Black Mirror is a good story that suffers from a dated application of game styles. While this is interesting in a meta way, it is not much fun to play. The narrative itself plays out fairly successfully. but it is hard to recommend it for this alone.

Shadow of the Colossus isn't necessarily a game that needed to be remade in such an elaborate fashion, and yet, I'm so glad that it has been. Bluepoint's remake of this sublime and poignant adventure is phenomenal, both managing to stay utterly true to the original and bringing it up to date in glorious fashion.

Out of Ammo is a decent experience that blends RTS and FPS together, and if can be fun if you want something quick and not too taxing. However, it’s a game that shows its hand very quickly and doesn’t offer much beyond that.

2018 is off to a strong start with an Dragon Ball FighterZ early contender for this year’s best fighting game. By shattering some boundaries, Dragon Ball FighterZ has combat that’s more than worth getting into, but also a diverse roster and some phenomenal presentation. The Story Mode could have been improved if it were more streamlined, but it’s a mere blemish on an otherwise spectacular game.

Vesta was an absolutely delightful way to start off my gaming year. It’s hardly ground-breaking stuff but this is a solid, dependable and, most importantly, fun game. It’s all over rather quickly, but it’s a credit to the developers that this left me wanting more.

Full Metal Furies surprised me in just how diverse the gameplay could get in a brawler/shooter hybrid. Some experiments don’t come off, but upgrades change character play styles nicely and the game is a joy to play with others. The teething problems that online play is suffering do make it hard to recommend for those with online co-op in mind, but once it’s all fixed or if you plan to play locally, Full Metal Furies is a decent way to spend a couple of evenings worth of co-op brawling action.

Monster Hunter: World is the evolution the series has been waiting for. The giant creatures have never looked better, while the beautiful open world areas and the way Scoutflies assist your exploration have brought a newfound dynamism to every hunt. It remains brutally difficult and the unprepared may still be chewed up and spat back out, but this time it’ll categorically be your own fault rather than the game’s. Whether on your own, or in a group, now is the time to join the hunt.

I think it’s important to preserve old games for future audiences, or make them available for audiences that never knew they existed. Video games, like any other art form, have a long history behind them, and a longer history ahead of them. Releases like Zwei: The Arges Adventure serve as time-capsules to help keep old pieces of history from disappearing. It’s a game very much from its time. While I appreciate the effort put into making the writing stand proudly in a modern day, gameplay flaws and dated design choices make it a chore to truly get a satisfying experience out of the game.

ChromaGun is, for the most part, a great port, but it doesn’t fix issues like the difficulty spikes that have always been present in the game. There’s some truly excellent puzzle design in the sharp looking test environments that will keep you entertained, in what is likely the closest thing to Portal that the Nintendo Switch will ever see.

Rise of the Tomb Kings is a great first expansion for Total War: Warhammer II. Stepping away from the Eye of the Vortex campaign to embark on a book hunt is more than just a thematic shift, especially with the way in which the Tomb Kings can play on the campaign map, thanks to their free recruitment and only needing a modest empire to fill their armies with elite units.

There’s two sides to The Inpatient: the first two thirds are tense, intriguing, and gives games like Resident Evil 7 a run for their money, but then the final third is ponderous, dialogue heavy, and has very little in the way of scares. With a play time of three to four hours it’s a decent length for a VR game and does have replay value with it’s alternate story paths. Despite it’s flaws, The Inpatient is still much better than many of the VR horror games available, so it’s worth checking out if you have an expensive fancy hat from Sony.

A fantastic genre mash-up between hack and slash, boss rush and twin-stick bullet hell shooters, Furi is as unique a blend now as it was in 2016. It fits effortlessly onto the Nintendo Switch, but it’s a game that is waiting to challenge you and worth testing yourself against on other platforms.

