Martha is Dead starts off strong, with an intriguing story amid a tumultuous backdrop, and a main gameplay mechanic with a ton of room to evolve. Unfortunately, the game squanders every opportunity it has to develop its story or gameplay in interesting ways, instead relying on overplayed tropes and unnecessary mechanics. While Martha is Dead's disturbing imagery might not deserve censorship, its creators betray the trust that it asks of its players, ultimately delivering a shallow experience that does more harm than good.

This strategy RPG is a clever way to let fans of the Sega, Capcom, and Bandai Namco library jump into their favorite worlds with ease since the events have little to no bearing in the canonical continuity. The cast is pure fun but is soon overwhelming, where normally standout characters can hardly get a word in on the already impenetrable narrative.

Tri Force Heroes is a Zelda game in name only. When you dig just past the surface, poor gameplay mechanics and key missing elements for a Zelda title tarnish what is otherwise a serviceable adventure game.

Solid action-RPG gameplay is elevated by the meta-puzzle that is the game’s branching storylines. The entertaining trial and error of trying to find the one “good” ending channels Choose Your Own Adventure books, and lends itself to a story that you’ll love playing again and again.

Lego Marvel Super Heroes 2 is easily the largest undertaking, outside of Dimensions, for a Lego game yet. More characters and more worlds to explore are punctuated by a humorous story that’s enjoyable for gamers of all ages. Increasing the scope of the Lego games has opened the door for some less than enjoyable bugs to sneak their way at times, though.

5th Cell does some remarkable things with the still-evolving cover-based shooting mechanic, but Hybrid is ultimately hindered by lingering matchmaking issues, dumb AI companions, and limited multiplayer depth.

These challenges fall into four different mission types: stealth, combat, mobility, and puzzle. Some are a lot of fun, but some are just time-wasters. For $5, the value is here, but this isn't the Dishonored DLC that fans really wanted.

Katrielle Layton takes the stage as a brand-new puzzle-solving star. With twelve short cases to solve, Katrielle’s adventures are ideal for those who want to solve a quick puzzle, though somewhat lacking for fans that enjoy the build-up and twists of past Layton games.

Get Even is better as an experience than as a game, but it’s an extremely evocative experience. Even still, what could have been a completely unique gaming experience is hampered by its desire to be a more action-oriented, generic thriller.

The Surge’s engaging risk/reward combat system and obsession with gear will compel you to want to fight your way through a cataclysmic sci-fi hell. But the repetitive enemy types, uninspired visual design, and unfortunate lack of polish leaves the game feeling soulless.

Despite my dislike for the Star notes that have been sprinkled into its gameplay, Project Diva F remains a fantastically fun music rhythm games for those hardcore fans of computers singing about being a cat.

While I’m still not a fan of Killer Instinct’s dial-a-combo mentality nor its eclectic cast of characters, Double Helix’s efforts to bring the series back from the dead are commendable—and while some mistakes were made along the way, this is probably the most interesting and enjoyable the franchise has ever been.

Some long-forgotten issues from way back in the day crop up again in this throwback action-plaformer, but even if you aren’t playing it through the nostaliga of someone who grew up with Banjo-Kazooie or other adventures like it, you’ll still find a solid game to play in Yooka-Laylee.

Unexpectedly, First Light’s story campaign ends up being its weakest link. Compared to the depth and replayability of the score-driven combat arenas, Fetch Walker’s origin story proves to be a bit of snoozefest, especially in the context of Second Son’s respectable storytelling and mission design.

In terms of size and scope, Freedom Cry is paltry compared to the main adventure of Black Flag. But its story is easily the most powerful, poignant tale we’ve seen from the Assassin’s Creed universe, and that alone makes this story DLC worth checking out.

The Star Wars Battlefront name is holding strong, but if this is set to reboot the franchise, they could have packed a little more meat on its bones.

While it’s an unabashed Left 4 Dead clone that never extends beyond the conservative concepts and budgets that obviously constrained its development, World War Z offers up an enjoyable adventure that at times does a lot with the little it attempts. No matter whether playing the co-op campaign or competitive multiplayer, there’s enough good to the game to make the bad not feel as bad.

