Despite the barebones package, the real meat of Rocket Knight Adventures: Re-Sparked! are the games and they’re solid. It’s great to see what I’ve been missing out on all these years, and Sparkster is a cool dude with some awesome adventures — it’s just a shame his collection is a bit lacking.

As Bō progresses their actions and attacks become a bit more effective, and when that initial roughness is left behind, the worlds that players encounter afterwards are so beautiful that any early game hiccups are forgotten. Bō: Path of the Teal Lotus is exceptional. With its visually stunning worlds and exciting battles, Bō has all the elements of an indie action classic.

Players wanting rich mechanics or complex play might not find much to enjoy here, but Still Wakes the Deep is a definite recommend to those who enjoy dramatic narratives and horror flavor.

Battle for Neighborville is a solid entry in the Plants vs. Zombies franchise, but it does feel like a step back from Garden Warfare 2 as it’s short on PvP modes and he adventure side is slim. The wide variety of characters to unlock is pretty fantastic the numerous skins are relatively cool even if they don’t alter gameplay, but I’m not sure that it’s enough to keep players online for long.

Mafia II is every bit as soulless and dull as its bland sociopathic protagonist

At times, Forgive Me Father feels like a great idea that lost its way during development. There’s no denying that it offers a robust package of first-person shooting gameplay, but I can’t shake the feeling that there’s so much more it could offer. With more emphasis on the narrative and the addition of more interesting mechanics beside shooting and strafing, this could be a much more robust experience. For now, it’s recommended only to hardcore FPS throwback fanatics. [Early Access Provisional Score = 65]

Another year, another fantastic game in the Atelier series. Wonderful characters, an expansive story, a great big open world to explore… never once has it felt like this series has rested on its laurels. I see similar themes and callbacks to earlier games, of course, but fundamentally each Atelier series looks at what came before and builds something new and beautiful atop it – and Firis is no exception. I feel like I say it every year, but I honestly have no idea how they’re going to top this. And yet, I’m fairly confident that they’ll manage it somehow.

The Quarry sits comfortably near the top of the interactive movie genre. Equal parts clever and terrifying, it earns its ten-hour runtime with a series of twists and turns that are sure to delight. There’s action, romance, comedy, and unbelievably disgusting violence. Supermassive Games have delivered a rollercoaster that serves as a fabulous follow-up to Until Dawn, so anyone who enjoys the genre will be in for one hell of a ride.

Despite the questionable combat, Blues and Bullets remains a must-play episodic adventure with an incredibly intriguing story told with utter confidence by consummate professionals. Sure, the shooting isn't fantastic (and again there's a single joke that pulls me right out of the narrative!) but overall, this is as good as interactive movies get, and I only hope the wait for chapter three is considerably shorter than the gap between parts one and two.

While the Contra Anniversary Collection doesn’t have the same breadth of content featured in its gothic counterpart, fans of the franchise or anyone interested in some old-school videogamin’ with a capital V will find a lot to like here for $20. The people at M2 know what they’re doing when it comes to retro emulation, and they have delivered another worthwhile compilation. With these two collections and the recent announcements of both the TurboGrafx 16 Mini and Contra: Rogue Corps, perhaps there is hope for Konami yet…

Saying the right thing at the right time can be of incredible value, and even more so when one debates themselves. In this context, the girl’s words are clearly ripples originating from a point somewhere deep within her, and even after they’ve been written down and observed, they continue to linger and resonate. In those moments, Lost Words: Beyond the Page becomes an exemplary result of the clash between videogame rules and sincere expressionist literature. This dynamic even paves the way for the main character to accept living with a previously-unfathomable empty space in her heart – a condition that is manageable and is part of everyone’s nature. No doubt, a message very timely for younger audiences who probably won’t anticipate receiving meaningful life-lessons from this medium.

Overall, NHL 22 is a solid next-gen effort for the series, and points to bigger things to come. While longtime fans may be tired of the samey gameplay, there’s enough reason here to believe that EA has plans for the near future. Let’s hope they’re less about novelty modes and more about deeper presentation overhauls and a richer singleplayer experience.

Like making love to an armadillo; it may be rough and full of bumps, but underneath it all is one sweet ride.

