Although it needs a few tweaks here and there (like a way to quickly reorganize when every Kefling is employed, or some kind of shortcut when transferring goods from one shop to another) it was great to be able to sit back and relax with something without fear of being picked off by snipers or a constant need to manage my supply of health packs.

Sure, the offline mode can get old fast, but arcade racing fans with an internet-ready PS2 will find that the title's playability grows almost exponentially when experienced with a group of other human beings.

Those two minor criticisms aside, Shin Megami Tensei: Devil Survivor Overclocked is a brilliant game made all the more notable as many of today's games shift towards Hollywood-like narratives.

As it stands, it's a great premise that struggles to deliver a compelling experience thanks to spending far too much time on crafting and not nearly enough on humanity.

It's not a great game by any means, but there are much worse ways to spend an afternoon than making jets explode.

My hat is off to Terminal Reality... they may have just created the best movie game of all time.

For players who click with these characters, Oxenfree offers between four and six hours of walking around and listening to them hash out issues in their lives. I congratulate the developers on the quality and production of the dialogue, but as a whole, Oxenfree is a weightless slip of a game that left no lasting impressions.

Not only is Dead Rising 3 a must-play for anyone who's ever enjoyed a zombie game, it accomplishes a task I would have thought impossible six months ago - it's a launch title that makes buying an XBONE worth the money.

Ultimately, the thing about Hell is Us that ties it all together is the title. The combat and exploration are merely a distraction from the real conflict happening in front of the player’s eyes — humans on both sides of the civil war (and those manipulating the war from behind the scenes) have committed far worse atrocities than the creatures ever have.

Lego Indiana Jones is so successful because it reimagines the films it’s based on without reproducing them.

It's hard not to cringe when a game takes such liberties with its license. The introduction of a currency system and randomly placed "stores" to buy items from seems more than a little forced in the Tolkien universe.

Headquarters: World War II is an excellent game for WWII enthusiasts and strategy aficionados alike. It provides a great amount of tools for players to use on the battlefield, in addition to plenty of options to tailor the experience to their needs. Some UI and interface issues diminish the experience a bit, it will still provide many hours of enjoyable warfare for fans of the material.

It’s easy to think that the run-based deckbuilder genre has been entirely tapped out, but Roguebook counters that notion in an instant. Though its broader narrative and post-game balance may be a little thin, everything else between these pages is incredibly rich and satisfying. By combining the elegance of tabletop map exploration with a thoughtful evolution of deckbuilding mechanics, Abrakam and Richard Garfield have found a match made for the history books.

In spite of sporadic issues with the controls and the monetization model, UFC 4 is a great fighter, even if one bases it solely on the expansive career mode. As I currently celebrate my first championship title and defending it, I wholeheartedly recommend this one, not only to fans of the sport, but to anyone looking for their next fighting game fix.

This undersea tour is quite short. I got through it in about two hours or so and was surprised by the brevity, but it’s probably better that way. No matter how beautiful it is to swim with whales or to descend into an undersea crevasse, there is precious little to do in Abzu, and it’s never particularly touching or thought-provoking. If it told a better tale or if there were more to it than swimming and occasionally pushing a button, it might have been a knockout. As it stands, the appeal of looking at pretty fish wears off in a hurry, and there’s not much else to recommend it.

Despite my issues with its tonal shifts, Altas Mugged is another solid episode with excellent acting, humorous dialog, and an ending that has me eagerly awaiting the next installment. Tales from the Borderlands is two for two so far.

Roadcraft is not a game for everyone, and it’s not even for every Snowrunner fan — but that’s what makes it brilliant for those willing to tune in, and the number of potential fans is probably larger than one might guess. So, despite how eager I am for the return of the Chosen One in Snowrunner 2, I also will be keenly watching where Roadcraft goes. I can’t think of anything in the double-A space that’s more interesting, or has more potential, than this game.

This underwhelming finale to the rebooted Doom saga would be limp enough when judged on its own merits, but the fact that the developers went back and screwed around with what made The Ancient Gods, Part One work so well is criminal. This expansion is more Doom Eternal, which should be a good thing, but turns out to be the weakest and most disappointing that Doom Eternal has ever been.

The beauty of its locations can't be denied, but it seems to be at odds with the game's core. The backstory didn't grab me, and the avatar's journey lacks internal logic or a narrative thrust of its own. Rapture coasts a long way on the strength of its visuals and score, but in a minimalistic game, production values can't mask the weak storytelling and thematic inconsistency.

