Despite my occasionally-bloodshot orbs, Before Your Eyes is an experience I won’t soon forget. Its combination of masterful storytelling, engaging character progression and stunning conclusion put it in contention for best narrative game I’ve ever played, and it also reminded me to savor life at its best and worst moments. No small feat for an indie title hanging everything on an all-new form of interaction.

It’s telling that the biggest complaint I can generate about 11-11 is that it suffers from occasionally-lazy plotting. The storytelling is good enough that the developers get away with some fairly large coincidences, and we’re asked to believe that Harry is almost unbelievably bad at languages. However, the story reaches a point where it beggars belief that he’s still baffled by what the Germans are saying. There’s not much apart from that to criticize, though — this is a great tale being told by people with the skills necessary to tell it.

The Dungeons & Dragons titles were some of the most evolved side-scrolling fighters of their day, with design and gameplay concepts that made them stand out from their contemporaries. However, a $15 price-tag makes it tough to recommend the package to anyone who wasn't already a big fan back in the day.

Though it’s not a revolution as much as an evolution, NBA 2K25 easily justifies its price tag. There’s still grinding, leveling, and more side quests than Skyrim. but it all seems more accessible and approachable than in years past, while also being more realistic and beautiful than ever before.

Genesis Noir stands out as an unique experience in the current landscape. There’s no argument there. However, for all of its gorgeous art, daring concepts and oblique storytelling, the gameplay and interaction required to succeed in this medium ends up failing to connect and doesn’t engage with the player in ways that feel significant.

Unravel Two is a fairly compact jaunt with only seven levels and some optional challenges for those who want them, but I found it to be the perfect length for what it is. The runtime offers a satisfying array of puzzles that function equally as well with one player as they do for two, it’s stunning to look at, a pleasure to listen to, and although they might not be ranked alongside other videogame luminaries, I adore yarnies. I’m not sure if a third game is in the cards considering how quickly Unravel Two was forgotten, but if so, I’d be more than happy to go on an adventure with them again.

Final Fantasy III was fun while I played it, but now that the world's been re-harmonized and the credits have rolled, I feel no need to dig it out of my closet again.

Is HOMMV a good game? Absolutely. Is it essentially the exact same game as HOMMIV was? Oh yes.

A refined, immersive, superbly scripted, and generally well-executed adventure. It's possibly the best example of sustained convergence yet experienced in a videogame.

Despite the fact that (potentially) dying and restarting feels like a design misstep, Lifeline was still a worthwhile experience, and one that I would recommend to people looking for something new and fresh for their mobile device. If nothing else, I appreciated the unusual approach, and well-written text is always a welcome thing in my world.

Whimsical and cute despite the sinister subject matter, Lovingly Evil is a short but endearing experience. A full playthrough of the story will take around an hour and a half (depending on the player’s reading speed) but with five romance options and 12 endings, there are plenty of reasons to return for repeat players. As for me? I finished it twice, and I’m considering going back and finding out what’s up with Satan.

For newcomers to the Oddworld series, New ’n’ Tasty is a good place to start and the anti–capitalism and anti–consumerism messages in Oddysee still feel (sadly) as fresh and important as they did back then. However, there’s no real reason to grab the Switch version if one already owns any of the others. It’s still tasty enough, but a little short on the new.

By discarding all of their attempts at being the ‘serious, mature’ version of EDF while maintaining their passion for storytelling, Yuke’s has created something truly special in World Brothers 2. It’s a game that embraces the absurdly over-the-top nature of the franchise while offering a story that increases the player’s emotional investment — something that the main series, with its apocalyptic stakes and angry space gods, has never managed to accomplish. Does that necessarily make it the best in the series? I don’t know if I’d go that far – but I can say that it’s the most player-friendly by far, and a perfect jumping-on point for anyone curious about gaming’s most epic action.

I haven’t even scratched the surface of what the slot machine has to offer in terms of winning strategies or clever tricks, as there are countless items to unlock, game modifiers to equip, and just more to play. In a decade where certain titles toe the line between gambling and games, CloverPit performs that dance beautifully and produces an unforgettable roguelite experience as a result — it’s a delight, and one of the most delightfully frustrating things I’ve played this year.

The Spirit Lift won’t be a game for everyone, but there’s joy to be found for players who might like a smaller bite.