While there’s nothing terribly wrong with The Alliance Alive, there’s nothing particularly right with it either. Those who want some JRPG gristle to chew on will find it adequate, but anyone who missed it last time can skip it without regret this time, too.

Through it can be frustrating and seem downright broken at times, there's still much to enjoy in A Pixel Story. It genuinely has all the making of a great puzzle platformer, but it's sadly kept from its full potential by poorly-executed physics.

Sure, there's no new content, but Disgaea PC is still the definitive version of this game.

John Wick Hex does a lot of things right and has personality to spare. It can also be irritating — sometimes overwhelmingly so — but it kept me coming back for more, even after realizing that I probably won’t see the end credits anytime soon.

Disappointing cutscenes aside, Sonic Colors Ultimate offers a solid package that finally gives modern console owners a chance to play one of the best entries in the Sonic catalog, and any hedgehog fans out there who haven’t tried it yet should track it down.

It seems some additional work has gone into the translations and the game is better for it. Between those improvements and two intriguing plots worth following, this is certainly the definitive version of Beholder.

The writing is strong, the choices all feel important, engagement in both the short and long term is strong, and the overall design is brilliant – it’s a masterclass in elegance since it does exactly what it needs to do and lasts exactly as long as it needs to last, and there isn’t an ounce of fat on its bones. I can’t wait to see what Brave At Night comes up with next.

Tokyo Jungle is exactly the sort of unconventional project that I live for, so it's easy to forgive its issues; the low-end production values, two extremely ill-conceived stealth missions that don't suit the mechanics, and a few boss fights that were more frustrating than fun. Although irritating, none were dealbreakers-just be prepared to restart a few missions here and there.

If you’re a die-hard city fan of city builders, and the idea of a new Cities: Skylines that’s 10 percent prettier and 5 percent more interesting has you salivating, you might wanna hop on this one right away. But for the rest of us, we can probably just keep chipping away at some other 2000-hour video gaming time sink. It’s not like this franchise is going away any time soon, after all.

I didn’t care for Dead in Vinland. The setup’s decent, and early on I thought I’d enjoy my time spent starving, dehydrated and constantly getting attacked by murderous brigands on a desolate island. Alas, it takes an experience that could have been an acceptable eight-hour journey and stretches it out to over fifty (or more!) and becomes an absolute chore by the time players finally wrap it up.

Overall though, this game was the best $20 I ever spent during the pandemic, and it provided not only hours of enjoyment, but a little exercise when I needed it most. It’s flirty, active, diverse, and the perfect activity for a rainy day. For dancers age 10 or age 60, finding rhythm is delightful with Just Dance 2020.

An adrenaline rush can be a very welcome thing, and playing something this fast and trigger-happy on the PSP made me feel glad that I had spent the money on the unit after so many months of boring, flawed games.

This could have been a great original title, but instead it's a waste of shelf space with just one redeeming feature: it only takes around five hours to beat.

While the idea of starting a whole new sport may seem a little ambitious, Sparc‘s developers have pulled it off effectively. I don’t know if it will catch on, or how widely it will spread, but it establishes everything that it needs to. It’s easy to start, it tests reflexes aggressively, and at the end of a few matches, everyone will feel like they had a good workout. Really, what more does a sport need?

How impressive is this grueling horror experience? I guessed the ending mere minutes into the demo earlier this year, and yet when it came time to play the full game, I still found myself getting caught up in the twists and turns. That’s right — even knowing the ending before going in, the journey was so powerful that I’m glad to have taken it, and would recommend that any fan of first-person horror do the same.

Project Warlock is a pedal-to-the-metal, shoot first and don’t ask questions later FPS that would have been right at home on an early ‘90s PC, and players who enjoy that style are in for a treat. Solid art design, excellent gameplay, and just enough challenge make Project Warlock one hell of an experience for fans of the genre while paying tribute to the classics that inspired it.

It's a piece of satisfyingly decrepit eye candy. The gameplay carries on the Castlevania tradition of whipping bastions of undead into submission.

Narita Boy’s retro style is its main selling point. It’s almost like a documentary on the early days of videogames when their creation were labors of love and dedication from passionate geeks in a garage, not industrial products focus-tested by mega corporations. Although it falls short of being a masterpiece, it’s got more than enough appeal to come recommended to those who have a soft spot for the period.