Beholder is an intriguing concept and thematically rather strong, as it twists and exaggerates a Cold War totalitarian surveillance state into the form of a video game. However, with a sequel on the way, we hope that Warm Lamp can improve on an idea that’s rather rough around the edges but is dying to be fleshed out further.

InnerSpace manages to craft a bright, bizarre and beautiful world that is probably the best example of the phrase “eye candy” I can think of. Unfortunately, the act of exploring and navigating that serene, majestic world often times felt like a headache. The poor frame rate on Switch and no clear horizons made flying and swimming in InnerSpace far less enjoyable than the idea of those actions ever was.

Brawlout is fundamentally a great take on the Smash Bros. format, and they’ve nailed the weight of the characters, movement, and the pure fun that getting four players together for some combative carnage can bring. Unfortunately the limited roster and the unrewarding grind of the in-game store can temper that somewhat, but as a starting point for a new indie fighting franchise there’s a lot here to like.

The Escapists 2 for the Switch is a great prison escape game, which stays true to its intention of bringing 8-bit sandbox games into 2018 and while there may be other ways to create a game of this genre, it is still hard to imagine other prison escape games being as fun as this both for a single player and multiplayer experience.

Space will likely be the issue that prevents users from experiencing L.A. Noire: The VR Case Files, but while it isn’t a perfectly controlled VR experience, it’s impressive that we’re seeing a VR game that utilises Room Scale VR in ways that make sense. To actually be part of this crime drama, investigating crime scenes and apprehending criminals, was more enjoyable in VR. Here’s hoping the next time we see something like this, it’s a dedicated experience.

Blossom Tales: The Sleeping King is another indie game which feels right at home on Nintendo’s platform, despite also being available on Steam. The game will appeal to those looking for a bit of classic dungeon crawling, and it will be sure to please those that have missed top-down Zelda adventures. With a lovely kingdom to explore and a varied range of objectives, Blossom Tales shows us that this genre is still very much alive.

The Battle Royale game mode is so compelling, with each loss only making you want to do better next time, and each victory giving you stories of tense games of cat and mouse and frantic gunfights. It’s still lacking in terms of polish and optimisation, but after years of experimentation, this feels like the real start of a new paradigm in multiplayer gaming.

Tiny Metal is a great attempt at reviving the Advance Wars style of approachable military strategy for modern audiences, but while it certainly looks and behaves the part, the poorly balanced campaign and uninspired narrative only serve to emphasize just how special those classic games were.

Dead Rising 4: Frank’s Big Package is perhaps the perfect Christmas game; stuffed to the gills with content that swiftly loses its novelty, with the overall effect being a kind of overfed sleepiness. In this case, less could have been more.

For those who have been following the game since long before it’s PlayStation 4 announcement, Gang Beasts really does come as a poisoned chalice. Its meathead multiplayer melees will light up your living room for hours on end, yet when there’s only one person in the hot seat, it loses that charm almost completely.

Gorogoa’s main problem lies with its outdated linear approach. It’s a fantastic, distinctive looking game with a solid hook for progression through its puzzles, but it ironically doesn’t take a lot of risks. If you want a good hour or so to play a unique puzzle game, Gorogoa will fill that void, but just don’t expect it to do much more than that.

Shooty Fruity is a fun arcade shooter for VR that will be enjoyable for many people regardless of skill. The simple control mechanics makes it easy to pick up for anyone. Shooting aggressive fruit with various weapons is absurdly entertaining, while the pressure to perform basic tasks keeps you on your toes. Shooty Fruity is a simple premise well executed.

ELEX is the very opposite of the accessible games that have revolutionised the open world RPG in recent years. I enjoyed it as a modern looking take on the Gothic series, but newcomers will have to be prepared to fight against the systems through the beginning of the game. This has resulted in the game quickly gaining a cult following who celebrate its obscurity and lack of accessibility. I don’t agree with this take and would argue that the best aspects of the game would only be improved by a more polished and refined presentation.