So, while this offering is missing options relating to customization and the netcode is just acceptable rather than industry leading, this is still a fighting game that has absolutely stood the test of time. It feels as fresh now as it ever has, and while it may not be Virtua Fighter 6, having an active Virtua Fighter online scene in the modern era is absolutely priceless.

Even if the narrative comes off like an awful TV show, Riders Republic remains a phenomenal, open-world extreme sports title that sets itself apart thanks to accessible controls and a large number of sports to choose from. It’s done serious damage to my productivity over the last few weeks, and for the first time in a long time, I’ve found a massive triple-A game that genuinely prioritizes player enjoyment over anything else.

A peerless piece of fanservice wrapped around a pretty enjoyable brawler, and the developers' love of the subject matter shines through as brightly as the sun.

It's no easy feat to invigorate a genre that has remained fairly set in its ways for the last few generations, let alone do it with the imagination and energy present here.

All in all, Lego City Undercover still ranks as one of the all-around best LEGO games I’ve spent time with, and while I’d recommend it to any fan of the series, that goes double for kids who crave some open-world GTA-style screw-around action without any of the questionable stuff that makes parents raise an eyebrow. I’m glad LCU finally made its way to a console besides the WiiU, and I’m guessing a lot of other people will be, too.

For players accustomed to modern affordances and styles of play, Moon may be a challenge to get into. Its graphics, a mix of Claymation-esque renders and spritework, have not been updated, and neither have the more tedious aspects of its gameplay. Even so, there’s something moving about inhabiting this world, loving the weird denizens, and bringing them what happiness we can. And isn’t that the way it should be? If goodness and love win, shouldn’t they win with goodness and love?

While the fourth chapter disappoints with superfluous wrapup and temporal confusion, the three other chapters of The Lion’s Song offer engaging tales of creative struggle and triumph. In their best moments, they convey the sense of being in a city enjoying the full bloom of artistic and intellectual development, where new sciences and new approaches to art might connect and transform each other, and that’s a kind of excitement games rarely capture.

Ultimately, Pure Pool is exactly what its name suggests, for better and for worse. Players that buy into its fascinating shot presentation may find it enough to overlook the otherwise-flat experience. For everybody else, it will likely be an all-too-quick scratch off the eight ball.

Aside from the misstep of the stunted co-op mode, every other aspect of Etrian Odyssey III has been vetted and manicured to ensure that the game provides the highest quality dungeon-crawling conceivable.

Even with this one shortcoming, Skyrim VR is a triumph. While I’m nowhere near completing the campaign, I haven’t found a single quest, threat, or objective that’s more difficult to deal with in VR than it was in the old Skyrim. It was already a wonderfully deep world to inhabit before players could freely explore it from within, and the developers have proven that a fully-featured action RPG can work just as well (or frequently better) in VR than it ever did on a flat screen.

I hate Monster Rancher. No other series turns me into such a complete vegetable, helpless to do anything but sit in front of my PlayStation 2 devoting hours upon hours the way this one does.

It's a tossed salad of good ideas and cliché concepts that veers wildly between extremely polished and inexcusably sloppy.

Solo is quiet and playful, with bright colors and a soft art style designed to charm the player into a sense of security so that they’re more willing to divulge their true feelings. It doesn’t offer the deepest or most revelatory personality analysis, but as a tool to make players stop and consider the value they place on romantic relationships in their lives, Solo is a stunning success.

Although there are some interesting ideas here and the Vita could benefit from a title like Soul Sacrifice, everything rides on how good the core game is, and to me, it just doesn't hold up.

Would I recommend Strangeland? Yes I would, especially to players willing to expand their boundaries and go beyond the general concept of what a videogame story is. The obscure, allegorical journey of the Stranger is not a typical adventure game for fans of the genre, but ultimately an experience that will amply reward those who come to it with an open mind. Will it prove as enduring as the great literary works? Only time will tell.

That aside, I think it's fair to say that A Crooked Mile is a more substantial chunk of content than Smoke & Mirrors was, and I'm eagerly looking forward to seeing what happens next.

Thanks to a colorful art style and enjoyable gameplay, Little Kitty, Big City is a delightful spiritual throwback to games of yesteryear, and I hope more titles follow its example.