While it requires a fair time investment to get sunk in and the AI could definitely stand to have its fangs pulled out, Culdcept Revolt offers a wonderfully rich tabletop experience that would be impossible to replicate on a tabletop. It’s unlike almost anything else available today.

Bomber Crew is a fantastic first achievement, and flitting between micro and macro management is both stressful and rewarding in equal measure. That said, the game can’t decide if it wants to be a quirky management sim or a hardcore roguelike, so splitting the difference has weakened the whole.

Armello has tons of appeal. The art is gorgeous, the premise is engaging, and I'm always interested in new virtual boardgames. Unfortunately, the mechanics don't feel like they're quite where they need to be, the singleplayer mode comes up short, and the online mode can be slow and frustrating depending on the other players.

I'm definitely a fan of the autorun genre, and out of all the ones I've played, I feel pretty comfortable in saying that this one is the best I've tried. Toss in the fact that the in-app option to purchase currency comes off as a nice option to have rather than something that's necessary to fully enjoy the game, and One Epic Knight is a can't-miss no-brainer.

Hardcore item-management fetishists might find some joy here, there’s simply not enough balance or content for Phantom Crash to stand on its own, much less measure up to the competition (I’m looking at you, "Armored Core 3").

Without the customization options, Overwhelm would be a neat project that would suit for a tiny fraction of hardcore players who don’t mind throwing themselves into the meat grinder of mastery. However, thanks to a developer willing to have his creation be played in a way outside the original vision, not only will more people be able to get the full experience from his work, but I imagine that it will earn him fans eager to see more in the future. I’m a firm believer that offering options can only help a game and never hurt it, and Overwhelm is a perfect example that proves it true.

Simply put, the releases in this compilation are not worth the extravagant and loving package Digital Eclipse surrounded them in. In this collection, there’s just one bonafide classic (Crystalis), one game people might remember fondly (Ikari Warriors), and a bunch of basically unknown stuff that ranges from being brief, dated distractions to downright horrific work. While celebrating SNK is a fine idea, the ratio of good-to-bad here make this particular compilation extremely difficult to recommend.

Although Nippon Ichi didn't develop What Did I Do to Deserve This, My Lord!? 2,-NIS America just published it-the game is still a natural, if steep, Nippon Ichi-themed progression in teaching me to think for myself.

Telltale's sophomore episode frontloads all of its secrets at the start of its 120-minute adventure. While this means it starts off strongly, things peter out toward into an uninteresting holding pattern. No big reveals, no surprise ending, and no power moves were made to advance the plot.

Although Hammerin' Hero doesn't run as smooth or as long as I would've liked it to, it remains one of the most enjoyable PSP titles I've come across in quite some time.

Without marrying any substantial content or meaningful context to the visuals, this is the type of depth-free cheap titillation that we need to move past if we're ever to break away from the stereotypical gutter that society at large perceives current videogames to be in.

In attempting to juggle so many balls at once, it simply loses control and bats them all over the place in a crazed, lurching frenzy as it tries to stop the whole thing from falling apart.

The sense of humor that informs the UI too rarely penetrates to the actual level design. Because of this, and the comparative ease of its puzzles, Life Goes On feels like a trifle, nicely made and modestly amusing but forgotten more quickly than it's finished.

The fights, though violent, are unfortunately completely bloodless—not a drop of claret is spilled—and the bodies of his enemies, once beaten, magically vanish. This makes the game feel as tidy and antiseptic as a Disney ride.

Its unique theme and dark humor make it well-suited to gamers (such as yours truly) who enjoy the mechanics of the genre but are aching for a more refreshing and mature thematic backdrop.

Killsquad is an enjoyable run, specially when played with friends, but it’s facing stiff competition against big-budget triple-A multiplayer experiences like Warframe or Destiny 2. The in-depth ability loops and RPG elements in Killsquad are done well, but the greatest enemy this title faces is… a lack of players.

All in all, Luminous Arc 2 is a game that feels like it should've been a manga or anime instead.