Agents of Mayhem is one of those games with so much potential that just doesn’t quite reach the heights it probably could. That being said, it’s exhilarating combat and unique character system have me looking forward to a more polished, more fully conceived sequel.

This inventive and unique puzzler is so much fun for the price that a few irksome late game flaws can be forgiven.

One of those games you'll either love or hate. Some folks will be able to look past the gameplay flaws and appreciate the Platinum-y goodness, but more serious fighting fans will probably wish for a more defined, discernible battlefield. I tend to side more with the latter, but I managed to have some occasional fun despite my frustrations.

Desta: The Memories Between can’t quite figure out how to make the most of its odd genre mashup. Though the individual elements are solid, a lack of commitment to roguelike randomization in the single mode available at launch means the systems don’t really mesh together how you’d expect, and the replay value suffers as a result.

While I still don’t know that the world needs dancing games based off of the Persona series, it’s obvious that Atlus could do way worse than Persona 3: Dancing in Moonlight and Persona 5: Dancing in Starlight. Both games show clear effort in terms of visuals and animations, and if there’s any RPG franchise with soundtracks you’d want to groove to, it’s Persona.

Excessive button-mashing, constant quick-time events, drawn-out battles, an awkward balance between offering exploration while also being linear—those are elements that need some real rethinking and reworking if they’re to exist in upcoming portable chapters of Castlevania, or they’re elements that need to simply not exist at all.

Much like the “Roaring Thunder” weapon, Dead Rising 4 banks on nostalgia and humor. While not much new exists in the beat ‘em up genre, this title has a lot of fun moments, delivering an enjoyable return to a zombie-infested Willamette.

Even after 8 years, the Rage series is still having an identity crisis. It has all the signifiers of an open-world game, but it lacks the overall narrative that makes the world compelling, and its best bits—that is, its gunfights—take places in either small, complexly designed arenas or in hallways, like a linear shooter. The greatest irony about Rage 2 is that it might have been an even better, more interesting game if it was more like the first game with a fresh coat of (pink) paint. What it is now is just a bunch of sound and fury, which can be fun for a while, but it’s ultimately an empty experience.

Strikes the perfect balance between narrative exposition and gameplay. With expert pacing, the game offers an engaging cyberpunk story blended into a solid action-adventure that’s equal parts brawling and platforming. Remember Me utimately delivers the whole package—a very pretty, very pleasurable, very engaging gaming experience.

Final Fantasy Type-0 is a welcome release in the West, as we finally get the chance to experience one of the more experimental and enjoyable additions to the Final Fantasy franchise in years. It’s just a shame that some of the game’s concepts feel outdated or underdeveloped compared to its other parts—and that Type-0’s journey from the PSP to the new systems hasn’t done its visuals or environments a lot of favors.

Though its graphics are a bit dated and it’s not going to revolutionize the genre any time soon, Tales of Zestiria is a solid, anime-inspired RPG with a new twist on battling, a fun story, and a great central idea that pushes the Tales franchise forward.

Another fun twin-stick-shooter romp for Lara Croft, Temple of Osiris finds a way to go bigger and better in most regards, but four-player co-op was just too much on my TV screen—this one would’ve been better off with only two main characters instead of four.

Killzone; Shadow Fall – Intercept mixes some new twists on the Horde idea with some great team-based gameplay, but its lack of content volume and overall options unfortunately dull some of this new mode’s shine.

Although a bit short and repetitive at times, the fast and frantic action of Matterfall is a delight if you prefer your gameplay more arcade-y and your goals to be focused on high scores and conquering leaderboards rather than saving the world.

NBA Live 18 has improved in almost every way over its predecessor, making a strong case for its continued existence. However, a lackluster franchise and a sense of been-there-done-that with that other basketball series puts Live 18 one step behind the competition.

A solid sequel to the original, Yo-Kai Watch 2 opens up to the wild world outside of Springdale. With even more wild and wacky Yo-Kai to befriend and the added benefits of Internet connectivity, Bony Spirits and Fleshy Souls stretch out to a wider breadth than ever before—though perhaps a slightly shallower depth.