While it may not rewrite the rules of mascot platforming, Pac-Ma World 2 Re-Pac understands the formula of the genre. It’s a bubbly, colorful, and entertaining ride that will satisfy both fans of the original and anyone who has a deep nostalgia for the era of gaming when action like this ruled.

The lack of half-naked men aside, it's impossible not to see what a superior, rewarding effort Dragon's Crown turned out to be—it looks great, it feels great, it's smart and deep, and it utterly revitalizes a genre that went stale years ago. Without overstating the case, this game is a must-play tour-de-force that surprised the hell out of me, and I couldn't be happier about it.

Lost Orbit can't make up its mind about what it wants to be, and the result is neither a touching tale of survival nor technically-compelling arcade-style action. It's not a bad piece of work and would certainly shine with better integration of its elements, but design confusion is its most notable characteristic, and that's not a good place for a game to be.

Of course, all of these problems are present in other games where I have not minded them so much, but Metro 2033 is such a short, focused experience that the cumulative impact of its flaws is significant.

Fundamentally, Resident Evil 3 is two great chase scenes, four awesome boss fights, and a bunch of mediocre filler to make up the rest of the running time. It’s a magnificent, breathtaking ride the first time through, but once that initial ride is over, it becomes a competent zombie shooter and little else.

Its goals and identity are crystal clear, and the developers stick to them... [and] it takes full advantage of the PSP, not only by replacing raw horsepower with style and finesse, but also by keeping in mind that portable games should be different than console games by their very nature.

Sniper Elite 4 is the best sniping game I’ve ever played, and is absolutely the high point of the series. This is a perfect example of what can be achieved if a developer understands what their game’s potential is, and never stops working towards it. Rebellion has made huge leaps forward with every new entry in this series, and they’ve finally reached a point where the results are flat-out incredible. I can only imagine the great things they’ll accomplish in the future.

All in all, the game does a phenomenal job of weaving its tale of murder thanks to a fascinating plot and riveting character interaction that kept me coming back for more. Even though the risk of annoyance thanks to repetition is high, players that love a good puzzle shouldn’t miss this one. The Sexy Brutale feels like a love letter to fans of classic Whodunit novels, and in my book, Lafcadio Boone’s adventure is a must-have addition to any Adventure player’s library.

While some of the reaches Fabledom takes end up a little empty, there’s no denying that it remains a friendly, streamlined, indie take on city-building that not only offers quite a bit of charm, but would also be a great place for a genre newcomer to get their feet wet.

Should this collection exist? I’m not sure. Am I glad it exists? Absolutely. Disney Classic Games did a great job of bringing two past greats to modern platforms. Although I wouldn’t recommend it to those with no nostalgia for the originals, I’m confident that those who remember them will appreciate this trip to the past. Now excuse me as I blast the volume to Be Prepared and start a fresh no-rewind playthrough of Lion King — I’m a masochist.

Though NHL 18 is a solid, enjoyable title that will likely appeal to old and new hockey game fans alike, there’s little innovation on display — the developers only deliver minor improvements and necessary tweaks. In order to make the series relevant again, EA needs to find a way to revolutionize the gameplay. It pains me to say, but it’s not 1994 anymore and expectations have changed. As much as I enjoyed my time with NHL 18, I would rather see the series get benched for a few years and come back with something truly new rather than another installment of more-of-the-same.

Nostalgia and fond memories aside, Super Monkey Ball Banana Mania delivers an experience that’s always been amazing, and now it comes complete with a fresh coat of paint and a bunch of extras. To any one who hasn’t yet tried these titles, I say… Go bananas.

Hot Wheels Unleashed 2: Turbocharged is the right way to follow up on a good idea. Expanding on the great things the first one did, this sequel adds more vehicles, more events and a story to make it one of the most unique arcade racers on the market. For those who haven’t had enough of toy-based racing this year, they should look no further than this one.

Aside from that though, the original Dragon's Dogma was one of the better role-playing games to come along in quite some time when it originally debuted last year. Dragon's Dogma: Dark Arisen is the very same game, only better, stuffed with even more content, and cheaper to boot. Now's a perfect time to dive in for new players, and those who've beaten it already will find a nice new challenge in Bitterblack Isle alongside some additional goodies for carrying over their save as a loyalty bonus. It's a game that keeps on giving, only with a bit less Dangan.