Wet Dreams Dry Twice is an okay sequel to the reboot of a genre-classic series and its faithfulness to old-school sensibilities is both a strength and a weakness. While the humor is a bit too juvenile for my taste, it does manage to elicit some laughs every now and then. On the other hand, players wanting a fresher take on design and writing might want to look elsewhere.

As an admirer of all things unusual and unusually entertaining, Rico's bizarre parachute tricks justify the four to six hours it takes to complete the campaign, but once the novelty wears off, there's not much here to merit a second glance that hasn't been done better by other games - mission accomplished, but just barely.

With a script that’s so off, it really says something that not only was I invested enough to play Caravan SandWitch to completion, but that it ended up being one of my favorite experiences of the year in spite of the poor dialogue. Exploring this extremely chill, open world while digging around amongst the ruins of corporate greed held my attention from start to finish, and even by the time I had solved all the mysteries and had done all the things, I was still quite ready to spend more time in this world. It’s not without its flaws, but Caravan SandWitch remains one of my favorite experiences of 2024, and I would strongly encourage the developers to continue their work — I look forward to being delighted with something new.

What The Saboteur lacks in innovation it makes up for with solid design and implementation.

As a straight cis man, I acknowledge that I’m not the authoritative voice on any of this. However, while I’m mixed on how well A Normal Lost Phone conveys its intended message, the game’s design is too interesting to dismiss, and it’s so short and cheap that anyone who’s curious can (and should) come to their own conclusions.

AngerForce: Reloaded is a decent shooter that controls well and offers some fantastic boss battles, but the problematic health/continue system will probably limit its appeal to only the most hardcore shmup fans.

Indigo 7 might not win any awards for writing, but I’ll be damned if there’s another arcade puzzler with this much charm and an equally addicting gameplay hook. Similar to the great Puyo Puyo Tetris 2, it’s an experience that’s preventing me from putting my Switch down.

Aside from these concerns, Mechwarrior 5 is admirable in its effort to revive a spirit left dormant for the better part of twenty years. With some time and patience, players will find a substantial and potentially endless mecha game to sink their teeth into.

In many ways, Battlefield V feels like a big step backwards for the franchise. The campaign is boring and frustrating, multiplayer is unbalanced, and bugs keep popping up in every mode to ruin the experience. The fortification system is a good shakeup, but the good it brings is tempered by the cumbersome and murky Grand Operations. With some patches, balance changes and bug squashing, BFV could be a fantastic game, but at the moment, this soldier needs to go back to basic training.

Tesla vs Lovecraft is a delight thanks to its fast, tight action and its smart use of setting to push it over the top. As far as twin-stick shooters go, they don’t get much better than this.

Anyone looking for high-quality turn-based strategy that eschews the aliens, giant robots, and dragons that generally populate the genre will find Phantom Doctrine to be just the thing they’ve been looking for.

The most impressive and unique highlight of Pride FC is its international cast of playable fighters. Unlike UFC, which only has a handful for foreign-bred entrants, Pride's line-up consists of a wide-range of fighters with different fighting styles from around the world.

Those looking for existential ponderings, heavy characterization, or even minimal variety in gameplay should leave it alone, but people who want lighter fare might appreciate kill.switch as a small, zesty snack. After all, we all need a bit of comfort food once in a while.

The Battle of Steeltown is a well-written piece of additional content for Wasteland 3 that doesn’t quite live up to expectations due to its experimental approach to combat and short running time. It’s a pleasant enough playthrough for a few hours despite the difficulty spikes, but it’s ultimately a compelling enough reason to come back to Colorado.

I came into Strong Bad's expecting quality adventuring, the unique comedic stylings that make me feel like I'm a kid watching Rocko's Modern Life again, and some good old fashioned The Cheat kickin'. That's exactly what I got, and there was virtually nothing throughout the experience that annoyed or dissatisfied me.

Overall, the Crysis Remastered Trilogy is a weird product. While it’s great there’s a (mostly) high-quality version of the original Crysis available to console players, it’s also the only real highlight. Crysis 2 remains a dreary scaling-back of its predecessor, and while I like Crysis 3 more than the second, it’s not particularly noteworthy. The most compelling argument to be made here is to players who’ve been curious about Crysis after hearing about it for years — now, here’s a great way to play it. Getting the other two is just a bonus.

