is all a little too like XCOM to move the genre forward in any huge way.

As any Trekkie will tell you, discovery is addictive, and Journey to the Savage Planet is almost all discovery.

Peach’s foray onto the stage is is full of whimsy and many moments of sheer joy, just as 2023's Super Mario Wonder is, but the difference is that this is Peach’s game – and hers alone. Despite the Sour Bunch trying to sully the Sparkle Theater’s reputation, Princess Peach is here - as a Cowgirl, Ninja, Detective, and so forth - to put a stop to that. And she puts on a wonderful, replayable, empowering performance while doing so.

Hollowbody is a testament to the work of Hamley, and is phenomenal within its own right, but the dedication to various cult classic horror and sci-fi games only adds to how enamored I was with the game; this is how you make a game heavily inspired by other media while making a whole new experience entirely, in a nutshell. But don’t get me wrong, Hollowbody is so much more than its inspirations, made up of multiple moving parts that provide fans of the survival horror genre with something new and refreshing.

The Ascent’s ambition is often the most surprising thing about it. I went in expecting a decent, simple cyberpunk top-down shooter. Instead, I got a compelling action game that feels great to play, and an introduction into a world I can’t wait to see expanded in future sequels. The Ascent is the type of indie superstar game you bring up to prove how much can be accomplished by a small team today.

The fact that I’m willing to part ways with the original game even in the face of early performance woes and the fact that ultimately Cities Skylines 2 has a fair bit less content than the original, with its oodles of expansion packs and DLCs, says a lot. This is an excellent sequel, and an exciting foundation for what I’m sure will be a bright, addition-packed future. For those with weaker machines or a focus on performance, you may very well want to wait. But in this initial release we can see the foundations of a generational classic. It just might take a few more years to reach that full potential – just like its predecessor.

Making games is hard, regardless, and the fact that the team was able to put together a package like this that's so earnest, so passionate in its revisit of a world enshrined in PC gaming's history, is more than impressive. It's an admirable feat that I hope isn't lost on the general gaming crowd who don't know too much about the games outside of their time playing them. I would recommend Stalker 2 to fans of the Stalker series, obviously, and as anyone with a love of open world FPS games and distinct sci-fi. The good thing is it's available on Game Pass, so you can pay less than full price and try it out.

With those caveats aside, Onimusha: Warlords is a damn steal at £15.99. Where most publishers are trying to squeeze as much as possible out of people, juicing those nostalgia glands for every penny, here we have a sensible price point for a decent older game that’s been blown up to look passable on a modern screen.

Life is Strange: Double Exposure is not the perfect follow-up to Max's original story, and truly nothing could have been. But, as is mirrored by Max's own character arc, the intention here is clearly to look forward rather than backward, to a future that is bound to be messy and experimental, but meant to be approached with curiosity about what's to come rather than regret over what's been and gone. As ever with Life is Strange, the vibes of this game are perfectly suited to the story it sets out to tell — even if the details get muddled sometimes.

For all its inconsistency, Outsiders still boasts some of the most intense and exciting PvE shooting around - just sometimes it’s you in a puddle on the floor instead of the waves of nameless goons. It’s silly and nerdy and dark and takes no prisoners as it violently demands your attention from start to finish.

Where Shadowkeep’s story will take us remains to be seen, but the inclusion of Destiny’s core mechanics in a brilliantly revamped location has reinvigorated Destiny 2 just as it was starting to get a little stale.

In its core mission, Sonic Superstars is successful. It recreates the foundation of 2D Sonic – some of the finest platformers ever made – well. Unfortunately, the new elements layered atop that are rather hit-or-miss. I personally don’t think this is anywhere near as good as Mania. But it’s good. In fact, it’s good enough that I expect fan debate about which game is superior to be fairly heated – which is a sure-fire sign that Sega is on the right track.

But whether you’ve grown up with Goku and friends, or you’re a first timer who’s never fancied sitting through 300 episodes without getting to play a part in the action, this is still a great way to experience the classic story.

The interplay between the AI, your abilities, the physics of the world, and your guns is some of the best I’ve seen, and I never thought I would be saying anything like that about a sequel to Brown Shooter: Apocalypse. There’s much more to this than its kooky, pink-hued marketing campaign. If you sleep on it, you’re sleeping on one of the best – if not the best – single-player FPS games of this generation.

However you feel about Evil West, the $50/$60 asking price is too steep for what’s on offer: the nature of its level design, limited enemy variety, and forgettable story will get in the way of your enjoyment, even if you’re only there for the combat. As engaging as it is, that action just doesn’t make up for Evil West’s shortcomings elsewhere.