As a fan of these kinds of games, I can say that Remnant: From the Ashes is a type of soulslike that I would have probably passed over in favor of something more traditional, but after giving it a fair shot I’m glad to say that it’s the successful spin on the genre that I didn’t know I wanted.

Grey Goo feels like a complete RTS package, built to spec in a time when enthusiasm for the genre is at a low. It helps show there's life yet in the formula pioneered by the likes of Command & Conquer and Dune, and while it might not have the weight to stand up against the likes of Starcraft 2, its own place in the contemporary strategic constellation is secure.

Despite my complaints, this first installment of Hitman shows that IO seems committed to bringing the series back to the sort of rich, complex gameplay it's known for.

La-Mulana EX has the unusual problem of being too smart for its own good—it's too wearying to enjoy, but difficult to shrug off as a poor project. Let's split the difference and call it a six out of ten, and hope that anyone else brave enough to venture into these ruins has a higher mental capacity for this sort of thing than I do.

It's a shame that Makai Kingdom has gone largely unnoticed, but as long as Nippon Ichi keeps turning on games of this quality, I'm going to keep on supporting them.

Although I absolutely love the aesthetics and concept of Headlander, the non-combat gameplay is only fair, and it’s brought down further with too much combat detracting from the things it does well. I was interested enough to stick around and see how things turned out at the end, but there were definitely a few times when I walked away and took a break out of annoyance. Like so many other examples before it, Headlander is another could-have-been that just doesn’t play to its strengths.

In the end, Toukiden 2 comes as a nice surprise. It improves upon the decent original in many different ways that make sense, and most of these changes ensure that smashing boss after boss doesn’t feel anywhere near as repetitive as it did in the past. When I was done with the first Toukiden, I was completely burned out and desperate for a break. After finishing Toukiden 2? I’m raring for more.

Dreamfall: Chapters is the finale that this trilogy deserves — the story is top-notch, anyone coming to this with no knowledge of the previous entries will still be entertained, and longtime fans will get to finally walk away content – if not a little sad – that The Longest Journey has now come to an end.

Hands down, Door Kickers: Action Squad is one of the best games to come to the Switch this year. Every inch is well-designed and smartly tuned, it stays challenging (but fair!) and fresh from start to finish, and there’s enough meat on its bones to satisfy anyone. It even does co-op, to boot. Simply put, it is the total package and a must-buy for any Switch owner craving 2D action.

In many ways, Death of a Wish is a victim of its own ambitions. With so many moving pieces it certainly kept my attention, but I kept waiting for those disparate parts to coalesce into a more focused whole – and that moment never came. What’s left is a title with an abundance of great ideas that are hampered by having to share the stage with each other. Each aspect is strong in its own right, but ultimately the aggregate falls short of its potential.

The Oracle continues Cognition's pattern of uneven episodes. It cleverly uses Erica's powers to get around a major storytelling problem, and in that respect it's a great success. On the other hand, the tight quarters and indifferent puzzles make the game less interesting to play than its predecessors, while the dumb, unpleasant characters make it a less enjoyable story.

Dawn of War III isn’t a bad game — it’s just not a good one either. By trying to chase what’s popular, Relic lost a lot of what made this series so great in the first place. With the promise of more factions to come, there could be more to this game a few months from now, but as it stands right now, it’s too basic to dance at the ball.

That being said, Tera is in surprisingly good shape for a game so early in its life cycle. The journey to level cap is mostly entertaining, endgame content is available, and the core gameplay elements are solid.

Although it asks some weighty questions and fails to answer them through its limited narrative, Hue is best enjoyed for its color-swapping puzzle mechanics and austere visual design.

Very polished and thoroughly enjoyable. But for a game that was subject to so many delays and such high expectations, it's disappointingly limited in scope and is sorely lacking innovation or refinement of any kind.

My only major knock against Furi is having to repeat tedious bullet hell sequences during some matches, but otherwise I enjoyed the physicality of the duels. And to my surprise, the story actually comes to a head in a fairly satisfying way at the end. Overall this is a win for The Game Bakers, and I’d recommend Furi to anyone who appreciates demanding (but fair!) action games.

