When it’s great, Daemon X Machina is a fast and frenetic mech action game with deep customisation options and a killer artistic direction that sets it apart from the rest. But when it’s not, it’s repetitive mission structure, nonsensical story and facile combat stop it from being the best it could be.

New Tales from the Borderlands, as a spiritual successor to Telltale’s series, is a cavalcade of peaks and valleys. It expands on the franchise’s complex lore with a terrifically produced five-episode stint that will, for most, be a one-and-done experience that sadly fails to iterate on or improve the tired formula these types of games all rode into the ground.

NBA 2K24 is the most NBA 2K game you could imagine, rocking moderate improvements to gameplay without really providing offering anything exciting enough to entice lapsed fans back onto the court.

Three Fields continues to slowly inch their way towards the Burnout successor everyone is clamouring for. At the end of the day, Danger Zone 2 is much too light on content to recommend despite scratching the itch to a certain degree.

Through its picturesque presentation, Ravenlok definitely captures the reverie and spirit we’d expect from a coming-of-age fantasy. Sadly, the game’s one-note combat doesn’t offer a challenge worthy of its world, while the cliched story devalues its charming cast of misfit critters.

Lollipop Chainsaw RePOP attempts to bring the fantastically charming and tongue-in-cheek zombie slasher to modern platforms. Unfortunately, the result is only just passable. The RePOP mode feels undercooked, the visuals are inconsistent and there are some notable effects missing from the original. While the improved framerate and gameplay changes are welcome, they're unfortunately not worth everything else that has been lost in translation.

The Chant combines a unique setting and premise with striking art direction to offer an experience that feels wholly unique as a game. While it lacks scares and doesn't quite capitalise on it's unique stats system, The Chant is still a game that any self-respecting horror fan shouldn't miss.

Destroy All Humans! makes an earnest effort to improve on every aspect of the original, but it’s hard to avoid the issues stemming from the era in which it came from. Despite it’s numerous improvements, Destroy All Humans is still plagued with banal repetition and tedium especially as the adventure draws to an end.

Project Cars 3 is bustling with things to do. It’s as accessible as the series has ever been, and while marred by some inconsistencies in its presentation, is for the most part a joy to play.

An uninspired effort to infuse nostalgic IP with edgy nonsense, Shadow Labrynth offers up some fine enough Metroidvania action but fails to give players much of a reason to care about it beyond sheer novelty. Tucked away in its sprawling maps are beacons of joy in the form of classic Pac-Man mazes, but there’s only a ghost of a game built around them.

There's a lot that I wanted to like about Snack World. Lite-dungeon crawling, a deep loot system, colourful visuals, quirky 'meta' humour – all the right ingredients are here for a staple dish in my personal video game cuisine. While it all looked great on the menu, though, what has eventually been plated and served is more like fast food than fine dining. It's still enjoyable, but it hasn't been made with the same love and care and can make you feel a bit uneasy.

A great campaign and excellent gameplay can’t keep Marvel’s Avengers from feeling like lost potential. Crystal Dynamics and Square Enix seem to have big plans for the game, but right now the multiplayer-focused Avengers Initiative mode feels nothing more than a monotonous, boring old grind.

Serious Sam is a series that has long alluded me and I’m starting to think it might have been for the better. Although this fourth iteration might feature some staggering, titanic battles and silk-smooth gunplay, its existence feels like a clear reminder that it’s often best to let the past stay dead. Serious Sam 4 is an excavation from a long-outdated era that is more Duke Nukem Forever than it is Doom.

What you will have to take note of, is the totally inconsistence frame rate. The game often chugs and gets choppy at certain points for no discernible reason, with some of the bigger set piece moments running fine, while regular exploration at high speeds can really have an impact on performance. I wouldn’t say it’s terrible, but definitely noticeable when they’re often unexpected, and happen often enough that you never truly forget about them.

It’s not without its issues, but Battlefield 2042 is off to a fantastic start for DICE’s beloved series. All-Out Warfare modes are immersive, Hazard Zone is enjoyable while Battlefield Portal steals the show. There’s a lot to love here, and I’m excited to see where the game goes.