LocoRoco 2 Remastered certainly gets the job done and while it is shorter than the original, there’s a ton of side content present. Its charming, minimalist detail looks great on the whole and runs as smoothly as one could hope for. The omission to that is with the low resolution cutscenes, which is somewhat ironic considering the emphasis on 4K in the marketing, but LocoRoco 2 Remastered is more of the same, which can only be a good thing.

Cat Quest is definitely good fun for a few hours and can be quite humorous, but a lack of depth to the basic gameplay loop means it gets repetitive and it’s easy to lose interest. Once you reach that point, tolerance for cat puns wears thin and the bright, cheerful aesthetic, while nicely realised and attractive enough, isn’t enough to keep people coming back. The only thing left to look forward to is the quirky side quests, which can be written well enough but again, are based around cat puns.

Nine Parchments is a solid release. Its gorgeous art style, dependable controls and fun co-op play almost hide a multitude of sins. Almost. Unfortunately, with a poor save system and combat mechanics that never really develop from the first level onwards, Nine Parchments soon becomes a slog that is less than magical.

Monster of the Deep definitely succeeds in immersing players, though fans of Final Fantasy may be left sorely wanting. It comes with a hefty price tag and, gameplay-wise, there’s so very little tying Monster of the Deep to Final Fantasy XV even if it does feel like part of the universe.

It’s Quiz Time has all the basics of a good quiz game, and can be plenty of fun with a group of friends. However, the host is unlikeable, rude and annoying, and you’ll be doing everything you can to give her as little screen time as possible, while the accuracy and difficulty of some of the questions can rob some rounds of their enjoyment.

Planet of the Apes: Last Frontier is an exciting narrative adventure that fans of the recent film trilogy will love. Its biggest drawback is perhaps how little interaction you actually have with it and that some of your choices make no difference to the game’s direction, but as a fantastic-looking, branching story in a loved world, there’s nothing else quite like it.

Reigns’ devilishly simplistic game of Tinder-like kingdom management feels just as inventive now as it did in 2015, but Reigns: Her Majesty fixes some of its more poorly considered design choices while also putting a refreshing spin on the challenge you face by casting you as a (very powerful) woman in a man’s world. The king is dead. Long live the queen!

de Blob is a welcome remaster and will hopefully lead to those who avoided the Wii version enjoying a fun and vibrant platformer. The sequel was released as a multiplatform title, so it’s possible that some may be looking backwards to the series’ origins. The game itself still holds up in comparison to its sequel, though it doesn’t have the enjoyable 2D sections. If you’re after a splash of colour to illuminate the dark winter nights, de Blob is a good place to go.

Unlike the invention of the wheel or the utilisation of fire, Caveman Warriors is hardly likely to revolutionise our world, but then it wasn’t intended too. Instead you get a solid and fun side scrolling platformer that harks back to the console classics of yesteryear. It’s gorgeous to look at, and whilst frustration can be caused with several technical issues, I nonetheless enjoyed my time with Caveman Warriors.

As a VR experience designed from the ground up for the technology, Doom VFR is probably the best example of this to date. There are some improvements to be made with the movement, but it is otherwise a fantastic bit of the ol’ ultra violence that shouldn’t be missed. Bethesda have definitely shown they understand the potential of VR, so hopefully we’ll see more dedicated VR experiences in the future.

It might not be the best example of the genre, but if you’re going to play it then the portable option makes the Switch the best place to play.

The recurring theme here is substance. On paper, creating a wave-based shooter doesn’t sound all that inventive or ambitious, yet Raw Data is just that. In a bid to capitalise on the VR gold rush, we’ve seen plenty of smaller, lacklustre shooting galleries, but Survios effortlessly puts them all to shame.

Xenoblade Chronicles 2 is a phenomenal RPG. It's a truly incredible piece of work that builds and expands on the series' staples, while turning into a unique and heartfelt adventure all of its own.