It's Mega Man, and there's nothing wrong with that. I'll keep playing them as long as they keep making them, but that doesn't mean that this new iteration isn't vulnerable to the same stagnation that the original series was.

The strength of this title still remains in the decision to simulate the promotion/relegation structure used throughout the major leagues of the world.

I desperately wanted more Dying Light after choosing it as one of the year's best in 2015, but now that I've gotten it, I'm bitterly disappointed that the new content fails to build on its strengths. By shifting focus away from what it does best, The Following is a mediocre, frustrating, open-world experience that's nowhere as good as what inspired it.

It's colourful, simple to pick up and play, and only the longest dungeons at the end of the game take more than a few minutes to conquer or be defeated by. Dungelot may not be the perfect roguelite, but it's certainly close.

The concept is great, I love the aesthetics, and the goal of streamlining the RTS genre and making it more approachable is one that I can get behind. And in truth, Pocketwatch has been largely successful! However, I’d recommend it only on the strength of the multiplayer. The campaign’s lack of in-game information, AI with too much advantage, and spiking difficulty curve make it tough to embrace. Perhaps RTS vets will disagree with me, but as a mostly-console player coming to this project, it’s got to go a little further to meet me halfway.

I do love this series and I certainly didn’t have a bad time playing it, but this entry is lacking in the pizzazz that the earlier entries had. The Golf Island overworld adds nothing to the experience, and the amount of grinding to unlock new things is downright ridiculous. That said, the core golfing is still highly enjoyable, it’s nicely priced nicely at $40, and frankly, there’s no competition on the market. As such, Everybody’s Golf is everybody’s golf by default — newcomers will find it solid, but longtime fans like me might wish for days gone by.

With attractive pixel-art design, an entertaining narrative, and largely compelling gameplay, Aegis Defenders is mostly a winner. Unfortunately, the guesswork and lack of flexibility in tower implementation keeps it from being an unqualified success, though. The developers have made a valiant effort at combining genres here, but as good as their platforming is, they didn’t think the tower defense through as well as they needed to, leaving Aegis Defenders a game that gets within striking distance of greatness without ever managing to hit it.

My Brother Rabbit wants to tug the heartstrings as it messes with the mind, and it does an exceptional job of both. There’s something heartbreakingly absurd about watching a stuffed rabbit doing its best to take care of an anthropomorphized plant, but it’s the abstraction that cuts right to the heart of the situation — this is a story about children trying to process huge issues so far out of their realm that the fantasy interpretations actually make more sense. It’s challenging and touching, sweet and scary, and one of the best things that Artifex Mundi has produced. R

Despite a collection of minor technical issues, Age of Wonders: Planetfall is one of the best strategy games on any platform this year, console or otherwise, and weaves a compelling tapestry of play within every layer of its design, including tactical battles that are so good, they almost seem out of place in 4X. It may not entirely escape the colonialist trappings of its genre, but it manages to sneak in a thoughtful twist or two as it indulges in a delightfully weird sci-fi reverie.

Spaceland is a great game with a refreshingly tight approach to turn-based strategy. It’s very good as it is, but it could have been a classic if it got rid of the grind with just a bit of rebalancing.

In spite of its issues and a lack of ambition, Alwa’s Legacy is a solid, predictable experience. The platforming feels precise, exploring is enjoyable and it feels rewarding when using skills that can help navigate dungeons and defeat a deadly boss. For fans of metroidvanias or Zelda, it’s worth taking a look — just don’t expect the unexpected.

I still recommend Inmost for having a clear and heartfelt thesis, for trusting players to go along for the ride, and for providing plenty of eye- and ear-candy to keep them enthralled along the way. As disorienting and alien as Hidden Layer’s world feels, I imagine most players will be surprised by how strongly they relate to its characters by the time the credits roll.

While Mail Mole isn’t groundbreaking (pun intended), the amount of charm on display is absolutely wonderful. The visuals are colorful, the controls are fantastic, and I was more than happy to consume this gaming equivalent of comfort food. It’s definitely familiar, but fans of mascot platformers have another winner on their hands here.

I cannot overstate what a pleasant surprise it was, and I’m sure it will be for all tactically-inclined gamers like me. Every defeat only rejuvenated my interest to see how the next levels would be constructed — definitely the most remarkable ‘trick’ up Crown Trick’s sleeves. This one is a true pearl.