Biomutant is a vibrant and beautiful looking game that unsuccessfully attempts to leverage so many different aspects of open-world games from the last decade. It buckles under the weight of its own ambition and is sorely lacking the focus needed to offer a stand-out open-world experience and carve out its own identity.

Star Wars: Bounty Hunter was always a cult favourite but Aspyr’s native port of the classic adventure comes adorned with modernised controls and polished visuals making it a must-play for fans of the original and a fun bit of history for newcomers.

When looking at the original release, Destroy All Humans 2! improved on its predecessor in almost every way. For the most part, this rings true with Reprobed, with the visual and mechanical overhaul bringing it into the modern scene. Still, the rough technical issues and poorly aged missions may have newcomers shying away.

There’s something really special about MediEvil getting a well-deserved remake beyond the visual and audio glow-up. It provides the title with a chance to break out of the confines of relative obscurity to reach a wider audience. MediEvil deserves all of this and more with its fantastic tone, entertaining characters and story, excellent level design, and stellar pacing, even if a few issues hold it back. If you haven’t played it before you’d be doing yourself a disservice by not giving it a go, and if you have played it before, rejoice in Fortesque’s skeletal embrace.

Although Open Roads gives no reason to make this game’s North American road trip an annual fixture on the calendar, the adventure itself is one worth experiencing. It’s a family affair that welcomes you into its inner sanctum and leaves you in a state of adoration over its leading ladies’ sincere performances.

It feels like cheating to call Somerville a debut indie title when its creator’s individual pedigree is so strong, but it’s a tremendous spiritual successor to both Limbo and Inside. It takes an ordinary setting, quickly removes all normalcy, and takes the player on a fleeting sci-fi thrill ride that makes use of every second of your attention that it has.

Gotham Knights is both something different and something familiar for Batman fans. While the new role-playing elements create some pacing issues throughout the story, the breadth of abilities and ease of progression stop the experience from being as tedious as it could have been.

Despite working with the same killer premise as the movies before it, A Quiet Place: The Road Ahead struggles to sustain tension over the course of its fairly predictable journey. With a tighter focus its glacial pacing and deliberate systems might have made for something special but as it stands, this one is for fans of the genre only.

I’ve had a great time levelling and fighting with my Necromancer so far, and am super excited to be able to play the game with friends when the game is released for everyone very soon. As long as the monetisation strategy doesn’t get in the way of the game being fun to play, I think this could be a game I get hooked on for a while.

Crash Team Rumble is a surprisingly competent online multiplayer arena game that's easy to get into and well-balanced, leading to some tense and exciting games. It's let down hugely by a lack of modes and content though, and I seriously doubt its longevity in the long term.

Underneath it all, RAGE 2 is one of the most energetic and frenetic shooters I’ve played since DOOM. But you must, unfortunately, wade through a poorly paced story, a drab open world, and a few locks and progression gates to even experience the best it has to offer. Those who persist will adore RAGE 2, but it’s such a bizarrely inconsistent journey to get there that it’s hard to recommend to everyone.

What would otherwise be a mess is beautifully brought together in Travis Strikes Again: No More Heroes. While much more simplistic when compared to its predecessors, Travis Strikes Again is a fun and fast paced action game that commands your attention from beginning to end. It has a few pacing issues, especially towards the end and the co-op implementation might not be perfect, but Travis Strikes Again is yet another momentous trip through the wicked and warped mind of Suda51.

Dissidia Final Fantasy NT does its best to appeal to a more competitive audience, but in the process, has forgotten what drew fans to it in the first place.

Bright Memory Infinite is a disappointing follow-up to a prelude that made its share of promises. It’s a shame because a polished expansion on the original concept would have had a certain cult appeal, whereas Infinite feels watered down. It’s a pretty game, and best of all it’s free for those who lashed out for the prelude, but in the end, it plays like a game that got spooked by its own shadow and is a result of improbable ambition.