I’m really surprised just how much I enjoyed Sky Force Reloaded, the first time I loaded it up I was playing it for five hours non-stop and at no point was I bored. Adding grind to a shoot ’em up sounds terrible but it’s a genius idea to counter the shoot ’em up’s traditionally short playtime. By adding the challenges, the act of replaying a level twenty or more times never gets boring. I am now going to bestow on Sky Force the highest honour I can give it: It reminds me of SWIV.

Oriental Empires is a very well made strategy game that allows you to get through a campaign in a few hours instead of having saves that span days, though that is an option as well if you wish. Despite its smaller scope focusing on Ancient China instead of the globe, the stakes actually feel higher due to the limited resources and high number of factions fighting for them. While some of the systems require a lot of getting used to Oriental Empires is well worth persevering with.

League of War: VR Arena isn’t a badly made game – it’s well presented and looks pleasing enough in VR – but it’s very, very, limited. Play the game for twenty minutes and you will have seen almost everything. There is almost no strategy and half the time you can win by picking units up as fast as they are produced and throwing them onto the battlefield. Porting the simple mechanics of a mobile game to consoles rarely works, even if you add a nice shiny VR element. A missed opportunity.

Outcast: Second Contact is an eighteen year old game that’s been given a makeover. This is absolutely fine if you’re a fan of the original and want to play it again on modern hardware, but if you don’t have the nostalgia quality there’s absolutely nothing that you won’t find here that’s done far better elsewhere.

Mantis Burn Racing is a solid top-down racer that really just wants more tracks and less repetition to be considered great. As it comes to Nintendo Switch, VooFoo have done a great job with the port, making a handful of sacrifices to hit the 60fps target the vast majority of the time, and preserved local split-screen for which the Switch is so well suited. It’s just a shame that there’s barely a pulse when looking to play online.

More importantly, it’s proven that traditional games, no matter how big, can work in VR.

Sadly, there’s one control scheme for Worms WMD on the Switch does get a bit cumbersome, though really this isn’t the fault of the developers. Moving the camera if they’re using the Joy-Cons turned sideways requires players to adopt a rather interesting position with their hands, positioning one finger behind the controller as it were. It’s probably more convenient to have the game as a hot-seat experience if you’re running low on controllers.

There’s some good ideas in how PlayLink can be used to let a group of players (and non-gamers in particular) join together and shape a filmic story, but the actual interface feels clumsy, and the story and scripting leaves plenty to be desired. It’s safe to say that Hidden Agenda is an obvious disappointment.

Knowledge is Power makes good use of PlayLink to open the door to those more familiar with tapping on phones and browsing the internet than knowing where that Square button is meant to be, and that’s its real strength. Outside of that, it has a few other ideas, but ends up as a fairly middle of the road quiz game that’s easy enough to put on the telly and your phones for a quick test of knowledge.

The easily outrun and overly simplistic combat is a major blow that Road Rage never manages to recover from. The basic open world design, ugly visuals, and various bugs become harder to tolerate knowing just how deeply unfulfilling the core gameplay is, even when you factor in the budget price tag.

If you like charming platformers then Wuppo may just be for you. The game offers a fun, though at times frustrating experience with a number of challenges to overcome. The world of Wuppo is quite unlike any other and filled with a lot of neat little touches, and though the story may be predictable it is well-told, likeable and easy to pick up.

If the combat were just a touch more dynamic, Hand of Fate 2 would be essential. As it stands, it’s still a great sequel and perfect for anyone wanting the thrills of an RPG without feeling loss. Defiant constantly prod players into the unknown and the results are always fun and rewarding.

Being able to take this huge adventure with you everywhere you go is fantastic, and, if you thought that Skyrim took over your life before, now it actually can.