If you can put up with the ever-present grind and can see through the frustrating moments then you’ll have a good time playing through Punch Club’s celebration of 90s action, if not then you may find yourself looking for a new keyboard, or worse, a monitor as a result of working through game related anger issues.

Personally, I can honestly attest to being drawn in by the charm of the simple narrative while watching two characters struggle to find their way around gender fluidity. At the heart of it, these two are trying to find direction in their lives and I felt that I could relate. If one likes narrative titles with a clear purpose and interesting look, No Longer Home recieves my personal recommendation.

It's really a testament to the game's quality that even though I found its politics and implications deeply troubling I was still won over by the amazing gameplay.

Code Mirai may have a lot of rough edges, but it has a heart big enough to power even the most outrageously-oversized mecha battlesuit.

It is a massive shame to feel like I can’t enthusiastically endorse Wartile — it has a winning visual style and the seed of a novel idea, but that seed doesn’t bear a fully-formed fruit.

Even with the issues present, I adore Despot’s Game. The humor, the atmosphere, and the casual nature of play make the it easy to get into and play around with all of the crazy army combinations that can be put together.

I absolutely loved the Sega 3D Classics Collection. Sega did an outstanding job in picking this lineup (they credit fan requests) and the work is presented with love.

R-Type Final 2 is about as niche as niche gets. It represents a genre that’s hardly en vogue, and it’s a traditional, hardcore example of an experience that ferociously clings to its roots. This is not the shmup I would gift to someone in hopes of luring them into the genre, and it’s an especially difficult sell with the rather astounding $40 price point before DLC. All of this makes R-Type Final 2 a game with a fairly narrow scope, but anyone directly within that Venn diagram will be in for an exceptionally-produced, technically excellent iteration on a legendary franchise.

Life is Strange: Double Exposure does a generally fantastic job of following up on Max’s story despite the plotholes and an ending that left me wanting. However, it still pulls off a (mostly) satisfying narrative while exploring trauma and interpersonal relationships via sci-fi elements. It’s a great continuation for existing fans, but I’ll say again that newcomers should definitely start with the original Life is Strange — still an excellent play!

In its base form, Chariot is cute but frustrating—a great idea with a lot of flaws.

Putting aside the fact that I find it incredibly weird that Dancing in Moonlight and Dancing in Starlight are being sold as two separate, full-priced games (they’re too similar in concept and execution for it to make sense) it’s neat fanservice for those who wish to spend more time with the Tartarus SEES and Phantom Thieves crew. Ultimately, though, I wish that the devs had tried just a little harder to carve out a new and exciting rhythm game, rather than something that fits squarely into established genre norms and coasts by on the charm of its characters.

As much as I enjoyed my time in Century : Age of Ashes, I do have wonder how much staying power it will have. Since all classes are viable in each mode, I suspect many players may stick with one character class, get invested, and not explore the rest of what the game has to offer. As an example, I found myself only switching to other classes if the daily mission or hatching a dragon egg specifically required it. Also, due to the limited amount of content that is currently present, a busy player will see nearly everything within a couple of hours. Despite those concerns, the game looks great, each class is enjoyable to play, and each match is maybe 20 minutes at most — perfect for quick sessions.

It is a mere sheep in wolves clothing that uses only the most socially timid and comfortable clichés like cigarettes-for-trade and prison escape maps to paint a PG-rated teen-friendly novelty amusement park interpretation of prison life.

There are enough new features to ensure that the game is more than just a stagnant rehash, and the sheer depth of options is enough to keep the experience fresh for a long time - certainly long enough to get your money's worth and more.

A textbook example of a game that wasn't ready to be pushed out of the nest. What could have been an exceptional game founders in mediocrity because of an artificial timeline.

It's not that Lego Pirates of the Caribbean is a worse game than the first Lego game I played. It is, however, the same game, which means that the wonder is gone for me. Pirates of the Caribbean is still magical in a way, but I've seen all these tricks before.

Of course no game is meant to last forever, but replay and variety are hallmarks of the roguelike genre and in this way, Splintered Fate comes up a bit short. It’s a good time while it lasts — especially for Turtles fans — but more content, more variety and perhaps a little more narrative would have boosted the experience to the next level.