High On Life is the most video game-like video game to come from the minds of Squanch and Justin Roiland to date, and it shows the studio is capable of more than just lightly-interactive experiences packed with fart and cum jokes. Though it has plenty of those, too.

Oddworld: Soulstorm is a big, beautiful puzzle platformer with the spirit of Abe's adventures intact and some interesting new ideas, but it's all very quickly undone by imprecise controls, tedious level design and a shocking lack of polish. Oddworld fans will definitely want to check it out, but they may be better off waiting for a few more updates before investing their time, and even then might come away just a tad disappointed.

Mike Bithell’s writing, as it often is, remains on point as his team establishes new colours within an already riveting sci-fi world, not by replicating what came before—as appropriate as that may have been thematically—but by taking the franchise in a bold direction. It’s a shame this thrilling plot against the archives is derezzed, and perhaps doomed to obsoletion, by a string of confoundingly dull puzzles.

Blair Witch is the best Blair Witch game yet. However, its willingness to get you lost can be frustrating despite being so authentic to the franchise. Regardless, despite some uneven presentation, Blair Witch is a passionate love letter to the first and third films in the franchise. It manages to maintain its scares from beginning to end, even if it becomes a little predictable.

While I sound down on The Precinct, it’s an enjoyable experience. There is something oddly satisfying and novel about playing on the other side of the oft-imitated Grand Theft Auto formula. But while all the building blocks are here for what I hope will become a franchise for developer Fallen Tree Games, it just feels like those blocks haven’t been put together in the best way.

The Sinking City is easily the best H.P. Lovecraft game yet, throwing players into a well-realised but characteristically melancholy town that’s coming to terms with its cosmic fate. It’s a classic detective game through and through, which rewards smarts and isn’t afraid to let you explore and immerse yourself with no handholding. It’s just a bit of a shame that’s hindered by some rudimentary combat, shoddy technical issues and an open world that’s a little too big for its own good.

Destiny 2: Lightfall is far from Destiny's worst expansion, but just as far from its best. For every step forward, there's another step back, and what you get out of it ultimately comes down to what you prioritize. It simply isn't as well rounded as The Witch Queen, but still offers many excellent gameplay additions and quality-of-life improvements that elevate the whole experience.

Black Ops 7 is, without question, the most disappointed I’ve been in a Call of Duty campaign. It’s not because it’s the least fun, necessarily, it’s because it’s a regression in every field that Black Ops excels—it’s a thoughtless, homogeneous mess that feels more like a Zombies off-shoot that, in an attempt to call back to better games, only serves to cheapen their memory.

Alone In The Dark is an ambitious reimagining that does little to differentiate itself from the games it's inspired by. While it's clearly taking inspiration from both Resident Evil and The Evil Within to be a survival horror powerhouse, the flat feeling combat and timid horror elements stop it from standing above the games that inspired it. Despite this, a unique take on the story and the strong setting makes it well worth a look for horror fans.

Call of Cthulu is one of the better games based on the works of H.P. Lovecraft, and despite its visual shortcomings does a great job at commanding your attention from start to finish.

While PAYDAY 3 will no doubt please series veterans and newcomers, it's still a few updates a way from being definitively better than PAYDAY 2. When everything is working seamlessly, it offers some of the highest highs in the series thus far, but frustrating omissions and questionable progression design restrain PAYDAY 3's ability to be consistent.

State of Decay 2 is just as good as the original but fails to make good on its major promises. There’s some great quality of life improvements here and there, but the repetitive goals to work towards and cursory co-op options stop it from being any better than the original. Despite all this, State of Decay 2’s gameplay loop is strangely alluring, but many won’t put up with its technical shortcomings.

Detective Pikachu Returns is a decently fun little detective story. Don’t expect any intense logical deductions or unpredictable twists – but it’s fun enough to follow along with even so. The relationship between Tim and Pikachu is a highlight as are the Pokémon who help you along the way. Uninspired human character designs marr an otherwise decent presentation full of cool Pokémon and fun music.