A Hat in Time has certainly been well worth the wait, and is easily recommended to platformer fans across all formats. It sits nicely alongside Yooka-Laylee and offers a different take on the N64 nostalgia that both titles share. It’s unlikely to knock Mario off his perch as king of the 3D platformers, but it is a more than acceptable pretender to the crown. It also has a central antagonist called Moustache Girl who is a girl with a bushy moustache. A Hat in Time opens up to be a real standout in the recent renaissance of the 3D platform game.

While a fun distraction, there’s little to recommend wholeheartedly when it comes to Kirby: Battle Royale. Its mini-games are well designed, but with a short Story Mode and limited replay value for its other modes, it becomes clear that this is not a stellar addition to an already bulging line-up. Kirby fans are probably better off saving for a Switch as the pink puffball is heading there next year.

Rocket League is still a fantastic game, and one that I’m glad I’ve taken the opportunity to return to with a port that ticks all the boxes. Playing online has been as compelling as ever, even if I’m just as vaguely bad as usual and spend entire matches marvelling at some people’s rocket car skills. Of course, then there’s the ability to pull out your Switch on the train and get a couple rounds in against bots on your daily commute.

If you can look past the steep difficulty curves, unimpressive visuals and unwieldy controls, then you will find a deep and compelling historical strategy experience that will keep you engaged for many weeks.

Despite it’s flaws, I still found Need for Speed: Payback quite a likeable arcade racer. Just having a narrative sets it apart from the other, more serious offerings this year, even if it’s not delivered with much panache. Sadly its attractive visuals, and alternate take on the genre, can’t disguise a gamut of poor design decisions, some of which serve to make the enjoyable racing less than enjoyable.

Pokémon Ultra Sun and Ultra Moon surpassed my expectations. There were things overly familiar in more ways than one, but it’s not fully covering old ground. Plenty of new features and details will make fans of the franchise very happy and while I still mourn for the DexNav to this day, the new content is well worth becoming Alolan Champion once more.

Lego Marvel Super Heroes 2 is a fantastic Lego game. A fun narrative, a list of well-known characters a mile long, and further refinement on the series’ classic gameplay mark this out as the best Lego game yet. Admittedly, it’s still another game in a well-trodden franchise, and one which doesn’t reinvent the (plastic) wheel, but few brands can claim the consistent quality on show here.

Having flirted with the dark side in the run up to launch, Star Wars Battlefront II has had its reputation sullied by its underlying business model and how that is tied to character progression. That distracts from how much it improves on the first game though, with much better variety in Galactic and Starfighter Assault, character classes and team play being gently encouraged, and a broader and deeper player progression. Perhaps the greatest irony is that fear, anger and hate were Star Wars Battlefront II’s path back towards the light.

I was so ready for an action RPG entry in the Neptunia series to come along and scratch my itch, but instead it puked on my lap and barely touched the itch. I had so much fun with the story and characters, but with better combat and more consistent performance, this game could’ve been something special.

Despite some interesting additions like Headquarters and War, Call of Duty: WWII is arguably the most reserved entry we’ve had in years, but is already proving a hit among fans. There is still that sense of fatigue, however, and if Call of Duty is to soar to the top once again, Treyarch and Infinity Ward will need to change something more than the time period in the coming years.

There is such a thing as being too laid-back and Morphite is most certainly that. With visuals that are too basic and lacking in character, an almost sleep inducing pace, and some technical issues on Switch that can’t be ignored, there are few redeeming qualities for this utter snooze-fest.

Far from being a bad adventure, game but it is nowhere near as good as some other recent releases. Neither the story or the characters really grab you, and some main characters even become unlikable. One of the few saving graces are the puzzle designs themselves which are put together really well. The balance is skewed toward the puzzles, while the story it is wrapped in becoming quite a forgettable and a boring affair at times.

The saying “Too many cooks spoil the broth” certainly rings true with Sonic Forces. It’s a game where despite it’s many level types none of them quite leave a lasting impression. As a result, it comes off as merely average in all departments with the sole exception being the visual design. Sonic Forces is far from the train wreck that Sonic Boom: Rise of Lyric was, but it doesn’t come close to reigniting the series’ magic in the way Sonic Mania did.