Pid feels like the indie game equivalent of paint-by-numbers. While it does an admirable job aping the style and atmosphere of titles like Braid, Limbo, and Machinarium, the entire experience winds up hollow, overlong, and ultimately forgettable thanks to awkward pacing and a gameplay gimmick that isn't quite as versatile as it needs to be.

Though there are many parts of Mirror’s Edge Catalyst that fail, when it manages to fire on all cylinders, the game works quite well. However, those moments are separated by dull stretches, frustrating bits that detract from the game’s greatest assets in order to focus on fighting and story conflicts, neither of which I cared about. I’ve dreamed about the many possibilities a next-gen, open-world Mirror’s Edge title could bring since Catalyst was announced back in 2015, but I never thought the end result would be so limiting.

While it never truly feels like it reaches its full potential or the promise Undead Lab’s ideas hold for the genre, State of Decay: Year-One Survival Edition is still a fun, fascinating take on the tradition of zombie-apocalypse games that’s worth playing for hardcore fans.

A big step forward for the series, WWE 2K16 is still some polishing and a new submission system away from being Hall of Fame material, but should make a nice living as a stop gap in your library before hopefully bridging the gap to a bigger and better game next year.

Rain is a creative and charming adventure that provides a refreshing set of twists beyond what we’re used to. Nearly everything it does it does with a sense of style and grace, but it’s also easy to feel as if Rain’s ideas could have been fleshed out even more had the project had a bigger scope to it.

The concepts and challenges of NiGHTS into Dreams HD make it a game that not everybody will be able to appreciate-but for those that do, this is a great way to once again experience one of Sega's most curious yet creative moments in game development.

I don’t think Max: The Curse of Brotherhood is devoid of value, but I certainly don’t think it’s something to rush right out and buy—unless, as an Xbox One early adopter, you’re content with a passable platformer that possesses a handful of quasi-memorable moments to tide you over until Titanfall. And for anyone jonesing for a platformer, Max represents only a quick, short-lived fix.

It may be hard for some to fully appreciate the three games that make up Sega Vintage Collection: Monster World, but for those who can, you'll find a wonderful world of retro adventure awaiting.

The daring, deeply personal story is more than enough reason to give Papo & Yo a shot, but don't expect to be wowed by the underlying puzzle platformer gameplay.

Though a few flaws do mar the overall experience, Phantom Breaker: Battle Grounds is an extremely enjoyable mix of retro beat-em-up design and modern fighting-game-inspired combat depth that offers far more satisfaction than its $10 price tag might initially suggest.

Unity follows in the original Assassin’s Creed’s footsteps in many ways as the first game in the series developed exclusively for the new generation of consoles. And, much like its ancestor, for every good thing Unity does, it adds something else that just leaves you scratching your head—giving the whole experience a hit-or-miss feel that we haven’t seen from the series in a long time.

While new armor and weapons are sprinkled throughout Destiny: Rise of Iron, we can’t escape the feeling that we’ve seen this all before.

You might not initially think that the story of a Yakuza member fighting for control of the streets of Tokyo would make a good template for a tale about post-apocalyptic warriors battling over resources (and pride), but Sega’s Fist of the North Star: Lost Paradise is the best game the beloved manga series has ever seen. While the experience does have some failings, they’re nothing protagonist Kenshiro can’t shake off.

Dead or Alive 6 is a solid new chapter in Team Ninja’s long-running fighting game series that has rarely been satisfied with just being “solid.” All of the groundwork that needed to be built here was built, but upon it was placed a mostly by-the-numbers experience that is too often just as frustrating as it is fun. While a reworking of the game could leave it in a much better place in the future (and on newer consoles), for now it’s a good release for people wanting more Dead or Alive as long as they don’t mind its value is limited.

Book of Spells is a decent proof of concept for the Wonderbook's augmented reality technology, but the rest of the experience fails to deliver anything memorable or worthwhile, quickly collapsing into an endless parade of gimmicks and dull, overly simplistic minigames.