Fights in Tight Spaces will not be for everyone as it demands patience and expects players to fail early and often. However, it has charm to spare, the fights are satisfyingly visceral, and it’s quick to pick up and play… although difficult to master.

While not pushing the genre forward, Syberia continues to develop and expand on its established gameplay loop and continues a story that began 24 years ago. I’m sure that returning franchise fans will enjoy it, and there’s a lot to like here for those who enjoy narrative adventures and interesting puzzles — it might even motivate them to delve into the previous entries and experience the magic from the mind of creator Benoit Sokal.

Frank and Drake is an impressive feat thanks to its inventive art style alone, but the game manages to shine even more so hanks to a thoughtful story. Its approach to point-and-click based gameplay coupled with mature themes in its narrative make it a unique title worth trying out.

On the face of it, The Dark Horizon is Remnant II’s largest DLC yet, bringing a new leveling system and boss rush mode on top of the usual new equipment and remixed areas. In story and mechanics, though, it’s about as inspiring as a trip through the alien wasteland of N’Erud. Like the previous two DLC, it’s nice to have — and well worth the paltry $10 USD price tag — but I’m still hoping Gunfire Games has something juicier on the horizon.

All in all, Croc: Remastered is a lovingly crafted, updated version of a high-quality 3D platformer that should please players even without the nostalgia factor. While there are no gameplay changes or new levels, the phrase “if it ain’t broken, don’t fix it” holds true here.

I personally enjoy the combination of mechanics it’s putting together, but the reliance on RNG and the resulting soft gating to success has left a sour taste in my mouth. Diehard roguelike fans may enjoy the challenge of dungeon memorization and slow progression, but I wouldn’t recommend it to casual roguelike fans, or those new to the genre.

I enjoyed the characters, I enjoyed the strategy, there's a ludicrous amount of content, and there's even pass-the-handheld multiplayer for those into that sort of thing. Apart from the less-than-sizzling looks, this one's a must-have for any turn-based strat fan with a 3DS.

Given the Mega Man's recent treatment, I can't help but be a little disappointed to see another incomplete collection, this time omitting almost half the series. Three of the final four entries are more than worthy of being included in any kind of Mega Man archive, and we might as well throw the putrid Mega Man 8 in there. I realize that the NES era was the focus of this particular collection, but leaving out some of the series's best entries is a glaring mistake. I will always love the games gathered here, but I can't help but feel a little shortchanged.

Despite my issues with them, I still adore these games. The chip tactics scratch my deckbuilding itch, but it’s not so tactical that it requires mental gymnastics to succeed. The story is charming in a saturday morning cartoon sort of way, and I appreciate the ability to access these games again on a modern platform. Capcom missed a few tricks by not adding a few quality-of-life and accessibility settings to make the games less grindy, but the series still holds a special place in my heart.

Yakuza 2 isn't perfect by a longshot, but it's one of the exceedingly few games that makes an effort to deliver legitimately mature content aimed at, and intended for adults like me who can appreciate something a little more substantial than killing terrorists, aliens, or zombies once in awhile.

Death Road to Canada has eaten up all of my free time — my lunch breaks and evenings have been dedicated to playing just a little more and going on just one more run. While I can understand that the pixel-art style may not be eye-catching and not everyone is a fan of the roguelike genre, it’s such a strong experience that I’d recommend people even vaguely interested get past their first impressions and jump in — that car to Canada isn’t going to drive itself.

This collection is an easy recommendation for fans of the series, who will find it every bit as playable as (and far more attractive than) the PlayStation 2 versions-but it doesn't feel like a definitive edition of the games, and with its near-complete lack of a manual and insufficient in-game tutorials, it makes no effort to ease players unfamiliar with the franchise into the DMC world.

The fact that this game could transform me from a stony-faced, veteran gamer into someone's over-enthusiastic, flailing uncle who doesn't understand how controllers work is itself proof of how Sumo Digital's synthesis of sight, sound and play has resulted in a uniquely intense and compulsively playable experience.

I love the Etrian Odyssey series and Shiren The Wanderer is quite possibly my favorite roguelike of all time, but not everything can come together as deliciously as chocolate and peanut butter. The two franchises here don't complement each other in any beneficial way, and the end result comes off as ill-fitting and awkward.

The changes Kinetica introduces into the formula are so miniscule, for the most part, that only a true connoisseur would notice or care.