With its uniquely approachable structure, highly-polished details, and a laser-sharp focus on fulfilling its own premise, it's a title that I'm glad to recommend to both adults and children alike.

Trauma Center's developers need some serious interventional design therapy before the series's prognosis degrades beyond hope of recovery.

It feels a bit petulant to complain about the plot, though.It's clear that the real focus of Attack of the Friday Monsters! A Tokyo Tale is to immerse players in a bygone era of innocence which I'm sure reflects the personal experiences of the development team, and I can certainly appreciate it for that.

With a fantastic combat system and quality content in all other aspects, Star Renegades is stylish, accessible, and innovative, making it one of the best turn-based roguelikes around.

If GNOG were five dollars cheaper I’d put it up as a can’t-miss PSVR experience and a solidly diverting PS4 puzzle title. As it is, however, I’d warn that it really is just an hour long, and ask how much money players are willing to spend on such a brief experience. It looks and sounds great, and it really is the kind of light puzzle experience that all ages can enjoy, but it’s definitely over too soon.

Warriors Orochi 3 isn't likely to change anyone's mind about Omega Force's flagship series, but it's undoubtedly a fan-pleaser of the highest caliber, and an excellent entry point for those who might be curious about the Warriors series.

Ultimately, while Legend of Heroes: Trails of Cold Steel is a solid JRPG sure to be enjoyed by fans of the genre, it must be said that it doesn't break any new ground.

To its credit, the sound design of Dark Train compliments its engaging presentation to create a fully realized mechanical world, and a dense soundscape that is as effective and oppressive as the dreary and haunting visuals. Along with the strong art design, Dark Train provides an evocative, beautiful, but ultimately alienating experience. It’s slow and confusing in all the wrong ways, and provides no payoff at the end of its painful, frustrating adventure.

In the end, When the Past was Around is just… okay? It’s a short experience that never goes for big moments, instead remaining quiet and subtle throughout. Sadly, the short length and simple play don’t lend itself to more than one playthrough and, after the credits rolled I found myself shrugging instead of brooding.

With this return to the world of rally racing, Codemasters has delivered something special with EA Sports WRC. It’s rock-solid and jam-packed, and I’d expect any gearhead to get lost in it for hours. Rally fans rejoice!

Ultimately 3D Dot Game Heroes does exactly what it sets out to do. It's a nostalgic look back at the classic Zelda games sprinkled with some commentary on gaming history, and a great example of retro gaming done right, even if it does keep the flaws along with the goodness.

Volgarr the Viking is an amazing accomplishment. Its developers have taken the skeleton of a classic title and transformed it into the greatest game the 80s never produced.

Descenders is a great experience, and the only thing that makes me scratch my head is why it’s in the Game Preview (a.k.a. Early Access) section. The title is both stable and fully-featured enough for a proper release to seem perfectly reasonable, and I’d like to see it in the main store page instead of relegated to the section that suggests a promising but incomplete product.

SCHiM is built around contrast — light and dark, youth and age, harsh reality and naïve whimsy. Unfortunately, this dichotomous nature leaks into its mechanics, leading to an overall sense of inconsistency. The moments of touching beauty and joyful movement it sometimes creates stand in stark opposition to the frustration and confusion when play breaks down. This juxtaposition doesn’t make SCHiM a failure, but it casts a shadow over the experience that’s hard to see past.

Fuelcell Games displays a savant-like grasp of the material they've created, and the result is easily one of 2011's best games.

It looks sharp and it may be perfectly serviceable, but with all of the other interesting things happening in video games right now, something as surprisingly soulless and rote as Crysis 3 has absolutely nothing to recommend it.

Although it’s a bit short with only four levels, two difficulties, a weekly challenge, and an online score attack leaderboard, it’s right in line with what I’ve come to expect from an arcade-style title, and in its favor, it’s a rather refreshing take on the ‘shooting gallery’ genre that is quickly becoming stale among VR offerings.

To be clear, I wasn't expecting a complete game from D4—the episodic model guarantees a certain amount of waiting around on the part of the consumer—but this doesn't even feel like a complete episode.