The Liar Princess and the Blind Prince continues Nippon Ichi Software’s tradition of visually compelling games that sadly feel a little lacking in the gameplay department. This adventure of a wolf in human form leading a delicate prince through a dangerous forest could have benefitted from a deep level of puzzles and polish—and yet, in the end, it may still win you over due to its style and sentiment.

République’s transition from mobile to console is a mostly smooth one, but does feature some control hiccups along the way. The star of the show is the modern Orwellian tale crafted here, though, allowing you to look past a fair amount of technical issues.

Vampyr walks a fine line between narrative storytelling and action-oriented combat, trying to appeal to fans of both genres and mostly succeeding. Though the game lacks polish in many areas, it stars a clever morality system that entices players towards both good and evil deeds, a well-rounded web of background NPCs, and an intriguing overall narrative of an undead doctor investigating the spread of the Spanish Influenza, making Vampyr a treat for any vampire fan.

Marvel vs. Capcom: Infinite looks ugly, feels kind of cheap at times, and suffers from a disappointing initial roster—but it’s also a frenetically fun fighting game that got almost all of the things it needed to get right right. With (hopefully) a bit more polish and DLC helping to flesh out its character choices, this is set to become a worthy—if still flawed—new chapter in Capcom’s beloved fighting franchise.

Harley Quinn's Revenge is limited in scope compared to the main campaign, but fans of Arkham City should still jump at the chance to play this DLC, which adds two to three hours of original gameplay in Rocksteady's gorgeously gothic world.

If the bulk of Borderlands 2 had you laughing till it hurt, then this DLC will certainly continue that trend. A couple of balancing issues with the new enemies introduced, however, will cause some headaches and encourage you to race through more daunting areas.

The perfect Assassin’s Creed swan song on last-gen, Rogue offers perhaps the best protagonist the series has ever seen—even if the gameplay will be too familiar for the liking of some.

Too many random problems arise and detract from the main issues of the story, leaving Amid the Ruins feeling like a weird valley right before the hopeful peak of the season finale.

A powerful, poignant story that utilizes a brilliantly crafted world and movement mechanic to help get its symbolism across. Its short length and lack of gameplay depth hold the experience as a whole back, however.

The multiplayer and replay ideas that Ubisoft implemented in Steep were great, and the game looks terrific. It’s held back as a whole, though, by listless controls, a directionless world, and an always-online requirement that brings everything crashing down like an avalanche when the servers decide to act up.

Just Cause 3 may not trump its predecessor in every way, but it does excel beyond Just Cause 2 in its sheer creative freedom. The new tools and tweaks to old ones work great, it’s just up to gamers to discover how best to use them. Having so many choices you lose track of them is one of the best things any game can offer, and Just Cause 3 does so in spades.

Mega Man fans will either love or hate returning to the later entries from the franchise found in Mega Man Legacy Collection 2, but the new Challenges will give any player a run for their money and should be worth checking out.

Too often the action becomes a total slog as you fight the same enemies over and over—while also fighting the camera and lock-on systems.

Unlike the last Tales sequel, 2008’s Tales of Symphonia: Dawn of the New World, Xillia 2 is a worthy entry in the pantheon of Bandai Namco’s flagship RPG series. Unfortunately, the game’s ill-advised debt-payback system to unlock new areas and story chapters sabotages the overall enjoyment at times, and some other curious design decisions make Xillia 2 a less compelling adventure than it should’ve been.

Maneater constantly blurs the line between sadistic mass murder simulator and clever satire, while also managing to be as fun as any human-based open-world game. Chris Parnell’s narration can get a little repetitive, as can the missions, and the camera could use a little work, but it’s all a matter of context. It’s a wild reversal of ego, an experience that is both completely freeing and oppressive at the same time. Stare into the dead eyes of the shark, and the shark stares into you.

Some control improvements and fleshed out game play modes highlight the deepest WWE videogame experience yet.

Disney Infinity: Marvel Super Heroes (2.0 Edition) takes last year’s tested formula and adds new features like leveling characters, streamlined editing tools for the Toy Box, and a cast of characters straight from your favorite Marvel comics and movies. While the new Play Sets are only a modest improvement over the ones from last year, the Toy Box is even more amazing, making this the perfect place for those wanting to express their creativity.