In essence, you've seen it all before. Unless you want to see yourself.

This self-referential back-and-forth sets this game apart from the crowded market of platformers that it mocks and imitates with equal finesse.

For players on another console or who are a little luckier with bugs than me, I’d say that The Inner World is generally an enjoyable experience with cute animations and quirky humor — I would definitely recommend it, and based on the number of times my boyfriend turned off his own game to watch me play this one, I would say it’s also good for friends to play together.

Any newcomers intrigued by the Ace Attorney concept should definitely play the original Phoenix Wright trilogy first since Apollo Justice is uneven in tone and quality, but it’s still a worthwhile entry and this remaster is both competent and fairly priced.

This season created problems and solved them, but the overarching themes of the series as a whole weren’t sufficiently addressed, and I feel as if the ending leaves too much unanswered. However, putting my feelings aside, it’s nearly impossible to hate on the final episode of The Walking Dead. It wouldn’t even exist if not for the outstanding effort from the developers and publisher, and for the sake of the fans like me, it was appreciated.

The end result of their labor is a rock-solid videogame that almost perfectly captures the dread, majesty, and sheer abject terror of Lovecraft's world. One doesn't need to have read the fiction to enjoy the game, but those who're familiar with the world of Cthulhu and Innsmouth will find the game even more enjoyable because it works on multiple levels.

Bridge Constructor Portal is a great way to introduce a newcomer like me to this surprisingly popular genre. It uses the borrowed IP well, and while not every joke hits, the fact that the dev was able to shoehorn that Portal flavor into a completely new genre is commendable. This is probably isn’t the product that Valve fans were wishing for, but let’s stop berating them and enjoy what we’ve received — turning up one’s nose at a surprise gift like this would be silly.

Assassin’s Creed: Mirage is just kinda there. It makes some nice nods to earlier installments, but the stealth isn’t as slick as it needs to be. It features a lovingly-rendered Baghdad, but doesn’t have enough interesting things going on in it. The narrative it offers is largely unnecessary, and considering who Basim is in the overall mythology of the series, that is tremendously disappointing. The only thing Mirage excels at is reminding long-time Assassin’s Creed fans of days gone by.

By focusing on Sherlock's palette of intellectual powers and limiting the amount of typical adventure game tedium, the game captures the essence of Holmes's process better than ever, and the result is the most satisfying entry to date.

Life Goes On isn’t the longest puzzler with just three worlds with around a dozen maps in each, but its unique worldview and mechanics ensure that it stands above the crowd.

No Man’s Sky NEXT was a meditative experience for me. The simple loop of landing, scanning flora and fauna, scrounging for minerals, and finally walking up a hill to experience a breathtaking vista never got old. Others may struggle with the game’s openness, and others will likely feel intimidated by such a non-guided experience. But for those craving an experience full of addictive play loops and the ability to go anywhere? This game is for them.

Loddlenaut is cute, and sweet, and extremely playable, and a very appropriate game for children. The only thing I suggest is that those kids are guided to the proper understanding that while the game accurately demonstrates just how important ocean rescue is, that it badly misrepresents the ease with which such a thing can be accomplished — and how it’s allowed to happen in the first place.

Longtime Far Cry fans might feel that the prehistoric setting is a re-skinning of the previous titles, but despite any déjà vu, Far Cry Primal remains an enjoyable, highly playable title.

The cat-and-mouse dynamic between player and adversary, so familiar by the end of the campaign yet so aggressively unpredictable every time, really does possess the texture of a bad dream, or an endless cycle that the player can never wake up from. Thankfully, the narrative’s willingness to step aside is what really brings the nightmare to life. The Beast is not used as a vehicle for philosophical musings, he is not an expression of Henri’s subconscious mind or his hidden traumas. He is brutality personified, as senseless and blood-soaked as The Bunker’s setting.

Ultimate Marvel vs Capcom 3. I’ve no doubt that it’s going to be too crazy for some players to handle, but there’s a decent amount on offer for anyone who can adapt to its hyperkinetic pace without their eyeballs frazzling to a crisp.

Pac-Man Championship Edition 2 is tough to recommend when the first game is still around. This new entry sure is a sequel, but that’s about it.

Hardcore fight fans have likely already purchased it and begun honing their skills, but for the rest of us this game won't reach its true potential for at least a few more months—and maybe longer.