Harry Potter: Quidditch Champions gets the core fundamentals of Quidditch right - it's fast-paced, frenetic and a joy to zip around the field. But despite some robust multiplayer options, there's just not a whole lot here to keep you interested beyond a few hours.

The Dark Pictures: Little Hope makes an earnest attempt to build upon the formula established by Man of Medan in many ways. It offers an engaging and well-paced story, great characters, and an intriguing yet typical twist that genre fans will no doubt appreciate. Despite numerous improvements to the underlying gameplay and excellent production values, incessant jump scares prevent Little Hope from standing on the shoulders of Man of Medan, instead merely beside it.

The new Saints Row doesn’t break any new ground, however it's still a relatively fun time. If you’re a fan of the series, there’s no reason not to give this one a spin.

The Teal Mask is a great first part to Pokémon Scarlet and Violet's pair of DLC packs. While it suffers from the same presentation issues of the base game, The Teal Mask offers a digestible standalone experience that simultaneously satisfies and teases you with the promise of more. A more condensed open world, great characters, and fantastic new Pokémon designs make for a worthwhile return to the world of Scarlet and Violet.

Windbound is a beautiful artistic accomplishment in terms of presentation, but fails to make good on its promise of bringing together an open-world single-player game and typical crafting-survival elements. Despite attempts to make it approachable for all, it is an ultimately frustrating affair that squanders its potential with the same rigid survival mechanics that we've seen in a lot of other games and that's a real shame.

FBC: Firebreak features an unexpected mechanical depth that gives it longer legs than a game launching with five levels perhaps deserves. With regards to set up, I think it somewhat squanders its place in the coveted Control universe, however, the parts that do break on through from the other side, like its humour and creativity, make for a surprisingly fun live-service shooter.

After Us is a sombre, succinct and surreal adventure with a compelling and emotional tale of sacrifice and healing, tied together by simple platforming gameplay that evolves with each distinct and beautiful new environment. Some control complaints and unnecessary combat aside, it's a memorable journey worth taking.

Dynasty Warriors 9 attempts to expand the scope of what a Dynasty Warriors game is with varying effects.

While I enjoyed a fraction of my time exploring Martha is Dead's gorgeous Tuscan farmlands, the thing I'm most thankful for is how mercifully short the game is. The closing credits shocked me back into coherence like a bolt out of the blue to cap off what is—and I'm being generous—an interestingly imperfect experience.

AO Tennis 2 is a huge improvement on the original game and extremely close to being the perfect package. The lack of star players and unbalanced difficulty levels are the only things that hold it back from rivalling the best tennis games throughout history.

Despite its satisfying core loops and drip-feeding of loot slathered in mechanical jargon, it's hard to recommend The Crew 2 based on what many would consider to be its selling points. The world is barren despite being billed as a greatest hits of American landmarks and 'car feel' itself is frustratingly basic and holds your hand far too much. The interconnectivity did its best to compel me to stick with it but The Crew 2 is a sad case of wasted potential.

Farming Simulator 25 is a pleasantly surprising experience that builds upon its predecessors to feel as expansive as ever while remaining authentic. While it’s no revolutionary change for the series, Farming Simulator 25 is both rewarding and immersive if you stick with it, even if it won’t hold your hand for most of the journey.

Atlas Fallen layers interesting and engaging combat systems onto a lacklustre world and frustrating camera controls making for an uneven and forgettable fantasy action outing. Deck13 continues its work of innovating the genre in interesting ways but there’s just a little too much going on for Atlas Fallen to ever find solid ground.

AEW: Fight Forever’s focus is clear right out of the gate. It sacrifices things it can’t deliver due to budget to serve up a wrestling video game that is so shamelessly rooted in Iwashita’s genetic code with No Mercy. Despite its shortcomings, Fight Forever feels as time-honoured and classic as Hulk Hogan’s trunks.

Scars Above's exploration gameplay is rewarding, if a little trite and it's characters mostly forgettable – but some inventive combat saves it mediocrity. A decently fun, if not overly groundbreaking, sci-fi action adventure.