Kingdom Hearts HD 2.8 Final Chapter Prologue is a brilliantly odd release. Newcomers to Kingdom Hearts may be put off by the complexity of the stories they’re thrown into, but Dream Drop Distance and A Fragmentary Passage are accessible enough via sheer gameplay alone. Really, it’s just puzzling why this title gets released first when Kingdom Hearts 1.5 + 2.5 Remix (a much more substantial and sensible package) is only a couple months away. In the meantime, this package makes for a promising start before Kingdom Hearts III.

In its current state, Destiny feels unfinished and unfocused, but I imagine that things will be looking quite different in a year's time.

On paper, this should be the most boring, simplistic game ever: The player tosses a paper airplane, the end. However, the reality is surprisingly more engaging than it sounds.

Unto the End first appears to be an attractive cinematic platformer that gets a lot right with rich atmosphere and simple graphics. However, it’s ultimately let down by the darkness of its environments, irritating trial-and-error gameplay and an overcomplicated combat system.

So LawBreakers is easy to recommend to those with nostalgia for the arena shooters of the late ‘90s. Its less-than-alluring presentation hasn’t exactly earned the game a massive following, so when I say as someone raised on Unreal Tournament that this is the real deal, I hope someone heeds my advice. LawBreakers deserves a chance.

Atlus has got themselves one hell of a spinoff.

However, the overall design and experience of Spec Ops: The Line is too heartbreakingly conventional to do anything more than wander distractedly towards the general direction where new ground might be broken.

Ballionaire earns its modest asking price many times over. It’s not earth shattering or genre-defining — it’s just amiable brain nourishment, on demand, any time, and as effortlessly enjoyable as a piece of chocolate or an ice cream cone. Thoroughly recommended!

It doesn't re-invent the wheel, but it does provide a solid football experience.

Playing through Grid Legends’ story mode was a treat — at times I felt like I was a part of a real team with drama and stakes. I would have liked to see it expanded, but the driving is really what players are here for, and in that regard, Grid Legends is a real winner.

Röki’s castle segment isn’t catastrophic, but it delivered far less in narrative impact and far more in adventure-game twitchiness than the forest, which was almost perfect. In the woods, Röki is a delight, blending whimsy and sorrow into a splendid modern adventure. In the castle, it is simply ordinary, and as a result of these two unbalanced halves, Röki never quite delivers on its early promise.

Less of a platformer and more of a straight puzzler, Toki Tori 2 is right up the alley of those that love games requiring unconventional thinking. Its easy controls and basic gameplay ensure that anyone can pick it up and try it, while its difficulty curve, frequent sticking points and general lack of explanation means that only the most determined will finish it.

There's a lot more to be said about Dokuro than what I've already written-I could talk about the wonderfully elegant art style, the charming character design, the ability to skip difficult sections, or the way each level is broken down into bite-sized chunks perfect for a handheld game, but I'd just be reiterating the same thing I've basically been saying all along-Dokuro is brilliant, and by far the best puzzle game I've played in quite some time.

Scourgebringer will be manna from heaven for players craving a fluid, smooth roguelite with hair-raising action. While I wasn’t crazy about graphics and the relative lack of freedom in building my character, I kept coming back because of how it all came together when I found a good groove. With a more distinct art style and some tweaks to the controls, this could have been a real classic.

Rather than trying to beat the giants at their own game, Airborne Kingdom carefully selects its core tenets and takes flight without getting weighed down by steep difficulty or stressful play. It might not be the kind of city-builder one comes back to again and again, but I enjoyed my time floating above it all.

It's not perfect, but gamers looking for a title that features lots of quirky humor and some decent gameplay will definitely find both of those things lurking in these Shadows.

Honestly, I’m glad The Legacy of Kain: Soul Reaver 1&2 Remastered exists. I know longtime fans will rejoice at playing on newer hardware and the story is still to be relished. I am truly hopeful that this reappearance will entice a new generation of fans and perhaps inspire the creation of a true finale for the series overall. As for me, I’ll be content with my memories of playing these games new, as I find them too frustrating on multiple levels to genuinely embrace them today.

On the whole, Resonance is serviceable entry in a genre where very few games are being made. The plot's not stellar, but it's still pretty good. The animation was fluid, and some of the scenes are quite gorgeous. The music also does a good job of setting the mood for the various locales and situations. Despite how harsh I might be, it's solid enough for being a ten dollar indie title and I do recommend checking it out for adventure fans.