Unfortunately for those returning after an absence (like me) or who are brand new to the series, Soul Calibur V does little to bring a player up to speed with the new characters and mechanics beyond throwing them into the fight and letting them wade through as best they can. Factor in the scarcity of offline single-player content, and this means that multiplayer is the only thing granting Soul Calibur V any longevity; players looking for long-term offline play will be better served with Soul Calibur IV.

A little more challenge, depth, and length with the trimming of the lame on-rails levels would have made this one a near classic. As it is, though, it's an above-average shooter with just enough variety and charm to make the familiar trip worth your time.

Virginia is an excellent example of what can be done with the medium – the director’s hand is felt, the approach is unusual and the subject is intriguing. However, “Ambiguous Story” is becoming a widespread disease in videogames, and it’s hitting the indie scene are particularly hard. While occasionally appropriate, it’s a perilous shortcut that leads too many narratives astray, and this game is a victim. I recommend Virginia to examine how it moves a player through its story, but I can’t sign off on the story itself.

Fans of the Giana Sisters likely Kickstarted this game, thus earning a copy of it in the process. However, for those who don't already own a copy, there's no way that I can recommend it without it weighing on my conscience. Giana Sisters: Twisted Dreams is simply not worth the time.

The playable aspect of Black Friday is unremarkable, its story has an odd structure, and its documentary aspect, on Switch at least, has some problems with execution. Nonetheless, 1979 Revolution: Black Friday is an understanding treatment of people and events that are all too often viewed as wholly evil by Westerners. This is a thoughtful, sympathetic showcase for a fraught historical moment that still affects global politics today.

Overall, Kaze and the Wild Masks is an exceptional 2D platformer that iterates on the systems and concepts of its forefathers to create something special. It’s a great title, and one that even the most creative minds at Nintendo should take note of.

The total package. It's not some pared-down version of game that appeared on a next-generation console... There's tons of content and diversity in the addictive gameplay.

I adore Indivisible. I enjoyed all of the characters, I appreciated how the story made Ajna reconcile with her choices, and as a fighting game player I loved the style of combat. Even though some of the hiccups had me muttering unkind words, Indivisible still sits with me as one of my favorites of 2019.

The campaign offers a good mix of classic characters, the location in which the adventure happens is unusual, the tactics are rich and the gameplay is enjoyable — if the script and voiceovers didn’t dump a bucket of hog slop all over everything, we’d be in business. Unfortunately, the narrative aspect of Naheulbeuk is truly abysmal and it ruins everything else the game gets right. In this case, a boring by-the-numbers ‘save the world’ questline would have been far, far preferable to what we actually got.

While Nemesis DLC adds some interesting twists for for endgame, it ultimately doesn’t seem to justify the add-on’s asking price. Stellaris overall already offers hours of interesting and engrossing grand strategy gameplay, but this addition doesn’t add much to what was already there.

In a fictional world obsessed with punishment, perhaps it’s fitting that victory in Blasphemous doesn’t come without its share of pains and tribulations. I can’t say that I adored every second of Blasphemous, nor can I guarantee that its conclusion will satisfy everyone, but I can certainly credit The Game Kitchen for building a universe unlike any I’ve seen in games. I’m nauseated by it, yet I can’t look away, and I certainly won’t stop thinking about it anytime soon.

Although some may claim that the single-player campaign is on the short side, or perhaps that the ability to move the camera would have been a nice addition, there's no getting around the fact that Killzone: Liberation is a better game than the original in every way and a standout title in its own right.

I thoroughly enjoyed my time with The Fabulous Fear Machine. Aesthetics and charm kept me enthralled and invested, even if the mechanics didn’t put up a challenge. The game is short enough so that players don’t have to grind for hours to see everything it has to offer. It’s perfect as something that can be started and completed within a weekend, and I highly recommend the journey.

I have to assume this is a title most anime lovers already own, so when viewed as a standalone product, there isn’t enough new here to recommend a second purchase, even for ardent devotees. However, any fighting fans or ninja enthusiasts who let it slip by last year should consider this enhanced version of Naruto Shippuden: Ultimate Ninja Storm 4 – Road to Boruto to be the definitive edition.

While it can be completed in less than six hours, it perfectly explores themes and concepts that triple-A titles still have difficulty grasping: gray morality, a poignant, thought-provoking storyline, and appealing gameplay that isn't based on killing everything in sight.