Ancestors: The Humankind Odyssey is an ambitious game whose conceptual vision is the very thing that bogs it down. There's a lot of unexplained expectations of the player, and, by the time those are worked out, it's easy to become bored or frustrated with it. Very likely, both. Combined with abundant technical problems, there isn't a lot to praise about Ancestors and even less to recommend.

One of the year's biggest disappointments. Though there's a lot of the BioShock fingerprint evident here, this lineage isn't ever lived up to. The story, characters and the character of the world itself are positively to die for and exist as the game's few triumphs. It's a beautiful disaster of a game and was perhaps too ambitious for a developer so green as bugs, frustrating A.I. and a slipshod procedural generation robs We Happy Few of any chance it had to be great.

Forspoken offers a unique and thrilling experience with its impressive combat and smooth traversal mechanics. The story and open world may fall victim to the pitfalls of its genre and the largely formulaic side quest design only shines occasionally, but it's an overall satisfying and well-crafted action RPG with fast-paced and energetic gameplay.

On one hand, it feels just like the previous two games albeit with a much better combat system and some fantastic encounters. On the other, much like Darksiders II, it’s trying too many things at once and comes off as having an identity crisis. Without a doubt, though, Darksiders III is easily better than Darksiders II, and that’s worth celebrating.

Wolfenstein: Youngblood is some of the most fun I've had with the new saga of Wolfenstein games, but that came at the cost of the hallmark storytelling that MachineGames has become synonymous with. It's a gratifying cooperative experience that I can wholeheartedly recommend if you have a friend to blast through it with, but I can't provide the same sentiment if you're a solo player. It suffers from a myriad of issues that keep it from being something extraordinary, but that doesn't mean Youngblood isn't worth experiencing if someone can join you for the ride.

Gibbon: Beyond the Trees, like Old Man’s Journey before it, is a tightly-packed, hour-long adventure that lays bare the eco-terrorism that continually threatens these titular primates. While it doesn’t do anything particularly groundbreaking as a game, it’s a brisk, beautiful and, at times, terribly sad game that moves along at a rate of knots, even if that places a strain on the now-aged Switch hardware.

Kao the Kangaroo is an inoffensive and very occasionally charming platformer, but it's uninspired and incredibly rough around the edges. It might hold the attention of some younger gamers and old-school platforming fans but by that same token there are far better games out there for both crowds.

Outside the co-drivers, I enjoyed my time with Drive Rally. While the career mode is bare bones, the actual rally driving is wonderful. It strikes a balance between being approachable and having the depth to keep you playing and improving. Well worth a look if you miss the glory days of 90s era rally games. [Early Access Provisional Score = 75]

Chocobo GP offers up some fantastic core racing mechanics that are otherwise held back by a lacklustre offering of content. Hampered by tedious progression systems and typical microtransaction practices, Chocobo GP barely makes it past the finish line to be the best kart racer it could be.

YIIK is an ambitious little RPG with an intriguing premise and engaging battle mechanics that is ultimately let down by some poor pacing and a very unruly inventory management system. In a game where stats matter so much, this is a pretty big issue to have. Regardless, if you can see past its flaws, there’s a kooky game here with a weird but wonderful plot and a lovable cast to enjoy.

Disintegration could have been a lot worse than an “alright” campaign and a decent multiplayer mode. Given V1 Interactive tried something novel and tried to blend genres and it could have been a directionless mess. What we got, however, was a neat idea with a lot of potential to be something greater, with an execution good enough to prove the concept works. The multiplayer is much better than the campaign, if only because it’s not bogged down with the same design choices as a single-player mode. In saying that, it’s still worth checking out for what could very well end up being the first emergence of a great new genre.

It’s a great, tried-and-true concept that brings nothing new to the table, despite having so much potential. Made even more potent by the fact that we know what DONTNOD as a team is capable of.

Concord gets the fundamentals right: unique characters, strong art direction and tightly designed combat make for thrilling matches with Crew Bonuses adding a welcome extra level of strategy. Uninteresting progression, unrealised storytelling potential and a lack of personality hold it back, but a commitment to the content roadmap and worldbuilding could salvage things. I am hopeful Firewalk Studios can turn things around given the chance.