Some hit detection problems can't hide the fact that Neon's an awesome tribute to a bygone era-and it'll bring a smile to the face of anyone who grew up playing beat-em-ups in the '80s and '90s.

Tomodachi Life is a trip into a world where your Miis live out a never-ending series of bizarre and amusing adventures. While I’m glad that Nintendo of America decided to take a chance in bringing it our way, those adventures are unfortunately tainted somewhat due to a few gameplay decisions that really should be rectified in a future sequel.

Fire may have rained from the skies and wiped out entire nations, but the action in Far Cry New Dawn is pretty much the same as it ever was, only less so. A few interesting new tweaks to the series' formula are overshadowed by a cut-rate campaign, a story that gets colossally dumb in the third act, and a resource system that feels both unbalanced and pointless.

Derivative and beset by astounding technical problems, Days Gone is a rare misfire among Sony’s first-party efforts. While the core fantasy of surviving in a world overrun with infected occasionally shines through, Bend Studio doesn’t deliver nearly enough compelling moments to justify the long slog it takes to see this mediocre story through to its end.

Take a haphazard trip through the Marvel Cinematic Universe with all of your favorite Avengers—as well as a whole host of B-level Marvel characters you may or may not have ever heard of. Gameplay is fun, and individual levels all play great, but LEGO Marvel’s Avengers fails to come together in as cohesive a fashion as the material deserves.

While certain elements will appeal to DC Comics fans, there simply isn’t enough substance here to make Scribblenauts Unmasked worth a purchase—the gimmick wears off way too quickly.

Farpoint is another perfect example of a VR game with solid ideas and spotty execution. There is a core of good gunplay and decent story, but the game quickly becomes one-dimensional in its approach, and finds a way to feel like a grind despite its short campaign.

While not fantastic in terms of gameplay, Corpse Party shines as a journey in surviving a world of disturbing horror.

Trek to Yomi is one of the most visually striking games to launch in a while, delivering on the promise that a samurai game can truly capture the look and feel of classic Japanese cinema. Unfortunately, good looks can only get you so far, as the gameplay and story don’t quite live up to the standards set by its art direction. But if you are in the mood for a samurai game, you could do worse than Trek to Yomi.

Driveclub’s social features help elevate an otherwise unexceptional racer, but the dearth of content and some curious design choices keep it from rising too high.

Easily as deep and addicting a MOBA as you'd find on the PC, Guardians of Middle-Earth should appeal to newcomers and veterans of the genre alike. Add in the Lord of the Rings flair and this should be money well spent for most gamers.

What it lacks in length and complexity, Pinstripe makes up for in narrative. It’s a compelling story set in a beautiful world full of interesting characters, and that alone should be worth a look for most—even if there’s really not much challenge to this puzzle-adventure game.

The Medium builds upon a lot of gameplay gimmicks and ideas that aren’t always used to their full potential, but when they do work, they work incredibly well. Controlling main character Marianne as she jumps between worlds is both engrossing and exciting in practice, and the game’s main location serves its job as a setting for horror masterfully most of the time. This is a game that definitely could have been better—but which is also better than a lot of other horror games that don’t take such daring risks.

Gotham City Impostors looks and feels great and adds just enough personality to differentiate it from the crowd of similar online multiplayer games.

An ambitious game, No Man’s Sky allows gamers to play space-captain across an entire universe of planets. Unfortunately, numerous glitches and monotonous gameplay options make the game frustrating for those desiring something more serious.

Detective Pikachu takes several steps away from the traditional Pokémon experience, with only a handful paying off. The beautiful imagery and distinct world-building will please any Pokémon fan, but the gameplay might leave them wanting more. While the point-and-click-style experience is a novel idea for the gameplay, it never manages to fully grab the player’s attention.

Everything is a philosophy lecture turned into a game, and if you’re looking for some new insight on life and a sandbox to play in while you listen, it’ll provide. While the game offers up hundreds of choices of objects to become, it comes at the sacrifice of everything feeling the same.

The alchemy-infused RPG known as Atelier Ayesha is much like its titular character: unpolished and at times awkward, yet also unquestionably charming and endearing.