Unlike the first Völgarr (which, frankly, put me at risk of transforming into Völgarr himself, shouting “GRAH!” and wanting to throw my Switch on the floor to stomp on it) I found myself blissfully unaware of time as I played through Völgarr the Viking II over the course of several flights. Those who enjoyed the first Völgarr or other hardcore action-platformers similar to it will find Völgarr the Viking II to be a nice shot in the arm. However, without more fundamental improvements, the end result is an experience that feels more like DLC than a proper sequel.

Too much effort was spent trying to force loveable, quirky characters down my throat with all the believability of The DaVinci Code's plotline.

Sonic Generations is five hours of fun. The gameplay has more excitement than most other games I've played this year, and it sets a template that future Sonic games will hopefully pay attention to-it's just a shame that Sonic Generations, like Sonic himself, goes by very, very fast.

All in all, Duke Nukem 3D: 20th Anniversary World Tour is the perfect homage to the original by capturing the essence of the classic while adding new visuals, audio and levels. Moreover, its humorous social commentary remains a welcome presence in a current scene that is sorely lacking it

My thanks go out to whoever at Sony was responsible for choosing King's Quest: A Knight To Remember as a free Plus title. It's an outstanding piece of work that surprised me not only for being a wonderful experience in a genre that I usually avoid, but also by coming from a studio whose past work gave no clue that they were capable of such. My hat is off to the The Odd Gentlemen, red feather and all.

The gameplay, while child-friendly, is still challenging enough to keep veteran players interested.

All Quantum Break made me want to do is invent my own time machine to go back and un-play this title, so I could reclaim the nine hours I spent on it.

Five years from now, I’m not sure how much I’ll remember about The Adventure Pals. The quirky main characters will probably come to mind, but not much else. Platorming fans won’t go wrong checking it out, but it’s solidly in the middle of the spectrum — not great, not awful — and as such, it’s smack-dab in the middle of that good category that vanishes from memory.

All in all, Borderlands 3 still delivers a looter-shooter from the studio that invented looting-shooting in the first place, and anyone hungry for frenetic combat and tons of guns will find plenty to love here. It may not have the same pull as Borderlands 2, but coming in second to one of the best that’s ever been is still a great place to be.

World of Final Fantasy is a great-looking game with charm to spare and quite a few cool ideas under its belt, but it never quite nails the pacing and the excellent localization can’t save it from a pedestrian storyline jaunt through linear dungeons. It’s a reasonable option for anyone hankering for some Final Fantasy nostalgia or anyone who wants to overdose on cute and the colorful, but for everyone else it’s merely a decent JRPG with a few too many irritating lows.

It's weird, but familiar in all the right ways. I was addicted, but it did drive me batty.

There’s not much else to say about Kero Blaster. It looks cute, it’s simple and easy to play, and it’s put together well. For people who want a brief distraction that doesn’t require much time or commitment, this fits the bill and feels right at home on the Switch. I won’t turn down filet medallions if they’re in front of me, but a good ham and cheese can make me just as happy.

If The Siege of Spinner Cay has a weakness, it's that the game's secondary characters aren't as rich or as interesting as they were in the first installment.

All in all, Turtle Rock Studios’ latest effort is a solid, well-polished co-op shooter with only few blemishes, and some minor tweaking could transform it from a good game to a great one. With more content incoming and the card system offering new and fresh twists, Back 4 Blood is one I expect to be playing for a long time to come.

Expeditions: A MudRunner Game is the sort of daunting, technical adventure that can be humbling at times, but for those who can pick up on its rhythm and learn its brand of skillful driving, this might just become the best podcast game of all time.

Still There is slow and it takes patience to get through the introductory sections, but after players have settled into the world and lived in Karl’s skin, it does an amazing job of telling one of the most touching stories I’ve seen in ages.

When it’s on, Arms is a blast, and it feels like no other fighter on the market today. That traditional Nintendo charm is all over this thing too, from the sharp presentation to the terrific character designs and instantly hummable theme song. This first endeavor leaves plenty of room for improvement, but I’d love to see Arms become a mainstay on the Switch.

The combat’s solid aside from certain encounters where the lack of defensive tools causes frustration. The variety in boss battles and unique encounters runs the gamut between being thoroughly inspired and soul crushingly insipid, and even the overworld where odd jobs happen is cute in a retro way… while ultimately feeling more pointless and lifeless than it did in the original. In short, No More Heroes 3 often falls short of its true potential, but that’s not to say that it never shines.