Rugrats: Adventures in Gameland achieves so much in emulating the feel of a retro Gameboy-released platformer. Although licensed games like this were dime-a-dozen growing up, and were often pretty average, Adventures in Gameland’s spectacular presentation shows genuine respect and care for those toddling bubs. Due to this, I found it easier to forgive the game’s many unforced errors which were all driven by its “classic” design.

Slitterhead offers a refreshing and unique experience that pays homage to Bokeh's pedigree while still establishing its own identity. Despite some minor flaws, the game makes great use of its weird but wonderful narrative and ingenious possession mechanics to bewitch you from the beginning. With such a distinctive sense of direction and style, Slitterhead is an incredibly strong debut that firmly establishes Bokeh as a studio to watch.

Godfall is often great in its moment to moment gameplay, though fails to ever make anything of its story. It's a fun time, but never feels like it reaches its full potential.

Suicide Squad: Kill The Justice League is a serviceable action game bogged down by an insistence on being a live service title. While the characters are well written and the comedy is on point, a handful of repetitive objective types betray the intentions of an otherwise strong combat system. There is potential here – perhaps over time, Suicide Squad can evolve into something better – but for now, it's something that only absolute diehards will enjoy, and even then, that's not a guarantee.

One of the most lackadaisical remasters that I’ve ever played.

While there is a distinct lack of things to do in Drag x Drive, it’s still worth noting that once you get the hang of it, it is an enjoyable little experience that you literally cannot find anywhere else. But once your friends are done playing with you, and you admittedly have great fun doing so, there’s not a whole lot left to do. And that’s a huge shame, because there is potential here for Drag x Drive, but the game in its current state doesn’t quite reach it.

Fort Solis takes about an hour's worth of ideas and attempts to stretch them out to a four-hour walk through a lifeless Mars facility with little to offer outside of a top-notch presentation. With a distinct lack of thrills, this sci-fi thriller falls disappointingly flat.

Payday 2 is a very competent FPS game that allows you to tackle it in just about any way imaginable. Unfortunately, when it comes to the Nintendo Switch version, the price, performance and the fact that content is lacking behind versions that have been out for years will only make it worth purchasing for gamers who are desperate for a new FPS on the go.

Crackdown 3 is without a doubt the best Crackdown yet. It successfully builds upon the previous two games to offer an open world experience that, while formulaic, is still incredibly enticing. This is in part due to the very flexible combat system, which offers heaps of different ways to be as destructive as possible. It’s structure has been seen before, sure, and as such Crackdown 3 doesn’t break ground in many ways, but it’s still such an enjoyable experience that I’m not sure it entirely matters.

Endless Ocean Luminous is a mildly confounding product. On the one hand, it's still got that very compelling offering of hours spent drifting through gorgeous oceans and coming face-to-face with hundreds of stunning creatures, without complex mechanics or urgency to get in the way. On the other hand, the overall gameplay experience has been dulled down so much to feel like a backwards step, and the system of randomly-seeded dive spots dilutes a lot of its personality.

An uninspired mish-mash of poorly balanced systems that translates to an experience that feels like a chore.

While its ship customisation revels in aesthetic delights, little else here allows for the kind of pirate fantasy we’ve been waiting for since 2013. Despite some early promise and admirable endgame ideas, Skull and Bones charts a fairly unremarkable course through its gorgeously empty ocean.

The Dark Crystal: Age of Resistance Tactics falls into the trap of mimicking the greats of its genre without understanding what made them so great. While a passable strategy game at best, the only saving grace of Age of Resistance Tactics is the world it’s based on. And even that’s not as great as it could be.

Unknown 9: Awakening is a thoroughly AA gaming experience. Like a lost gem from the Xbox 360 era, its charm and jank are intermingled in interesting ways, but its commitment to a unique cultural perspective and killer remixing of the stealth/combat loop elevate it above its slightly unpolished wrappings.