The strong core of the Assassin's Creed franchise remains mostly intact here, but the truncated story makes Aveline's character development feel rushed and the twists much more predictable here. Liberation is solid game if you're on the go a lot, but it can't hold a candle to Desmond and his ancestors.

The graphics are sharp, with that distinctive Double Fine cartoony look, and both the soundtrack and voice work are top notch. The Cave and other voiced characters are funny as well, and while it's possible Gilbert either enlisted his friends to do the parts or picked hobos at random, they all do a great job.

There was a lot of potential for Code Vein to end up little more than a mediocre Dark Souls clone dressed in anime clothing, and yet, it’s actually kinda, sorta, pretty good. The game mixes some long-established gameplay qualities with a totally engrossing class system and a story that’s more enjoyable than it has any right to be. Code Vein won’t be for everyone, even if you’re a Souls fan, but if the overall idea sounds appealing, the execution might surprise you.

The gimmick driven combat system holds Sorcery back, as fun quickly turns to frustration after each misfire from your wand. And this is a shame given the predictable, but charming story that Sorcery tries to tell through vibrant characters and the beautiful world they occupy.

Hell Yeah! Wrath of the Dead Rabbit sits somewhere between a hardcore classic and a shameless parody, and luckily, I happen to be a fan of both. It's not perfect, but like Vincent Vega once said, "personality goes a long way."

While Fe is a pretty game with some touching encounters and spectacular views, it falls prey to its own over-complicated story and a world that, for all of its beauty, doesn’t provide much incentive to explore. Adding in a system to guide the player by the hand helps players navigate the confusing paths from zone to zone, but removes any desire to wander around or see what else the forests of Fe have to offer.

Though a bit short, DuckTales still holds up where it counts, with tight controls, fun levels, and a story like a vintage comic book. The game might be straightforward and feel a little dated, but bouncing through the Amazon, the Himalayas, the Moon, and more will have you singing the iconic theme song in your head.

A solid sequel to the original, Yo-Kai Watch 2 opens up to the wild world outside of Springdale. With even more wild and wacky Yo-Kai to befriend and the added benefits of Internet connectivity, Bony Spirits and Fleshy Souls stretch out to a wider breadth than ever before—though perhaps a slightly shallower depth.

Lollipop Chainsaw could have been something really special-had a variety of unpolished elements and outdated gameplay mechanics not gotten in the way. While this cheerleader is overflowing with heart, soul, and spirit, her sloppy execution unfortunately keeps spoiling her routine.

Like Minis on the Move, Tipping Stars won’t draw the kind of crowd Mario’s other extracurricular activities (kart racing, tennis, golf) might, but it’s no less a quality way to kill time while on the go.

Scorn is a daring aesthetic experiment in virtual, interactive science fiction. Taking inspiration from the art of H.R. Giger and Zdzislaw Beksiński, developer Ebb Software seems hellbent on giving its players a surreal, nightmarish experience, and it mostly succeeds. While combat can feel like a secondary concern, Scorn’s puzzles provide just enough challenge to keep the game from feeling like a “walking simulator.” Really, though, the main attraction is Scorn’s compelling world, a fully realized artistic vision that will haunt you for days after experiencing it.

Bugs and clunky controls can often stop an experience in its tracks. Fortunately, the beautiful world and strategic stealth of Ghost Recon Wildlands manages to overcome its hiccups usually and still deliver an adventure that is both fresh and familiar.

Maquette's core concept of puzzle solving in recursive environments is undeniably neat. But despite the handful of wow moments it enables, developer Graceful Decay ends up squandering much of the idea's potential due to pacing issues and rough edges.

The best representation of the action that happens inside the Octagon yet. While it’s not simple, the control scheme is still easy enough to learn that it takes the experience to an entirely new level as you break your opponents down standing up, in the clinch, or on the mat. With outstanding next-gen visuals, EA Sports UFC is good enough to carry around a championship belt.

Thanks to a script that shifts gears too often and too rapidly, Beyond: Two Souls never really hits its narrative stride, but David Cage’s latest effort is still worth a look if you’re a fan of his singular approach to interactive storytelling.