I found DNF Duel to be enjoyable overall, but this cool, high-energy anime fighter with great characters and an appealing style is hampered by a lack of depth, low online playerbase, and the Switch’s hardware. That said, when it comes to a bit of brawling on the go, players could certainly do a lot worse than this. It’s not going to be the next big thing in fighting games, but it doesn’t have to be in order to still offer a fairly solid experience.

I don't expect World War II to fall in popularity as a game subject any time soon, and Battlestations: Midway is a perfect example of why.

With the exception of a small item collection scheme which allows players to build their own grenades, Cold Winter offers nothing distinctly new to the FPS market. Instead, what it brings is excellent design, good storytelling, and eight to ten hours of entertaining violence to a console that's never had it so good.

Black Bird is stunning. It’s rare to see a project so finely tuned, so perfectly balanced, confidently paced and smartly constructed, let alone from a team whose previous work was an iOS puzzler. This is fantastic stuff. So, like I said earlier… I think I need to go download Million Onion Hotel now.

The Last Stand: Aftermath is as good a zombie roguelike as I’ve ever played. Scrounging for ammo and crafting materials never stops being a desperate struggle, and the balance between virus-fueled perks and ever-dwindling health ensures that every combat encounter is a tense struggle. Exceptionally great design, balance, and gameplay turn this into one of the best action rogues I’ve ever played, and it’s a clear high-point in the survival horror genre.

Ultimately, it may not have delivered as much variety as I was hoping for, but with the right expectations there's still a good amount of job-flavored questing to be had.

Newcomers or devotees to the RPG genre may find some basic value in it, but my feeling is that most players who've been there and done that probably won't want another helping.

Despite my frustrations with some unfair aspects of the gameplay, I found Never Alone to be incredibly compelling.

Like many CRPGs in the past, it’s likely that I will never beat Dread Delusion and I’ll be totally alright with that. Still, I’ve largely enjoyed my time in its world and I look forward to exploring more of it because to me, open world games are (and always have been) more about the journey than the destination — and I suspect the developer behind Dread Delusion would wholeheartedly agree.

It may not be what it could have been, but there's still a lot to like underneath the awkward design blips.

In the end, Mega Man Legacy Collection 2 contains only a small handful of games, none of which are obscure. Three of those entries are genuinely excellent, but beyond a strong challenge mode and the Extra Armor option, the features in this package are lacking. Maybe one day there will be a truly complete collection, with all the bells and whistles and even Mega Man Soccer. That day is not today.

Lushfoil Photography Sim has a lot of rough edges that need work, and it’s rather unfortunate, as many of the areas offer stunning views and photo titles in general are rare. There’s definitely a vision here, and I can’t deny that this photo safari has charm. However, for a title that only aims to do one thing right, that thing needs to be perfect — and it’s far from it.

Like some of the narrative choices, it’s hard to know how to feel about Cloudpunk — and maybe that’s the point. It’s well-written and lovingly constructed, but it’s sometimes hard to appreciate as much as I’d like to thanks to the pacing issues. However, despite the problems, it’s definitely a journey worth taking — just go into it knowing that a little patience in some spots is required.

After Burner may be spiritually true to Sega's seminal 1987 hit, but game design has progressed by leaps and bounds since then. Cleaving so closely to its dusty, outdated forefather hurt more than it helped, I'd say.

Disney Illusion Island is a well-crafted platformer that hides an equally-excellent Metroidvania underneath. Fans of the genre who might not be immediately taken in by the license shouldn’t let that dissuade them from giving this game a shot — this is a great one.

Just Cause 3 may offer a metric ton of content, a ridiculously huge world to roam, and some unbelievable aerial acrobatics, but none of those things are enough to save the day because the writing is phoned in and the game's core is too rooted in the last generation. Apart from the traversal, everything here has been covered time and time and time again, and it absolutely wheezes without anything more interesting to sustain a player over the long haul.

Maiden of Black Water is a twisted and engaging experience. Though it has shortcomings, they never diminish the powerful storytelling and atmosphere. I might be too squeamish to comfortably endure the title’s cathartic terror, those brave enough to venture forth will surely be rewarded with a suitably haunting adventure.