Everything that it tries to do has been done better by either its own predecessor or its competition.

The Last of Us Part 1 on PC is, in its current state, an awful port of one of the best games of all time. It’s plagued with problems across all facets of gameplay and needs a lot of love to iron out the very clear issues. It’s hard to recommend to anyone right now.

Even with its budget price, it’s somewhat difficult to recommend Mastermind given its brevity and few technical issues. I expect Peaky Blinders fans will most enjoy Mastermind as a gritty snapshot at pre-series Birmingham that expands on their favourite television family. I’d even go so far as to give it a cautious thumbs up for those who enjoy working up a mental sweat.

After two decades of advancements and innovation, Battlefront I and II still offer some of the most enjoyable gameplay in the shooter genre. Rich in content, new and old, the Classic Collection successfully brings two fan-favourite Star Wars games onto today’s hardware. The absence of a few modern creature comforts is disappointing, but it does little to weigh down an otherwise brilliant bundle.

By backseating Kong and having a drab human narrative serve as the vessel for this game’s monotonous action, Kong: Survival Instinct ends up feeling like a colossal, kaiju-sized dud that does little to lick the wounds of last year’s Skull Island and, if anything, further dampens the great ape’s reputation.

Skater XL is definitely going to be a polarising game for some – the intuitive and deep control methods coupled with the expansive open-world environment make for a great time to just chill out and skate around, but some players may miss the ‘action’ of the game or feeling a necessity to reach a goal. While challenges will keep you going to better yourself, some may be turned off by the limited game modes and replayability. All in all, Easy Day Studios have crafted a truly interesting skateboarding experience that gives players the ability to skate without leaving their home.

There is some joy in the mindless blasting, but overall G.O.R.E. is a messy, repetitive experience that could have used a bit more time in the oven.

As far as gameplay goes, Cricket 24 is great fun. With different bowling and batting styles to entertain, it has a level of depth that will appeal to both newcomers and existing fans of the series. But beyond this, it's a mixed bag. While heavy on international licensing, it lacks in visual fidelity and polish. Big Ant Studios are a team known for their dedication to constant improvement, and we may see these things fixed in patches and updates, but for now it’s a game that doesn’t quite hit the mark.

Deadly Premonition 2: A Blessing In Disguise is an earnest attempt to conclude the story told in the original game ten years ago. It’s engaging, the characters are a joy to observe, and the trademark zaniness is as intact as ever. Unfortunately, it’s hard to deny that the game’s egregious performance issue hinders it from standing on the shoulders of it’s predecessor.

Much like the games it takes inspiration from, Speaking Simulator definitely isn’t for everyone. It’s a short physics-based romp filled with slapstick quality and well-written humour that’s bound to make anyone laugh regardless of whether you’re playing or watching. Despite its short runtime and minimal replay value, if Speaking Simulator piques your interest I implore you to give it a go, it’s as entertaining as it looks, but don’t expect anything much deeper than that.

This year's Call of Duty is a mixed bag. Series veterans looking for a great multiplayer experience will find a lot to love thanks to the game's faithful recreation of some of the franchise’s best maps and excellent gunplay. However, Modern Warfare III's campaign is one of the worst in the series’ history.

WWE 2K Battlegrounds is a budget brawler with a high price tag. Despite the core gameplay being quite solid, a lot of the content is locked behind microtransactions and grinding away at matches. These things stop it from rising to Superstar status.

With so much promise in the lead-up, Ghost Recon Breakpoint falls flat of reaching its goal in satisfying expectations. With a lot of things to do but no real reason to do it, the game puts up barriers such as strange loot systems, a subpar plot, an extreme solo difficulty and a requirement for online play. If you can convince your friends to get a copy and play with you, your experience may be better – but chances are you’ll find your time better spent elsewhere.

Redfall is a gold dust-rare miss for what has been a very consistent deliverer of quality video games. If you are able to look beyond the game’s several questionable design choices, Redfall can serve up just a small bite of mindless fun beneath the island’s black hole sun.