Hopefully Bethesda can get some more oomph out of the Nintendo Switch in the coming months, particularly in docked mode, and show that the Switch can be a home for major third parties. However, I know that I’d personally have held off given the daunting compromise in visuals and performance, even if it is a really good shooter on the go.

Episode Five brings the season to a positive close, and while we all like a happy ending, it does perhaps paper over a few of the more negative choices you’ve likely made. The character-driven aspects of the series have been brilliant, as has learning more about each of the Guardians’ pasts, but it’s still been foisted by Telltale’s creaky engine and often dull interactivity.

Demon Gaze 2 expands and improves on everything from the first game, but when the first game was the video game equivalent of 3am fast food, though, those improvements don’t amount to a ground-breaking new title in the genre. Demon Gaze 2 is just a fairly decent, quirky JRPG.

The Frozen Wilds enhances an already excellent game. The improved dialogue for a number of the characters shows that Guerrilla have clearly taken onboard the criticism levelled at Zero Dawn, while the additional enemy creatures are welcome and make the game feel well rounded and complete. I really enjoyed returning to the world of Horizon Zero Dawn and simply can’t wait for the next game.

I long for tense, atmospheric experiences that get me shivering and shaken and Yomawari: Midnight Shadows shook me to my core. It’s a masterful horror game that tops anything else on the Vita, and rivals many other things on the PS4 as it blends detailed sound-design with rich art and a somber narrative to craft a breath-taking horror experience. Some puzzle segments can be obtuse, and the ending lacks the same sense of accomplishment of the first game, but despite all that, Yomawari continues to perfectly define horror.

Disneyland Adventures is a terrible remaster of what should be an enjoyable family game. Running around hugging cartoon characters, taking pictures and grabbing autographs is what everyone would want from a trip to Disneyland, it’s just a shame that this is the kind of trip where you miss your flight, the weather is terrible, and your hotel room is dirty.

Super Lucky’s Tale is a charming and sweet indie platformer that provides hours of retro platforming joy. It’s probably had far too much weight put upon its shoulders as the Xbox One X’s sole launch title, and is by no means perfect; a fact that's been amplified by the recent antics of a dungaree-wearing plumber. However, while the genre has undoubtedly moved on, taken on its own merit Super Lucky’s Tale is simple, inescapable fun.

Spintires: MudRunner is utterly unique, and as a driving simulator of a niche field it is basically unparalleled. However, the difficulty level and lack of pace are likely going to make it a very niche game, while the camera is an extra challenge in itself. Still, there’s grit, determination, freedom and reward to be found here for those ready to wade in.

I do admire the effort, but in a year where Sonic Mania outdid its franchise’s reputation and Mario stands tall, Bubsy: The Woolies Strike Back is a mere afterthought. Its length is pathetically short and, surprisingly for Bubsy at least, the game is really easy. Not everything that could possibly go wrong did go wrong, yet if this is the pinnacle of Bubsy games, then the poor Bobcat should be laid to rest in peace.

Pinball FX 3 is a fantastic sequel and offers everything a fan of the series could hope for. It brings added sheen and shine to every conceivable area that was lacking in Pinball FX2. The true test of its longetivity will be in its forthcoming table packs but judging on the quality of the Universal Film Studios pack, we’ve nothing to be worried about.

Rush: A Disney-Pixar Adventure is a gentle set of challenges set in six of the most beloved animated movies of recent times. For the younger members of your household it’ll likely hit the mark, with attractive graphics and welcoming gameplay, but don’t expect it to offer much, if any, replay value if you’re past puberty.

A great follow up to The New Order, though it isn’t necessarily that much better. The gameplay presents a solid first person shooter while the narrative gives us a protagonist who bears scars of battle outside and in. There are some issues when it comes to how difficult the game can get at times, but fans of first person shooters and compact single player titles should definitely give Wolfenstein II: The New Colossus a shot.

Rabi-Ribi is a fun game and I had a great time exploring the levels, collecting abilities, and developing my character. I had an even greater time putting my thumbs to the test with the addictive and unforgiving boss battles. Unfortunately, for a game to be truly great, the full package needs to shine, and that is not the case with Rabi-Ribi. While gameplay and is engaging and well-designed, the visuals, story, and audio are all lacking, and no amount of bullets can ever make me turn my head to those flaws.

After spending many hours in the explosive world of Destiny 2, Detention’s simple but horrific tale has reminded me just how affecting video games can be. A game based on the oppressive regime of 1960’s Taiwain may not be for everyone, but if you fancy a break from head shots and kill streaks then this debut title from Red Candle games comes highly recommended.

Super Mario Odyssey is bursting at the seams with creativity, as Nintendo plays with new ideas while also paying homage to their long history. Cappy's abilities are a perfect compliment to Mario's own, and there's a wonderful silliness and humour to their adventure as they visit a string of contrasting kingdoms that just beg you to find the secrets hidden around every corner. Simply put, Super Mario Odyssey is a masterpiece.

After taking a year off, Assassin's Creed is going through a transitional period and taking players back to the very founding of the Brotherhood in Ancient Egypt is symbolic of that. The vast new setting, the improved combat system and moving the series towards being a real action RPG have injected this series with a new life.

Megaton Rainfall is a game of incredible scale and there aren’t many titles that let you go off exploring a large universe quite like this, when you aren’t blasting alien invaders out of the sky. In VR it is quite a spectacle, though that can’t shield it from the fact that it’s quite a basic shooting gallery experience whether on TV or in VR. Megaton Rainfall is very much worth checking out if you have VR, but even without that side of things you have a decent enough superhero simulator.

I’m trying my best to think of some kind of clever joke or metaphor about Touhou Kobuto V: Burst Battle, but I don’t even think the game deserves that kind of effort on my part. Burst Battle is an awful video game. Without a tutorial, learning to play is no fun at all, and I had an equal sum of zero fun playing it when I actually knew how to play. If you’re itching for a Touhou fighting game, run to your PC and download one of the official 2D fighting games from the main series. Never touch Burst Battle. Learn from my errors, and live a long, healthy, fulfilling life.

Raiden V tries to add something new the shoot ’em up genre which is admirable, but unfortunately most of the ideas don’t live up to expectations. The Cheer system may have worked better if you could let spectators view your game, and the running commentary is like trying to listen to couple arguing at back of a bus when you’re at the front and have someone playing loud techno music on their phone right next to you. For a shoot ’em up there is a lot of content and the main mechanics have clearly been honed to perfection over the last twenty five years, making this a good, solid entry to the series.

Compared to the original, Nights of Azure 2: Bride of the New Moon is an utter disgrace. For me, it took all the good stuff out and amplified the things that didn’t work. Performance is notably worse, and don’t get me started again about how bad the dialogue is in this cookie cutter excuse for a sequel. Even if you like this kind of titillation, this is a remarkably poor example of it. Avoid at all costs.

Transforming into a bird and soaring through skies and between the floating islands of AER Memories of Old is simply fantastic, and you’ll be easily drawn in by its vibrant yet minimalist art style. It doesn’t quite make the best use of the shattered world they’ve created, but for a few hours, it’s a gorgeous game and an intriguing story to explore.

Gran Turismo Sport is a near essential purchase for PlayStation 4 racing fans. There might be a few disappointments in some of the limitations and regressions, but the brilliance of the game is in the small details that combine to enable willing players to become better drivers and racers and the implementation of multiplayer. Underneath it all, this is still a very familiar feeling Gran Turismo racing game, but it’s also one that’s set to grow and evolve over time and looks set to herald a new era of competitive online racing.

With the original game having done so little to impress me, The Evil Within 2 has come as a massive surprise. Although the story still failed to hook me, clever gameplay changes and well-used horror tropes combine to create a vastly-improved sequel.

There’s definitely room for ECHO to improve and expand, but it’s a smashing debut nonetheless. Ultra Ultra has performed a deft balancing act here and one that carefully avoids over complicating things, much to the benefit of the player. It’s far and away one of 2017’s best sleeper hits and we can’t wait to see what the studio has coming next.

Like its Hyrulean brethren, Fire Emblem Warriors is a joyous action packed romp through hordes of faceless enemies in the company of some well-loved characters and all the trappings of a Fire Emblem game. It’s not going to convince anyone who’s unsure about the well-worn Warriors template, and it’s far from being a technical showcase for the Switch, but it is raw, unadulterated fun packed with bags of fan service.

Despite the setbacks, I enjoyed romping through Wulverblade’s long levels with hordes of Romans and converted natives to slay in the name of freedom. I appreciated the historical edge the game had to it, even learning a few things without ever being pressured that I was being educated. Even though the controls and balance need refining a fair bit, I still recommend this ultraviolent take on British history.

South Park: The Fractured but Whole is technically a better game than its predecessor with more engaging battles and character creation, but the story is oddly paced towards the end, and while it is a fun ride I don’t think it quite matches the plot of The Stick of Truth. It’s not without issue, but fans of South Park will enjoy this as much as the first.

Despite showing its age in some places, TickTock Games have done a great job of revitalising a cult classic such as this. Rogue Trooper Redux is a fun cover shooter action romp and worth picking up if you fancy being a big blue badass.

It’s a shame how RAID turned out, really. Although it arguably came out of nowhere, it’s usually games with little to no initial fanfare that can come swooping in to reenergise a gaming genre – just look at the rampant success of PlayerUnknown’s Battlegrounds. Still, Lion Game Lion shouldn’t be disheartened. There’s still a chance to turn RAID into something great, but it’s going to take a long, long time for that to happen.

Ruiner has some great set pieces and a dark, bleak world that I would normally gravitate towards. Yet when the dystopian renders everyone inhabiting it to be as relatable as raw sewage, there was little for me to latch onto. Maybe you’ll find the world of Ruiner to be more bearable than I did, but even the best films of the genre have a glimmer of hope for the audience to cling to, something Ruiner is devoid of.

Light Tracer takes an interesting approach to VR platforming and environmental puzzles, even if they are generally easy to overcome. However, it would have benefitted from removing the boss battles and the design of the princess’ outfit is questionable. There’s plenty of ways the path finding controls of Light Tracer can be used for future, better titles, but Light Tracer itself definitely needed a lot more time to feel complete.

I’m happy to finally have an official English release of Gundam Versus in my hands, but confused as to why it feels less feature rich than the last game. There’s the amazing framework and attention to detail that makes this such a fun game to play, but there’s just very little for you to sit down and actually put those gameplay systems to use in. Having a group of friends to duke it out with will add a lot more value to the experience, but without that, you’re looking at a delicious burger that’s missing a bun and maybe just has a little piece of lettuce on it.

Hidden Dragon isn’t terrible, but it’s sorely stuck not one, but two generations in the past. The sidescroller is by no means dead, yet those working in this shrinking subgenre are either emulating its most celebrated champions or pushing the boundaries with something new and inventive. Hidden Dragon does neither, nor does it have the visual oomph that can often help overlook a game’s shortcomings.

NBA Live 18 is a good basketball game. It’s not something that will blow you away, but good enough if you’re looking for an alternative. The One is a solid create a player mode that is easy to get into, with levelling up the player far from being a chore, but NBA Live 18 lacks depth in the other modes and the AI could do with improving. EA has work to do if it wants NBA Live to reach the reputation it once had, but that goal seems to be in reach.